Hanging out at a bookstore yesterday with friends I happened to spot the book “Making Stuff and Doing Things: DIY guides to just about everything!” edited by Kyle Bravo https://microcosmpublishing.com/catalog/books/1400
This book is now in it’s 4th edition and there’s one chapter by me titled “Why Make A Zine or Artist Book?”.
Back in 2003, if I remember correctly, my work was included in the first edition. Rereading my work now in the new 4th edition I’m still proud and honored to be included! It really is a useful-in-creative-life book – I’m not just talking about my own chapter.
Here’s a teaser hint of some of the book contents in addition to mine.
And here’s a teaser page spread from my chapter within this useful book:
Sharp readers of my blog will probably notice that I’ve used one of the book-stitching techniques I mentioned in “Making Stuff…” on my current project “Time Tavern” (here’s a link to some Time Tavern posts; stitching the book here and more progress here.)
And here’s a panoramic photo of me along with Sweetie and one of our friends (the 4th friend was taking the photo) outside the bookstore Annie Bloom’s Books in Portland Oregon. http://www.annieblooms.com/
While my art exhibit is up the months of June and July at Burnt Bridge Cellars www.burntbridgecellars.com I’m starting some new art/illustration projects…. here’s my work table:
I’m working with ink and watercolor to illustrate a recipe – and to think about it…
More about this project later – my hand and arm is tired now.
I finished the artwork I was working on in my last blog post! https://sueclancy.com/2017/04/06/art-of-the-onion/ and then I applied the illustration to some things… a framed print, greeting cards and other items you can find here: https://society6.com/sueclancy
About a month ago now Sweetie and I took a cooking class (www.class-cooking.com) as a “date night out”. It was fun and as usual when I do something fun I made notes in my sketchbook. Here is one of the sketchbook pages I did during cooking class with Chef Kim Mahan.
Then I got very busy with fine art commissions and etc. freelance projects – and life.
But every time I’d cut an onion when cooking supper I’d think about our class and the valuable instructions I’d gotten about onions. Since for me drawing is thinking – I ached to draw onions and the chef’s “how to chop onions” instructions so as to think about and “visualize” them. So for several weeks now when I’ve had a spare 5 or 10 minutes I’d look at my sketchbook pages and brain-storm about what I wanted to create. After a brain-storm option had been settled upon I spent my spare 5 or 10 minutes drawing and writing in pencil on a larger sheet of Bristol paper the onion art/illustration I’d brain-stormed about. Some days I only erased pencil lines that didn’t work. Other days I re-drew pencil lines. After the pencil lines were settled in my spare few moments I’d do an ink line or two…
We’re talking quick-quick drawing work on the “onion art” then I’d go on with my day-job art projects. Every day though I did something in my spare 5 to 10 minutes to inch the onion art along.
Then today I had 20 whole minutes in a row to spare! Wahoo!! And the pencil work was done and I even had a few ink lines done – so I grabbed my ink pens, watercolors and color pencils…
Here’s what I’ve done today – as it is on my work table – I’ve a bit more work to do but it’s almost finished!
When I was a little kid I remember once telling my Grandmother “I’m bored.” She asked me to look for and find the smallest object in the house and bring it to her. After some time I found a safety-pin about 1/2 inch long and about 1/4 inch wide. She said “I’ll bet you can do better than that.” So off I went again searching. I came back with a needle. It was a bit longer than the safety-pin but much skinnier. Which led to a philosophical discussion of what constituted “small”.
I was not bored any more that day!
Fast forward a hundred years or so and I was working with psychiatrist Dr. Bob Hoke who wanted to publish a book that could be available for his patients. The question was how to “keep the young adults from getting bored” as many of them were not great readers of prose in general and certainly not of books about how to develop and maintain good mental health.
Dr. Bob was a story-teller and holding peoples attention in person was no problem for him. It was in writing where he thought he got “too didactic”. We hit upon the idea of doing a book in a primarily graphic-novel comic format. (That idea became “Dr. Bob’s Emotional Repair Program First Aid Kit” – more info is on my artist book webpage https://sueclancy.com/artist-books/)
As a result of my work with Dr. Bob on that book (and other projects) I began to focus much more on the “small details” within my fine art work as one way of communicating a story, developing a character and, yes, keeping a viewers visual interest.
So as I’ve been working towards my new book – the one that I’m thinking of calling “Dogs” – I’ve been thinking about which dogs I’ve drawn in ink that include small details, surprising details and even hidden subtle details.
“Happy” by Clancy – pen and ink on handmade paper
Doing my short narrative – poem plus illustration – practice again. Perhaps I should call it “dog drawing plus words”?
Ponder – By Sue Clancy –
There once was a dog named Ponder
Who was full of curiosity and wonder
“What’s it like in the lea?
or for people at sea?
Oh what is it like over yonder?”
Sketch and poem titled “Ponder” by Sue Clancy (drawing made with pen and ink)
I was contacted about a week ago by a magazine located in the U.K called Creative Digest – http://www.creativedigest.co.uk/ – they wanted to do a profile about me and my artwork! They sent me a bunch of questions, and requested art images… it went back and forth…. and now the magazine profile is out!
Here’s the direct link: http://www.creativedigest.co.uk/keep-list-things-make-glad-alive-charming-animal-illustrations-sue-clancy/
They titled the profile “Charming animal illustrations by Sue Clancy” – how nice is that? This is one of my artworks they chose to feature on the front page. Going to go happy dance! I’ll look forward to hearing your thoughts….
The Read Wagon by Sue Clancy, 14 x 11 x 2 inches, hand dyed paper, hand stenciled paper, handmade paper, found paper and acrylic on cradled board.
Today’s short narrative practice… original poem and art/illustration to follow:
Danny Joe – By Sue Clancy
There was an old dog named Danny Joe
who played a lively banjo
and sang folk songs
about rights and wrongs
and all the things a body should know
art illustration to go with a poem by Sue Clancy called “Danny Joe” – the art is pen and ink on handmade paper
Here’s some more short narrative practice, or poetry practice, or words plus pictures practice or if you want to be really accurate you could call it “Sue’s playing around again”. Whatever you want to call it – here’s the poem and illustration:
Card Times by Sue Clancy
A sly old dog named Muffin
Sat on a cushion of stuffin’
While playing cards
And sweating hard
He said firmly “I aint bluffin’”
Card Times – words and illustration by Sue Clancy (the pen and ink on handmade paper artwork is titled “Aint Bluffin”)