How the cow went over the moon, a dragon and got books that were banned

A Creative Life, animals in art, art gallery, art techniques, artist book, artistic inspirations, author illustrator, books, cat portrait, Cats in art, ebook, fine art, handmade books, handmade papers, humor in art, illustrated poem, miniature art, Narrative Art, pet portraits, poetry, printed books, publications - publishing, published art, whimsical art, wordless story, words and pictures

In my last post I shared my methods of making the original artist books “How The Cow Went Over The Moon” and “Tiny Notes”.  The handmade original one-of-a-kind books are the basis for a printed version, newly released, titled “How The Cow Went Over The Moon and Tiny Note To The Sun” (https://www.blurb.com/b/11033023-how-the-cow-went-over-the-moon-and-tiny-notes-to)

Almost exclusively I used to do unique books as art objects that were displayed in art gallery exhibits. My one-of-a-kind books were then sold and that was that. Well, in 2020 after the pandemic began the galleries closed to the public and I began publishing my artist books in an on-demand way. My book is printed at the time it is ordered and mailed to the buyer. I did this so I could still share my visual stories and they could still be fairly unique i.e. not printed in large quantities. And as my portfolio page attests that’s the way I’ve now done twelve different artist book projects. As the galleries have adapted to the pandemic since March 2020 allowing the public to handle one-of-a-kind books, wisely I think, hasn’t come back into vogue.

When making a printed version of my original artist books I try as best I can to maintain the look of the original work. I do very little – or ideally absolutely no – digital manipulation of my content. At most some text is typed. I even prefer to handwrite as much as possible. It’s important to me that people – especially kids – get to have a wide variety of homemade or handmade comforts whether it’s dinners, cookies, fine art or books.

Anyway, in the case of my new “How the cow…” book I typed the about the book and the dedication page text. But those pages and the covers are the only typed text. (I’ve learned the hard way that having these pages typed rather than handwritten helps the book be found via a search.)

I also scanned the handmade pattern I used for the cow book slipcase and the found sheet music I used for the tiny notes book cover. I scanned my handwritten text summary for the cow story. I did digitally “erase” the page number marks on my handwritten text because those numbers did not apply to the printed book. Other than erasing the pages numbers the handwritten page is the same in the printed book as it is in the original.

With those very few digital documents in my 28 page book layout I created end papers of a sort to flank or wrap each story within the printed book. The original artist books are themselves covered with these patterns.

https://www.blurb.com/b/11033023-how-the-cow-went-over-the-moon-and-tiny-notes-to

The scanned blue bubble pattern was the basis for the printed book cover.

As you can see the covers of both the original book and the printed version are similar.

The artwork in the cow story is just a bit smaller in the printed version than the original. But as you can see the colors are a very close match! Also the printed book is conventionally bound so I set up my layout like a comic book rather than in the folded concertina form of the original. I don’t yet know of any printer who prints and mails concertina style books. The two illustrations per page layout allowed me to fill the seven inch square printed pages. (In the photos below the original handmade book is at the top)

The “Tiny Notes” original artwork is reproduced at a much larger size in the printed book. The original book is 2.25 inches square. The printed book is 7 inches square. Again the colors printed are pretty close to what’s in the original!

So you can see the scales of the books in relation to a human. My spouse took these photos of me and the books…

The original concertina format cow book unfolds to four feet long. Almost as tall as me!

The original concertina tiny notes book is only 20 inches long unfolded.

You can see more of these book pages and details on my portfolio site. I’ve no idea if these original artist books will someday go to an art gallery even for display under glass.

For now I’m having fun making books intentionally for printing and mailing directly to people. It may sound odd to say this but this new way of sharing my books feels more personal and I feel like many more people are able to see and own my work this way.

And adding to my fun is that Storyberries.com will distribute, next week, free ebook versions of “How The Cow Went Over The Moon” and “Tiny Notes To The Sun“. More details in my next blog post.

This week my coloring book poem “How To Draw A Dragon” was read aloud on Kidz Stories And More !!! You can see it here
https://youtu.be/EUVeDjqiz30 When we were discussing the creation of this video Kidz Stories and I decided to make my book pages so they could be downloaded for free so kids could color along with the video! The download is available here and the directions are also in the video link. I’m seeing this as possibly another fun new way to share my artist books!

Kidz Stories And More https://youtu.be/EUVeDjqiz30

Speaking of interactive downloads: This weeks homemade yumminess was from the recipe by  @indianeskitchen called Budget Friendly Beef Stroganoff. Both my spouse and I liked it!! I didn’t have long flat pasta on hand so I used short pasta and…Yum!!
https://indianeskitchen.com/2022/01/23/budget-friendly-beef-stroganoff/

Also this week someone shared this photo saying how happy they are with a portrait I painted of their cat and how it has been framed by the Aurora Gallery!! That makes me happy!!!!!

“The King Of Hearts” by Clancy – 3.5 x 2.5 inches – ink, gouache and color pencil on board

My spouse mentioned the current news about book banning and that one of the titles banned is “A Light in the Attic” by Shel Silverstein. We have that book in our dining room poetry collection. It’s a favorite! Hearing that news led to both of us looking up what other books we have on our shelves that are banned. It was a fun scavenger hunt of sorts! 🤣 Turns out we have a large number of banned titles throughout our book collection. Two shelves in our dining room alone yield 4 books/authors who have been banned… even as recently as 2022.

Here’s one of the articles we read about banned books. Naturally we got online and ordered more banned books from our local independent bookstore. 😁 One of the banned books I tried to order was Maus by Art Spiegelman (here’s an article about that book) but all of my usual indy bookstores were sold out! But there were other banned books available which we happily bought.

I’ll leave some memes about book banning here just in case someone wants one.

I hope your week is similarly filled with subversive literary delights and some homemade comforts.

See you next Monday.

Miniature art, books, dogs, a cow, a bird, a dragon and a rabbit review

A Creative Life, Alphapets, animals in art, art commissions, art gallery, art techniques, artist book, artistic inspirations, author illustrator, book design and layout, books, Cats in art, children's book, dog portrait, Dogs in Art, fine art, miniature art, poetry, publications - publishing, published art, reading in art, visual story, whimsical art, wordless story, words and pictures, writing and illustrating

This week I finished the dog painting you saw in my sketchbook and on my easel in my last post. The cow is still active in the field of my imagination as is a wee bird. More on that later in this post.

Here’s the completed dog portrait titled “Being exquisite”. Like the dog portrait in my last post this new one is 8 x 10 inches and uses that nifty new brush technique (last post)! I’m having such fun with all of these tiny details!

Like the fur between his eyes and the nose… below are two photo views so you can see.

And the details of the dandelions! Oh that was fun!!

This past week has been filled with gluing the cow artwork pages onto a piece of paper cut 4.25 inches x 4 feet long and folding it so that it zigzags  into panels 4.25 x 6.25 inches in size. Plus the week was spent making a slipcase for my book which can be called a leporello, a concertina or an accordion format. Everything was made from scratch: raw archival book binders board, white flat paper and glue. When the story pages are folded they’re almost 1 inch thick so the slipcase accounts for that. Below are photos of the slipcase and the concertina book.

For more details on the Leporello,  Concertina or Accordion style folded books here’s a good link https://wp.me/p4va0m-gU

Here’s a reference book I’ve used for years when I’m constructing books and making boxes from scratch. I altered methods described in this book to make the cow book slipcase. The book is Books Boxes and Portfolios by Franz Zeier

Behind these analog scenes I’ve been working on the digital files for a printed version of “How the cow went over the moon”. In pre-pandemic days I’d have made this one handmade book and sent it to a gallery like the 23 Sandy who would have exhibited it and sold it to a private collection or to a public collection. For example the UCLA Fine arts library has one of my books, so does the Bainbridge Island Art Museum.

Then the pandemic happened and I began making reproductions of my books available via Blurb which can print then mail my books directly to the buyer. That seemed a more pandemic safe way to share my artist books. It is also why I say that I approach self-publishing from a fine art perspective.

When I did the first printed book, Alphapets, in early 2020, I was contacted by Storyberries who wanted to distribute the ebook version. Well it’s been so much fun to make my books available in an on-demand way (my books are only printed when they’re ordered) and even more fun to share with readers on Storyberries that this fun is now factored in to my book designs.

For example: as I’ve been making the digital files for the printed book (and for Storyberries) I took the photos below of the handmade books with a piece of candy to show scale. I did this because it might amuse readers to see the original books in the printed book version. And perhaps help the younger readers be aware that books are made by people just like them.

This week I’ve also been talking with Storyberries and – dear blog reader you’re getting this news first – they’ll be making an “art experimental” story category for my work!! How fun is that? I so wanted arty quirky books when I was a kid… and now I’m making them and getting to fill a whole childrens book category with ebook versions of my artist books!!! I’m over-the-moon excited and yes that pun was intended! 🤣

As I wrote in my last post I’ve been reading The Annotated Arabian Nights and I sat up and took notice when the annotation mentioned a literary genre called “mirrors for princes”.  So as a companion to my “How the cow went over the moon” book message (?) about not being too serious and remaining down-to-earth I’ve been thinking of the importance of remembering joy.

So here’s a look at what will be the second wordless poem in the printed  book. This poem is titled “Tiny notes to the sun”

This book too is a leporello format but instead of a slip cover it’s got hardback covers. This book is 2.25 inches square when closed and opens out to 20 inches in length.

The photos below that have a peppermint candy in them are the pics I’ll put into the printed book version because it might amuse people to see them too.

As I mentioned earlier I’ve been working simultaneously on the book layout and design for the printed version of “How the cow went over the moon” … and I’m using visual elements of the original artist books … here’s a look. 👇

This week the Caplan Art Designs Gallery sent photos of my 3d box project “All the Chances” in it’s new space! And look, the client’s pet rabbit approved!!

And someone else sent me photos of their dog approving the dog portrait I painted and the way the Aurora Gallery framed the portrait! So glad their dog approved!!

Here below is the framed portrait on the dog’s “Clancy art” wall!! Isn’t that sweet?! A whole wall!! Wow!! This makes my artist heart so happy!!

In the coming days Kidz Stories plans to read my book “How to draw a dragon” out loud on their YouTube channel and, since it’s a coloring book, they’re hosting a color-along!! I’ll post a link to the video when I have it. In preparation to help kids to be able to color-along I’ve made my coloring book a free download here on my portfolio page!

I hope your week is full of your favorite colors and comforts. See you next Monday.

The professional dog and what’s in the cards

A Creative Life, animals in art, Art Licensing, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, children's book, greeting cards, household surrealism, pet portraits, visual thinking, whimsical art, words and pictures

I’m starting a new childrens poem project “The Professional Dog”. It’s an excuse to do a series of portraits of dogs owned by friends who have professions that fit neatly in an alphabetic format… accountant, botanist, chef…. (Yes, another abecedarian book!!)

Several friends – with dogs – have different professions that could fit for the same alphabetic letter. I know a botanist, a brewer and a baker. I know a chef, a councilor and a critic. Part of my work on this project is winnowing this list.

My book idea began in my small poetry sketchbook, the orange one in the picture, and is now in the messy draft stage on my legal pad.

I’m in the process of contacting friends and asking them to email or text photos of their dogs – and asking questions about their profession. These responses will help me narrow things down.

Here’s a few of the dog photos I’ve gotten from an Accountant, an Underwriter, an Inventory Manager, a Poet, a Nurse and an Entrepreneur.

In addition to this new book project I’ve been thinking more about greeting cards. Last year during the holidays it felt weird getting or sending cards that touched on pre-pandemic style large gatherings. I found I preferred getting and sending the cards that had winter scenery or literary poems or food/drink recipes. I did enjoy the family photo cards and “seeing” everyone that way.

So as I think of the upcoming holiday season I’m starting work on painting a short series of winter, food and book themed artworks intended for cards on my Zazzle shop. Here’s a sketch in my sketchbook with one of my winter theme notions.

Here’s a look at the finished art. I used my new butterfly palette that I’ve talked about in a prior post. These colors are literally based in scientific studies of butterflies and other bugs. It was fun to paint winter scenery using the butterfly colors! The color palette you see in this photo is what I call my “butterfly box”.

Below is a closer look at my finished artwork. After I get a few more for-cards artwork pieces finished then I’ll upload all of the images and design the cards. I’ve titled this piece below “Crowshoes”

Crowshoes by Clancy

This week my spouse made homemade sugar cookies. Seriously comforting and yummy cookies! Cookies and a coloring book are two of the good things in this life, I think, so I posed this photo for use in telling on social media about my recent coloring book “How To Draw A Dragon

https://www.blurb.com/b/10815467-how-to-draw-a-dragon

Many of the baked goodies my spouse makes – like the sugar cookies in the photo above – are from recipes in “How To Bake Everything” by Mark Bittman. As an eater of baked goods I can vouch for this book!

As per my last post I am thinking seriously about doing more videos and have even ordered a thingamajig to hold my phone steady while I talk. It’s a fun – and a bit scary – to entertain the idea of talking on video generally about being creative and include things from my own creative life. I’m thinking I might call these short videos “Creativity chats” with a subtitle of the topic of that particular chat. 🤔 We’ll see. I heartily thank you for your kind encouragement to do more videos!

While I wait for the video apparatus to be shipped to me I’ll work towards “The Professional Dog” and will tell you more about what inspired this idea in future posts.

I hope your week is full of dog (or cat) cuddles, cookies and many other comforting things! See you next Monday.

How the Odditorium and Dragon are going

A Creative Life, art exhibit, art gallery, artist book, author illustrator, fine art, Odditorium, publications - publishing, published art, Sustainable creativity, words and pictures, writing and illustrating

So far so good! 4 of the artworks in my Odditorium exhibit at Caplan Art Designs sold! 3 sold before the official opening! The exhibit is virtual but the gallery still had an “opening night” – as I wrote in my last post it wasn’t the same kind of party as pre-pandemic ones – this opening was careful of everyone’s health. I stayed home for several reasons: I’m deaf and can’t lip read when people wear masks. Also I really don’t want to pass along or get this virus, plus the Gallery wanted to minimize the foot traffic and stay safe.

So the night of the official opening both the Gallery and I monitored websites and social media. They monitored from inside the Gallery. I monitored from my studio. Thankfully there weren’t any technical glitches. That was a big plus!

The biggest bonus of all is that deaf – me actually got to “hear” (read) what people said about my work! The responses to my videos were also surprisingly pleasant- I made those videos in what I call “living dangerously mode” meaning I did the videos knowing that I don’t hear well and could quite easily mess up the sound recording aspect. So I was willing to fail spectacularly at making videos….and I didn’t fail! People liked them! One person even said they liked hearing me talk and that video was a great vehicle for me and I should keep it up!! 😮 That’s certainly something to consider!! Possibly best of all is that I heard from quite a number of people that my artwork-and the videos- cheered them up!!

As a result I am excited and encouraged to keep on keeping on and I appreciate that more than I can express in words.

In fact I was so excited that I started right away to brainstorm ideas for fine art for the future exhibits that are already scheduled for 2022!

Below is a quick look at all of the Odditorium art. More details on my portfolio page.

I signed 6 copies of my Odditorium book. 2 of those went home with people who visited the Gallery Thursday. This exhibit will continue through September.

https://www.blurb.com/b/10698335-odditorium

During the same time of the Odditorium exhibit opening my coloring book poem How To Draw A Dragon went live on Storyberries! There is both an ebook and an audiobook version that is a slightly different from the print version of my book. The Storyberries ebook has the text typed rather than handwritten. This was done for ease of searching as I’d talked about in a previous post. One page was also wonderfully colored in using digital methods by someone at Storyberries!

https://www.storyberries.com/bedtime-stories-how-to-draw-a-dragon-coloring-book/

I learned from the folks at Storyberries that it is possible to digitally color an ebook. If you use the notes function on your iBook and an Apple pencil you can color. Also if you use an app called Procreate you can take an ebook and color it. I am not speaking from firsthand experience here I’m just reporting what Storyberries tells me is possible with my How To Draw A Dragon ebooks.

I’ve done digital art – spent years doing digital art as part of my graphic arts career in the distant past – but I used other kinds of software. I’ve done a bit of digital art on my smartphone with a different app but frankly, I prefer getting my hands dirty with real life inks and paints.

Besides the version on Storyberries if you want to color digitally you can download an Apple iBooks copy of How To Draw A Dragon here.

For a printed and bound copy of How To Draw A Dragon click here.

I’ve also made a way you could download a pdf file and print the pages you want to color using your own printer and real life color pencils. For that click here.

Since this was another busy week it was easier to reheat magic beans and put them in a tortilla with veggies and cheese. Given the recent disturbing news out of Texas I was inspired to try Penzey’s Justice spice mix on my bean burritos. I like Justice.

My weekend was spent resting. But of course I drew in my sketchbook and wrote. There’s a new children’s book taking shape in my mind. I’ll tell you more next Monday. Till then keep sprinkling Justice on the beans.

How To Draw A Dragon, fine art and postal whimsy

A Creative Life, art exhibit, art gallery, Art Word Combinations, artist book, book design and layout, children's book, creative thinking, ebook, fine art, greeting cards, household surrealism, Odditorium, Sustainable creativity, visual thinking, whimsical art, words and pictures, writing and illustrating

If you got a post titled “Dragon postal whimsy” I accidentally hit a button. Here’s the real post about “How To Draw A Dragon“! After a week spent creating cover art and scanning 36 pages there’s now a coloring book poem that exists in the world!

This is the book description:

“How do you draw a grumpy dragon? This coloring book story poem written and illustrated by the artist sue clancy shows you how.

This whimsical poem is also about how creativity works, how our creative child selves and our analytical adult selves can work together.”

Below is a look at the original manuscript.

I used the computer to put the text on the front and back covers. I thought long and hard about handwriting it all but I learned when I did Patch La Belle that handwritten text on a cover isn’t “searchable” and could be harder for people to find. That searchable issue isn’t a big concern for me coming from the art world as I do where one-of-a-kind things are the norm. But after thinking a while I opted to type the cover text for “How To Draw A Dragon” even though I hand drew and hand colored everything else.

So here’s the cover becoming…

And here’s what the cover became.

https://www.blurb.com/b/10815467-how-to-draw-a-dragon

I’m especially pleased that my book layout “thinking in page spreads” turned out so well! They line up in the middle when bound! In the first photo below you see my original art. Below that you see the printed book.

Since we’re still in a pandemic I have added a free printable pdf file for this book to my “shop” page where I have several of my free downloadable artist books. It’s on my to-do list to make a portfolio page for How To Draw A Dragon and have everything in one spot.

Storyberries will, eventually, also do a free ebook version of How To Draw A Dragon and have a link to the free printable pdf too. But that’s still in progress. I will update my still-to-be -made portfolio page and this blog when it’s been set up at Storyberries.

On another topic: My Odditorium exhibit will open in September at Caplan Art Designs with some additional new art for the series!

Since we are still in a pandemic the Gallery is doing all the prudent safety measures and I’m doing my part as best I can. Besides doing the virtual page about Odditorium I have done a series of videos on my YouTube channel about this exhibit as well as about why I do this work. I’ve made 5 videos in all but here’s the one about this exhibit. The Gallery will post my videos and share them with clients digitally thereby minimizing everyone’s exposure. I’m glad and grateful to work with a gallery that cares about the health of both their artists and their clients.

On still another topic: A friend recently enjoyed getting a card from me and called it “postal whimsy”. I like that phrase and asked for and was give permission to use it! So I’ve updated my Zazzle collection of odd greeting cards both with the “postal whimsy” phrase and some new card designs. I am getting serious about sending postal whimsy and helping cheer people. Below is one of my favorite cards…

https://www.zazzle.com/hare_in_the_sink_postcard-256418650416992132

This week was so busy that while I did make sure to eat meals of fruits, vegetables and whole grains – more often than not – I didn’t do any sketches or photos of the food. I just stuffed my quiche-hole and got to work.

Despite all of the busy-ness I still did drawings in my sketchbook in the mornings and my evening reading of books before bed. Makes for nice creative bookends, pun intended, to a day.

However busy your week is I hope it is bounded by pleasant things. See you next Monday? Or before then if I hit a wrong button again…

Dragon, an oops, a rhino and recipe postcards

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, book design and layout, fine art, greeting cards, household surrealism, illustrated poem, illustration, Odditorium, poetry, recipe illustration, Sustainable creativity, words and pictures, writing and illustrating

Had an oops during ink work this week on my coloring book poem “How to Draw A Dragon” here’s how I fixed it. Despite the mistake all of the hand written text as well as all of the illustrations have now been completely inked!

Here’s how: first I drew the whole book in pencil which sounds straightforward but it actually means draw, redraw each page multiple times. I do a complete draft in pencil and go through it again and again redoing elements so the story flows a certain way, to make sure setting and characters are consistent and to create the foreshadowing. This is very like a writer’s process of drafting and editing a novel. I lost count of how many drafts I’ve gone through.

Before beginning this book I knew it would be a 32 page manuscript so I made sure I had at least 84 sheets of the same kind and size of drawing paper. (Now after finishing the inking I have perhaps 8 useable sheets of blank paper left – if that gives you an idea.)

After the images were more or less set in pencil I penciled in the poem text. The poem text is spaced rhythmically to rhyme, so to speak, with the illustrations. The words and the images dovetail tightly together. This requires more drafting to get the pacing right. Then after I had a complete manuscript in pencil I partially inked each of the illustrations and adjusted the word spacing of the poem on each page in pencil.

Before starting to ink the poem text I read through it looking for grammar and spelling. I asked my spouse to look critically with fresh eyes. Then I inked the text with an ink brush pen.

Even with all that drafting and all the editing and proofreading, even with a fresh set of eyes looking, there’s a mistake! Do you spot it below?

Yes, I misspelled “oops”! Of all the things to misspell!! 🤦‍♀️ Oh well! When I ink words like this I’m really focused on drawing the shapes of the letters and the spaces on the page rather than writing a word. So mistakes often happen. But 95% of being an artist is knowing how to fix mistakes! The remaining 5% is being willing to keep going!

So to fix my oops on the word “oops” I got another piece of the same paper and drew a couple of “O’s” while holding the new paper next to my mistake so I can draw it the proper size. Then I cut out the newly drawn letter as close as possible not leaving much white paper showing around the letter.

Then I paint opaque white gouache on the ink mistake as smoothly as possible.

I let that white gouache dry completely. If there’s any bump in the dry gouache I use a tiny bit of fine grit sandpaper to smooth it.

I lightly apply archival paper glue to the back of the cut out letter and affix it to the whited out mistake area. I use tweezers to place the glue-y letter.

Now it’s fixed! When I scan these pages for publication I will look closely at this area on the digital file to make sure it looks like a seamless repair. Other than possibly on that “oops” the digital scans of these pages will *not* be digitally manipulated. What you’ll see in the published book will be what I made by hand.

After all the inking is done and dry I erase all the pencil marks on the manuscript.

Foreshadowing happens on every page. There are even indications about time: at first the dragons coffee is very hot and steaming but on subsequent pages there’s less steam. These pages below are possibly the pages with the heaviest foreshadowing. Each of the “art examples” presage or refer to something in the rest of the book.

The foreshadowing is complex. Matching the characters and scenery from one page to another is complex. Matching the edges of the pages together is complex. Getting the rhythm of the poem to flow (rhyme?) with the images … it’s hard to even describe how convoluted and complex (that word again) this project is…

And then there’s that it’s a coloring book. All that I have to tell the story with is a single ink line. That line has got to be right. I can’t cover over it with other sketchy lines like I do when I draw in my sketchbook or cover a line with paint as I do when I draw lines as a foundation for a painting. The single lines I draw for this project must be clear or it ceases to be a coloring book.

This coloring book poem has been one of my most complex books and yet it is so deceptively simple to look at and read. It reminds me of one of the iceberg memes about success in that the visible part of a project is the smallest element of it and the huge part is unseen.

Anyway, also this week I worked towards the continuation of my Odditorium exhibit. The Caplan Art Designs Gallery will exhibit the Odditorium works from earlier this summer as well 7 new paintings in this series. One of the new paintings is below. It was inspired by a friends photo of her ranunculous flowers. From the flowers I thought of a rhinoceros and a dress…

His Best Respects – by Clancy – 7 x 5 inches – ink, gouache and collage on board.

Yes, my household surrealism continues…

As I wrote in my last post I hoped this week to try some of my new butterfly palette paints so I did try them in my sketchbook!!

It will be fun to try doing a painting with them next!

This week we got a few cards in the mail and added them to our mantel. I realize that I really love sending and getting cards in the mail. I’ve loved it even more so since the pandemic. Since unfortunately covid is surging again I’ve been thinking I want to make more cards.

About the time I’d had that thought I heard from Bernadette who had recently blogged on New Classic Recipes my recipe for Magic Beans along with the story of how I got the recipe. Bernadette wrote suggesting that I create some recipe cards. I thought this was a great idea and merged the recipe card notion with the idea of sending postcards. You can see all of the recipe postcards I’ve made so far here. I’m thinking these will be fun to send to friends and family.

As far as food this week goes I ate so much when family was here (last post) that this week has had small salads and bowls of cereal as the feature meals. So never mind about food I cooked this week because it didn’t happen. Oh well.

Nevertheless major progress happened on “How To Draw A Dragon” – a whole manuscript completely inked! Yippee! Next up…scanning the pages and book design! See you next Monday?

Dragons, margaritas, a toad and a garden

A Creative Life, artist book, artistic inspirations, author illustrator, books, creative thinking, fine art, Gifts, household surrealism, illustrated gifts, illustrated recipe, Odditorium, sketchbook, Sustainable creativity, whimsical art, words and pictures, writing and illustrating

Progress was made this week on my “How To Draw A Dragon” childrens book project. Here’s what my studio looks like when success happens.

Yes, doesn’t that look a whole lot like what my studio looked like in my last post and the post before that?

Being creative is like cooking – you get one meal cooked and cleaned up then it’s time for another meal. It’s the slog – long live the slog! Hooray for the slog! Okay so the word slog can have a negative connotation… I also call it a a good working rhythm! There’s a wonderful article about slogs aka work, talent and audacity from The Painters Keys. [Spoiler: it’s not the talent so much as the willingness to see it through]

Here’s some of my more finished than unfinished Dragon pages. I still have to ink all of the poem text and fill in certain visual elements on many of the pages but the entire book has been penciled!! Feels like an accomplishment… which I celebrated (more on that later in this post)! Anyway here are some of the mostly inked pages!!

If you recognize some of the pages, well that’s because I go through the book penciling. Then I go through the book inking this bit then I go through the book inking that bit then I go through the book….

See what I wrote earlier about slogging. Writers most obviously slog – you hear about novelists working on a draft of a novel for years, decades even. You hear about it taking years to rewrite and edit a novel. The same is true of my visual artistic life too. But the public doesn’t often hear about the slogs of a visual artist. I’ve written in the past about the similarities I see between art and writing – what I write here today is of a piece with that idea. Anyway, I find that it helps to celebrate small milestones of creative projects.

I penciled the entire How To Draw A Dragon book!! Yippee! So I celebrated by having margaritas with my spouse on our backyard patio. I also did a small painting in color. I’ve been thinking of of color as I have been working on “How to Draw A Dragon” a black and white line drawn book for other people to color. Indulging in both an adult drink and some gouache paints was decadent!!

And while I was painting the light outside changed but I kept painting.

“Perfectly Natural And All” by Clancy – 7 x 5 inches- ink and gouache on board

While this looks like a complete painting done during the duration of a drink – and it is – but it is also only one piece of my much larger Odditorium exhibit. You might say this is like novelist writing one decent short paragraph during the time it takes to drink a margarita. A paragraph is not a novel. One painting is not an exhibit.

On another day this week my spouse snapped a photo of me drawing in my morning sketchbook. Below the photo you can see what I was sketching.

The next morning I got one of my small art boards and re-sketched my thought. This is what I love about keeping a sketchbook – I can explore thoughts messily in my sketchbook then later pick the thought I really like and re-explore and repeat with variations. I can try it in different sizes, art mediums and colors. This way there’s no pressure to get it right the first time. And I get to play with a group of fun thoughts as long as I like. Some might call it “flitting about” but I call it normal creativity. (See also my last post) Can you see how similar the visual art creative process is to the writers process of rewriting? Below I basically “rewrite” my thought.

I’m thinking this artwork will be fun on a mug for a gardener to use. There I go again dedicating a gift for someone – whether they ever see it or not. I mentioned doing this gift making / dedications in my last post. This mug and a card with the same artwork are on my Zazzle shop now.

I’ve even thought about color when eating this week – inspired by a recipe in my kitchen sketchbook Favorites So Far.

page from Favorites So Far – https://www.blurb.com/b/9759759-favorites-so-far

Below is one of the books I’ve been reading in the evenings before bed titled Nature’s Palette. My spouse gave it to me for my birthday earlier! Do you notice that some botanical and zoological drawings look sortof coloring book-like? Well in part that’s because long ago books were illustrated using etchings which were often colored by hand before being bound into a book. And from my past experience as a biological illustrator often both black line drawings and color drawings are needed for the same plant – so color is filled in (so to speak) after one has an accurate line drawing. Is it really any surprise that I’ve been thinking of color and coloring books lately?

I hope your week is full of color and delights for your senses. See you next Monday.