The Alphapets portrait project this week is brought to you by the letters A, B, C and D. My abecedarian poem to go with these letters and artwork :
Alfred enjoys living on a farm.
Boo rarely causes any harm.
Coco dreams of milkshakes galore.
Dabney bursts through every door.
Here’s the artwork (somewhere on each piece is an alphabetical letter):
I did portraits of a cattle dog/blue heeler, tabby cat, Persian cat and a coon hound. While working thought about the outdoors/farmers markets, the sneakiness of some cats I’ve known, cravings for milkshakes and the exuberant bursts of energy dogs can have.
All of this artwork was created with ink, gouache and color pencil.
If you’re just joining us the previous post is here. My Alphapets project is aiming to be both an art exhibit and an artist book. With framing eventually done by Aurora Gallery and Frameshop. https://auroragalleryonline.com/ as part of the Ambassador for Small Frames program. I want to eventually bring them all together in a book – with my abecedarian poem. More of poem will be revealed on each Monday’s post as I get more of the artwork done. More of my artist books are here. Anyway, see you next Monday with more letters…
Yesterday I posted about the free ebook versions of my artist books – for those staying at home. (Thanks for staying home!) Then I strolled down memory lane, thinking of other things I can do to bring a spot of cheer during this time of quarentine.
Last December I did my semi-annual holiday pet portrait project at my local bookstore, Vintage Books, where, nonstop, for 4 hours I drew portraits of people’s pets. The Aurora Gallery and Frame Shop https://auroragalleryonline.com/ was my source for the frames into which I put the just-created pet portraits for people to take home then and there. Here’s an example of a few of my pet portraits in frames.
All told I did over 25 of these pet portraits, people told me, sometimes with tears in their eyes, that they enjoyed my work. The bookstore was happy with event attendance and the little frames sold like ice cream cones on a hot day.
A few days after the December event I went to the Aurora Gallery to pick up a few more frames. While there they half jokingly called me their “Ambassador for Small Frames”.
Suffice it to say that my conclusion, after my memory lane stroll, is that my pet portraits were fun for people to see and get. Perhaps doing more of my dogs and cats will cheer people?
I contacted the Aurora Gallery and asked “what if I took the “Ambassador for Small Frames” thing seriously?”.
The result? Starting next Monday I’ll post here the pet portraits I’ve done over the previous week. (I’m giving myself permission to go at a slower pace than I do during the holiday when I’m trying like heck to fill orders before Dec 25.). The Aurora Gallery will do framing and delivery as desired.
I’m calling this new project “Alphapets” because, as a variation on my usual pet-portraits, I’m adopting the abecedarian poetry form. Each portrait will be named alphabetically – or, in the way a children’s program might say, brought to you by an English alphabetical letter.
When I finish the entire alphabet I hope to do an art exhibit of these miniature portraits. Definitely I plan to make an artist book of them. No matter what eventually happens I’m hoping that seeing the Alphapets as they happen will be cheerful for you.
So… see you here on Mondays? Take care and please stay home, order grocery delivery. ❤
UPDATE: Just after posting this the Governor of Washington has declared a statewide lockdown. So I will proceed with making the Alphapets artwork for the collective cheer there may be in it but the actual framing aspect may be in hold for a bit till things in the world settle.
In times like these we need to do what kindnesses we can for each other so I’ve decided to release my kitchen sketchbook earlier than planned. The title of this new artist book is Favorites So Far – a kitchen sketchbook. Details follow.
I spend most of my time working at home. Now, with coronavirus, more people, especially here in Washington state, are too. Welcome to my world. There’s lots of work but also books, good meals, drinks and snacks.
So perhaps it will be kind to go ahead and share more of how cooking at home fits with my working at home life? Hope so…
I was going to wait until just before my one-person art exhibit in June 2020 to officially debut this memoir cookbook, Favorites So Far, as many of the recipes relate to my artwork. I’ve been dribbling out teaser recipes on my Instagram page especially as they relate to the artwork as I finish the art. My original intention was to build momentum toward my June exhibit, display the artwork at the physical exhibit and have this 48 page sketchbook, itself intended as artwork, available as an accessory to the exhibit. You know, big splash.
But to heck with that. It seems kinder to share this book right now because people gotta eat.
Technically this book, Favorites So Far, is a printed 48 page memoir sketchbook – with my sketches on every page. That a meal could be made from it was just bonus. It’s suposed to be autobiographical amusement. But it really is a practical book, we refer to it for our own meals regularly.
Here’s a photo of the front and back covers of the printed book Favorites So Far:
Recently my co-author, Judy Sullens, and I got to talking: in the best of times what to cook/eat is a question. Door Dash and other innovative food delivery services are super helpful – but people suddenly being at home more… perhaps they’ll find it helpful to hear how a couple of busy creatives who’re not always flush with cash, not always remembering to get stuff at the store, how do they fill their belly’s?
The book is set up to be printed, 48 pages, full color, landscape format to showcase the artwork. And, since we’re not waiting to do a big splash at the exhibit, we’ve now set it up so the printed book can be shipped directly to you from the printer.
Perhaps even more helpfully we’ve set it up as an immediately downloadable ebook viewable on any device: Google Android devices, Kindle etc. It’s still 48 pages, full color with all the artwork. You can get the ebook version here. https://www.blurb.com/ebooks/709744-favorites-so-far (preview first 15 pgs)
Speaking of previews here’s some of the pages:
And here are a few of the inner pages so you can see the memoir attributes.
More generally how I handle being a busy artist while not starving: after breakfast, before getting to work in my studio, I cut up veg and etc ingredients and throw them in a pot to slow cook until lunchtime. I work for several hours in my studio, take a short break to stir the pot. Back to work for another hour or so. Then lunch!
This is a pic of my sketchbook that Favorites So Far is a reproduction of – and a pot of just assembled stew:
And, yes, since it’s so near to St. Patrick’s Day I couldn’t resist posting this Irish stew recipe!
Oh, and we showed this sketchbook to a chef friend who said “I love it that a third of the book is cocktails!”
What’s for dinner? I began keeping a kitchen sketchbook years ago so I could answer that question with a reliably pleasing meal. In a blog post recently I talked of how my kitchen sketchbook, a sketchbook solely devoted to the topic of food, is “feeding” my current fine art series to be exhibited later this year. After posting someone said they’d be interested in my process of ‘kitchen sketchbook keeping’ as they’d like to create such a keepsake for their family. So my process goes like this …
I see a recipe, in a library book, a cookbook I own or online ( I follow some food blogs and Instagram accounts: Food In Books, In Diane’s Kitchen, TikiChefKim ) and I decide to try the recipe. Here’s a cookbook I found in my local library. I looked through it identifying several recipes that look possible.
Often in reading the recipe I realize that it includes an item someone at my table is allergic to, or strongly likes/dislikes, or the recipe includes an ingredient I don’t have in my cabinets. Some adaptions, adjustments, are made. In this case, pictured below, I don’t have Borlotti beans so I substitute Cranberry beans (another Italian dry bean) which I do have. I write my adjustments on my scrap of paper.
And here’s a close up of my writing on the scrap of paper.
Things I’m looking for in a recipe are: easy to make, variable when served as leftovers and yummy for the people at my table. Sometimes it can be a day or two between reading a recipe and doing the actual cooking. Whenever I do start cooking I tweek my notes on my scrap of paper.
The first meal of my Cranberry Beans and Cabbage with Rosemary Breadcrumbs was served alongside sauteed Brussels Sprouts for a vegetarian dinner. It was an easy meal for me, the cook, to prepare: I didn’t have to spend lots of time in the kitchen fussing and could work in my art studio while the beans cooked. The meal, as served, tasted yummy to both me and my spouse. So I saved my scrap of paper with my recipe notes. (If the recipe had been too fussy, or not yummy, the paper scrap would be discarded)
The next day was a busy one so just before lunch I hurridly scooped some leftover Cranberry Beans, Cabbage and Breadcrumbs into individual portion size oven safe dishes, threw a few frozen Itallian meatballs onto the beans, covered each dish with aluminum foil, put them into the oven for 30 mins and returned to my art project. When the timer went off lunch was ready.
Lunch was quite quick, yummy and got high mark’s for its ease and versatility! So the scrap of paper with the recipe got slipped in to its potential spot in my kitchen sketchbook. The next day was similarly hectic so the third re-heat of leftover Cranberry Beans and Cabbage was similar except I put an Itallian sausage in place of the meatballs.
The result was so yummy that this recipe, as adapted, earned “keeper” status, meaning it goes into my kitchen sketchbook.
During the next available 10 minutes I did a short-burst and, all at once, wrote my adapted recipe in pencil in my kitchen sketchbook.
A few days later I spent 5 minutes or so using a Micron ink pen to write over the pencil, tweeking the lettering spacing as I inked.
On still another day during another spare 5 minutes I did more inking, tweeking wording and letter spacing as I went. In the pic below you can see how different the ink work is from the original pencil.
On still another day I snuck in a moment and I erased all of the pencil marks.
Then on successive days as I worked on other art projects whenever I had a bit of color that’d also fit with something on my recipe page I’d take a minute dab the color into my kitchen sketchbook, leave the sketchbook open to dry, then I’d wash out my brush and return to my main art project.
I used color and boldness of ink to indicate ingredients and order of instructions. So in the future I’ll be able to glance through my sketchbook and easily plan dinner!
My kitchen sketchbook is 3.5 x 5 inches when closed and a half inch thick. It’s pages are a lightweight watercolor paper that takes ink and gouache fairly well if I don’t get too vigorous with it.
For my upcoming art exhibits this year, as part of my, ahem, bibliography, I’ve made artistbook copies of my kitchen sketchbook titled “Favorites So Far”. You can get a copy in advance via this link. As published the book is 8 x 10 inches, a bit larger than the original sketchbook.
And now you know how my busy, we don’t want to starve, art studio solves the “what’s for dinner” question.
Recently I’ve been super busy with fine-art exhibits and other illustration projects. But now I’m back to regular work on a new print version of “Dr. Bob’s Emotional Repair Program First Aid Kit”. During my work on the pages about Dr. Bob’s S.W.I.F.T. finger therapy I remembered how valuable this concept is when I’m in the middle of an art project.
While a project is not a person all creative projects also have an ugly-duckling stage. A point in which they’re more “mess” than “masterpiece”. A point in which things are happening with the colors and shapes that may not be what I intended or hoped for.
I’ve found the S.W.I.F.T therapy helps me remember to calm down about the mess. If a creative person gets too angst-y about the in-progress project it stops the flow of creativity. Possibly leading to a creative block. Remembering to think of “So What If….” finger therapy helps me relax and to do nothing radical to the in-progress project during my don’t-like-it moment. It enables me to let go, and approach the project later with an open, playful, mind. Perhaps after lunch, perhaps the next day.
Page from “Dr. Bob’s Emotional Repair Program First Aid Kit” collected and illustrated by Clancy
If you’ve just joined my blog (and thank you for that!) here’s the last post about this project. The last post covers another mental-health technique that relates, in my mind anyway, to living the sustainable creative life.
I began learning these mental-health techniques and applying them to my creative life back in the 1990’s. I’m still creating new artwork daily. Still loving it. Something works.
Hope this book and these posts will help you too. All the best…
For your amusement here is a collection of a few artworks in “A Readers World”, my one-person fine art exhibit opening Thursday, Sept 5 at Caplan Art Designs. http://www.caplanartdesigns.com/
I’m playing with the interconnectedness of life; the ways imaginative stories flow out into the readers world. And vice versa of course. Art can stir life. And life can stir art.
As I created these artworks, I thought of how a story is actions mixer. For example, each of these pieces contain ingredients from my experiences, the “actions” I’ve seen as I’ve lived my life, put into the cocktail shaker of my imagination.
“It’s Magic” by Clancy – 7 x 5 inches – ink and gouache on paper
“Suspense” by Clancy – 7 x 5 inches – ink and gouache on paper
“Immortal Good Fortune” by Clancy – 8 x 10 inches – gouache and ink on board
“100 Things To Do On A Rainy Day” by Clancy – 11 x 14 inches – ink and gouache on board
“Sea Stories” by Clancy – 8 x 10 inches – ink and gouache on board
“Daily News” by Clancy – 7 x 5 inches – ink and gouache on paper
“Pie In The Sky” – by Clancy – 8 x 10 inches – ink and gouache on board
And yes, if you recognize aspects of a person, a pet, a place or a thing and wonder if…. the answer is probably “yes”! (It’s sort of like the “Easter Eggs” that can be found in some films.)
Anyway, if you look at some of my recent blog posts you can see more details of the ingredients of life that I mixed together to make each particular visual story.
I’ve been busy getting ready for an exhibit at Caplan Art Designs (www.caplanartdesigns.com) that opens Sept 5th in Portland Or. This is one of the new art pieces that’ll go to the exhibit. Just put it in a new frame today. It’s titled “Immortal Good Fortune” (details below)
“Immortal Good Fortune” by Clancy – 8 x 10 inches – gouache and ink on board
Here’s the series of random thoughts I was thinking about as I created it:
We make our own luck. When life hands you dragons – cook sausages to share with others. Dragons are often a symbol for self-confidence, good luck, happiness and power. Happiness is not about luck or getting what you want – it’s the state of mind when life gives us what we’re willing to accept.
And of course I was thinking about reading books, art collections and Schnauzer and Havanese dogs…
I realized recently that the “bedtime story” ritual, for both children and adults, is nearly universal across cultures. While there is scientific evidence (see links here and here) that reading printed books before bed can help you sleep and provide other benefits – for me it’s plain indulgence. Naturally bedtime-reading is subject matter for one of my artworks that will be included in an upcoming exhibit in September at Caplan Art Designs:
Yarns Heard Around The World – by Clancy – 8 x 10 inches – ink, gouache on board
For fun as I created this piece I combined my thoughts about bedtime reading with the concepts of teams and coaches…. counting sheep is a world-wide sport. Right? Lol!
I’ve been very busy getting ready for a one-person fine art exhibit at Caplan Art Designs that will open in September. (So my social media activity has slacked off lately.) Around the edges of creating new fine artwork, framing, paperwork and so forth I’ve been working towards a new print edition of “Dr. Bob’s Emotional Repair Program First Aid Kit”.
This story from the First Aid Kit has been a good reminder of an art technique I try to practice daily – even when I’m busy:
Even when I’m very busy I practice taking a moment within my day, wherever I am, in the here-and-now and pay attention to my 5 senses. I try to let go of any preconceived conceptions, to just expand my awareness. I also include, in this exercise, paying attention to my free-associations and my imagination during my 5-senses check-in moment. I’ll note my sensory experience and “watch”, like you’d watch television, the memories, thoughts and associations that cross my mind as a result of the sensory experience. I’ll often make notes in my sketchbook.
What I “get” for my payment – when I pay attention – is the power to choose what to focus on when I’m at my art easel working.
This practice of paying attention to both sensory input and the content of my mind – is a version of what Betty Edwards wrote about in her book “Drawing On The Right Side Of The Brain” – in the section where she talks about chairs. How (and I’m paraphrasing) a drawing student first attempting to draw a chair will substitute their knowledge about chairs (4 legs, a square seat and back) and will draw a child-like symbol of a chair. One has to learn to see the shapes of the spaces around the chair as well as the shapes of the chair itself – what is actually seen (3 legs, a trapezoid shaped seat and back).
I find too often – especially when I’m busy – I’m substituting my “knowledge” about the world, my preconceptions, for what “is” in the world. So I find it helpful to practice seeing the shapes of spaces, so to speak, in my sensory experience of the world. And to see the shapes of spaces within my own mind.
Paying attention allows me to merge real-world phenomenon with my mental life and to choose to communicate, via art, in ways that are helpful, playful and fun.
Currently “Dr. Bob’s Emotional Repair Program First Aid Kit” only exists in e-book form. But as I said above, I’m working on that. This book has had such a profound impact on my own creative life that I want to have another print version around.
Both gouache paints and acrylic paints reproduce well (even in newsprint!) but to my eye the gouache reproduces best of all. But then gouache was originally created for use in illuminating manuscripts back in the days, around the 16th century, when all “books” were hand written, hand illustrated and hand bound – one at a time.
Acrylic, a medium that originated in the late 1940’s, tends to be shinier and more difficult to photograph and thus get a good reproduction quality image.
Have I mentioned lately that I really like gouache??