Crows, writing, art and the odd sandwich

A Creative Life, animals in art, art exhibit, art gallery, Art Word Combinations, artistic inspirations, author illustrator, books, children's book, fine art, household surrealism, magic realism, publications - publishing, published art, recipe illustration, sketchbook, sketchbook suppers, visual thinking, whimsical art, wordless story, writing, writing and illustrating

This week in the Odditorium aka household  surrealism I thought of how often I use the same pens to write and draw with.

It’s not surprising really as elsewhere in this blog I have written about the similarities I see between art making and writing. Here’s a link about that… https://sueclancy.com/similarities-of-art-and-writing/

These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.

From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.

With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.

And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.

Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.

Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)

After I posted “Enjoyment” on social  media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.

Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.

It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )

The Crow and the Water Jug – a wordless Aesop counting story – by Clancy https://www.blurb.com/b/10109198-the-crow-and-the-water-jug

More details about this children’s  book project on my portfolio page.

As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium.  Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:

Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?

I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.

That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.

No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.

So I hope you have a very good week. See you next Monday?

The minutest concerns: poems, love, books and odd balls

A Creative Life, art exhibit, art gallery, art techniques, artistic inspirations, books, fine art, household surrealism, magic realism, mental health, Patch La Belle, poetry, sketchbook, This Rabbit, Uncategorized, words and pictures, writing and illustrating

This week in household surrealism I’ve been thinking of love. Love in the sense of the poetry, the food, the care for and cleaning of things, generally creating a gentle environment for ourselves and others. Perhaps an environment also filled with souvenirs of loving moments as I wrote in my last post.

My recent children’s book This Rabbit was about knowing what you like. Well, this week I’ve been thinking about how it can take practice as adults to remember to let ourselves love openly, wholeheartedly and to unabashedly enjoy things.

Among these thoughts is the fact that tulips are in bloom when I live in the Pacific Northwest. Here’s a photo from my spouse’s garden.

In the morning sometimes I read a bit of poetry while having my breakfast and coffee. The photo below is a poem by Mary Oliver, from “New and Selected Poems Vol 1”, I see this poem as talking about wholeheartedly living life. A life well lived is lived bit by bit in thousands and thousands of mundane moments. Many of those moments (even in pre-pandemic times) happen at home.

Letting oneself wholeheartedly enjoy and love little parts of daily life – why is that so hard? Perhaps as adults we get caught up in the “gotta do’s” as I call them. We sometimes almost chain-smoke, metaphorically, one gotta-do duty after another forgetting that love and pleasure is often part of the reason we do things. By contrast it feels good to pay attention to whatever interests you and revel in that focused moment. This wholehearted enjoyment is a way to be gentle  and loving to yourself and the people you love. Anyway, I thought of that while I doodled in my sketchbook.

Then I worked several days in a row to flesh out my thought using acrylic paint on cradled board. Yes, this is another piece destined for upcoming art exhibits at Burnt Bridge Cellars and at Caplan Art Designs.

Below is the finished painting I titled “The Minutest Concerns”.

The label on the bottle of cleaning fluid the mouse is using in my painting is actually a bit of collage. I’ve been using a falling apart copy of Jan Austen’s book Pride and Prejudice as my collage source. (See my last posts here and here for details)

As I worked I also thought about and reread a passage in a book I illustrated titled “Dr. Bob’s Emotional Repair Program First Aid Kit“. The passage reads “love is clarity of perception and accuracy of response”. 

Basically, in the bigger universal sense, things are okay, you are okay, and it’s okay to relax and enjoy just being yourself and liking and loving the world around you.

For example this photo below is part of my world that I love; I love picking up one of the books and reading a bit, I love just looking at the books on the shelves and I even love dusting them. Of course I confess that often I get distracted and stop dusting to read 😁

I love having lots of books so much that it feels like heaven. So I did this drawing and made a print of it…just in case someone else feels the same way. (This is part of the gift making I talked of last post) Even if I’m the only person who feels like this making a drawing and a print was a fun way to fully enjoy and love the feeling.

Books are all we know of heaven – an art print by Clancy –https://society6.com/product/books-are-all-we-know-of-heaven4207368_framed-print?sku=s6-18617343p21a12v52a13v54

I also love the challenge of cooking. It took me a while to figure it out but I can now reliably make meatballs to store in the freezer for use whenever the odd meatball is wanted with pasta or rice or roasted vegetables.

Here’s my recipe as written in my kitchen sketchbook. Yes, this is another souvenir of love! Books and sketchbooks are the best souvenirs!

My sketchbook page will still be there long after the meatballs have all been eaten! Plus I can share this sketchbook page with people and thereby share the love.

That’s part of what I love about poetry, books, gardens and art they each nourish one’s spirit and are shareable. They’re part of how we know we’re loved and part of how we love other people and how we remember to love ourselves and the world around us. They’re part of how we connect emotionally with each other.

A dear friend loaned me this book “The 3000 Mile Garden”. It’s a wonderful almost voyeristic view of two people sharing their love of food and gardens with each other. And we readers get to see their intimate exchange of letters! The book has hand drawn maps and photos too! It’s a fun evening read.

These are the sorts of thoughts that inspire me as I work on my new household surrealism fine art series that I’m titling “Odditorium”. In addition to the art itself I’m also working on an exhibit statement- which is kindof like the synopsis on book covers – a short paragraph or two to interest viewers and help them understand what I’ve created. Wish me luck at crafting the sentences?

Anyway, I hope this week that you’ll remember to allow yourself to love whatever is commonplace in your world. See you next Monday?

P.S. my book Patch La Belle is going to be featured on Kidz Stories And More – and I’m excited!! I will update my social media and this space when I have a link to share… Here’s the link to the read-aloud video they made!! https://m.youtube.com/watch?v=rOyqdg0WUjQ

Of civility, books, odd art and rice

A Creative Life, art exhibit, art gallery, Art Word Combinations, artistic inspirations, author illustrator, Gifts, household surrealism, Narrative Art, rabbits in art, sketchbook, visual thinking, words and pictures

I got my 2nd dose of the covid vaccine this week and I’m very glad! It did slow me down some so I did more than my usual reading, sketching and thinking.

I avidly follow and read the letters written by historian Dr. Heather Cox Richardson. Often I use her letters on current events and past history as a prompt for my creative sketchbook work.

This week I read this letter by Dr Richardson https://heathercoxrichardson.substack.com/p/april-7-2021 and did this sketch.

The next day I read this letter by Dr. Richardson https://heathercoxrichardson.substack.com/p/april-8-2021 and did this sketch.

Behind these sketchbook thoughts is my ongoing thinking about Jane Austen’s work. In her novels – Pride and Prejudice most certainly – Austen writes of civility and the social comedy of manners. I see Austen’s work as exploring how stories affect civility and how the presence of civility, or lack thereof, in turn affects not just the individual but also the people around them and the larger society.

Here’s some of the books I’ve been looking at (besides the ebook murder mysteries on my phone): Living With Books by Helen E. Haines, Pride and Prejudice by Jane Austen (my new copy!), The Ghost Map by Steven Johnson, Art Matters by Peter de Bolla, In the Presence of Fear by Wendell Berry.

So in multiple ways I’ve been pondering the mundane roll-sleeves-up get-hat-gloves-boots-on kind of work it takes to have a humane civilization. Pleasantness takes effort, talent and perseverance. It can take effort to remember to notice and accept when something is pleasant and then to share it.

As Kurt Vonnegut said “I urge you to please notice when you’re happy and exclaim or murmur or think at some point “If this isn’t nice, I don’t know what is.””

The odd surprises which delight us in nature, in cooking, in art, in literature and in music help us to cope, to see things anew, to remember why we’re working so hard – and that’s what the Arts are for, I think, to help us remember our humanity, our capability to be humane.

Anyway, I eventually finished this painting and titled it “Of Civility”. As per my last post I used some collage text from my old falling apart copy of Pride and Prejudice. This is another piece for art exhibits later this year.

“Of Civility” – by Clancy- 10 x 8 inches- ink, gouache and collage on board

Yes, it may take effort sometimes to be civil and show civility … but forward looking pleasantness usually works out better. As Maya Angelou said “I’ve learned that people will forget what you said, people will forget what you did but people will never forget how you made them feel.”

Also while thinking on these topics I made a coffee mug design for my Zazzle shop. My hand lettering on the mug says “I love you…you’re probably thinking ‘but you don’t even know me’ … but if people can hate people they don’t even know then I can love…so, I love you.” (Yes, I consider this mug tangentially part of the “household surrealism” work I spoke of in my last post” – my whimsical enjoyment of mundane things which includes making items that could be given as gifts)

I Love You Mug by Clancy click here for more info and ordering this mug – or look for other fun stuff here https://www.zazzle.com/store/sueclancy/collections

Speaking of mundane pleasures, thanks to “An Invitation To Indian Cooking” by Madhur Jaffrey, I have finally learned to consistently make good Basmati rice on the stovetop! (My rice cooker bit the dust so making rice stovetop became a project)

Some quotes I like about rice:

And here’s another sketchbook page … I keep thinking about this one…

I hope you have a pleasant week full of gentle stories, kindness, civility, some odd delightful surprises and a very good bowl of rice. See you next Monday?

Of odd hats flowers and books

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, creative thinking, fine art, household surrealism, magic realism, mundane and magical moments, printed books, rabbits in art, visual thinking, whimsical art

I’m practicing household surrealism as I work towards fine art exhibits later this year. Ordinary objects and plants are sources of inspiration.

Here’s a few sketchbook pages in which I’m playfully combining hats and plants.

Below are some primrose flowers a friend gave us. They sat on my table and I drew them and photographed them.

The flowers eventually became part of a hat in an acrylic painting I’ve titled “Of Sense”.

“Of Sense” – by Clancy- 10 x 8 inches- acrylic and collage on board

In my new series of artworks for exhibits at Burnt Bridge Cellars and Caplan Art Designs I’m using a bit of collage. The collage elements come from my old falling apart copy of Jane Austen’s “Pride and Prejudice”.

I replaced that old Austen book with a newer intact copy. I’m enjoying my Austen collection. Just like a writer constructs a bibliography for a book being written I tend to have a bibliography behind my fine art exhibits. Jane Austen’s prominent in this year’s art bibliography … I plan to talk more about that in coming posts.

My sketchbooks also reveal what’s on my mind – and I’ll post pages from them too. My sketchbook pages in this post have quotes about dealing with emotions. Jane Austen’s work is about emotions and the social comedy of dealing with ones own emotions or reading the emotions of other people. So I’ve been thinking about that…

My most recent published sketchbook “Another Sketchbook” is a prequel to my current sketchbook and fine art series. You can see it here. Spoiler alert: it’s lots of drawings about books and cultivating one’s mental life.

It’s nothing new for me to be as fully my odd self as possible – in fact I’m doing this as I work towards my new fine art exhibits – but I saw this image below on Austin Kleon‘s Instagram – and I thought heck yes. So I’m going to continue to be odd with household things for a while as I contemplate emotional health and Jane Austen out loud – so to speak.

If you haven’t seen Austin Kleon’s books, blog or newsletter it’s worth a look.

My recent children’s book “This Rabbit” has been read over 11 thousand times on Storyberries.com as of this writing! Wow! Thank you! 🤗 And yes, I plan to make more kids books … as one of my followers you’ll be the first to know. But for a while there’ll be odd household surrealism from me in this space and I hope you enjoy it.

See you next Monday? Stay weird and know that you’re loved by the universe.

Linked by leaves lemons and literature

A Creative Life, animals in art, art techniques, Art Word Combinations, artistic inspirations, books, creative thinking, drawing as thinking, fabric design, fine art, humor in art, Narrative Art, pattern design, rabbits in art, reading in art, sketchbook, surface design, Sustainable creativity, visual thinking, whimsical art, words and pictures

I’m amazed at how easy it can be to change one’s perception and be inspired. For example I took these yellow lemons and set them next to a grey and cream cookie jar. Suddenly I have a color scheme I hadn’t thought of before.

The randomness of all the creative stimuli in the world can feel a bit chaotic. Making links between stimuli can be a puzzle. The challenge is devising methods to sift through the chaos to find the nuggets of inspiration that are relevant to our lives and our personal forms of creativity.

One way I find focus – or links – is to think about what I enjoy. For example hot beverages and books are reliable enjoyments for me so I often use that as a focal point when exploring color schemes, patterns or shapes.

Here’s an original drawing playing with colors using the books and beverages topic:

Then, later, after I’ve chosen a focal point and created a drawing I’m pleased with, I find ways to take my original drawings and make something that might add to the random pleasures in the world.

My entire creative process is a way of talking, listening and actively participating in the world.

Here’s what I did with the above original ink and gouache drawing of hot beverages and books: I made a fabric pattern of it for my Spoonflower shop.

https://www.spoonflower.com/en/fabric/9454398-hot-beverages-books-by-sueclancy

Yes, much of my artistic inspiration comes from my personal life. Below is one of my favorite hot beverages. I wrote the recipe in my sketchbook. A sketchbook is where I do a lot of my sifting through my thoughts and making links.

And here’s some random books I’ve been reading this week:

The Norton Reader 6th edition is a book of essays, a wide ranging freewheeling collection of essays. I like it for it’s oddness this way – most essay collections are more narrowly focused. This book was given to me back in the late 1980’s by one of my literature professors. I had gone to the professor’s office during the appointed office hours but just after I arrived the professor got a phone call. Those were the days of phones connected by cords, lines and an absence of answering machines. While my professor took the call I sat next to a table with books on it and picked up The Norton Reader. By the time my professor finished the call I had read several of the essays. The professor asked if I liked the book, I replied that I did, and she gave me the book to keep. I have read the book multiple times since those college days and this book currently lives in a place of honor on my dining room shelf with my poetry and short story book collections. It has influenced my creative thinking in ways too numerous to list here.

The other 3 titles in the stack of books in the photo below are all books that I similarly encountered randomly:

Darkness Take My Hand by Dennis Lehane was a recent gift, sent by mail, from a friend. I love a good mystery novel and this one is gripping. I’ve almost finished my first reading of it and …wow. Just. Wow. I had never heard of this author till my friend mentioned and sent the book! I’m grateful to my friend…

Given Sugar Given Salt is a book of poems by Jane Hirshfield. I love the way Hirshfield examines little things, small objects like buttons or our habits or ways we sleep. This book (along with Mary Oliver’s work) has been an influence on my own love of little things.

The Blank Canvas by Anna Held Audette is a big “you can do this” support system even though the book is small in size. I dip into it often when I need a little pick-me-up.

All of the books in the above photo were gifted to me. I relish the randomness the book-as-gift adds to my creative life!

I thought a lot this week about those yellow lemons and that grey color together. And about hot beverages. The weather here has been cold, rainy, which makes hot beverages even more pleasant. Here’s what I drew exploring the yellows and greys:

This week I’ll probably do the digital hocus pocus to turn my grey and yellow cups drawing into a pattern repeated on fabric. (This process will be much like what I described last post.)

My other technique for creative focus – for finding links – is to ask myself what would feed my good wolves today?

This page is from this book: https://store.bookbaby.com/book/Dr-Bobs-Emotional-Repair-Program-First-Aid-Kit1

Then I think of art topics and creative projects that encourage my own thinking towards kindness and the other good-wolf attributes. And provide amusement and comfort.

For example here’s an ink and gouache painting I’ve titled “The Fall Collection”

“The Fall Collection” by Clancy – 8 x 10 inches – ink, gouache and collage on board

And here’s another ink and gouache painting I’ve titled “Anyone Bring Cups?”

“Anyone Bring Cups?” by Clancy – 8 x 10 inches – ink, gouache and collage on board

In both of these paintings – in addition to yellow, grey, leaves, lemons and cups (sortof) to link my thoughts together – I used a bit of text as collage along with my ink and gouache. The text is from Pride and Prejudice by Jane Austen. I had a much used copy of that title that has pages falling out so my spouse gifted me with a newer intact copy. So I’m lovingly recycling the old falling apart book into my fine art and my perception of Austen’s writing is shifting in nice ways as I do this.

I’m sure you noticed in the paintings that in addition to my use of yellows, greys, leaves, lemons I also used my current “everyman” characters in the form of rabbits.

As I describe in my last post I use techniques for writing as my guide towards creative thinking. In these paintings and in my fabric pattern designs I am following both pieces of advice given to writers: “write what you know” plus “write about what you want to know“. I am also imitating mystery genre writers who use the same characters and themes with subtle variations over multiple books.

Randomness and changing ones perceptions are such fun creative tools to play with! I hope you’ll enjoy some pleasant randomness this week too.

See you next Monday!

Gouache and grin cycles

A Creative Life, art techniques, artist book, artistic inspirations, author illustrator, books, ebook, fine art, food in art, illustration, mental health, printed books, product design, publications - publishing, published art, Sustainable creativity

Since I’ve been asked by several people: here’s info about the art media gouache, why it makes me grin and my working cycles with it.

Gouache is a water based paint. It’s more opaque than watercolor. Using gouache feels like spreading soft butter on toast. Applied gouache dries quickly but is easily made moist and workable again. It dries to a matte non sticky appearance which makes it suitable for use in bound sketchbooks, in folded artist books as well as for fine art to be framed. Gouache also reproduces well via various printing mechanisms on fabrics, in printed books and on many other surfaces.

In the studio, because I don’t have to worry about my gouache paints becoming unusable on my palette before I can use them (as is sometimes an issue with acrylics), gouache is suited to my busy life. I call this my gouache and grin cycle.

I prefer to work on multiple art projects at a time in “short bursts” on each project. Rather than count on a long span of uninterrupted time I dash in and work a bit on an art project, then go make lunch or do whatever stuff-of-life or other work matter that needs to be done. Then I cycle back to an art project…

To borrow a sports analogy I just try to advance the ball, my various art projects, a little bit each day rather than doing a project all at once. I try to amuse myself with whimsical art making, aka spreading color, for at least a few minutes every day no matter what else is happening in life. The qualities and attributes of gouache help me to do this, to keep my creative games in play – come heck or high water.

Here’s a series of photos showing my gouache working methods in my sketchbook. (This is also my work method for fine art and other projects.) In the first photo you see my 3 x 5 inch watercolor sketchbook held open with clips. Also pictured from the top left and rotating clockwise: paper towel, peppermint candy model, graphite pencil, 3 watercolor pencils, 2 waterproof ink pens, a water brush and my lidded paint palette with its wells of various dry gouache colors.

In the photo below I begin 3 demo peppermints: the top left mint is sketched in graphite pencil and waterproof ink pens. The bottom left mint is drawn in watercolor pencil only. The mint on the bottom right page was doodled in all of the above; graphite pencil, ink and watercolor pencil. [The quote was just on the sketchbook page I chose to use for this demo.]

So you can see what they look like here in the photo below are two tubes of gouache paints. I like the Holbein Artist Designers Gouache brand best but the Winsor and Newton brand is good too. (There’s a monster called “acryla gouache” also available on the market which I avoid like a character would avoid a flesh eating zombie in a horror film.)

I begin painting by laying down the local color – the general color an item is supposed to be. At this point I don’t worry about shadows or highlights or details. I just get the color shapes down – in this case for the peppermint candies.

I did not squeeze out new paint from my tubes when I began. I got my water brush wet and put a few drops of water on the dried red gouache already on my palette so I can use the newly moistened color. I add a small amount of moisture to a portion of the dried chunk of red gouache until that portion feels like soft butter, then I paint the candy stripes.

Here’s a closer look.

Now I get the general color and shape down for the wrapper in the same method. I put a drop or two of water on my blue gouache color, get my brush damp, dab at the blue paint a second or two to get a portion of it moistened and softened – then I paint.

Now I create the cast shadows using a watery mixture of the red and blue gouache colors. To make the watery mixture on the lid of my palette I dipped my brush on the now moist blue color, dab on an area of the lid, then dab the brush clean on the paper towel, then dipping into the now moist red and adding it to the tiny blue puddle, mixing till it’s a purple color I want for the shadow. Then I add a tiny bit of plain water to the newly mixed purple till it’s a small fingernail size puddle of watery purple – this enables me to do the cast shadows in a faint shadowy way.

Now I do squeeze out a tiny amount of the white gouache from the tube and use it, fresh from the tube, to make the highlights on the candy and wrappers. Note in the photo below how the white gouache can completely obscure the darkest ink lines. This is part of what I love about gouache – any mistake can be covered with the opaque paints. If an edge in a painting needs to be softened or a color edge blended all I need is a wet brush.

Then in a few minutes, perhaps the length of time it takes for a decent sip or two of coffee, when the paint is dry I go back over the paint with ink lines or watercolor pencil lines to snap the details into sharper focus.

Now that I’ve finished painting I leave my sketchbook and my palette open and let them dry completely. I even leave the shadow color mixture on my palette lid to dry. All I will need to do to reuse the mixed color in the future is to get my brush wet and dip in.

Peppermints are one of my guaranteed-to-make-me-grin art subjects that don’t require a lot of time or planning. I’ve learned over years of painting peppermints that different candy makers have their own peppermint candy look. And I don’t mean the wrapper.

Here’s a fabric pattern I did of peppermints for my Spoonflower shop. I used the gouache techniques I describe above to create this pattern. But do you notice how these mints are different from the ones I did in the demo above? Different candy maker… yummy too!

More about my “Peppermint Candies” fabric pattern is here: https://www.spoonflower.com/en/fabric/8224417-peppermint-candies-by-sueclancy

To illustrate what I mean about working in short bursts despite life situations. A hot water pipe burst on our hot water heater recently. (Talk about heck and high water! 🤦‍♀️) After we got the immediate crisis dealt with I did little quick bouts of drawing as a self calming technique. Also while waiting for plumbers etc restoration crews I doodled and painted in my sketchbook. Gouache makes it easy for me do short bursts of spreading color which makes me smile. And having had a brief grin makes dealing with life much better.

Anyway, there’s a new artist book I’ve done for children called “B Mouse Reads A Book”. In it you can see my original ink and gouache artwork, and how the art media is on folded paper in this video on my YouTube channel. Because this book was meant to be handled in a gallery I used a spray fix varnish to make sure the gouache wouldn’t smear or run.

But since the pandemic hit there’s no going to art galleries to handle or view artist books in person. So I was lucky enough to have “B Mouse Reads A Book” published as an ebook here on Storyberries.com! They also included the book B Mouse is reading too…it’s another artist book I created as part of the B Mouse Reads A Book story…there’s a link at the bottom of the B Mouse book that you can click to see the companion book.

“B Mouse Reads A Book” by Clancy – https://www.storyberries.com/free-books-for-kids-b-mouse-reads-a-book-by-sue-clancy-bedtime-stories/

I’m sure you can recognize in the image above the ways I did my combinations of ink and gouache. The video shows how flexible gouache can be when applied on paper bound or folded as pages. The ebook shows how well the nuances of the colors show even as a digital image.

If you look at my portfolio pages you can see my ink and gouache work as both fine art framed in an art gallery setting as well as reproduced in printed books.

Most of my jigsaw puzzle designs, greeting cards and odd mugs on my Zazzle shop were also created with my combinations of ink, watercolor pencil and gouache. It’s a very versatile media.

That reminds me to tell of another practical matter: if you apply gouache too thickly it can pop or flake off. Especially in a folded or bound paper book. And when scanning or photographing gouache artwork for reproduction a too-thick gouache application can cast shadows unrelated to the artwork subject. So I apply gouache as if I were basting bread with semi melted or melted butter.

I hope you’ve enjoyed reading this and found it helpful for when you try gouache yourself.

See you here next Monday. And in case you’d like to know even more about gouache – here below are a few links to more information about painting with gouache:

COMBINE WATERCOLOR AND GOUACHE TIPS https://www.erikalancaster.com/art-blog/3-tips-to-combine-watercolor-and-gouache-like-a-pro

GOUACHE INFO (VERY GOOD)
https://www.skillshare.com/blog/learn/7-artists-using-gouache-in-gorgeous-ways

GOUACHE SKILLS
https://www.google.com/amp/s/www.skillshare.com/blog/learn/8-gouache-paint-pro-tips-you-should-know%3Fformat=amp

GOUACHE IN SKETCHBOOKS
https://juliabausenhardt.com/how-to-get-started-with-gouache-paint/

LENA RIVO – GOUACHE
https://www.lenarivo.com/guide-to-gouache and generally see
https://www.lenarivo.com

Numpurrs and a dragon

A Creative Life, art techniques, Art Word Combinations, artistic inspirations, author illustrator, Authors, books, cat portrait, Cats in art, ebook, fine art, illustrated poem, math and numbers, Numpurrs, pet portraits, poetry, product design, publications - publishing, visual story, visual thinking, words and pictures, writing, writing and illustrating

It’s barely been a week and Numpurrs on Storyberries.com has been read over 3000 times! Here’s one kind comment:

“Thank you, this is exactly what teachers are looking for, online opportunities during virtual teaching makes teachers lives so much easier. That was perfect timing! And a beautifully illustrated and written book! The weird thing is, I just did a cat drawing lesson for 1st grade. Now we can read the book and learn how to draw a cat!”

How nice is that?! It made my artist heart sing! 

Here’s a link to my book Numpurrs on Storyberries.com – where you can see it (and many other stories) for free – https://www.storyberries.com/bedtime-stories-numpurrs-by-clancy-free-counting-books-for-kids/

So this week quickly filled with additional efforts to help teachers and parents: I also made a poster, a calendar and then a 676 piece jigsaw puzzle too.

Here’s what the poster looks like. It’s big, 23 inches square, big enough to be seen in the backgrounds of online classes.

Numpurrs posterhttps://www.zazzle.com/numpurrs_poster-228224328093121348

My copies of the printed book version of Numpurrs also arrived at my studio this week! So I photographed the book and created a portfolio webpage to hold all of my work on Numpurrs in one spot – to help the teachers find things easier – here’s that page https://sueclancy.com/portfolio/numpurrs/

Below are just a few of the photos of the printed book…you can see more on that portfolio page I just mentioned

I’m pleased with how the book turned out! Of course I can nitpick and find things I could have tweaked – that’s always the case with any creation. I think of art making as similar to cooking, you do your best to create a good meal then you say “good enough, let’s eat” and you go on to the next thing. Perhaps you make a note for yourself on that recipe as to what you’d do differently in the future – but you enjoy the meal as it is and you go on.

Speaking of going on: for years now I’ve been regularly jotting short poems in a small 3 x 5 inch book with my fountain pen. Now, as per discussions with the people at Storyberries, I’m working on illustrating some of the poems for a new book. As I wrote my last post I’d thought I’d do more on this new project this week than ended up happening – so more on these illustrated poems in coming posts.

Here’s a look at my little poetry sketchbook with some of the potential to-be-illustrated poems flagged with sticky notes.

I write with a fountain pen because they’re refillable. Fewer plastic bits of discarded pens to end up in the landfill this way. Besides a fountain pen – if you have a good quality one – can be super smooth to write with.

For those who say a nice pen and hand bound book would be “too precious to use” I reply “your thoughts are precious too”. Buy quality supplies and use them with joy. It’s just stuff on Earth here to be enjoyed. (And if you just can’t bear it then buy whatever supplies you will actually use and get your thoughts written down. But remember that you really deserve the best.)

Below is the dragon poem you can see my handwritten draft of in the photo of my book above and the handwritten poem and illustration I got done this week with ink and gouache on nice paper.

More of that kind of thing here next Monday – I hope. Thanks for reading. Have a good week.

Numpurrs 20 & it sums up…

A Creative Life, art techniques, Art Word Combinations, artist book, artistic inspirations, author illustrator, books, cat portrait, ebook, fine art, food in art, graphic design, illustrated poem, illustration, math and numbers, Numpurrs, pet portraits, printed books, Sustainable creativity, visual thinking, words and pictures, writing, writing and illustrating

There now! Despite all the odds (see last post) I finished “Numpurrs”! I’ve also sent it in to Storyberries for distribution. When I sent it in this last week Storyberries said “I just LOVE it Sue!!! It has come together so nicely !!!! Thank you so much for sharing your beautiful work with us!!”

So I think it’s safe to say that they’re pleased! The book will be live on Storyberries.com very soon as they said they’ll “…schedule it for 9am Gold Coast time Australia on Monday morning.” Which works out to about 4 pm in Washington state, USA on Sunday. And I post these blog posts on Mondays but write them on Sunday morning’s… so, yes, I can have a bit of time zone confusion.

[Update: here’s the link to Numpurrs on Storyberries.com: https://www.storyberries.com/bedtime-stories-numpurrs-by-clancy-free-counting-books-for-kids/ ]

Time zone differences between where I live on the western US coast and the time where Storyberries is in Australia can confuse me even when I have help from the internet. My solution to working across continents and time zones is the same in publishing as it has been when I’ve done fine art exhibits outside of the U.S.A; get it all done early and everything into their hands as soon as humanly possible then let the people I’m working with sort the what-happens-when out at their end.

It helps that I work on the graphic design part of any book almost simultaneously with creating the fine art illustrations. This way by the time I finish creating the fine art illustrations I’ve almost finished the book design too.

The graphic design informs and affects my illustrations – in the number of illustrations needed, the size of them and so forth. But what I want to do in the first place with my illustrations/fine art at my easel (using ink and gouache on board) will also affect the graphic design.

This interdependence (and writing the poem is in there too) is related to the construction of my book idea in the first place in a which-comes-first chicken-or-egg kind of fashion. As a result of my working method the posting I do online nearly always slightly behind the action. My motto is create the thing first talk about it later.

Anyway, here’s a pic of me working on my laptop doing the book layout. I often do my computer work in the corner of my dining room near the cookbooks and am almost always cooking something on the stove. Taking breaks to stir something on the stove is so nice!

Sue Clancy creating “Numpurrs”

And here are the last poem lines in my book:

Twenty butters bread, risen with yeast

And it all sums up to a wonderful feast!

In the printed book my three panel “feast scene” will flow in sequence left to right and will line up side by side. But it worked pretty well in scroll ebook form too even tho it doesn’t line up at the edges. As I worked I had to think of both of these “flow” patterns when I was creating the images.

Even though I’m doing so much myself – which sounds like a lot of freedom – there are still constraints: page flow, number of pages allowed within the publication formats, where the blank pages must fall, printing product options, ebook construction and so forth. I see these constraints as the path, the way forward, the technical issues become part of my creative process.

When it came to creating the feast scene artwork in Numpurrs I consulted this book, Food and Feasting in Art by Silvia Malaguzzi

Many of these art historical images had the viewers eye moving left to right and or moving up and down. This served as a guide as I created my cat feast illustrations. (I love art history!)

Running into the graphic design publication constraints I mentioned earlier I only had 3 pages within which to fit my feast. When, in an early sketch, I fitted all 20 cats in – the cats were too small and the numbers couldn’t be easily read. Since the point of the book is to distinguish between cats and to recognize numbers I decided to make the cats and numbers bigger even tho it meant leaving out some cats.

Besides at almost every group photo I’ve ever participated in there were several people who declined to be in the picture. Perhaps we can pretend some of the cats in my artwork were similarly shy?

After sending everything in to Storyberries, and after being given the release schedule, I was asked to send in a new photo of all three of the feast panels as one image. There are design constraints and issues at their end too – and we’re in this project together. So I hustled (time zones remember…) and sent this photo in:

Since my book idea is about distinguishing between cats and numbers I also used 4 of my allotted pages to include the photos of real life cats that my friends had sent to me for use as reference to create my artwork. Like the feast scene artwork not every cat illustrated in the book is on the cat photo pages… again it was a case of if I fit in every photo the cats were too small to see well. And in some cases the photos my friends sent was fine for my art reference use but it wasn’t high enough resolution for a printed book. Since I’m doing both print and ebook forms I had to design for both to look the same. Perhaps it can add fun to also distinguish which cat is there and which isn’t and also to see some of the source material I worked with?

Here’s what the Numpurrs book cover looks like, and the dedication page where I thank my friends for all of their help.

Numpurrs by Clancy – https://www.blurb.com/b/10297565-numpurrs

You can see a preview of the entire book Numpurrs via this link: https://www.blurb.com/b/10297565-numpurrs

You can see all of my artwork and my blog posts containing my thinking as I developed this project on the webpage here.

Here, again, is the link on Storyberries where you can see what they ended up doing with the new feast scene photo I hustled to send in …. https://www.storyberries.com/bedtime-stories-numpurrs-by-clancy-free-counting-books-for-kids/

On my Instagram page I will tell more about Numpurrs as things on Storyberries develop. (An audiobook version is in the works etc)

Next Monday this blog will move on to my next art project…

Thanks again for reading and adding to the Numpurrs fun!

Numpurrs 16, 17, 18, 19

A Creative Life, animals in art, art exhibit, art gallery, art techniques, artistic inspirations, cat portrait, Cats in art, creative thinking, ebook, fine art, illustrated poem, illustration, life of the mind, math and numbers, mental health, Numpurrs, pet portraits, publications - publishing, small things, Sustainable creativity, visual thinking, words and pictures, writing and illustrating

This week has been less busy but weird with wildfires and bad air quality where I live in SW Washington. (More re in a sec.) Despite it all I still made progress on my Numpurrs book (see also my last post for more project details)

Here are the poem lines that go with the illustrations I managed to get done this week:

Sixteen puts flowers out on a whim

Seventeen pours saucers of milk labeled skim

Eighteen opens fish oil good for the fur

Nineteen is so happy she starts to purr

To think about art and creating a book for children this week, as wildfires raged, as we worry about the safety of family and friends has, at times, felt a bit frivolous. But it is also an act of hope. An act of resilience. An act of pushing back against the darkness…

One of my sources of comfort in times of difficulty is to walk among my bookshelves at home, selecting a random book, reading a page or so and putting it back on the shelf. I often hope to find encouraging, uplifting passages. As you might know from my artist book Another Sketchbook I’ve been adapting this comfort recently to include ebooks. Here’s something I read this week from Albert Camus

I think creating art is a way of maintaining hope. Sharing art is a small act of kindness. So I keep on. Besides, I find it helpful to spend time each day focusing on something that is pleasing, enjoyable, as doing this helps me exercise and maintain my inner muscles that give me strength to push back.

Things that are enjoyable are what we push for, what we want to maintain, what we want to have more of in life because it’s not enough to merely endure. Besides doing whatever it is that helps us endure we need to also remember what we’re enduring for. And when the enduring is done to remember to appreciate what we have.

Thinking beyond the thing to be endured and the endurance process itself takes practice. Enjoying things is a skill to be practiced – and one doesn’t have to wait for a perfect time/situation/condition in which to practice. That time is now.

As Kurt Vonnegut, one of my favorite authors said “I urge you to please notice when you’re happy, and exclaim or murmur or think at some point, “If this isn’t nice, I don’t know what is.” “

Anyway, here’s my cat sitting where he can look out on the smokey world. It’s pleasant to watch him watch the world. This photo was taken about noon on Sunday.

And here’s my dog covering his nose, burrowing into a towel, in an effort to get away from the smell of smoke. He’s so sensible – and cute!

Besides working on my art projects and pulling books randomly from my shelves, I’ve still been reading the books I mentioned in my last post.

Also I’ve added to my daily reading an ebook, “The Cat Who Said Cheese” by Lilian Jackson Braun. Walking around inside my house, for gentle exercise, is more fun with a cozy mystery in hand. And since one of the current topics in my head is cats…. this book is lightweight fun for me to burrow into while still being somewhat on topic.

The air quality outdoors here has been so bad that, wisely, all the places hosting my current fine art exhibit “Readings From The Heart” closed temporarily to the public. As of 8 PM Sunday night the Airnow.gov site has my location’s air quality as “beyond index” meaning it is worse than the number they use to indicate really-awful-very-bad-horrible-dangerous. My nose and chest would agree with that assessment. (An air particulate level of 300 to 500 is considered hazardous – ours Sunday eve was well over 500. Monday morning the number is 414… update: at 6pm Monday we are at 517. My local paper has this article. )

But I tend to think that inside a difficulty is an opportunity – a chance to think beyond an immediate crisis – so just as soon as one Gallery told me they were closing I made the ebook version of my artist book about the exhibit available as a free download on my shop page. If you scroll to the bottom of the page you’ll find my free ebooks. You can also see all of my art in the current exhibits from the comfort of your phone here. And if this isn’t nice I don’t know what is!

Please find ways to keep hope alive, to keep enjoying something, to keep going forward somehow and be kind – I will do the same.

See you here next Monday

Numpurrs 12, 13, 14, 15

A Creative Life, animals in art, artistic inspirations, author illustrator, Authors, books, cat portrait, Cats in art, creative thinking, fine art, illustrated poem, illustration, math and numbers, Numpurrs, pet portraits, poetry, printed books, publications - publishing, Sustainable creativity, visual thinking, words and pictures, writing, writing and illustrating

I didn’t think it possible to be even busier this week than last week but I was. Still there’s been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.

Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs

Twelve spoons out all of the treats

Thirteen plans who will sit in which seats

Fourteen carries dishes piled so high

Fifteen slices the roasted magpie

As I worked on these cat portraits, in snatches of time, I chose the cats-to-be-illustrated from photos of cats that my friends have shared. My friends also shared stories about their cats – and both the stories and photos inspired which cat to pair with which number and poem line.

Also informing my work on these cat portraits are the books I’ve been reading. More details below. But did you know that magpies relate to math? So does carrying … math fiction as a genre to explore is lots of fun!

Anyway I don’t expect that the parents reading my Numpurrs to their kids will see all the math related research I’m putting in – the research is just a way for me to learn and enjoy this topic as I create my book Numpurrs. It helps keep me on track and inspired even when I’m not working on a cat portrait.

Anyway, I made these cat paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Both the small size of each portrait and my art media enable me to work in short bursts as time allows. If these works were in any other size or media I can’t imagine how I would have shoehorned this project into this week. As it was having this project to do in this way inserted a nice bit of relaxation and fun!

Part of what I have been so busy on can be seen here: https://sueclancy.com/portfolio/readings-from-the-heart/

The rest of what I have been so busy on would require lots of typing. Let it suffice to say that it’s very happy business (fine art commissions!) and that I enjoy it all very much!

Here in this blog my point is to show how I develop new projects and sustain my interest in them over a duration, despite a busy life. It’s a peek behind the scenes you can say in my creative life. So I’m trying to keep my writing here about the newest project under current development.

As I alluded to above here are some books that are helping me sustain my inspiration for this project. In addition to conversation with my friends about their cats I peek at one or the other of these books as I get a moment.

I’ve written about some of these books in my last posts but the book titles in the above photo are (from the top):

A Dictionary Of Color Combinations by Sanzo Wada – A link for this book in the bookstore Ampersand where I got my copy is here

I Am A Cat by Soseki Natsume – this link has a wonderful review/discussion of this book. The article mentions that this book was originally written serially, in installments. In addition to making this book readable for the busy times of life I also see it as informative on how to construct a story to be serialized. Besides all that it’s just a fun romp inside a cat’s mind!

Imaginary Numbers by William Fruct – I found my copy this book years ago in one of my local bookstores. I looked online just now for it and the best source for more information about this title that I could find is here at ABE Books.

Werner’s Nomenclature Of Colors by P. Syme. – The bookstore where I got my copy no longer has this title but you can see a fun article about this book, along with photos of the pages here.

So now you know how my week went: working on many projects, reading bits in books, thinking, musing, playing and adding new art progress, small bit by small bit, to my Numpurrs while also living life.

Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.

I hope your week is peaceful, fun and filled with your own creativity.

P.S. I also include photos of my other projects on my Instagram pages and elsewhere on www.sueclancy.com