stirring occasions

A Creative Life, artistic inspirations, creative thinking, fine art, kitchen art, small things, still life, visual thinking

As a long-time coffee lover I’ve been recently learning about tea. More than half of the world drinks tea and/or has some kind of tea ceremony. As far as I can tell the philosophy of tea is basically a way of valuing mundane life – in a somewhat carefully curated way. The ordinary as a source of stimulation, of stirring inspiration.

In making this piece I’ve deliberately used multiple perspectives – visual oddities – to emphasize the many ways there are to approach, value and appreciate a personal moment of pleasure in daily life.

Perhaps not surprisingly I’ve titled it “A Stirring Occasion”.

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A Stirring Occasion by Clancy – 8 x 10 inches – acrylic and gouache on board

I confess that I’ve recently been reading a number of titles from the British Library Crime Classics. (here’s a link https://poisonedpenpress.com/series/british-library-crime-classics/) They’ve a number of books sorted by “impossible crimes” “locked room mysteries” and other detective mystery themes.

And I also thought about the concepts “bone china”,”dogs with bones”,”seize the day” and “stirring/stimulating/interesting”…

So as I worked on my artwork I designed yet another “impossible object” because I wanted to depict that feeling of dynamism within mundane pleasures.

As you know I’ve done “impossible objects” before when it suits the artistic concept – most recently my cat portrait titled “Alpha Betty” (past blog posts about that here and here and the finished art here) which has an “impossible book” reflecting the multiplicity of language.

Anyway – If you’ve been following me on Instagram you’ll see some of my recent tea adventures…

more cats book progress

A Creative Life, animals in art, artist book, cat portrait, Cats in art, fine art, published art

I’d written recently here about my progress towards making a 22 page full color book of my cat themed artwork. Well, I’ve gotten my “proof copy” in the snail-mail, showed it to Hawkeye my studio supervisor cat – and my wife, a cat-lover – and all of us approved of the print quality! Even Rusty, my studio supervisor dachshund, admitted that the cat art looked good.

I’ve photo’d a few pages so you can see for yourself:

What do you think?

Right now you can get a copy – either softcover (like in the picture) or hardcover – here: http://www.blurb.com/b/8837851-cats or via Amazon.   Later this year I’m to do a library event and I may have a few copies at that time to sell directly.  We’ll see…

But no matter how this particular cheese gets sliced I heartily thank you for your support of my projects.

Junes treasures

A Creative Life, artistic inspirations, fine art, kitchen art, small things, still life

Okay so I know it’s July but I just finished this painting inspired by all of the strawberries, shortcake and whipped cream I enjoyed during June.

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“June’s Treasure” – by Clancy – 10 x 8 inches – acrylic and gouache

cats book progress

A Creative Life, animals in art, artist book, artistic inspirations, books, Cats in art, Dogs in Art, Narrative Art, published art, travel art and writing, visual story, visual thinking, words and pictures, writing

I do better now, writing words-in-a-row, than I did once upon a time. Reading text has never been a problem for me – but speaking, and writing. Whew! Lets just say good speech therapists, theatre-acting coaches and writing class instructors are worth their weights in all the precious things in the world combined. As a kid practicing speaking by reading aloud from a comic book or a picture book felt less intimidating than reading aloud from a text-only book.

Even today I enjoy visiting art museums and galleries and looking at the artwork first, reading the labels last. I enjoy looking at coffee-table books with big glorious pictures – forming my own thoughts first – reading the words later.

Nowadays I read plenty of books cover to cover that have text only, no pictures at all. I even give demo’s and talk in front of 200 or more people without as much as a blink. (Wish my 10 year old self, who threw up at the thought of giving an oral book report, could see me now!)

So it has become a philosophical point to ponder with me – when is text important? When is an image important? When to have the words? When to have the pictures? How much of either?

For example I love it that signs for the restrooms are often pictograms. You can “read” them no matter what your language – or your linguistic skill level. Much of our international travel culture utilizes visual maps and non-verbal way-finding signs for things like hospitals, airports and government buildings – using pictograms rather than single language dependent text.

As I’ve worked on a new artist book containing my cat themed fine art I’ve thought a lot about whether or not to have text along with the images. If text – how much? Text located where in the book?

When I did my book “Dogs” I had the text at the end – and didn’t include much of it there either. The majority of the book is images.

On the one hand I spend quite a lot of time coming up with the titles for each of my artworks and it seems almost a shame to not list the titles. But I’ve often noticed – at museums and galleries – that people read the label-wall-text and sometimes forget to look at the pictures.

So sometimes I deliberately create text for use in my fine art gallery exhibits… just to be contrary. I’ve even created whole artist books with text and sketches to accompany my fine art exhibits. But sometimes I omit text completely and rely on my art images alone, the curious can ask the person running the gallery for more info. In this way I purposefully encourage people to verbally-talk with each other. Which way I go – words and/or pictures – often depends on the exhibit.

Like I say for me the words and pictures question is an ongoing, almost daily, one.

People seem to enjoy my Dogs book as it is – largely without text. And I’ve noticed that I’ve sold that book fairly well in non-English speaking countries. People of all ages seem to like it. So….

“Cats by Sue Clancy” will be largely wordless too.  Here’s what the cover will look like:

cover_2

The front cover of the artist book “Cats by Sue Clancy” – http://www.blurb.com/b/8837851-cats

The book is square, 7×7 in, 18×18 cm and 22 pages – full color.  Here’s an early-reader link to the book http://www.blurb.com/b/8837851-cats  In fact “Cats” has even fewer words than “Dogs” does – but more pictures in full color.

I’m sure I’ll continue to have this words and pictures discussion with myself in every book and every art exhibit I create.  But I’m curious about your thoughts: do you look at words first? Or pictures first? What are your thoughts about wordless books?

more bourbon please less bull

A Creative Life, artistic inspirations, books, mental health, still life

I’ve been thinking lately about the various ways that language is used and how that usage relates to being human.

For example: it helps human relationships if people are sincere, honest and as clear in their verbal communications as possible.  Deliberate efforts to use language so as to mislead others to one’s own advantage is the opposite of helpful human relating.

Being a language-using human means to try to make mental connections between ideas/concepts and that includes trying to connect with other humans. Human existence and experience are about making connections and evaluating the qualities of those on-going connections, selecting the helpful and meaningful ones, expanding the number of “good relationships”.  We create the world together.

Bullshitting is an effort to avoid making meaningful connections.  To bullshit is to manipulate language so as to avoid relating directly with people in fact-based, rational, practical ways.

To share a drink (whether alcoholic beverages or not), to share food and to share books is an expression of a strong desire to meaningfully connect with someone. Sharing drinks, food, books, sports and many other collaborative/cooperative activities are ways we develop relationships and nurture on-going connections.

I’ve recently re-read “Bullshit” by Harry G. Frankfurt, mused on it’s contents so much (see the above verbiage) that I’ve included the book in a painting.  And yes I really did use lots of sticky-notes in my copy of Frankfurt’s book, my effort to make connections between the concepts I found there.

Now that we’ve discussed “Bullshit” –  what beverages do you like to drink?

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“Need More Bourbon” by Clancy – 8 x 10 inches – acrylic and gouache on board.

 

 

coffee city

A Creative Life, artistic inspirations, creative thinking, fine art, small things, still life

I’ve been thinking lately about how much our lives are reflected in the objects we own, save, give away or dispose of – and the many mundane moments out of which a life is made. Perhaps choosing carefully what we focus on, choosing what encourages our “better angels”, choosing what becomes mundane is what makes for a good life.

These thoughts began when I was having coffee at one of my downtown coffee shops, staring at the highly polished surface of the ceramic coffee cup which reflected the surrounding city-scape. It was an ordinary moment that elevated my spirit. I carried it in my mind back to my studio where, to savor the feeling, I created this:

CoffeeCity72

Coffee City – by Clancy – 5 x 7 inches – acrylic and gouache on board

 

strawberry daiquiri fields

A Creative Life, artistic inspirations, fine art, food for thought, kitchen art, still life

I first “met” the Pacific Northwest in the novels of Tom Robbins. His book “Another Roadside Attraction” has a wonderful description of the grey-blue skies, the abundant rain, the soil and how the “…strawberries grow lustily…”.

Fast forward a number of years and on one of my first visits to the region I saw a field of strawberries growing wild near the ocean. I was enchanted.

Then after many years of vacations to this land of enchantments we moved from Oklahoma to the Pacific Northwest. One of the first things my wife and I did as new residents was to buy 4 Rainer strawberry plants and plant them in our back yard.

Each year those 4 plants multiplied themselves. And each year we share strawberries with neighbors, friends, family and try to think of new ways to use them.

This year’s new recipe is a strawberry daiquiri. Here’s the recipe I used – http://www.geniuskitchen.com/recipe/frozen-strawberry-daiquiri-99140 – I went lighter on the lime juice than they suggest. It was quite yummy!

As you know from recent posts I’ve been practicing painting “stuff” a little more realistically – so I tried to get the glasses to look transparent and the fruits to look round and full.  Here’s the painting, titled “Strawberry Daiquiris”.

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Strawberry Daiquiris – by Clancy – 8 x 10 inches – acrylic and gouache on board

cherry cheers

A Creative Life, art exhibit, art gallery, artistic inspirations, still life

It’s Mount Rainer Cherry season here in the Pacific Northwest! After getting fresh cherries at the Farmer’s Market on a warm summer day – we went for a cocktail. Bartenders around here use seasonal produce and since cherries are in season the drink of the day was cherry themed. Well, the drink was so good it inspired our friend to say “Wow, this drink is almost a religious experience!”.

“Amen, sister!” I replied.

“Halleluiah!” added Judy.

Then I went back to the studio and created this piece.

CherrySeason72

Cherry Season – by Clancy – 7 x 5 inches – acrylic and gouache on board

It ended up being an artistic exercise/challenge in getting the two-colored cherries to look round, and the glass to look glass-like.

Since this one is slightly different than my usual sort of thing I sent an image of “Cherry Season” to the gallery owner at Caplan Art Designs – who said it’ll be included in my exhibit later this year! And I’m to keep ’em coming! Wahoo!!

Anyway, in looking up cherry-drink recipes for this post I found this link – which seems the closest to the drink we had at our local pub.  http://www.cookingandbeer.com/2015/06/rainier-cherry-and-orange-campari-cocktails/

Cheers!

mundane matters

A Creative Life, artistic inspirations, still life, visual story, visual thinking, words and pictures

It took some doing but I finished the painting I was working on in my last post (here). I’ve titled it “A Novel Morning”.  It is 24 inches by 18 inches – acrylic and gouache on board.

ANovelMorning72

The text in the painting was paraphrased from Dona Leon’s book “Death at La Fenice” – the first book in her Commissario Brunetti series.  I adjusted the text for artistic reasons too numerous to write about in detail here – mainly because I’m lazy about typing words in a row – the gist being that I wanted to convey visually what I find alluring in Leon’s novelistic work; i.e. I love the food connection.

And I included the Powell’s bookstore receipt in the painting because one of my favorite things to do is go to a local bookstore, find a new-to-me novel, visit the in-bookstore coffee shop and consider the author/book carefully.  That’s my idea of heaven.

the stories behind the cats

A Creative Life, animals in art, art exhibit, artistic inspirations, cat portrait, Cats in art, fine art, visual thinking, words and pictures

This coming Friday, June 1st at Burnt Bridge Cellars my cat portrait exhibit “Purrsuits of Pleasure” opens. Because I don’t think artistic inspiration needs to be mysterious I include the story behind each art piece. The text illustrates, so to speak, my visual images.

Here are some of the artworks in the exhibit:

And here are some of the stories that illustrate them as they’ll be posted on the walls in the exhibit (of course readers of my blog have seen more details than what’s included below… but then you’re special):

Purrfecting Happy Hour by Clancy

I’m part of a feral happy-hour group; between 7 and 14 of us get together once a month somewhere local for happy hour. Often the trays of drinks that arrive at our table look like a collection of fine jewels.

Purrameters of Pie by Clancy

In several local cafés, bistros and pizzerias I’ve discovered that I can get either a savory or sweet pie of almost any size: small hand-pies, “personal” pies, pie slices, medium and large pies and “family size” pies. The trouble is deciding which size to get.

Strad O’Various by Clancy

Going to music events during the winter is a delightful way to combat any “rainy-day blues”. This last winter I particularly enjoyed seeing the crowd, and some musicians, bustling in for a concert in their colorful coats and scarves.

Cat A List by Clancy

Wine tastings – and being friends with Mark at Burnt Bridge Cellars – have opened my eyes to the subtle differences between wines from one year to the next, how type of grape, the weather, water and soil affect the flavors. Small things can be a catalyst.

Alpha Betty by Clancy

The local libraries and bookstores are, for me, a large treasure-toy box. Which got me thinking of how we select books according to our interests. The libraries and bookstores also have books available in a wide variety of languages – and its fun to see them too. This got me to thinking about the alphabet. Each language has its own – and when we say “the alphabet” we immediately think of our native tongue whatever it is. Likewise, when we think of “good books” we think in terms of our own interests and preferences. But when we’re aware of bi-lingual people and the multiplicity of this world – perhaps we are better able to remember that our languages and personal preferences are just frames of reference. And that frames are adjustable.   So what frame of reference would a cat have? A mouse obsessed one of course!

Purrfect Entertainment by Clancy

My friend Kevin and I were talking about local music, feral cats and handmade musical instruments. Specifically, we talked about the “found object” instruments we were both aware of in the Southeastern parts of the U.S. – guitars made out of cigar boxes or banjos from cookie tins. Our conversation drove me to the library to research “handmade music instruments in the Pacific Northwest”.  I discovered a long tradition of using local wood scraps to hand-craft musical instruments. The native woodgrain was often a prominent decoration. These instruments were works of art not at all like the “found object” instruments of the SE.  I also discovered that here in the PNW playing music in public, on porches, patios, anywhere outdoors was, and still is, the norm during “nice” weather. There has also been a strong connection between music, food and community no matter what the weather. But I could only get so much into one painting.