yarns heard around the world

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I realized recently that the “bedtime story” ritual, for both children and adults, is nearly universal across cultures. While there is scientific evidence (see links here and here) that reading printed books before bed can help you sleep and provide other benefits – for me it’s plain indulgence.  Naturally bedtime-reading is subject matter for one of my artworks that will be included in an upcoming exhibit in September at Caplan Art Designs:

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Yarns Heard Around The World – by Clancy – 8 x 10 inches – ink, gouache on board

For fun as I created this piece I combined my thoughts about bedtime reading with the concepts of teams and coaches…. counting sheep is a world-wide sport. Right? Lol!

the art technique of attention

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I’ve been very busy getting ready for a one-person fine art exhibit at Caplan Art Designs that will open in September. (So my social media activity has slacked off lately.) Around the edges of creating new fine artwork, framing, paperwork and so forth I’ve been working towards a new print edition of “Dr. Bob’s Emotional Repair Program First Aid Kit”.

This story from the First Aid Kit has been a good reminder of an art technique I try to practice daily – even when I’m busy:

Attention

Even when I’m very busy I practice taking a moment within my day, wherever I am, in the here-and-now and pay attention to my 5 senses. I try to let go of any preconceived conceptions, to just expand my awareness. I also include, in this exercise, paying attention to my free-associations and my imagination during my 5-senses check-in moment. I’ll note my sensory experience and “watch”, like you’d watch television, the memories, thoughts and associations that cross my mind as a result of the sensory experience.  I’ll often make notes in my sketchbook.

What I “get” for my payment – when I pay attention – is the power to choose what to focus on when I’m at my art easel working.

This practice of paying attention to both sensory input and the content of my mind –  is a version of what Betty Edwards wrote about in her book “Drawing On The Right Side Of The Brain” – in the section where she talks about chairs. How (and I’m paraphrasing) a drawing student first attempting to draw a chair will substitute their knowledge about chairs (4 legs, a square seat and back) and will draw a child-like symbol of a chair. One has to learn to see the shapes of the spaces around the chair as well as the shapes of the chair itself – what is actually seen (3 legs, a trapezoid shaped seat and back).

I find too often – especially when I’m busy – I’m substituting my “knowledge” about the world, my preconceptions, for what “is” in the world. So I find it helpful to practice seeing the shapes of spaces, so to speak, in my sensory experience of the world. And to see the shapes of spaces within my own mind.

Paying attention allows me to merge real-world phenomenon with my mental life and to choose to communicate, via art, in ways that are helpful, playful and fun.

Currently “Dr. Bob’s Emotional Repair Program First Aid Kit” only exists in e-book form. But as I said above, I’m working on that. This book has had such a profound impact on my own creative life that I want to have another print version around.

absurd things on rainy days

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For this new painting I’ve combined several thoughts together: rainy day activities, the contrast between rainy Pacific Northwest and the Southwestern (USA) desert region (Arizona), and the Bonneville Dam’s fish ladder. I’ve found the fish ladder fascinating – here’s a video of it – and have done some fun sketching at the Bonneville Dam  trying to capture the patterns I see.

I enjoy the patterns the fish form as they flow by.  I also enjoy the patterns of the needles/leaves on cactus and succulents which seem visually similar, in my eyes, to the “flow” of the fish as seen from various angles.

Yes, I spend a lot of time thinking about visual fractals in general and specifically fractals in nature

Plus the absurdity of comparing fish with cactus tickled my funny bone. At any rate those were some of my thoughts as I created this gouache painting I’ve titled “100 Things To Do On A Rainy Day”.

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“100 Things To Do On A Rainy Day” by Clancy – 11 x 14 inches – ink and gouache on board

pie in the sky

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Been thinking of how people can focus too much on things that are unlikely to happen and forget to see what really is possible – such as enjoying the here-and-now moments. I’ve also thought of related quotes and phrases: “Life is not a dress rehearsal” and “Take tarts when tarts are passed” and “If not now, when?”.  These thoughts baked in my brain pan a while and out came this painting I’ve titled “Pie In The Sky”

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Pie In The Sky – by Clancy – 8 x 10 inches – ink and gouache on board

mixing the mundane and magical

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I’ve been reading “Whiskey Galore” by Compton Mackenzie. Once again I realize that I enjoy the mix of real-life and a whimsical imaginative look at real-life. Mackenzie used a real-life event as the inspiration for his whimsy and did the mix extremely well.

Already I’ve been doing some of this mixing in my work – but I want to do even more of that mundane/imagination mixing in my various art projects. Here’s what I did most recently: it’s 8 x 18 inches, ink and gouache on board – I’ve titled it “The Soup Book: Starting With Ingredients”

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“The Soup Book: Starting With Ingredients” by Clancy

It mixes the real-life (mundane) action of consulting a cookbook recipe, perhaps for chicken soup, with a (magical) chicken rescue. “The Soup Book: Starting With Ingredients” will be one of several new works for an upcoming one-person art exhibit in September at Caplan Art Designs in Portland Oregon. I’ll post the new artworks here as I get them done.

But back to the artwork itself: I enjoyed doing a panoramic visual story that continues what I began doing for my “Dear Readers” exhibit currently on display at Burnt Bridge Cellars. The new wider format let me put in more details, more “story-ness”.

“The Soup Book…..” was such fun to create that I plan to do more in this format! And of course do more general mixing of metaphors, more blurring the lines between the mundane and the magical in all of my work. We’ll see how it all goes of course.

Generally I’ve been thinking of how important it is, for living well (and good mental health), to be able to view mundane life with a “glass half full” attitude, to be able to see what is good/delightful, and to use curiosity and imagination (and good books) to stimulate ones own inner life. Which is why I aspire to do an even better artistic job of mixing the mundane and the magical.

BTW: “Whiskey Galore” has been made into a movie – and a very well done movie too! The book version has a bit more story to it – but the movie is wonderful and it’s not always that both the book and movie are equals in quality.

Now for a wee dram….. Slàinte mhath!

 

 

Dear Readers art exhibit statement

A Creative Life, art exhibit, Art Word Combinations, artistic inspirations, creative thinking, fine art, reading in art, Sustainable creativity, visual thinking

My new exhibit this year is titled “Dear Readers” and is book/reading themed. As I’ve worked this last year towards this new one-person fine art exhibit at Burnt Bridge Cellars, that will open June 7 in Vancouver WA, I’ve written lots of hand-written notes in my sketchbooks, on random slips of paper, on post-it notes in the margins of newspaper articles.  I wrote down as many thoughts as possible – including quotes from books I’ve read – and kept them together in a binder.  When it came time to write my exhibit statement I could reread all of my notes and pull from them.

Here’s a pic of my binder and one of my sketchbooks. And my pen.

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Below is the finished “Dear Readers” art exhibit statement – text I wrote that pulled from the data pool in my binder and sketchbooks. This statement will be put on the wall somewhere within my exhibit:

Dear Readers

By Sue Clancy

I’ve been thinking about the interconnectedness of everything in life. These thoughts led me to the concept of nested ideas; how one thing leads to another, one food or drink pleasure can lead to another new pleasure in a similar way that one enjoyed book can lead to another new book.

I’ve also thought of how much the written word in general has enhanced our pleasure in and understanding of the sensual world by enabling connections to be made between elements and people across time and space.

So, in this exhibit I’m using the printed-and-bound book as a symbol for “the written word” in its myriad of formats. And I’ve deliberately, whimsically, played with the one-thing-leads-to-another-everything’s-connected concept by including spoofs of my own artwork, my still life paintings, within my other paintings that have dog characters in them. The titles of the still life paintings, the titles of the dog character paintings, the titles of the humans with pet’s paintings all correlate.

Each artwork in my exhibit is related in some way to at least one other artwork in this exhibit.    I leave it for you to puzzle out which is connected to which – and in what way.

And yes, you can read my exhibit like you would a mostly wordless comic.

Enjoy!

party pointers and books in art

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I’ve been thinking about cookbooks and bartending books. And parties. It’s becoming the season here in the Pacific Northwest for drinks with friends outside on patios and decks.

On one of my walks I saw a beautiful Pointer dog. The dog dovetailed with my thoughts about bartending books which give “pointers” – pun intended – for drink mixing.

Here’s the painting those thoughts inspired – titled “Party Pointers”.

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Party Pointers by Clancy – 16 x 20 inches – acrylic on board

As I’ve been doing with this “readers series”, my body of work for my upcoming one-person exhibit at Burnt Bridge Cellars, in the background of “Party Pointers” I’ve spoofed several of my own still life paintings. You can see a few of the original still lifes here and I’ll post some over on my Instagram page.

Hope you’ll also get to sit outside and have an adult beverage with a fun companion or two!

Cheers!

specially commissioned portrait

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Most of my artwork is me telling visual stories inspired by data from my real-life. A kind of “creative nonfiction”. When I do art commissions the client provides the life-data and I tell their story. A kind of “biography”. Elements from a persons real-life are woven into the portrait of their dog or cat. I love helping people tell their stories!

Like this commission I recently finished… pictured below… the coffee cup is special to the owner, the tee-shirt logo is important… and of course the dog looks like their very special dog, Potter.

I had such fun drawing this dog – (those ears!!!) – and working with the client who commissioned this portrait. They gave me such good data to work with!

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“Potter” by Clancy (ink and gouache on handmade paper)

If you’re curious about some of my other commission work you can see them here.

reading and mutts in art

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On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.

Fast forward to my currently in progress reading and books in art series – and the wonderful mutt I’d met made an appearance:

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“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019

Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…

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“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board

The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.

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“Gala” by Clancy – acrylic and gouache on board

The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.

I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.

As you can tell I’m still thinking about “nesting ideas” and stories within stories…

 

 

crossword puzzle books in art

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Here’s a new painting in my “reading and books in art” series.  I confess that I love printed dictionaries, thesaurus’s and puzzle/game related books. In my art studio resource shelves I have 8 dictionaries, 3 thesaurus’s and 5 puzzle/game related books. Art idea gold-mines in my opinion. Naturally a Boston Terrier would consult one of these books…

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“The Arf Thesaurus” by Clancy – 16 x 20 inches – acrylic and gouache on board —- image copyright 2019

The puzzle in the painting is actually work-able – at least somewhat – if you could get the Boston Terrier to move his arm.  It was fun to imagine a puzzle related to sounds (words?) a dog makes.

If you look in the upper corner of this painting you’ll see that I’ve spoofed another painting that I did earlier.

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“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board – image copyright 2019

As I’ve worked toward this exhibit theme of reading and books in art I’ve become aware again of my love of words so I’ve also been experimenting with abecedarian poems, nonsense poems and made up words. This is in conjunction with thinking about constructing some artist books related to my upcoming reading and books themed art exhibit.

Still noodling about this concept of nesting-ideas-within-nested-ideas I’d mentioned in my last post. We’ll see where it goes.

And yes, I love it when I take the time to sit and work a crossword puzzle. I’m not up to The New York Times puzzle level yet. Someday perhaps. I’ve known two people who could do the Sunday NYT puzzle in ink. They impressed me enough with their level of education/smarts that I started on the bunny-slope level of crosswords. They inspired me reading more widely too. I like to think I’ve gotten a little better at puzzling since then.

Do you like crossword puzzles?