As per my last post I’ve been starting new projects in my studio. I’m also having some down time to rest and recharge. While starting new projects I’m keeping in mind my studio statement. Here it is on a 2 by 3 inch paper thumbtacked to my art studio wall.
I jokingly say that my mission in life is to wear pencils down to nubs. And I do think that’s true on one level at least – I practice drawing and writing daily and lots of pencils get used. So that must be the point right?!
Yes, daily practice is indeed the point! (And yes, I like the Blackwing pencils a whole lot!)
But, seriously, these statements are true in my experience: “What you repeat sticks. What you don’t repeat goes away.” – “Anything worth doing is worth doing poorly at first.” and “Nothing has to go right today” – all of these concepts come from an artist book I did. (More about that here).
It has been crucial for me to purposefully design my daily artistic habits (repetitions!). And to focus on maintaining the habit-ness of creativity rather than being out-come based about my creative output. (it’s okay if today’s artwork is not perfect!)
It’s also important to take breaks. Both the design of daily creative habits and the breaks from them are part of making my creative life sustainable. The point is to have fun being creative and to keep it fun!
Over on my Instagram page I’ll post a pic of at least one of the things I’m doing to rest and recharge…
Since my upcoming fine art exhibit, opening June 7, at Burnt Bridge Cellars is titled “Dear Readers” and contains nested ideas – for the additional pun of it I’ll have some artist books available. So here’s a pic of a few of the books I’ll have at the exhibit.
There’s my Dogs and Cats and a Cookbook I illustrated (with Chef Kim Mahan’s recipes). And yes – there’s a little tiny mini-guide to drawing dogs! How’s that for a visual pun in an art exhibit full of paintings of dogs reading?
There are also cats and food depicted in my artwork… and of course books! So my books relate to my artwork which relates to my books…
Basically I’ve had a lot of fun playing with nested ideas!
BTW the “How to Draw Dogs” mini-guide is only available via the Brooklyn Art Library in New York …. except for the few I’ll have in my exhibit in Vancouver WA.
A link to my Dear Readers exhibit statement that explains my thinking behind this exhibit is here.
More generally about my artist books here.
And now to get back to work framing and labeling everything…
One of the many things I love about the Pacific Northwest are the indie bookstores and all of the people I see reading. Almost every time I’m in town I see people reading printed books in coffeeshops, in cafes, in the park, in the library, in line at the post office, waiting for the bus and even while walking down the sidewalk.
For example here’s a sketchbook page (left side) I did just after passing by the lobby of one of the downtown apartment-plexes. There’s a lobby on the first floor and a guy was sitting in a chair reading with his dog on his lap. (I added the cat – just for fun.)
I did the other page (on the right) on the same walk, but just after walking past a café window where a lady was having a dessert and coffee. The book she was reading was about the same small size as her cake! So I had to note that!
Below are several more pages from my “running around loose” sketchbook (a book I take with me when I go to town) as well as a few from my “kitchen sketchbook” (a book I keep in my kitchen at home to doodle in while I wait for water to boil etc.)
from Clancy’s Running Around Loose Sketchbook
from Clancy’s Running Around Loose Sketchbook
from Clancy’s Kitchen Sketchbook
from Clancy’s Kitchen Sketchbook
These pages – and my many other sketchbook pages full of readers and books – have been feeding my current “reading and books in art” fine art series that I’ve been posting about in my last several posts. This series of paintings is for an upcoming exhibit. Plus books are a fun topic for me to use in my artistic practice to, well, practice.
I’m still thinking hard about my notion of nesting ideas (like the way one book refers to another book etc.) and this week I’ve added a twist; in past years to accompany my fine art exhibits I’ve included ebook versions of my sketchbooks. What if this year, instead of an ebook, I did a limited edition printed book? And what if it was a book that collected some of my sketches of human readers and possibly included some of my poems/short stories? So that the poem/story related to the human reader, what they might be reading and also to the fine art? It would be a way for me to include the story alluded to within my recent painting Epic Tales Of The Pug King for example.
Hmmm… I’ll keep thinking. And I’ll probably post some of my human reader sketches/illustrations here too and see what you think.
Oh, and to add another layer to my nesting-ideas concept, over on my Instagram page I’m occasionally posting books I’m currently reading.
I’ve been thinking about how reading books is similar to playing dominos or sharing a meal with friends. In all of these activities we practice cooperating with others and peaceably bringing forth the world together.
Here’s a limerick poem I wrote and illustrated that playfully reflects my thoughts:
original poem and illustration titled “There Once Was A Tom Cat…” by Clancy
This poem and illustration somewhat relates to my nested-ideas concept that I’m working with for my upcoming fine art exhibit. And this poem (along with others) could become an artist book to accompany my exhibit but I’m still playing around and not sure where all of this is going. This is one of the things I like about being an artist; getting to practice being flexible, playing and letting things unfold as they will.
Kind of like reading a novel, playing a game or sharing a meal with friends allows us to practice “letting things unfold…”.
On a technical note: To create the above poem and illustration I used pen and ink and gouache on a greyish off white handmade paper. It looks sharp in real life, and the paper is a dream to work on, but the scan accented the grey color of the paper more than the naked eye perceives in person. The scan looks good enough, I’m not unhappy … however, note to self; use white paper for things that will be scanned and leave this lovely greyish handmade paper for fine art stuff that will be photographed and not scanned.
I’m still learning!
Here’s a new painting in my “reading and books in art” series. I confess that I love printed dictionaries, thesaurus’s and puzzle/game related books. In my art studio resource shelves I have 8 dictionaries, 3 thesaurus’s and 5 puzzle/game related books. Art idea gold-mines in my opinion. Naturally a Boston Terrier would consult one of these books…
“The Arf Thesaurus” by Clancy – 16 x 20 inches – acrylic and gouache on board —- image copyright 2019
The puzzle in the painting is actually work-able – at least somewhat – if you could get the Boston Terrier to move his arm. It was fun to imagine a puzzle related to sounds (words?) a dog makes.
If you look in the upper corner of this painting you’ll see that I’ve spoofed another painting that I did earlier.
“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board – image copyright 2019
As I’ve worked toward this exhibit theme of reading and books in art I’ve become aware again of my love of words so I’ve also been experimenting with abecedarian poems, nonsense poems and made up words. This is in conjunction with thinking about constructing some artist books related to my upcoming reading and books themed art exhibit.
Still noodling about this concept of nesting-ideas-within-nested-ideas I’d mentioned in my last post. We’ll see where it goes.
And yes, I love it when I take the time to sit and work a crossword puzzle. I’m not up to The New York Times puzzle level yet. Someday perhaps. I’ve known two people who could do the Sunday NYT puzzle in ink. They impressed me enough with their level of education/smarts that I started on the bunny-slope level of crosswords. They inspired me reading more widely too. I like to think I’ve gotten a little better at puzzling since then.
Do you like crossword puzzles?
I’ve begun a new series of fine art pieces intended for exhibits later this year. (Yes, I’ve a deadline dragon) And I’ve been thinking of how when I walk into a library or bookstore I feel like I’m entering a galaxy. Words and ideas that are interrelated with other words and ideas, like an array of planets and stars, or like nesting dolls or stuffed vegetables.
Also in my thoughts; the way I can experience something first hand but when I read about that same experience in a book I have a delightful momentary shock of recognition and I better understand my experience.
So I’m exploring these thoughts, as best I can, within my new series.
Here’s one of my new pieces:
“Good Smells: A Memoir of A Lifelong Pursuit” by Clancy – image copyright Sue Clancy 2019
You’ll notice, I’m sure, the “nesting” ideas of the coffee and mints. There’s a real still life, also by me, which is spoofed within the above painting that I will also include in my upcoming exhibit. I love the idea that a viewer could find the real-life painting that is referred to within another painting – sort of a “find the image” puzzle exhibit.
Here’s a picture of the still life referred to in the painting above:
“After Dinner” by Clancy – copyright Sue Clancy 2019
I’m also thinking it’ll be fun to also include at least one artist book version of an imaginary book depicted in one of my paintings – so the viewer could look at the painting and then leaf through a copy of the book depicted in the painting. But we’ll have to see how that works out.
Posting progress as I go… thanks for staying tuned.
Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.
And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.
Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.
Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:
And here is the instruction sheet on how to fold the above “book”:
The pdf file for free download again: DeadlineDragonDancebyClancy
Yep I had a lot of fun taking a stodgy concept like deadlines and combining it with humorous poetry, illustration and book arts! I used brush and ink as well as my fountain pen on Bristol paper.
What do you think? How do you deal with deadlines, both the ones you set for yourself and those set for you by others?
Here are a few pages from my tiny sketchbook for the Brooklyn Art Library titled “A. Mouse’s Book Of Scraps”. And since you follow me here’s my entire book, free download, as my thank-you-for-following-me gift: AMousesBookOfScrapsByClancy
I’m doing this gifting by permission of our books author Mr. A. Mouse of course. <wink> We, Mr. A. Mouse and I, hope you like it!
And yes, this 2.33 inch by 1.66 inch book is a humorous parody or spoof on the concept of collecting and publishing…
In a recent post I spoke of this book and of the Brooklyn Art Library’s Tiny Sketchbook Project in general well here’s a link https://www.brooklynartlibrary.com/
You can also see more of my downloadable artist books on this page. Your patronage and support means a lot! Thank you!
This year I’m participating in the tiny sketchbook project at the Brooklyn Art Library – my sketchbook will travel to London, Paris and other places in Europe along with other tiny sketchbooks in a portable library that fits in a suitcase. My book will be in the Brooklyn Art Library’s permanent collection.
I’ve titled my book “A Mouse’s Book Of Scraps”. It’s a scrapbook from the point of view of a mouse. A Pacific Northwest Jumping Mouse to be exact. It’s fun to think about what kinds of things a mouse would collect; cheese rinds, vegetable scraps and landscapes.
Here’s a picture of my book in progress. The mint is there to show scale. And yes – it’s hand bound…
This weekend I caught up on the news – and this poem and illustration came to me:
The Little Brat
By Sue Clancy
Clueless Jack Horner
stood in a corner
eating a stolen pie
saying “Oh what a good boy am I!”
His classmates had cried.
His teacher had sighed.
But Jack, little Jack, didn’t ask “why?”
Instead he said “What a good boy am I!”
As he ate the pie…
As he stood in the corner…
Clueless: Jack Horner.
(Illustration, by Clancy, for the poem “The Little Brat” by Clancy.)