BTW: The window for getting prints or books mailed from my Society 6 or Blurb shops and having them arrive in time for the holidays is narrowing. Same too with my Zazzle shop. This next week I’ll be finishing up portraits for pickup at the various Galleries and I’ll be talking on social media about my books and cards being there for last minute gifts too.
It may be hard to tell from my recent posts, the gifting season and all that entails, but I think of art making as much more than a product to buy – it’s also a mental health service to oneself, to ones family or friends and to the community. I’m looking forward to creating some things during these holidays that will fit this whimsical lighthearted just for fun category.
The advent calendar of art supplies is still being unboxed on my social media. Soon I’ll begin using these supplies in a project…which I’ll show too.
Here’s a summary of what’s been unboxed so far…
Speaking of art supplies and projects: in past years my holiday pet portraits project has been 60/40 dogs/cats or vice versa. Some years it’s been 50/50. So far this year I haven’t done a single cat portrait. All dogs. I’ve lost count but I think I’ve done about 14 dog portraits and it’s still mid December. When the art print and artist book delivery windows narrow sometimes the get-it-in-person at the Gallery aspect increases. Sometimes not.
Anyhoo, I drew a cat in my sketchbook just to keep in cat-drawing practice.
I’ve also been enjoying doing sketchbook pages that include windows, landscapes, coffee cups and books… besides the animals…just to switch things up and relax. Subsequently that means new things are brewing over on my email newsletter. Please subscribe if you haven’t already because Jolabokaflod is coming and I can give my subscribers gifts there more easily than I can here… I won’t say more lest I spoil the surprise.
If you’re not familiar with Jolabokaflod here’s a link. And here’s our way of celebrating written out in my sketchbook.
Happy art and book buying season!! Thank you all for the gift you give me of letting me share my art and life with you!
BTW Here’s a wonderful book list I found of 99 children’s books!
I’m borrowing a concept: I create an original one-of-a-kind artist book and then make limited edition reproductions of that book. Just like a fine art painter might make art prints from a painting. Only my art reproductions are books! Anyway my artist books, both the original handmade books and the limited edition reproductions of the originals are currently at the Aurora Gallery www.auroragalleryonline.com
The Aurora Gallery has Patchwork Poems and 14 of my other artist books on a shelf!
Below is a fun video by Caplan Art Designs about my 3d sculpture “Dogs On The Block”!! On Dec 1 from 6 to 8 there was a reception at the Caplan Art Designs Portland gallery – and my work found a new home! The Gallery specializes in shipping and delivery of artwork and will handle delivery of my sculpture to it’s new place! www.caplanartdesigns.com
Below are some recent books that have come via mail! I’ve had time to peek at them but not to do any serious reading. It’s a fun to tease myself with them. Thanks again to Liz Gauffreau who suggested “Rescuing Socrates”!
Games have come via mail too! Our cat loves the practice golf balls more than any other toy. We joke that he must have been a golf pro in a former life. So we got him a new package of balls. Which meant that, to be fair, we needed to get the dog a new toy too. Of course then we decided that the humans needed some new toys too…
Rusty loves his new toy! First he checked to make sure it didn’t have much stuffing. Here’s my wife demonstrating that the new toy is flat and floppy as per his preference. Once that prerequisite was shown Rusty loved it!
On my email newsletter I shared my sources for sketchbooks, pens and other art supplies in case another creative person like me is looking for a gift for themselves. BTW: My paid subscribers will get an 84 page ebook from me this week!! (Hee hee hee 😁 and yes, let Jolabokaflod begin!!!)
As you know many of my art projects this time of year are someone’s holiday gift so I can’t talk about them online. But recently I was asked to do two different pet portraits for two different people who were getting art prints of the portrait as a gift for themselves so they generously allowed me to share…
Here was one of the photos of the dog for the portrait to be. Trusty lived to be quite an elder dog and he’s passed now so for the portrait painting I compiled the various photos his human sent of Trusty throughout the years. This photo below is of him as a younger fellow. Trusty was a mutt with Terrier in the mix. His hair had to be groomed and he greyed over the years. So creating this portrait was a challenge. This photo below showed the nose and eyes best though this hair style wasn’t quite the normal. Like I say… a challenge
Here’s what I came up with. The human, thankfully, was pleased!
And here’s the other portrait… it was of a West Highland Terrier. The photos I was sent were taken of the dog that very day and more photos were possible.
I created the original artwork using watercolor pencils and brush and sumi ink.
Then I made an art print of the original artwork. This human too was very pleased!
I’m primarily doing my portraits through the galleries I work with yet I’ve found that some people prefer art prints as they can fit a budget better. There are several size options and frame style choices for all of the prints I create. Here’s a link so you can see what I mean. https://society6.com/product/jozy_framed-print
Am I tired from all of the commissions and recent art exhibits? Yes. But I suspect all of Santa’s helpers are tired this time of year. So I’m content to restore myself each evening with time to read or play a game with my spouse.
Since I can’t show or talk about the main pet portrait work I’m doing I’m especially grateful that a dear friend gave both of us an advent calendar of Arteza art supplies !! I’m posting pictures on my Instagram and Facebook of each days unboxing and showing what was inside. We will also share whatever we make with the supplies too.
I hope your week contains many moments of restorative fun! See you next Monday.
This week the holiday begins at Caplan Art Designs with seven artists who have created 3D box sculptures. I’m one of the seven! My box sculpture is titled “Dogs On The Block”. Here’s a series of photos of my box. You know I like dogs…
More details about the exhibit of holiday boxes by seven artists.
Speaking further of dogs in art…there are several dog related artist books by me available at the Aurora Gallery. Here’s one of them…
And a dog appeared in my sketchbook this week
I’m also busy doing a few dog portrait commissions for holiday gifts so I’ll say no more about that.
Poetry about dogs is helpful reading material in the mornings before beginning a days dog portrait work.
This week my new hearing aids came in! Besides the new aids I got kisses from Gus the Labrador! The hearing aid fitting went very well and I’m amazed at how good I hear with the new aids! As per directions I’m keeping a journal about my adjustment to my new perceptions. Did you know that freezers and refrigerators make sounds when you open and shut them? Rice cookers too make bub-bub-bubbling noises when they’re cooking. Who knew?!
Needless to say I’ve been thinking about perceptions in the mornings when playing in my sketchbook. Here are some pages.
It occurs to me that having words and metaphors for our perceptions of the world is a big reason to read and read widely. Having ready access to language helps us think, be creative and to be fully human. After all a main quality of human beings is our use of words and pictures/symbols.
This human use of words and pictures is also why we want 5 working senses – and that’s including assistive devices like eye glasses and hearing aids – so we have the ability to grasp images and words. I tell you it’s been a treat to hear my wife’s voice after the last 3 hearing-aid-less weeks!
Which gets me to wondering – what if books are assistive devices for our minds? In that case having a personal reading program takes on a new meaning. In the past I’ve shared my own ongoing use of the Ray Bradbury Reading Program (and here’s a great article about the Bradbury Challenge) but today I want to share a great article I read listing 14 ways to get out of a reader slump! It’s good to keep these 14 ways handy just in case. Two of my favorite ways to get over a slump are 1) read short things and 2) to remember that I don’t have to read the whole thing – I can stop anytime and switch to something that’s more fun. Yes, there’s value in persistence with a difficult topic but if I find myself dreading to read something then I consider switching. It’s important to my creativity to maintain my enthusiasm for my reading program.
BTW here’s what I’m currently reading. It’s lighthearted fun. And it pairs well with that fluffy yellow throw pillow on the couch and a mug of hot chocolate.
Speaking of gifts and holidays I’ve decided this holiday season to publish, via my email newsletter, many of my stories and sketchbook pages in a hybrid step between my creative process and a printed book (or ebook) publication. Kind of like an advance release book of the month club. On this WordPress blog I talk generally about my creative life. Well, on my email newsletter I’m primarily living/doing my creative life. For example I share my creativity from both my poetry/story sketchbook (the orange book in the photo below) and my art sketchbook (the black book) directly to people’s email. (You can get more info or sign up here.)
Since sensory perception is on my mind I’ve written a related story called “The Key” that I’ll share in one of my upcoming email newsletters for my paid subscribers. In the photo below you see the beginning of my story handwritten in my poetry sketchbook and beside it you see an in progress illustration for the story.
My newest book, Patchwork Poems, is doing well on Storyberries.com!! Look at that number of story reads! Barely a week old and my book has been read over 4000 times!
This week I took some copies of Patchwork Poems to the Aurora Gallery for their shelf of 14 other book titles written and illustrated by me! Some of my framed art is in this photo and to the right of the book I’m holding up you can see the book shelf!
I was a bit nervous at first about hearing in the large Gallery space but I did just fine! I tell you these new hearing aids are amazing!
I hope your week is full of pleasant perceptions. Thank you for reading and viewing my work! Happy Thanksgiving!
I wrote in my last post that there may be hedgehogs and foxes in my upcoming sketchbook pages because I’m reading “The Hedgehog and the Fox” Isaiah Berlin’s famous essay about Tolstoy and history based on the Greek aphorism “The fox knows many things but the hedgehog knows one big thing”
In his book Isaiah Berlin writes (I’m paraphrasing) of how history is actually created by a whole bunch of people but when we talk about a time in history we tend to single out one person as a “hero” and the lone “causal agent” of an event. Berlin writes of how as a creative person Tolstoy was naturally a “many things” fox but as he got older Tolstoy wanted to be a hedgehog with “one big thing” that explains everything.
My reading got me to thinking about hedgehogs, foxes, Tolstoy’s demands of himself as a creative person and how that aphorism related to creativity. I said something about that and my friend Liz Gauffreau asked me how hedgehogs relate to the literary world:
Well, besides the fact that both foxes and hedgehogs are so very cute and fun to draw and write about here are a few of my somewhat random thoughts while reading the essay by Isaiah Berlin. Don’t worry I’ll intersperse my thoughts with sketchbook drawings of hedgehogs and foxes using all 3 of the new fountain pens I described in my last post. (BTW there are even more fox and hedgehog sketchbook pages in my recent email newsletter )
As I read Berlin’s essay I’m realizing that as a creative person I use the fox-like kind of “knowing many things” in a free ranging playful open way while I’m in the midst of creating. I’m free-associating between many things while I’m on the hunt for how to best express my elusive thought. But once I’ve finished my creation and caught my thought then, if I’m not careful, I can curl up into a prickly ball hedgehog-like defensive about whether my creation “means” something, what it means, whether it was worth doing, which “one big things” label it belongs within…etc. Staying for any amount of time in such a prickly ball isn’t helpful.
This getting stuck in a hedgehog ball mode happened more often in my younger years but still occasionally I feel a despairing “what was the point of doing all that?” moment. By now I know not to “feed” such overly self-critical negative thoughts and to deliberately stretch out and switch my thinking to some other more pleasant topic. I know such moments will pass especially after a good meal, a good night’s sleep, time spent reading a novel or going for a walk with my spouse. It’s not always easy but that’s the way I deal with it. I avoid getting stuck by deliberately keeping fluid movements between the modes of fox and hedgehog. Anyway, in my mind, that’s one part of how hedgehogs and foxes figure in the creative/literary life.
Another part of how hedgehogs and foxes figure in to it: our creative life isn’t “one big thing”: we aren’t the sum total of one published book or one painting. We aren’t one label. A creative life is cumulative. Of course when people talk about artists or writers shorthand references – labels – are often made like “So And So is the insert genre label author of Famous Book”. But this is just a way of speaking, a verbal convention. It’s even a necessary one because we use helpful labels to find things, like books to read, and a name or a genre category label is a great starting place.
Yet during the lived reality of a creative life things aren’t so simplistic. Creativity is many-things fox like when we’re in the midst of our unnamed, unlabeled creative project. It can feel unfocused, messy, free ranging all over the territory at the beginning only slowly becoming focused over time as the thought “scent” is caught and the project develops towards completion. After completion then the one-big-thing hedgehog label can be applied. And while my diagram below simplifies the fox/hedgehog creative process please know that this process isn’t linear, its fluid, there will be foxhogs and hedgeoxes, there’ll be all sorts of fits and starts, beginnings and endings, rushing currents and still pools… before a project is finished.
This process of metamorphosis from fox to hedgehog is part of why it is such a challenge for writers and artists to think up loglines or book jacket blurbs or elevator speeches or art statements that sum up their creation in a few sentences (or a Tweet). To sum up their work of the last few years, work they sweated daily over, work they gnashed their teeth on – to distill what it was about using 150 words or less both encompasses and transcends the lived creative process itself. It’s hard to rise above the creative life meadows where the foxes and hedgehogs have played and, from a birds eye viewpoint, select a single meaning for the shorthand talking points. This difficulty is why it’s also a challenge to write query letters that briefly describe a manuscript submission. It’s hard to reduce a fox-y many splendors creation down to a hedgehog-y one big thing and to call the hedgehog an accurate, yet attractive, name.
By the way if you formulate the hedgehog one-big-thing, the logline or art statement, in advance and are rigid about it (i.e. curl up in a prickly hedgehog ball) the resulting project is seldom satisfying to either the foxes aka the creators themselves or to their audience.
And yet a hedgehog can be a great starting place – if you aren’t rigid about the hedgehog label and use it as a prompt! It’s highly likely that a creation that starts out as one defined hedgehog can shape-shift to a fox during the creative process and finish up needing an entirely different hedgehog-y label. So that’s another reason it’s a challenge at the end of a project to select the exact hedgehog that was metamorphosed from that fox. This is also part of the exhilarating fun of a creative life.
We enjoy the arts for the fox-y complexity of many things in them – we talk about that complexity we enjoyed viscerally using simple hedgehog-y verbage. The fox represents a direct experience and a nonverbal expression of life. The hedgehog represents a definition and ways of talking about that artistic representation of life. We need both the foxes and the hedgehogs. The challenge is to remain loose, open, letting the foxes and hedgehogs become themselves while also keeping a benevolent watch over them.
What a work of art or literature “means” in the big scheme of it’s hedgehog label, is identified (if ever) after the work has been made and existed in the world a while. After the artist is finished then we use simple language to sum up what a creation meant. We give it a genre, a category, a label. That summing up or meaning finding is done and verified over the duration of time that the art exists – it gets reevaluated by the artist and by the audience constantly. The lables often get changed multiple times before they “settle” if they ever do. Almost all of Tolstoy’s work has gotten reevaluated numerous times since the era in which he was living and working.
From a creative person’s point of view I find it’s sanity-saving to not worry about the meaning of one work in the big scheme of things but to just get on with the next project. I don’t worry overmuch about the hedgehog labels I give my work for use when submitting or promoting it. As I wrote in my last post I’m regularly surprised by what labels publishers, distributors and art gallery owners place on my work. I just accept the label and these labels become tools I can use to talk with that distributor. For example I now can say to Storyberries “Here’s a new ABC123 Poetry book from me”. But even with that new knowledge generally my attitude when I’m working in my studio is “I’ll make the stuff and you can sort it out” rather than getting stuck on any of the potential labels while I’m in the creative process. Anyway, here’s a note on this topic that I have thumbtacked to my art studio wall.
The meaningfulness that is found after the creation is finished also has an element of danger. Sometimes because an artist is so tired upon completion they, in their fatigue, misjudge their own work and may mislabel it or even destroy it. Sometimes an artist gets stuck on a label and that impedes their progress. Sometimes the selected audience isn’t ready for a creative work and rejects it. Sometimes a work isn’t found to be meaningful until long after the artist and audience’s current era is gone and a new era begins. Sometimes a different audience within an artist’s lifetime finds the work more meaningful. Sometimes meanings and labels change over time too. Sometimes these new labels are helpful and sometimes they’re not.
So for all of those reasons I find it’s best to avoid gaslighting myself, i.e. making hard declarative statements about my work, either as I’m working on projects or whenever they’re finished. I just enjoy the process of making things. Other people can sort them into meanings and categories. That said, I do find the effort of succinctly summarizing my own creative works as a logline etc helpful as long as I don’t take it too seriously. Whatever you want to call it is fine with me as long as my personal foxes get to play and my hedgehogs stay cute.
Which brings me to book banning. I despise censorship because someone somewhere has decided in advance what a book or work of art “means” and they aren’t willing to let people decide that for themselves. They get rigid, in a hedgehog-y prickly defensive ball way, about everything fitting into their one big thing label whether that label is political or religious. They can’t, or won’t, deal with the foxes free ranging exploration. They’re allergic to questions and uncertainty. They reject categorically the concept of changes over time. They’ll decide they just don’t like one particular fox or hedgehog and insist that the external world must conform to their preferences.
Creativity is all about questions and dealing well with uncertainty. To be creative is to actively participate in change and growth. Creativity is a response to the world. Anyway, here’s an article about many of the current censorship efforts that I keep a careful eye on.
In my current art exhibit at the Aurora Gallery on the upper left shelf in the photo below is an artist book I made which tells a truth about rabbits and metaphorically about people. It’s called “The Rabbit” and it is about book banning.
I also participated from home by posting this: I #standwithsalman in favor of free expression. For the Aug 19 2022 @PENamerica event I’m reading from “Haroun and the Sea of Stories” by @SalmanRushdie – it’s one of my favorites – Here’s my reading on YouTube.
There now that I’ve finished this blog post I’ll deliberately avoid the one-big-thing type question of “did my efforts to write this blog post mean anything or matter in any way to the larger literary or creative culture?”. In such a question lies gaslighting madness. So instead of going there I accept that I enjoyed writing out my views of the creative process within the context of hedgehogs, foxes and the essay by Isaiah Berlin. And I hope my friend Liz will enjoy reading my thoughts on how hedgehogs and foxes relate to the literary world. There, that’s enough mattering and meaning for me.
Aha, now after rereading what I’ve written (and correcting the autocorrect 🙄) I see that there’s a few category and tag labels that I can use when publishing this blog post! Good enough…
I hope your creative week is full of playful foxes and hedgehogs. See you next Monday.
My exhibit “For You By Sue the ABC’s: Art, Books, Cards” opened at the Aurora Gallery. It was my first art event since my adopted Mom passed so it was hard in many ways. But I spent time talking with my spouse and being in touch with family and friends so that helped. I didn’t attend my art opening in person because I’m still being careful re Covid and, frankly, I didn’t want to cry in public. Even so I heard nice comments via social media from people who saw my exhibit during the opening and took the time to tell me they enjoyed it. It’s safe to say quite a wide spectrum of my emotions were covered.
Which made me glad that I’d spent time reading Marcus Aurelius recently. Over on A.M. Sketching I thought, as I sketched, about a quote from Marcus Aurelius – regarding not needing to always have opinions and the practice of letting opinions float by as they will. I find this is true of my emotions too – they come and go if I just let them alone. So, it helped this weekend to just let my emotions come and go without forming an opinion about how I felt. Not forming opinions about my emotions helped me to sustain both my creativity and my ability to do the business end, so to speak, of living a creative life during a personally difficult time.
This last week I made an effort towards my new drawing tutorial gig via Nil-tech. I did a demo of drawing “Hedgehog in Shade“.
It’s a beginning… here’s a link if you’d like to see my very short tutorial effort.
Here’s a book I’m reading and enjoying. I find the main character’s way of cheerfully adapting to difficult circumstances very refreshing.
I’m going to read and rest some more. Thank you for reading and for your kind comments. See you next Monday.
I’ve been thinking about the process of teaching and learning lately as I plan upcoming drawing tutorials for Nil-tech. I don’t think I’m an authority on drawing. I’m just fascinated by the subject and have done drawings almost daily for a really long time. It seems that there’s interest in me showing more of how I draw. So as I wrote in my last post I’m planning how to do that in simple, no-fuss, ways. Nil-tech has an online library of drawing tutorials and that’s where I’ll be adding my tutorials. I’ll also share them on my social media. If someone buys an art supply kit from my link I’ll get a small, but appreciated, royalty. We’ll see how this project goes … please wish me luck.
More than a decade ago I used to teach art in person in Oklahoma. For a number of years I even designed hands-on art exhibits for children and created teaching curriculums for a staff of teachers to teach from. Fun times except for experiencing the right-wing political opposition in Oklahoma to teachers teaching art (or even teaching reading and writing) and the general objections to the “intellectual eliteism” supposedly evident at any and all art exhibits and literary events. Suffice it to say that I can empathize all too well with teachers (plus librarians, booksellers, writers and artists) who are currently on the recieving end of right-wing anti-intellectual ire.
Yes, I have a bit of PTSD from my time in Oklahoma. There were some nice people there who were supportive of education and the arts in general – people I’m glad to know, people I’m still in touch with – but hooey the PTSD is real. And meanness selfjustified by anti-intellectualism still sucks.
Anyway, imagine my delight when, mere months after we had moved (12 years ago) to the West Coast, during my first in person art opening in Oregon, I was respectfully asked about my usage of metaphors in my work! After replying to the question I hurried to find my wife and, grinning from ear to ear, exclaimed excitedly “They used the M word!!!”
So, I keep reminding myself that as I contemplate a new art teaching opportunity that I’m not, emphatically not, in Oklahoma any more!
That’s why last Friday on A. M. Sketching I included a monument to teaching and learning.
My art exhibit “For You by Sue the ABC’S: Art, Books and Cards” has been delivered to the Aurora Gallery! The exhibit officially opens August 5th. I’ve been updating the portfolio page about the exhibit and, for the fun in it, included all pages of my book “Coffee Please”. Coffee Please is an amalgamation from the sketchbooks I’d kept during our pre-pandemic travels. I looked in my sketchbook for all the times I recorded requesting coffee; what was said and the type of cup I was given. You can see part of this artist book at the bottom of the photo below and you can see the entire book page by page, in my portfolio here.
Apropos of nothing here’s some of the flowers from our garden.
And here are some books I’m reading because both of these humorists maintained their humor during difficult times. Robert Benchley (b. 1889 – d.1945) lived through WW1, the Spanish Flu and the Great Depression. P. G. Wodehouse (b. 1881 – d.1975) lived through the same events as Benchley plus WW2 – he was even held prisoner by the Germans – and lived through many other world events in his long life. Both continued to write – and be gently humorous – all of their lives.
Resilience and creativity seem to correlate. I find it comforting and encouraging to learn how other artists made it through hard times and maintained their creativity and sense of humor.
It’s been hot this week so the studio supervisor and I have made sun tea by the gallon…
… the sun brewed tea is added to a large lump of ice in glasses. The chilling tea glass is kept on a coaster covered with a bit of paper towel so that drips of condensation don’t fall onto books. Mustn’t drip on the books. Nope, mustn’t…
As Kurt Vonnegut (another artist who turned hard times into fodder for creativity) often said “and so it goes”.
Hope your favorite beverages are just the way you like them this week. See you next Monday.
In a prior post I wrote about sharing the correlation I see between art and mental health. Writing and drawing your thoughts and feelings can help you check in with yourself. It’s a way of caring about and listening to your innermost self. Beyond any therapeutic benefits a habit of writing and drawing is also intelligence at play. Play is essential to mental health and not valued nearly enough… but I digress. Reading books and viewing the art others have made serves both of the therapy and play purposes too. Telling and showing more of my own work, my own intelligence at play, in my sketchbook is one way I can think of to share this correlation I see. That’s part of why I’ve begun A.M. Sketching anyway. (Btw this week there was a featured bug…😆)
Longtime readers of this blog know how I like easily portable sets of art supplies. Well, this preference has dovetailed with my above mentioned thoughts about mental health and having a regular sketching, writing and reading habit. Towards this notion I’ve found a company that makes sets of good quality art supplies and maintains an online series of tutorials about drawing. I am now in the process of affiliation so that whenever I share some art techniques (and add to the online drawing tutorial library) someone can easily access the supplies if they want to. http://shop.nil-tech.com/?ref=DmLN4hDZ
I remember teaching art, in pre-pandemic days, and sourcing the art supplies was always an issue. Even for adult classes the list of supplies to buy often overwhelmed students. So it’s nice to make it easier for someone to get the supplies they need to start a sketching habit by having everything available in one portable zippered case.
By the way when I say “a sketching habit” I include both words and images. Writing and drawing are both powerful tools for thinking and living well.
I wrote in my last post about my upcoming art exhibit at the Aurora Gallery. Here’s another video look at some of my artist books that will be in that upcoming exhibit. https://youtu.be/_VqH-Jw9wbg The featured book “Stories we could live inside…or not” relates to the mental health theme… here are some still photos but please see the video.
Besides fine art and artist books there are also limited edition greeting cards… the art, books and cards all relate to each other… anyway here’s a photo of the box of 90 pieces of art. Many of the artworks are the size of an open hand or smaller. It was nice to just carry one 11 x 11 x 14 inch sized box into the Gallery! I’m telling you I’m totally sold on the miniature art genre!
You can see a bit of what’s in the box on my portfolio page here. Needless to say I’m tired. I’m also reading a very good book. So I’ll get back to reading it now.
I hope you have a good book to read too and that your week is as pleasant as possible. See you next Monday.
Here’s a look at printed book alongside the 3 original artist books so you can see the scale difference. The printed book is 7 inches square
Speaking of threes – on A.M. Sketching this week I wrote about the three sources of inspiration for my sketchbook work: my life, my self generated photo references and my imagination. Details on A.M. Sketching but here is the gist.
As you know this use of the “3 sources” is true of my fine art and artist books too. For example Ant Hology was inspired, as I wrote in this post, by an ant mound along the edge of our patio.
In August I’m having an exhibit at the Aurora Gallery. I’ve titled it: “For you by Sue the ABC’s: Art, Books. Cards”. All of this exhibit too was inspired by my life, my self-generated references and my imagination.
Here’s the artist statement I wrote for the exhibit:
“I see creativity as a very practical thing. Art adorns our walls. Books bemuse us. Cards connect us. For this exhibit I include all three of these essential elements of life because it’s been stressful lately and I am me. So I made these things for you.”
The above photo and this video link below shows a small selection of over 30 related art gift objects created by me that are available. https://youtu.be/iPL6g_2cICw
I plan to do more photos and videos of the various art objects and put them on my portfolio page – you can see what I’ve done so far here.
This week will be very busy but each morning I will sketch and each evening I will read books a while and generate more self-generated reference material so it can percolate on the back burner of my mind while I do necessary stuff for my upcoming exhibit.
I hope your week has at least 3 nice things in it. See you next Monday.
All 20 artworks are finished. In progress is the framing, the exhibit paperwork, the delivery and the social media about it all. An artist’s work is never done…it’s a lot like a cooks work that way.
But here’s one of my paintings titled “Learning Almost Anything”. Like the others in my Odditerrarium series it is 10 x 8 inches, created with ink, gouache and collage on board.
Here’s a closer view so you can see what this dog is thinking.
Doing fine art exhibits, like writing for publication, requires both being organized and resisting tempting parking spots. I have two phrases thumbtacked to my studio wall to help me remember.
When I began my Odditerrarium painting series in 2021 I did enough planning in my sketchbook that I knew the sizes I wanted to work in. I created 5 or so of the paintings to see if my series idea had legs. Then over a month ago I ordered frames from the Aurora Gallery. The frames are made by hand and that takes time. The first box of frames is in my studio ready for action. A second box of frames is due soon.
Now that creation of the paintings is done I set up a system, a working routine, so that I don’t wear out my hand doing the varnishing or framing processes.
Elsewhere in my blog I’ve talked about working in short bursts as a way to make time, energy and the financial components of a creative life sustainable. This is true too of the varnish and frame stage.
More than a month ago I also ordered the cans of varnish I knew I’d need along with a few other art supplies from my local Artist and Craftsman. My dachshund supervisor made sure the order was correct when it came.
Now my daily routine includes a “spray two frame two” dance. It goes like this: just before lunch I take two paintings to my garage where I spray a coat of varnish. Then we have lunch. After lunch I spray another coat of varnish on those same two paintings. Here’s a photo of me in the respirator mask I use when I spray varnish.
Those just varnished paintings stay out in the garage the rest of the day. When I quit working for the day, around dinner time, I bring them into the studio and put them on the easel to finish drying. In the photo below you see two just-varnished paintings on my easel. To the right of the easel is a framing station. My painting supplies are still out because there are other projects in progress just to the left of this photo. There are other creative projects that get a short burst of work each day so that’s another reason why the just-varnished stay out in the garage till the day is done.
Here are two getting framed. Having the varnished art on the easel puts them within easy reach of my frame station. Doing the varnishing around lunchtime the previous day means that by the time they get put into frames 24 or so hours have passed and the varnish is completely dry.
Besides checking in the new art supplies my dachshund supervisor also oversees the framing. He’s very busy, perhaps more busy than usual lately, but like I do, he paces himself so that it’s sustainable.
Like the quote thumbtacked just above the light switch in the photo below says about dancing and magic happening, being organized doesn’t guarentee smoothly run projects. (Another mantra I use often: “Nothing has to go right today”) Organization gives my projects a sporting chance to be sustainable, it gives me the possibility of meeting deadlines with a smile. Besides I deeply despise chaos and rushing about so I prefer to pace myself (and dance) at a calm speed.
And I treasure time each day to read and learn almost anything.
I hope your week goes at your preferred pace. Take care of yourself. See you next Monday.