This week the Aurora Gallery finished framing my adopted Mom’s quilt that I told you about in a prior post. Doesn’t the frame look great? We went right home and hung it in a special place!
As you see in the photo above – included in the frame is a piece of handmade paper on which I hand wrote Mom’s name and a bit about the quilt.
I also remembered a story related to the quilt theme of “knowing what it is when you pick it up” (details in this post). The story I remembered goes like this: A man holding a lit candle went looking for fire with which to cook his rice. It was a long search. If he had known what fire was or asked some questions when he began searching he could have cooked his rice a lot sooner.
This week we went for a browse at Vintage Books an independent bookstore a few miles from where we live. As I browsed I came across the local author shelves and was delighted to see a book I illustrated, “Dr. Bob’s Emotional Repair Program First Aid Kit”, right there on the shelf where I was browsing! What a fun surprise! It’s available via the bookstore website too!
Below is the book haul we came home with!
Below is a sketchbook drawing I did of two books I’m currently enjoying reading! I’ve added both of these titles to my public books to cheer up by book list here.
I enjoyed seeing this photo of a happy person with their dog with my artwork in the background at Canal District Wines this week and thought you’d enjoy it too. I’m thinking I want to do more art like this … I like the boldness and simplicity.
This project in progress below is a 3d cube 8 inches square that I’m doing for a holiday exhibit at Caplan Art Designs! I’m aiming for the used wooden toy block look – but with a dog theme.
My drawing marathon for NIL-TECH will start on Monday and run for a number of weeks! If you’ve followed my blog you’ve seen me working towards this… and now here it is! Drum roll please! Actually please follow NIL-TECH on their Instagram or Facebook pages so you can see the end results of all the practice you watched me do here on my blog! And thank you for cheering me on! Here’s the link to the 54 piece watercolor pencil set I’ll be using in my marathon. Wish me luck!
I hope your week is pleasant. See you next Monday.
Book banning is a hot topic with me because I’ve been on the receiving end of bans. Those occurrences happened in Oklahoma over 10 years ago when I lived there. To name just one example, in 2008 I was to have a one person art exhibit at the Oklahoma State Capital. More than a few of my paintings were banned from the Capital exhibit. I called my Tulsa Oklahoma gallery, Joseph Gierek Fine Art, to tell about being banned. The Gallery owner, Joe, said “Stay right there, I’ll come and pick them up!” Tulsa is about a 200 mile drive away from the Oklahoma Capital but Joe was there with his van in a trice. Then the Joseph Gierek Fine Art gallery did a special exhibit behind yellow caution tape in Tulsa and we called my one person exhibit “View At Your Own Risk” with a statement telling a bit about my work being banned. Oh my, was the Gierek Gallery brave! So that very weird experience of being banned turned out very well for me and for Joe!
After my spouse and I had newly relocated to Washington state I had an interview with the Caplan Art Designs Gallery. Having just moved I brought along to Caplan’s the finished artworks I had on hand which was some of my then recently banned-in-Oklahoma artwork. The Caplan Gallery immediately signed me up as a gallery artist and sold 4 of my paintings before the ink on my contract was dry! In Oklahoma my work had often been considered “subversive” or even “offensive” (there were a number of bans of and objections regarding my artwork) but in the Pacific Northwest my work – the very same artwork! – is considered “charming” and even “delightful” and “whimsical”. What a pleasant shift of perspective!
This painting below is one of my paintings that had been banned in Oklahoma but quite welcome in the Pacific Northwest. Allegedly this painting was banned in Oklahoma because of the semi nudity. 🙄 This photo is of the same banned art newly located in the Pacific Northwest where instead of offending adults it amused adults and children!! (Yes, I have found my happy place!!)
More to the point of my blog post today – in 2010 the public library where we then lived in Oklahoma was going to display a few LGBTQ friendly books under glass deep inside in the library. It seemed like almost the entire town turned out to protest in a 4 hours long city council event. The majority of the speakers were vehemently homophobic. After the event one young gay person committed suicide. It was that vitriolic. After the event we contacted a realtor in Washington state and asked her to please find us a home and that we would even consider a hole in the ground with a tarp on it. We needed out! Long story short we, with the help of a wonderful realtor, found and bought our Washington house sight-unseen over the internet and within 6 months of that Oklahoma council meeting we had moved! One of the best things we ever did!! Being gay in Washington is no big deal at all! Also no big deal: being an artist, a book reader or being deaf.
I don’t for one minute think that every book has to resemble and reflect the superficial attributes of a reader in order to be a book worth reading. As an adult I enjoy reading work about, and by, people unlike me but I can see how it would help young people to be able once and a while to see, in a book, a superficial likeness of themselves. It helps to feel less alone, even safe, wanted and welcome somewhere – even if that place is in a book.
I went though my entire childhood – as an avid, dare I say obsessive, reader – never once reading about a gay deaf artistically inclined tomboy girl living primarily with her grandmother and enduring “visits to hell” with her abusive biological uber-religious parents.
The only deaf person I ever read about in a book was Helen Keller and that didn’t feel relatable to me.
The Outsiders by S.E. Hinton was the first time I read of violence and family dysfunction happening to someone besides me and that was SO relatable – even though all of the characters were boys. That book helped me feel less alone then and I can still quote verbatim from that book today.
Judy Blume’s “Are You There God, It’s Me, Margaret” helped me address my confusion about cruelty/weirdness about bodies that was done in the name of religion.
I didn’t encounter a gay character in any book until I went to college in 1986 and read “Oranges Are Not The Only Fruit” by Jeanette Winterson which had been written in 1985. And that book felt like a welcome healing salve to my 18 year old psyche.
I could go on naming books – many of them now banned – that really helped me get through things as a young person. But I’m sure you’re getting the idea of why wide availability of books (and art) matters so much to me.
So naturally my spouse and I in response to the spate of book banning in 2022 went looking for lists of banned books so we could buy copies of those books. If you too want to use banned book lists as book buying recommendations 😁 Below are the lists we found.
A juicy oh-so-delectible list of banned books for grownups at Powell’s one of my local Pacific Northwest independent bookstores. (I think most of my high school and college required reading is on this list!🤯)
I mentioned last post about Maus by Art Spiegelman being banned … well here is a great article about why that book is important and why it is shocking that, to quote from the article, “people could be more upset by mild profanity than they are by genocide.”
And another article speculating about why book banning and even book burning has become “a thing” in late 2021 and early 2022.
There’s also an article about a Texas lawmaker who wants to ban and burn 850 book titles statewide… but enough of that.
When things begin to feel overwhelming I find it helpful to look for one specific thing I can do something about. This is in the vein of “How do you eat an elephant? One bite at a time”
Here’s an article we found about one specific library in Mississippi whose funding is being withheld by the mayor because he disapproves of some LGBTQ books. My wife and I chose this library and donated money. Then we spent time tweeting and sharing the info in hopes of getting more donations for them.
Here’s a portion of the letter we got after donating which has the libraries snail mail address if that is preferred.
Two days later we saw that they had achieved their funding goal with still more time to spare!!! We’re hoping even more donations will happen!
Since I took the above screenshot the Ridgeland Library has adjusted their goal upwards… and is reaching the new goal too!! Yippee!!! Click this link to see up-to-the-minute progress. I’ve been monitoring and boy is it fun to see the library succeed!!!
Anyway, for me public libraries are intimately interconnected with basic human rights. Images and words make up the human mind much like air and water make up the human body – we need trusted sources for all of these. Humans are social beings intertwined mentality and physically with the community around them. Here’s a poem that illustrates this idea that I have written off by hand and thumbtacked to my studio wall where I see it often.
And that’s why I make artist books. It’s my “why” for most of my creative efforts really. It’s part of why I feel it’s important to be a participant in a community of artists, writers and readers. It’s why having an egalitarian community – at least on the gallery walls and the library shelves matters so much to me.
Books and art are communal in nature and utilizing them often is part of being fully human within a community.
I thought about my Vancouver USA downtown and how I love it that the 5 story library and the independent theatre are some of the tallest most iconic buildings. I also thought about the scrubjay blue birds that are native here.
Then I wondered just how did Mother Goose’s cow travel over the moon… and how do birds remember their songs?
Storyberries has even created a new book category for my work called “experimental art”!! Oh I’m gleefully looking forward to making more books for them to distribute!!!
So it can very truthfully be said that my new artistbook is a direct result of community !! Thank you all!! And I love you all too!! ❤🙌
I’ll repeat myself here because I am so excited and grateful to the Storyberries community for this new “experimental art books” category! Thanks for giving me such a valuable space to just be me! I’m so looking forward to sharing the fun of playing with imagination and creativity this way!
Speaking of imagination and being creative: there’s a wonderful article on creativity written by Luzemy Romero and Fleur Rodgers on Storyberries – and I have an illustration in it! But what’s fun is that these creativity tips the authors write about are things I do… Every. Single. Day! Especially the reading part!!! And if you go by chronological age I’m a grownup… so… the authors ideas apply to all ages. Anyway there are some really great creativity tips here https://www.storyberries.com/creativity-kids-how-to-help-your-child-to-be-creative-storyberries-parenting-portal/
Here’s my illustration within the article by Gamboa and Rodgers and a bit of the article text. We need a wide variety of stories in order to practice flexibility in our thinking and creativity. A variety of material, some of it liked, some disliked, gives our minds something to respond to within our own creativity.
Also on the intersection of creativity and libraries there’s a fun article right here about an 8 year old who wrote and illustrated a handmade book and slipped it into the public library collection in Boise Idaho!
This week our copies of Maus by Art Spiegelman came by mail from one of our local bookstores Daedalus Books!
I had posted on my Instagram page that I was looking online at our local indiebookstores to see if anyone had Maus and didn’t see it – as they indicated sold put or it wasn’t listed. Well @daedalusbookspdx commented on my post that they didn’t have all of their books online but that they *did* have copies of Maus!!! So I called them immediately and bought the copies of Maus!
In the past when we’ve visited Daedalus Books in person I’ve relished their “books about books” section… While I had the store on the phone I named a price range and asked the store to pick a book for me from that section and include it with our Maus copies… I also asked that they *not* tell me what title they selected! I love a good book surprise!
Here in the photos below is my surprise book! It’s perfect!!! It’s a book about giftbooks – which is what I create!!! (See my portfolio page) I’m beyond happy with my surprise book! I immediately wrote a postcard to tell Daedalus thank you!!! Wow! What a treat!!! I am so glad Daedalus had copies of Maus too!!
The last photo has contact info for Daedalus…and as I’ve learned you can just call them up, ask politely and they’ll hand you a smile in the form of a book !! Wow!!!
Come to think of it becoming a semi-vegetarian while in college in fried-meat-and-fried-potatoes Oklahoma was another, ahem, “interesting” experience. I’m not, and have never been, a strict vegetarian (I don’t want to be strict about anything) I just do like vegetables and well vegetarian meals frequently happen. But I remember accidentally shocking people in Oklahoma with vegetarian fare now and then. 🤷♀️
Back to the present yumminess… the mushroom chili was served in big mugs with crackers and a side of books to read. I’m lucky to have married a fellow avid book reader!
Here’s another favorite quote about books that I’ve handwritten and thumbtacked to my studio wall.
I hope your week is full of subversive literary, artistic and culinary delights and that you’re able to radically and wholeheartedly enjoy them!
There are 3 major art gallery exhibits in my life but more on that in a bit. First here are this weeks 3 dogs from The Professional Dog.
Here’s a larger image of each dog portrait with the book text beneath.
In times past I went in person to local exhibits especially when my work was featured. But I haven’t gone physically to one since the start of the pandemic in 2020. The galleries are handling openings much differently too, more videos and social media online, more appointments and more shipping and delivery.
This is now the 2nd year of things working this new way and I have discovered a wonderful benefit – deaf me can “hear” people better because everything is written. Lip reading and trying to hear with my hearing aids in a noisy Gallery isn’t an issue now so I feel like my engagement with people has improved! But because I’ve spent more than 30 years doing in person exhibits and only 2 years doing exhibits virtually I still get nervous about this new method even though I think I like it.
So before the Holiday Box Exhibit began at Caplan Art Designs on Thursday evening I charged up my phone and kept my phone on so I could see and respond to anything happening at the Gallery.
The Caplan Art Designs Gallery began posting on social media in advance of the Thursday opening, sharing 2 or 3 of the 7 artist’s work per post. Then as the opening began Thursday night the Gallery posted videos of the entire exhibit and some photos of people at the Gallery… not the crowds of the pre-pandemic days but safe methods of visiting. It did my artist heart good to see them and know that everyone was so caring!
I tried to quickly share on my social media what the Gallery posted or to echo it at least. People who follow the Gallery social media commented there. People who follow me commented on my pages. I tried to be quickly responsive. The Gallery owner and 2 associates were sharing and replying on the Gallery pages and the artist pages too. Below is an example of one of the Gallery posts prior to the event…
… and the Gallery shared the comments made in person at the Gallery about the work during the evening. One client said my work reminded them of Piero Fornasseti. I had to Google Fornasseti first but after I looked I agreed and made a note to myself to study more!
Early in the evening my work “All The Chances” sold! By the end of the evening 5 out of 7 artists works had sold and it was quickly apparent that the entire 7 piece exhibit would likely be sold before the weekend was over.
I am constantly proud of and amazed by how well and how creatively the Caplan Gallery has dealt with the pandemic challenges.
So it was quite a hectic opening evening even though I (and many others) participated online from home. I was tired at the end of the night but not half as worn out as I have been back in the days of attending exhibits in person and trying to hear in a noisy room. Again this new pandemic way of exhibit openings felt more satisfying like I had been able to more fully engage with people.
When I think about it this new way of doing openings is akin to arts and antique auctions, where there’s the in person bidding, the phone bidding and the online bidding. And somehow everything is kept organized.
Anyway, this photo below got posted within minutes of the sale… and was such a delightful surprise!
The very next night, Friday, was the opening exhibit at the Aurora Gallery!This Gallery too has been amazing in their ability to adapt and respond to pandemic challenges. The Aurora Gallery told me that they sold out of my signed copies of The Professional Dog (and would I please restock asap) and they said that there was a “socially distanced line of people buying Clancy fine art and artist books”!
Several of the people who went to the Aurora Gallery posted on social media about their visit or texted me directly! Oh this is such a fun way to share and enjoy art together!
I love hearing from people who are enjoying something I made. Below are some photos shared by someone who’d put my whimsical coasters around their table!
I’ve loved sharing cheerfulness in unexpected ways like this! I like it when people are able to be creative using things I’ve made! My coasters or “mug mats” are available individually on my Zazzle shop…
…and they’re available as sets only at the Aurora Gallery but the gallery will ship anywhere.
I’ve also enjoyed it that people have asked me to make, using my artwork from The Professional Dog series, cups, prints, face masks (for kids and adults) and fabric! There was even a request for a simple 30 piece jigsaw puzzle with extra large pieces for kids!
I wonder if this is how Santa does it, gets requests first and then puts the elves to work? 🤔 Artwork, books and gift giving are about connecting with people so…
December 9 there’s another exhibit with some of my artwork at Joseph Gierek Fine Art in Oklahoma! I will be supporting this exhibit from my Pacific Northwest home too. I’ve worked with Joe for about 25 years and he’s one of the most innovative Gallery people in the business! He tells about selling art from the trunk of his car way back when he was starting out… the things he has dealt with and come out on top over are inspiring. I wish he’d write a book.
Anyway it really helps me to get through these challenging times to be surrounded by creative and encouraging Gallery owners!
Despite all of the past weeks activity I’ve still been managing (mostly) to sketch in the mornings and have hot chocolate and read a bit before bed. (See the hot chocolate recipe above) Perhaps after this week I can rest more? We’ll see…
I hope your upcoming week is a good one! See you next Monday?
Here’s news about The Professional Dog and all of my projects that I couldn’t talk about in my last posts! First, this weeks sequence of dogs.
Below is a closer look at the artwork of each of those dogs with the book text beneath.
As I mentioned in another post I tend to work first and talk about the work later. This means all of the artwork is finished for The Professional Dog and I could work hard this past week on the book layout. Here’s a photo of me at my laptop doing the book layout.
I wanted this book to be able to be shipped by Christmas so I focused on getting the book design done – and uploaded – which altered my posting about the artwork itself or about my creative process surrounding the book but I think that’s okay. If you have questions just ask.
There’s a lot still to do for this project but the publication on the 16th of Nov was a big deal. There are 40 portraits in the book and this is the most pages I’ve created for any of my books so far! So I’m celebrating! Wahoo!
Because I made portraits of my friends dogs I plan to keep posting each dog in alphabetical sequence so that each dog gets to be featured and each friend has a chance to share the portrait of their dog if they want to. Mainly it’s just a bit of cheerfulness from me over the Thanksgiving holiday.
Speaking of small cheerful things: I took some more of my books, mug mats and postcards to the Aurora Gallery at their request.
The Caplan Art Designs Gallery did a studio visit and selected some artwork from my studio stash for the special Thanksgiving event the Gallery is doing Nov 26, 27 and 28th. Each of the artworks Caplan selected are autobiographical. I’ve been sharing details on my Instagram page for each of these pieces but generally speaking each painting is about some aspect of my life here in the Pacific Northwest. Like the time we went hiking in Forest Park and my bootlace broke and we discovered a wonderful coffee shop that also sold bootlaces! Or the Rainier cherries we enjoy eating by the sea. Or the fine dining we’ve enjoyed…my feeling is reflected in my choice of dog breed depicted. And the bookstores… There are many more artworks selected by the Gallery than I’ve included below but perhaps this gives you the idea? The Gallery event happens the 26th, 27th and 28th in Portland Oregon.
Why were the above artworks languishing in my studio? They didn’t fit neatly into a theme or a unified whole for any of my exhibits. And also they were still there because I forgot about them. This is an example of when it’s helpful to have someone outside my head – in this case a gallery owner – look at things with fresh eyes.
Another example of the value of “fresh eyes” is that my spouse looked at my digital book layout of The Professional Dog and caught a major mistake I had made before it went to print!! (I had one out of alphabetical order 😱) I thank her on the book info page seen below.
And now for what we’ve all been waiting for (drumroll please) the Holiday Box Project! The Box Project exhibit opens at Caplan Art Designs the first Thursday in December. That’s why we artists were asked to wait to post and to only do a “teaser” post now because the Thanksgiving gallery event happens first. We artists were each given by the Gallery a solid brown wooden box, 8 inches cubed, some time ago so we’d all have time to create art on them. Below are before and after photos of my box.
I’ve titled my holiday box “All The Chances” – what are the odds you’d find 21 dogs named Chance? Anyway, are you teased? Lol! I will tell more details about “All The Chances” including about my working process after Thanksgiving.
It’s been a super busy week (no time for Creativity Chats or for much cooking creativity either) and frankly I am very tired from all of the activities. But at the same time I’m very happy! So I’ll rest up and share more this week on social media and on next Monday’s blog post.
I hope your week is a good one. Thank you for your many kind comments and your support! I am grateful for you and for the blogging community! Happy Thanksgiving!
The text for my newest childrens book project “The Professional Dog” is shaping up. I’m still collecting dog photos from friends but I’ve almost gotten them all. The project still feels vague but it’s more in focus than it was last week. I’m content to view it with my peripheral vision so to speak.
Dog photos came this week from a Gallery owner, a Reporter, a Park Ranger, a Sculptor, an Assistant and a Bus driver.
So one of the focal points this week was a masked-up very quick in person visit to the Caplan Art Designs gallery in Portland Oregon. The Gallery invited some of the Gallery artists to participate in a “Holiday Box Exhibit”. We were given wooden box cubes and asked to do something with the cube in our art style. The cubes are 8 inches square.
This box project is now a vague project on my work schedule. It’s much more nebulous at this point than The Professional Dog book! In a creative life learning to deal well with uncertainty and insecurity is as much an essential creative skill as the ability to draw!
Of course while I was at the Caplan Art Designs Gallery I enjoyed looking at my Odditorium exhibit and seeing the red dots indicating sales and the spaces indicating that my pieces have gone to their new homes! About a year ago my Odditorium project was itself a vague nebulous notion. I dealt with all of the uncertainty and now my Odditorium project is a very solid real thing!
The other focal point this week was my exhibit “The Old Stories” that opened in Oklahoma at Downtown Art and Frame. Each of these paintings are about stories: a folktale, a myth, or an ancient children’s rhyme or saying. For example the one with the dancing sheep is titled “Ewephoria” and it’s about the history of the rhyme “ring around the rosies, pockets full of posies…” (Black Death)
“The Old Stories” is an artexhibit of my larger artworks – anyway, all of these pieces refer to classic ideas from mythology or fables – The titles of my collage paintings give you clues…
Panda Dora’s Box – 24″ x 24″ Woolrich Family Yarn – 24″ x 24″ Long Dog Love – 11 3/4″ x 12 3/4″ Just In Time For Cookies. 10 1/4″ x 12″ Ewephoria 24″ x 36″ Cheetahs at Cards. 24″ x 36″
If you’re wondering- no I didn’t visit Oklahoma in person. I just talked with the Gallery owner there via phone. I have worked with Barney at Downtown Art and Frame since the late 1980’s and we can darn near read each other’s minds! Makes long distance projects like this so much easier! They ship art all over this globe the way you and I would switch a book from one hand to the other.
The third focal point this week was the Aurora Galleryhttps://auroragalleryonline.com – I made sure they had plenty of my greeting cards and my various artist books. I also got, via no-contact delivery, new white boards from them cut to my various sizes so that I have plenty to work with for my Professional Dog book project as well as for my greeting card designs.
Just look at all these lovely blank boards in the photo below! A vast expanse of open potential!! Wahoo!!!
This week the long awaited video thingamajig (see last post) came in the mail!! At first all I had time to do was get it out of the box and read the instructions. Then…
… later I had a very brief chance to practice with the new thingamajig so I did this flip through of a book https://youtu.be/tOf3q9ALNoA It was really nice to have both hands free to turn pages! My brain is a whirl with possibilities!
We’ll see what happens next week with this new gadget… I’m hoping I’ll have time to play with it.
I hadn’t made nachos in a while so I remedied that! Spouse and I had such a delightful off-grid sort of evening! Especially during busy times playing is important!
This recipe is from Favorites So Far – and definitely one of the recipes I plan to eventually put on a postcard!
No matter how busy your week is I hope you remember to play at least a little! See you next Monday!
June 25 through the 28th we had an intense heatwave here in the Pacific Northwest. It was hot enough to melt cables on the streetcar. It was hotter than the Mojave desert. My spouse and I stayed in the room of our house with the ceiling fan and the portable air conditioning unit. We drank water like it was a career. We ate salty snacks to help stay hydrated. We hugged ice packs to help cool our cores.
Most homes in the Pacific Northwest don’t have A/C because normal summer temperatures average in the mid 70’s to low 80’s. Very rarely are the temps higher than 90 degrees. A strategy of opening windows and doors in the cool of morning and at night then closing them just before the temperature gets to the 70’s is usually enough to keep a house comfortable all day.
Allegedly the recent heatwave was a once in a thousand year heat dome exacerbated by the climate crisis. Whatever you want to call it – it was very hot. And it took me most of a week to recover. 118 degrees outside and 93 degrees inside even with the air conditioning running full blast feels hotter than you can imagine. Hugging an ice pack like a teddy bear really helped.
During the heat wave I did a lot of reading and by habit I continued my daily drawing in my sketchbook. But my new crocodile project (prior post) is spread out in my studio where it was far too hot to stay more than a few minutes. So the only progress on my crocodile was an email discussion with the folks at Storyberries about formats. Still some forward motion and I’m glad of that!
Anyway, here’s some random sketchbook pages created under the ceiling fan next to the A/C. And yes, besides water we did drink our morning coffee.
What do you eat for meals when it’s record-breaking hot? Milkshakes, salads and sandwiches. Here’s the relevant pages from our Favorites So Far kitchen sketchbook. I was glad I had made a book of our favorite foods to pull from because it was too hot to think properly much less be creative in the kitchen.
The process of dealing with the heat was something of a learning curve. Did I mention that heat is not normal for the cool rainy Pacific Northwest?! Here in case it’s needed – which I hope it won’t be – is an article about being safe in extreme heat.
Then later, July 2nd, there were my art openings at Burnt Bridge Cellars and at the Aurora Gallery! Fortunately I felt enough better by then to do social media to share about them.
Here below is what the Aurora Gallery shared of part of the Gallery exhibit. My “Bear, Matt” original art and a few of the prints can be seen in the lower left corner.
My original “Bear, Matt” painting was done on a beermat coaster I’d gotten on a trip to Buoy Beer. (details in an earlier post) So the back of the original art shows the brewpub logo. You can see both sides below.
In case you missed it here’s a blog post about my “Bear, Matt” project. The photo below shows a few of the prints. You know it’s a print because the back is plain except for my studio logos.
It was a treat this week, a real bright spot, to hear from my favorite college art history professor! She wrote of her delight in having gotten a copy of my new childrens book On Looking At Odditorium and her pleasure at still having one of my paintings in her dining room! Wow!! How nice is that?!
Back when her children were young I had the thrill of having her children as two of my “favorite fans” – one of her girls had even specifically picked out artwork of mine to buy for their very own collection! Oh, that ranks high in my list of happy memories!
Now this week my professor added to my happiness by sending me this photo!! In the top left corner you can see one of my artworks circa 20 years ago give or take. I remember being so excited back then when my painting found a home with this professor!
Also this week I got to sign some of my green dragon bookplates for another dear friend’s two grandkids!! That was another high point!!
It was also an uplift, during the heatwave itself, to post here the conversation I’d had earlier before the heatwave began with Mrs Perry, the guest art teacher I featured, and then to follow the readers comments!!
I just love doing the work I do and I would do it even if there wasn’t anybody around to notice. But I really like creating my artwork as part of an ongoing conversation with friends. And it certainly helped my own spirits this week to hear from friends that my artwork brings them joy!
So note to self: go ahead and write that fan letter, send that card, type that text and tell someone something kind. You might make a really big difference in someone’s week and help them get through a rough spell.
Stay cool and hydrated this week and know that I appreciate it that you follow my blog. See you next Monday.
Frankly, I’m tired. But it’s the I’ve-played-hard good kind of tired. So more pictures and less text in this post and you get a special peek … I’ve been thinking about Kurt Vonnegut’s book If this isn’t nice what is? Here’s an article I enjoyed about this Vonnegut book. Here’s a photo of the book in my library with other Vonnegut titles.
Below is one of the poems I read during breakfast this week in a book called Animal Poems. It’s one of the titles in the Pocket Poetry series by Everyman’s Library. (I love this series! Especially with breakfast!) The poem in the photo is by Wiliam Cowper. I love the last line “The comfort of a reasonable joy.” So I’ve also been thinking how important it is to have regular reasonable enjoyments. I take the phrase “reasonable enjoyments” to mean the simple kind that don’t require lots of money, a travel agent or dressy clothes. Anyway, here’s the poem.
In my last post I talked about the pace of creative life. I’ve still been thinking about the skill of crafting daily rhythms and here’s a link to an inspiring article I read on the topic: https://www.wired.com/story/calendar-tips-post-pandemic-reentry-organization/ Maintaining a daily rhythm has enabled me – to get very tired 🤣 – but also to have nearly everything completely finished two weeks early prior to delivery of all the art and books for my Odditorium exhibit. Being early gives me flexibility to have time to rest as well as to deal with any unexpected issues.
Below are some of my sketchbook pages … and some kitchen gadgets I looked at and thought about as I worked on one of the last paintings for this exhibit.
Here’s a photo my spouse took of me working out how flamingos might carry things.
Below is the finished painting on my easel drying. Below that is a close up of the dry painting. I titled it “Is Not This Nice?” The title fits with my thoughts recently and echos the collage text I found in my falling apart copy of Jane Austen’s Pride and Prejudice. It was fun to find text written by Austen that was similar to what Vonnegut said.
If the background of my painting reminds you of the ocean….we went there recently and seeing the sea lingered in my mind. The Pacific Ocean isn’t far from our house. I find it soothing to visit.
The other way I’ve been earning my tired is that I’ve been working on the exhibit catalog aka a picture book of my Odditorium exhibit. In addition to that I’ve been working on a kid friendly version of my exhibit catalog. Children need fine art in their lives too in my opinion. When I was a kid I would have loved to see a book talking about looking at fine art. That’s why I took the extra steps to make a children’s book version too. I have sent the kid friendly version to Storyberries.com and they have an exciting plan for the book design! Below is a screenshot of a post they did on Instagram about it!
Here’s a special early peek into the Odditorium – at my exhibit book!!! And a link so you can see the whole book!!! Even in the midst of being tired I’m excited!!
One of my reasonable enjoyments this week was my spouse’s homemade biscuits for breakfast. The recipe is in my kitchen sketchbook Favorites So Far and you can see more of it here.
More next Monday about the Odditorium exhibit book and the other fun stuff…after I have a bit of rest. Hope you have a good week full of relaxation and reasonable enjoyments.
One of the gifts of travel is the awareness that things don’t have to be what you’re used to in order to be enjoyable.
Since the beginning of the pandemic in 2020 I’ve been looking at household things with the eye of a traveler. I’m practicing being okay with things as they are, seeing them in new ways and enjoying them – like how I would enjoy things on a trip. Along the way it occurred to me that domestic arrangements are one place in life where things can be more or less to our preferences. Home is a place of fairly reliable comforts. There’s a gift of comfort in that.
The sketchbook I began this, ahem, journey in has been published as Another Sketchbook. I decided at first to view household things as if they were public monuments, things we might travel to see. Then I decided that was too distant…the people too small and far away. Then I decided I didn’t want to draw people after all because animals feel more comforting. Anyway, here are a few pages from Another Sketchbook…I’m hoping you can see how I got to my present Odditorium art series via this trail.
Here below is the book cover and a link where you can look through the entire book.
Of course after publishing Another Sketchbook I’ve kept on keeping a sketchbook. I post these new pages now and then on my social media. Here’s a few pages from my new sketchbook that are relevant to the painting you’ll see in this post.
While musing about the crows I often see in my yard I thought of how the kitchen gadgets I have are so useful. And I love herbs and spices – especially those from Penzeys. So I took a photo of the kitchen tools and spices I was about to use at that moment.
Then as the days progressed I began a new acrylic painting full of my thoughts about my ongoing efforts to dance and appeal, so to speak, to the various gods of good-food cooking. My spouse snapped this photo of me working.
As I worked I tried a new-to-me color scheme that includes magenta, an orange-red, a light pink, grass green, a grey-blue and a creamy yellow. The crows aren’t really black there’s a lot of dark purple and deep blues to their feathers. The color nuance shows more when you see the painting with a human eye. I have another camera that shows more of the color range that I use when taking pictures of the art for publication. Anyway, I’ve titled this new painting Domestic Comforts
Another thing I keep thinking about is the different speed of time at home. When traveling in the past I have tended to be very rushed and scheduled. But at home and in my art studio, which is in my house, I tend to be scheduled but usually much less rushed. In fact for quite some time – even before the pandemic – I have intentionally tried to maintain the habit of a steady but relaxed pace in my studio and home. Sustainability of energy is my focus. No, I don’t do this perfectly it’s an ongoing goal. During the pandemic this goal has strengthened as I’ve realized this habit also maintains a critical space for long-form thinking.
Long form thinking is a term usually applied to reading and literacy. It’s a discussion of cultivating the ability to pay attention. There’s an article by James Patterson here and another related article here on the long form thinking as it relates to literacy.
I think of the term long form thinking as applying more generally to creative efforts that stretch over a longer span of time. The actual work may be done in fits and starts or in short bursts of actual hands on time but a thought is held in mind, come what may, over an extended time period. Long-form thinking, in my opinion, allows for a sustained leisurely attitude towards time for art, for reading and writing. Creativity requires time to meander and travel in ones mind – even while cooking dinner or mowing the lawn one plays with the thought topics currently being considered.
Long-form thinking purposefully includes time for making homemade cookies or any other bits of meandering fun. This week I tried a cinnamon sugar cookie recipe. I cut this recipe in half, dumped all the ingredients in my Cuisinart (kitchen gadget!) blended the dough and otherwise followed the recipe directions.
The cookies turned out very yummy!! As hinted above taking the time to read books is an essential part of my creative process – with or without hot from the oven cookies and hot chocolate. Here’s one of the books I’m reading…
My art is a part of my life and vice versa. Creativity is a continuous thing I’m committed to doing within and amongst all of the various domestic concerns and that’s-life stuff.
In fact I view the public aspect of my creative life of making artist books and art exhibits as like the game of musical chairs. I do steady continuous studio work then about a month before the fine art exhibit goes up the music stops. As in the hands on action of creating paintings temporarily stops, and I start framing, photographing, publishing everything I finished up to that point.
It is exciting as I frame and publish the artwork to both see and feel my Odditorium series coming together. The work that I began last year will be exhibited this year in June and July at Burnt Bridge Cellars and when my work is on their walls that will add to my ongoing Odditorium thoughts. Then there’s another exhibit at the Caplan Art Designs Gallery in September. After delivering art to Burnt Bridge Cellars later this month the music (active painting) starts again – specifically the thoughts I have when seeing my works hung together will inspire more work in the series. Then I will begin making the new art in this Odditorium series with an eye towards the next exhibit. Some of the art at Burnt Bridge Cellars along with the freshly made new art will go to Caplan Art Designs when the music stops again at the end of August. This is the way my exhibits grow and travel.
So yes I like long-form thinking. I like projects that stretch over a years time. This allows me to explore a topic from several angles as well as to change my approach as I’ve described in this post. It’s risky as I don’t know at the beginning where my thoughts will go. Plus I do all of the hands on work in short bursts of time each day so I “live in” small slices of my thoughts. My sketchbook is the way I both develop the exhibit idea and keep track of my thoughts – but still the uncertainty is there. I’ve just learned to ride with it.
My long-form working process is like reading a long novel – when you have a few minutes you read a paragraph or a page or two a day. When you begin reading you’ve no idea where the book is going. But if you keep reading a bit per day pretty soon you’ve read the whole book and you know the book conclusion. Same goes with creating an art exhibit.
There’s an excellent article here about the counterculture of commitment. It describes well what I’m talking about. I see this concept of long-form thinking (aka commitment) as similar to the idea of slow food/ home cooked food but about the subject of creativity. Inherent in this notion is the acceptance that things can develop slowly over time and that slowness allows for uncertainty and changes of mind.
I have a quote by Christopher Morley thumbtacked to my art studio wall. The quote applies, in my view anyway, to ones sense of time and space too.
It’s okay maybe even good to be a little odd. It’s not a goal to have domestic life or travel or art projects or life in general be perfect. The goal is to have the coping skills to deal well with imperfections when they happen. To be able to do the domestic dances and appeal well enough to the gods (metaphorically) of home cooking. Or to the gods of plumbing or whatever the household issues may be. To be relaxed and calm enough that one’s able to see the solutions, comforts and enjoyments near to hand. This is my approach to art projects too. Slow but steady, to have the coping skills to fix artistic mistakes, to adjust, to try something new.
Since this month began – besides framing the artwork a bit per day – I’ve been creating an exhibit catalog, a coffee table picture book of my exhibit. Last year during the worst of the pandemic it seemed to please fans of my artwork that they were able to get a printed book or an ebook of my entire art exhibit. So that’s why I’m doing a book this year too.
Additionally I’m doing a few greeting cards and coffee mugs with my art from this series. Both the cards and mugs are in keeping with the root idea of my Odditorium series – taking an uncommon view of ordinary household things and surreally creating souvenirs of pleasant moments. Here below is an example of a note card with the artwork I wrote about in my last post.
Yes, the temptation to stress, to worry, to rush is there, especially as the day nears to deliver all of the artwork. But I remember those pre-pandemic travels when I rushed mightily because the day the trip ended was coming nearer and I didn’t want to miss anything … what I remember now of those trips isn’t the scenery or the food but the stress and rush. So I try to remain calm now and go slowly as I continue towards the exhibit. And I rest knowing my thinking-work will continue …
Thanks for reading! I hope you have many enjoyable domestic comforts this week – and if you try the cookies I hope you like them. See you next Monday?
These thoughts swirled in mind as I watched the crows in my yard. I don’t know where the wingtip shoes came from… but here they are in my sketchbook.
From my morning reading I added the quote from Plutarch. And I thought of how all too often we see only what we expect to see. It takes practice to work on our inner selves, to moderate our expectations and let things just be however they are. Then I put away my book and puttered in my studio cleaning things up, sorting pen nibs back into their places and cleaning the nib holders.
With these thoughts still swirling I started a new painting loosely based on my sketchbook page above. After a few days of work my spouse snapped this photo.
And then my spouse took this photo to show that sometimes I “hide” things on the edges of the paintings I do on cradled board.
Some time later I took a photo of the finished painting. I’ve titled it “Enjoyment”. I keep thinking of how we can choose to dip our pens in our pleasures and write them on our souls rather than rehearse the things that upset us. That choice can change one’s attitude and the kind of day one has.
Here’s a close up photo of the area of “Enjoyment” that contains the collage elements. I carefully chose text from the falling apart copy of Jane Austen’s Pride and Prejudice that I’ve mentioned in recent posts. So much of Austen’s work is a social comedy of people’s expectations and emotions. That’s why I choose this book for my collage source material besides the fact that it was already falling apart and was handy. (I have a collection of collage material to choose from and could have chosen some other theme.)
After I posted “Enjoyment” on social media a friend who had studied poetry and Victorian literature in college commented that crows represent transformation. And the symbolism of crows was definitely on my mind. What a good word the word transformation is and I appreciate my friend for reminding me of it. When we are able to remember to enjoy the smallest of pleasures – and to be curious – we are in a position to transform moments of stress into something manageable.
Getting curious and writing and drawing (however well or poorly) are all tools of the emotional transformation process.
It wasn’t until later after conversation with my friend that I realized that in my new crow painting I echoed a theme (transformation) I have played with before. Such as when I took a tale by Aesop and made a wordless story “The Crow And The Water Jug” (you can also see the whole book via this link at Storyberries.com )
As I mentioned last post I’ve been working on writing a short summary for my entire fine art exhibit that I’m calling Odditorium. Writing in my sketchbook as I work on art projects helps me focus my fine art onto a clear theme. I write my thoughts down as I work on fine art and vice versa so there’s a *lot* of both writing and art to winnow when it’s time to write an exhibit summary statement. Besides helping me sort my own thoughts the short summary text is something that Burnt Bridge Cellars and Caplan Art Designs will use when talking about my exhibit with the public. Anyway, after more rewrites than most humans can count without a calculator here’s what I came up with:
Odditorium: I’ve been practicing household surrealism; painting visual stories inspired by looking in an uncommon way at common objects and plants. A useful mental health technique for dealing well with feelings is to deliberately look at the feeling in a new way. This is what I’m practicing when I do household surrealism. I take ordinary things found about the house and depict them in odd, different from the usual, ways so that instead of feeling mundane they evoke feelings of magic, wonder and laughter. Perhaps the flowers, the wine opener, the coffee mug are really souvenirs of pleasant moments in life?
I use gouache, ink, color pencil acrylic and collage to make my images. The collage text is from a falling apart copy of Pride and Prejudice by Jane Austen that I had in the house. Austen wrote about emotions and dealing with them so I enjoy the visual pun of including bits of her text in this series. I use animal characters because an animal behaving like a human highlights our humanity.
That’s the end of my statement which counts to about 200 words. I may tweak at it a bit more. But there it is.
No grand food experiments to crow (sorry!) about this week but I did repeat a reliably good sandwich recipe.
So I hope you have a very good week. See you next Monday?
This week in household surrealism I’ve been thinking of love. Love in the sense of the poetry, the food, the care for and cleaning of things, generally creating a gentle environment for ourselves and others. Perhaps an environment also filled with souvenirs of loving moments as I wrote in my last post.
My recent children’s book This Rabbit was about knowing what you like. Well, this week I’ve been thinking about how it can take practice as adults to remember to let ourselves love openly, wholeheartedly and to unabashedly enjoy things.
Among these thoughts is the fact that tulips are in bloom when I live in the Pacific Northwest. Here’s a photo from my spouse’s garden.
In the morning sometimes I read a bit of poetry while having my breakfast and coffee. The photo below is a poem by Mary Oliver, from “New and Selected Poems Vol 1”, I see this poem as talking about wholeheartedly living life. A life well lived is lived bit by bit in thousands and thousands of mundane moments. Many of those moments (even in pre-pandemic times) happen at home.
Letting oneself wholeheartedly enjoy and love little parts of daily life – why is that so hard? Perhaps as adults we get caught up in the “gotta do’s” as I call them. We sometimes almost chain-smoke, metaphorically, one gotta-do duty after another forgetting that love and pleasure is often part of the reason we do things. By contrast it feels good to pay attention to whatever interests you and revel in that focused moment. This wholehearted enjoyment is a way to be gentle and loving to yourself and the people you love. Anyway, I thought of that while I doodled in my sketchbook.
Then I worked several days in a row to flesh out my thought using acrylic paint on cradled board. Yes, this is another piece destined for upcoming art exhibits at Burnt Bridge Cellars and at Caplan Art Designs.
Below is the finished painting I titled “The Minutest Concerns”.
The label on the bottle of cleaning fluid the mouse is using in my painting is actually a bit of collage. I’ve been using a falling apart copy of Jan Austen’s book Pride and Prejudice as my collage source. (See my last posts here and here for details)
Basically, in the bigger universal sense, things are okay, you are okay, and it’s okay to relax and enjoy just being yourself and liking and loving the world around you.
For example this photo below is part of my world that I love; I love picking up one of the books and reading a bit, I love just looking at the books on the shelves and I even love dusting them. Of course I confess that often I get distracted and stop dusting to read 😁
I love having lots of books so much that it feels like heaven. So I did this drawing and made a print of it…just in case someone else feels the same way. (This is part of the gift making I talked of last post) Even if I’m the only person who feels like this making a drawing and a print was a fun way to fully enjoy and love the feeling.
I also love the challenge of cooking. It took me a while to figure it out but I can now reliably make meatballs to store in the freezer for use whenever the odd meatball is wanted with pasta or rice or roasted vegetables.
Here’s my recipe as written in my kitchen sketchbook. Yes, this is another souvenir of love! Books and sketchbooks are the best souvenirs!
My sketchbook page will still be there long after the meatballs have all been eaten! Plus I can share this sketchbook page with people and thereby share the love.
That’s part of what I love about poetry, books, gardens and art they each nourish one’s spirit and are shareable. They’re part of how we know we’re loved and part of how we love other people and how we remember to love ourselves and the world around us. They’re part of how we connect emotionally with each other.
A dear friend loaned me this book “The 3000 Mile Garden”. It’s a wonderful almost voyeristic view of two people sharing their love of food and gardens with each other. And we readers get to see their intimate exchange of letters! The book has hand drawn maps and photos too! It’s a fun evening read.
These are the sorts of thoughts that inspire me as I work on my new household surrealism fine art series that I’m titling “Odditorium”. In addition to the art itself I’m also working on an exhibit statement- which is kindof like the synopsis on book covers – a short paragraph or two to interest viewers and help them understand what I’ve created. Wish me luck at crafting the sentences?
Anyway, I hope this week that you’ll remember to allow yourself to love whatever is commonplace in your world. See you next Monday?