If you got a post titled “Dragon postal whimsy” I accidentally hit a button. Here’s the real post about “How To Draw A Dragon“! After a week spent creating cover art and scanning 36 pages there’s now a coloring book poem that exists in the world!
This is the book description:
“How do you draw a grumpy dragon? This coloring book story poem written and illustrated by the artist sue clancy shows you how.
This whimsical poem is also about how creativity works, how our creative child selves and our analytical adult selves can work together.”
Below is a look at the original manuscript.
I used the computer to put the text on the front and back covers. I thought long and hard about handwriting it all but I learned when I did Patch La Belle that handwritten text on a cover isn’t “searchable” and could be harder for people to find. That searchable issue isn’t a big concern for me coming from the art world as I do where one-of-a-kind things are the norm. But after thinking a while I opted to type the cover text for “How To Draw A Dragon” even though I hand drew and hand colored everything else.
So here’s the cover becoming…
And here’s what the cover became.
I’m especially pleased that my book layout “thinking in page spreads” turned out so well! They line up in the middle when bound! In the first photo below you see my original art. Below that you see the printed book.
Since we’re still in a pandemic I have added a free printable pdf file for this book to my “shop” page where I have several of my free downloadable artist books. It’s on my to-do list to make a portfolio page for How To Draw A Dragon and have everything in one spot.
Storyberries will, eventually, also do a free ebook version of How To Draw A Dragon and have a link to the free printable pdf too. But that’s still in progress. I will update my still-to-be -made portfolio page and this blog when it’s been set up at Storyberries.
Since we are still in a pandemic the Gallery is doing all the prudent safety measures and I’m doing my part as best I can. Besides doing the virtual page about Odditorium I have done a series of videos on my YouTube channel about this exhibit as well as about why I do this work. I’ve made 5 videos in all but here’s the one about this exhibit. The Gallery will post my videos and share them with clients digitally thereby minimizing everyone’s exposure. I’m glad and grateful to work with a gallery that cares about the health of both their artists and their clients.
On still another topic: A friend recently enjoyed getting a card from me and called it “postal whimsy”. I like that phrase and asked for and was give permission to use it! So I’ve updated my Zazzle collection of odd greeting cards both with the “postal whimsy” phrase and some new card designs. I am getting serious about sending postal whimsy and helping cheer people. Below is one of my favorite cards…
This week was so busy that while I did make sure to eat meals of fruits, vegetables and whole grains – more often than not – I didn’t do any sketches or photos of the food. I just stuffed my quiche-hole and got to work.
Despite all of the busy-ness I still did drawings in my sketchbook in the mornings and my evening reading of books before bed. Makes for nice creative bookends, pun intended, to a day.
However busy your week is I hope it is bounded by pleasant things. See you next Monday? Or before then if I hit a wrong button again…
To my awareness there aren’t many books for children that talk about looking at an artist’s exhibit whether the fine art is in a book or on walls.
I think looking at a book of fine art is similar to looking at a wordless picture book. Looking at one artist’s series of paintings on a gallery wall is like a wordless book too. But looking at fine art, while there are similarities to wordless picture books, it is also different; a collection of fine art often refers to the feelings and lived experiences of the artist in addition to any visual story there may be within the artwork itself.
So I’ve been lucky enough to work with Storyberries to create a childrens book On Looking At Odditorium that I hope will help kids enjoy looking at artwork and be able to speculate about the artist’s thinking.
Towards that end I created cartoon drawings of myself so they could take a trip (or tour) through a book of my Odditorium fine art exhibit and explain what I was thinking and how I created each painting.
Here’s a closer look at all of the avatar drawings. In many of my childrens books on Storyberries.com there’s a photo of me wearing a sweater. For consistency sake I drew myself in a sweater pointing this way and that.
I want to encourage imaginations so in the book I try to both show and tell what using imagination is like.
For a childrens book I didn’t want to get too technical about art materials and methods but I did want to share something about them. I wanted to share especially when the materials and methods directly interacted with my imagination.
Below is a look at the book layout so you can see the little avatars on tour across a page spread.
The adult version of my Odditorium exhibit coffee table book does not have the avatar or descriptions. Here’s what the cover of the adult book looks like.
And here’s the childrens book version titled “On Looking At Odditorium“. The cover design is very similar to the adult book on purpose – to emphasize that anyone of any age can look at art. The layout inside this book is different as is the kind of paper for the printed books. I wanted paper likely to withstand children’s hands.
Storyberries has a extra special ebook edition that went live within hours of this post. And I love the nesting specialness of this project: it’s a fine art exhibit called Odditorium at Burnt Bridge Cellars via Caplan Art Designs that has a companion exhibit book titled Odditorium. The Odditorium exhibit book then has a companion childrens book version titled On Looking At Odditorium. Then the special ebook on Storyberries – which you can see here for free – about looking at On Looking At Odditorium! Here’s what the Storyberries ebook version looks like at the top…
Did you get all the nesting nuances to this project? I’ve hopefully laid it all out clearly on my portfolio page about this project… but even if no one besides me sees the nesting qualities – thinking about it in this interlocking way served to help me construct it all – my main point is for people to have fun.
Needless to say it’s been a very busy week. There’s been food, some of it tasty and blog-worthy, but I was tired and just ate it without photos or noting recipes.
Also due to busy-ness not much was done on my new crocodile project mentioned last post. But I have kept up my sketchbook activities and reading books of an evening. Sketching and reading are like breathing.
So I’ll not promise anything specific for next Monday… but there will be something. Hopefully, something that encourages your own creative life or is at least entertaining for you.
Till next time – have a good week looking at stuff.
I’ve illustrated Pembral Forgets written by Steve Tubbs and in my last post I talked about my process of creating the cover and my leaf motif that flows through the book.
Well here, below, are some of the finished illustrations with the text so you can see what I mean.
Later on in the story there are some really large leaves… but as you can tell from the images above I depict leaves from a distance as well as nearer to hand.
I also use leaf shapes as logos on story related objects… for example in the photo below look for the leaf on the sugar and the market sacks. I do this in multiple places within the story in order to emphasize the fall leaves aspect of the story – and to visually bring the leaf motif and good food motifs together.
There are illustrations on every one of the 38 pages of Pembral Forgets… lots of leaves blowing through this book!
Since the author Steve Tubbs was inspired by thoughts of himself as a kid and memories of his own mother – I wanted my illustrations to have a warm soft nostalgic feeling in addition to the colors of Fall. So I used a cream colored handmade watercolor paper for my ink and gouache illustrations.
Since the warm, creamy, yet fall colors are what I wanted for the pages in the artist book reproductions – I’m also making the original artist book box (talked about in my last post) have a similar cream color on the book-shaped box edges where pages are.
I still have lots of work to do on the one-of-a-kind artist book box that will hold all of the original illustrations and text. Also there’s a few more pages for the one-of-a-kind book to do…. more about that in future posts.
And I’m in the process of making a webpage about Pembral Forgets. It includes a short conversation with the author, Stev Tubbs, as well as images of more of the finished art. You can see it here: https://sueclancy.com/portfolio/pembral-forgets/
But in case you think I came up with the cover and these illustrations perfectly right from the first: Here’s a leaf motif pattern I tried before hitting upon the motif and color scheme I finished with.
I decided this leaf pattern was too green and too uniformly regular. Then I proceeded to do the pattern I showed you in my last post and what you see on the Pembral Forgets finished book cover. But as a pattern design goes this more-green autumn leaf pattern was fine – it just didn’t fit the creamy nostalgic vibe I wanted for Pembral Forgets.
I’m still happily reading “European Travel for the Monstrous Gentlewoman” by Theodora Goss – and taking things a wee bit slower but I’ll see you here next Monday! Stay safe – and here’s hoping for a better new year for everyone.
Happy Jolabokaflod in advance! In my last post I hinted that I’d have a gift book for you. I have several! And some hot chocolate. Some assembly required… If you’re just joining this party – welcome! – and if you’re not familiar here’s another meme that tells what Jolabokaflod is.
Since I’ve been asked by several people: here’s info about the art media gouache, why it makes me grin and my working cycles with it.
Gouache is a water based paint. It’s more opaque than watercolor. Using gouache feels like spreading soft butter on toast. Applied gouache dries quickly but is easily made moist and workable again. It dries to a matte non sticky appearance which makes it suitable for use in bound sketchbooks, in folded artist books as well as for fine art to be framed. Gouache also reproduces well via various printing mechanisms on fabrics, in printed books and on many other surfaces.
In the studio, because I don’t have to worry about my gouache paints becoming unusable on my palette before I can use them (as is sometimes an issue with acrylics), gouache is suited to my busy life. I call this my gouache and grin cycle.
I prefer to work on multiple art projects at a time in “short bursts” on each project. Rather than count on a long span of uninterrupted time I dash in and work a bit on an art project, then go make lunch or do whatever stuff-of-life or other work matter that needs to be done. Then I cycle back to an art project…
To borrow a sports analogy I just try to advance the ball, my various art projects, a little bit each day rather than doing a project all at once. I try to amuse myself with whimsical art making, aka spreading color, for at least a few minutes every day no matter what else is happening in life. The qualities and attributes of gouache help me to do this, to keep my creative games in play – come heck or high water.
Here’s a series of photos showing my gouache working methods in my sketchbook. (This is also my work method for fine art and other projects.) In the first photo you see my 3 x 5 inch watercolor sketchbook held open with clips. Also pictured from the top left and rotating clockwise: paper towel, peppermint candy model, graphite pencil, 3 watercolor pencils, 2 waterproof ink pens, a water brush and my lidded paint palette with its wells of various dry gouache colors.
In the photo below I begin 3 demo peppermints: the top left mint is sketched in graphite pencil and waterproof ink pens. The bottom left mint is drawn in watercolor pencil only. The mint on the bottom right page was doodled in all of the above; graphite pencil, ink and watercolor pencil. [The quote was just on the sketchbook page I chose to use for this demo.]
So you can see what they look like here in the photo below are two tubes of gouache paints. I like the Holbein Artist Designers Gouache brand best but the Winsor and Newton brand is good too. (There’s a monster called “acryla gouache” also available on the market which I avoid like a character would avoid a flesh eating zombie in a horror film.)
I begin painting by laying down the local color – the general color an item is supposed to be. At this point I don’t worry about shadows or highlights or details. I just get the color shapes down – in this case for the peppermint candies.
I did not squeeze out new paint from my tubes when I began. I got my water brush wet and put a few drops of water on the dried red gouache already on my palette so I can use the newly moistened color. I add a small amount of moisture to a portion of the dried chunk of red gouache until that portion feels like soft butter, then I paint the candy stripes.
Here’s a closer look.
Now I get the general color and shape down for the wrapper in the same method. I put a drop or two of water on my blue gouache color, get my brush damp, dab at the blue paint a second or two to get a portion of it moistened and softened – then I paint.
Now I create the cast shadows using a watery mixture of the red and blue gouache colors. To make the watery mixture on the lid of my palette I dipped my brush on the now moist blue color, dab on an area of the lid, then dab the brush clean on the paper towel, then dipping into the now moist red and adding it to the tiny blue puddle, mixing till it’s a purple color I want for the shadow. Then I add a tiny bit of plain water to the newly mixed purple till it’s a small fingernail size puddle of watery purple – this enables me to do the cast shadows in a faint shadowy way.
Now I do squeeze out a tiny amount of the white gouache from the tube and use it, fresh from the tube, to make the highlights on the candy and wrappers. Note in the photo below how the white gouache can completely obscure the darkest ink lines. This is part of what I love about gouache – any mistake can be covered with the opaque paints. If an edge in a painting needs to be softened or a color edge blended all I need is a wet brush.
Then in a few minutes, perhaps the length of time it takes for a decent sip or two of coffee, when the paint is dry I go back over the paint with ink lines or watercolor pencil lines to snap the details into sharper focus.
Now that I’ve finished painting I leave my sketchbook and my palette open and let them dry completely. I even leave the shadow color mixture on my palette lid to dry. All I will need to do to reuse the mixed color in the future is to get my brush wet and dip in.
Peppermints are one of my guaranteed-to-make-me-grin art subjects that don’t require a lot of time or planning. I’ve learned over years of painting peppermints that different candy makers have their own peppermint candy look. And I don’t mean the wrapper.
Here’s a fabric pattern I did of peppermints for my Spoonflower shop. I used the gouache techniques I describe above to create this pattern. But do you notice how these mints are different from the ones I did in the demo above? Different candy maker… yummy too!
To illustrate what I mean about working in short bursts despite life situations. A hot water pipe burst on our hot water heater recently. (Talk about heck and high water! 🤦♀️) After we got the immediate crisis dealt with I did little quick bouts of drawing as a self calming technique. Also while waiting for plumbers etc restoration crews I doodled and painted in my sketchbook. Gouache makes it easy for me do short bursts of spreading color which makes me smile. And having had a brief grin makes dealing with life much better.
Anyway, there’s a new artist book I’ve done for children called “B Mouse Reads A Book”. In it you can see my original ink and gouache artwork, and how the art media is on folded paper in this video on my YouTube channel. Because this book was meant to be handled in a gallery I used a spray fix varnish to make sure the gouache wouldn’t smear or run.
But since the pandemic hit there’s no going to art galleries to handle or view artist books in person. So I was lucky enough to have “B Mouse Reads A Book” published as an ebook here on Storyberries.com! They also included the book B Mouse is reading too…it’s another artist book I created as part of the B Mouse Reads A Book story…there’s a link at the bottom of the B Mouse book that you can click to see the companion book.
I’m sure you can recognize in the image above the ways I did my combinations of ink and gouache. The video shows how flexible gouache can be when applied on paper bound or folded as pages. The ebook shows how well the nuances of the colors show even as a digital image.
If you look at my portfolio pages you can see my ink and gouache work as both fine art framed in an art gallery setting as well as reproduced in printed books.
That reminds me to tell of another practical matter: if you apply gouache too thickly it can pop or flake off. Especially in a folded or bound paper book. And when scanning or photographing gouache artwork for reproduction a too-thick gouache application can cast shadows unrelated to the artwork subject. So I apply gouache as if I were basting bread with semi melted or melted butter.
I hope you’ve enjoyed reading this and found it helpful for when you try gouache yourself.
See you here next Monday. And in case you’d like to know even more about gouache – here below are a few links to more information about painting with gouache:
Well I didn’t expect that. My books sold out at the Aurora Gallery within 11 days. By request I’ve ordered more books to sign and deliver to the gallery asap.
I began doing this series of kids books as a gift for my friends and their kids and grandkids. When this pandemic began, for safety reasons, I started making my artist books on Blurb.com because they’ll print my books on demand and then mail those books from where they’re printed to any place in the world, including mailing books to my local friends.
Here’s a photo of all 5 of my children’s books. (Accessible on my shop page)
The worldwide aspect of Blurb has turned out to be a good thing also because all 5 of my children’s books are now on Storyberries.com as ebooks and audiobooks worldwide. Storyberries links to where a reader can get the printed books at the bottom of each ebook.
Even so I’ve gotten multiple direct questions about where to get printed versions of my children’s books so I’ve put them on my shop page as well as my portfolio pages.
Also on my portfolio pages are links to blog posts that show my working and thinking processes as I created the books.
What I hadn’t expected was the requests for signed books. I’ve been working on that: I’ve mailed signed labels for the book owner to affix in the book. And I’ve taken, in a pandemic safe way, a few signed books to the Aurora Gallery where they went quickly to new homes. I’ll have a few more signed books at the Aurora Gallery soon and the gallery is able to mail them on to a reader/collector.
Anyway, to be safest of all, I’m focused on working with places that can do the direct shipping of books and other items. I’m also enjoying making downloadable ebooks. (Look at the bottom of my shop page for ebooks I have there)
You see, I keep thinking “what if this pandemic is actually opportunity to slow down and really connect with people?”.
Books are ways to connect, in my opinion, and for that reason I make books. I may dedicate each book and have certain people in mind as I create my books but when I share on social media about my books (and other items) I share for anyone who needs a bit of comfort, a smile and a visual hug.
Here’s a look at the display at the Aurora Gallery before they sold out of my books.
At any rate I’m enjoying making my books available via Blurb and Storyberries and the Aurora Gallery and I’ve enjoyed hearing that my books have given people comfort and enjoyment during this time.
Most days I make an effort to catalog what I’m enjoying and finding comfort in these pandemic days. This is expanding my awareness of things, besides books, that help us connect with each other. But in my list making of comforting things I’ve found books and coffee so comforting so often that, for fun, I did a fabric pattern on the topic.
A friend liked my coffee and books fabric pattern and requested a coffee mug with it. So I did that. It’s fun to think of mugs as gallery walls or as book pages or even as pieces of fabric. And I get comfort from thinking creatively about the ordinary stuff of life and the comforts found there. I’m very grateful that both Spoonflower and Zazzle can ship my designs directly to someone.
I find it helpful to create things with specific people in mind. Sometimes the people know about my creation because they requested something or because I wrote a dedication in one of my books. Most often the person I had in mind while I was creating never knows about it.
As Kurt Vonnegut says “Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.”
A side effect of thinking of my artistic creations as gifts for someone I have in mind is that I’ve discovered that my books, fabrics, mugs, puzzles and other items have been purchased as gifts by one person for another person.
And I love this thought that what I make as a gift, in my mind, for someone I know becomes a real-life gift from one person to another person.
It feels like I’m the author of gifts to be given, as if my artistic mediums, my paints so to speak, are love and kindness shared between people. With that in mind I’ve begun making more note cards… like this…
The text on the inside of the card says “wishing you calmness and peace or at least comfortable sweatpants”
Yes, comfortable pants made my list of enjoyed comforts this week. So did thick socks and warm sweaters but this is enough typing for right now.
See you next Monday? Till then please make yourself comfortable and share a comfort with someone else.
Here’s a look at the digital files for the front and back covers:
Photography of the pages was a challenge because I wanted to keep the warm creamy tones of the paper on which I wrote and illustrated the poems. I wanted this book to have a nostalgic handmade feel. By and large I’m pleased with how it turned out.
For the ebook version of Patch La Belle on Storyberries.com I was able to have each page of the ebook be 100 percent my hand made pages. Because it’s not a printed book blank pages aren’t needed.
In the printed books I had to have blank pages in strategic places in order for the covers to attach properly. So I used the blank pages as a chance to visually foreshadow what was to come in the book. For example the little illustration on the blank page attached to the cover visually relates to the dedication page:
And the candy on the book info page (above left) visually relates to the page just before the about-the-author info.
There’s also a visual relationship between the characters on the cover of Patch La Belle and two of the poems inside the book. The paintings of books on the list of “other books by Clancy” also echoes one of the poems.
Yes, I tried to rhyme in my artwork as well as in the words of the poems!
I strongly believe that children (all people really) need exposure to all kinds of images including complex images just as they need exposure to all kinds of food including complex foods.
Homemade cookies are often more robust and complex in flavor, more, more full of love, than a box of store-bought cookies.
I like to think of my artwork, my books, as the visual equivalent of a sheet pan full of homemade cookies.
Thanks for following my progress on this project!
If you’re just joining this party – welcome! – there are details about Patch La Belle and links to past posts about Patch located here.
This week I thought about the importance of trying things. So I’ve reread my poetry sketchbook for poems on that topic.
As I mentioned in my last post I’m working on a new children’s book for Storyberries.com titled Patch La Belle. As I work on this book I’m trying several new things but chiefly I’m trying to group many poems and illustrations together with a few themes as organizing factors. This is different from what I’ve done in the past where I did one poem with multiple illustrations as an entire book – as you can see on my portfolio page.
Anyway, here’s the pages I selected from my poetry sketchbook this week:
And below are the finished pages that I hand wrote and illustrated using ink and gouache. I use waterproof ink pens from jetpens.com on smooth hot press watercolor paper. I like the Holbein brand of gouache colors because they’re smooth and have strong pigments.
The watercolor paper I’m using is off-white and I hope that won’t be a problem when it comes to reproducing these pages. But I like the tender nostalgic feel of this paper and will endeavor to keep this soft tone in the final book. We’ll see how it goes. This is part of the risk of trying new things…
If I’ve posted the above video correctly you’ll be able to see part of my poetry book collection; books written by many other people, some famous, many not so familiar. My collection is in my dining room where I have breakfast and sketch. I find it soothing to read a short poem or story to start my day. I also have a collection of books containing short stories in the same room but this post is about poetry…so…
When it comes to writing my own poems I like to consult “The Book Of Forms” by Lewis Turco – pick a short poetry format, like limericks or couplets then think of a topic like “trying things” and play with related words and images. Some poems turn out okay, others don’t…the key thing, I think, is the willingness to write badly and trust that I’ll survive. So far that’s been true. And now after several years of regularly writing poems in my poetry sketchbook I’m able to reread it and find a few poems that are fun to illustrate and potential material for a new artist book.
Here’s a mantra I have thumbtacked to my art studio wall
So I plan to keep working on Patch La Belle this week too. Will I see you here next Monday? Hope so. And I hope you enjoy whatever creative projects you’re working on this week too.
I’ve started a new illustrated poetry children’s book for Storyberries.com This time I’m writing and illustrating a bunch of poems. Up till now each book, Alphapets, Alphapets Too and Numpurrs were a single poem long. Lots of illustrations tied together with one poetic story.
So this new project feels dangerously different and daring. I find it helpful in a creative life to scare yourself now and then.
In my last post I showed my 3.5 x 5 x 1 inch poetry sketchbook, that I’ve worked in over the last several years, and told of reading through and sticky note flagging potential poems to be illustrated. Here it is bristling with sticky notes.
Here’s a close look at 3 of my poetry sketchbook pages that I chose to illustrate this week.
And here’s the weeks finished pages:
I’ve decided to hand write and hand draw everything in this book. Since Storyberries.com is a website of ebooks for kids my thinking is that it’d be fun, whimsical, amusing – harmlessly mischievous even – to fill a digital medium, the ebook, with hand-made marks.
As a working title – and probably the final title – I’m using “Patch La Belle: playful paintings and poetry”. The definition of the word “patch” and the definition of the French “la belle” play into my thoughts as this project feels like a patchwork of many lovely things. A stitching together of meditations on a theme of pleasant day dreams.
Anyway, more here next Monday and thanks for reading!
It’s barely been a week and Numpurrs on Storyberries.com has been read over 3000 times! Here’s one kind comment:
“Thank you, this is exactly what teachers are looking for, online opportunities during virtual teaching makes teachers lives so much easier. That was perfect timing! And a beautifully illustrated and written book! The weird thing is, I just did a cat drawing lesson for 1st grade. Now we can read the book and learn how to draw a cat!”
So this week quickly filled with additional efforts to help teachers and parents: I also made a poster, a calendar and then a 676 piece jigsaw puzzle too.
Here’s what the poster looks like. It’s big, 23 inches square, big enough to be seen in the backgrounds of online classes.
My copies of the printed book version of Numpurrs also arrived at my studio this week! So I photographed the book and created a portfolio webpage to hold all of my work on Numpurrs in one spot – to help the teachers find things easier – here’s that page https://sueclancy.com/portfolio/numpurrs/
Below are just a few of the photos of the printed book…you can see more on that portfolio page I just mentioned
I’m pleased with how the book turned out! Of course I can nitpick and find things I could have tweaked – that’s always the case with any creation. I think of art making as similar to cooking, you do your best to create a good meal then you say “good enough, let’s eat” and you go on to the next thing. Perhaps you make a note for yourself on that recipe as to what you’d do differently in the future – but you enjoy the meal as it is and you go on.
Speaking of going on: for years now I’ve been regularly jotting short poems in a small 3 x 5 inch book with my fountain pen. Now, as per discussions with the people at Storyberries, I’m working on illustrating some of the poems for a new book. As I wrote my last post I’d thought I’d do more on this new project this week than ended up happening – so more on these illustrated poems in coming posts.
Here’s a look at my little poetry sketchbook with some of the potential to-be-illustrated poems flagged with sticky notes.
I write with a fountain pen because they’re refillable. Fewer plastic bits of discarded pens to end up in the landfill this way. Besides a fountain pen – if you have a good quality one – can be super smooth to write with.
For those who say a nice pen and hand bound book would be “too precious to use” I reply “your thoughts are precious too”. Buy quality supplies and use them with joy. It’s just stuff on Earth here to be enjoyed. (And if you just can’t bear it then buy whatever supplies you will actually use and get your thoughts written down. But remember that you really deserve the best.)
Below is the dragon poem you can see my handwritten draft of in the photo of my book above and the handwritten poem and illustration I got done this week with ink and gouache on nice paper.
More of that kind of thing here next Monday – I hope. Thanks for reading. Have a good week.