finished Abyssinian cat with alphabet

A Creative Life, animals in art, art techniques, artistic inspirations, cat portrait, Cats in art, creative thinking, handmade papers, pattern design, visual thinking

Here’s the finished Abyssinian cat portrait with an alphabet pattern background – reflecting my thoughts of multi-lingual book readers, alphabetic “framing” of thoughts and… well, if you look at my last several blog posts you’ll see my thinking as I’ve worked on this one.

It’s titled “Alpha Betty” and is 20 x 24 inches.

AlphaBetty72

I’m particularly pleased with how the alphabet “shows through” subtly all over this piece with varying degrees of transparency or opacity – like our varying degrees of awareness of the linguistic framing of our thoughts.

You can see more of my cat-related thoughts in my ebook “Various Cat Sketches” here: https://sueclancy.com/shop/

 

Abyssinian cat portrait with alphabet

A Creative Life, animals in art, art techniques, artistic inspirations, cat portrait, Cats in art, fine art, handmade papers, pattern design

Having been inspired by all the multi-lingual book readers I see in the Pacific Northwest – combined with the alphabet-as-frame-of-reference thoughts I’d shared in my last blog post, and my on-going collection of cat-related thoughts – I’ve been working on a portrait of an Abyssinian cat. The cat will be reading a  mystery called “M is for Mice”. (What else would a mouse obsessed cat read?) I’ll probably title my painting “Alpha Betty” when I’m done.  Below you can see my progress along side my to-scale drawing. I’ve still more work to do. Especially on the mouth area on the cat – and of course on the book.  This work is 20 inches tall by 24 inches wide.

AlphaBettyProgressWSketch72

You can see more of my cat-related thoughts in my ebook “Various Cat Sketches” here: https://sueclancy.com/shop/

 

from my Various Cat Sketchbook

A Creative Life, animals in art, art techniques, artist book, Cats in art, creative thinking, ebook, sketchbook, visual thinking

I’ve just finished making an ebook – 34 pages derived from my hand drawn, hand written, sketchbook on the topic of cats. It’s titled “Various Cat Sketches by Sue Clancy” – and can be found here on my Art Ebook Shop page.  Warts, scribbles, mistakes and all have been included – so you can see how my mind works – and for your amusement. I worked in ink, watercolor and gouache. In this post are a few pages from the ebook. Enjoy!

EarsEyes

Absynnian1

ColorFurVar

 

four topic sketchbook keeping

A Creative Life, art techniques, artist book, artistic inspirations, creative thinking, drawing as thinking, ebook, kitchen art, psychogeography, sketchbook, sketchbook suppers, Sustainable creativity, travel art and writing, travelog, travelogue, visual thinking

Oh I’ve had an excellent question asked of me! Here’s the question: “Do you keep separate sketchbooks for different subjects/projects/media or do you use one sketchbook for all sorts of art experiments and ideas?”

My answer:  I used to keep one sketchbook but I found it hard to find the bit of research I needed because I’d have to flip through the whole book to find something.  Now I keep sketchbooks by topic.

Here is one of my “kitchen sketchbooks” – recipe inspired art – where I am inspired to draw by a recipe I’m cooking. This book is 5 x 4 inches in size, sewn binding and paper that can handle ink and water-media.  This way my favorite recipes are all in one spot – and when I have an ingredient I can flip through this one book to find a recipe that I know works and that my family likes.  This sketchbook, additionally, is my “testing ground” for ways to combine food, drink and art together – ways to interpret food/drink artistically.  This sketchbook is also a place where I’ll try new-to-me art media or methods. I’ve been trying gouache lately and I posted a few pages from this book the other day https://sueclancy.com/from-my-kitchen-sketchbook/ – Here’s what the outside of my current kitchen sketchbook looks like:

MouthpieceFourCover72

I have been working on a new series of fine art paintings with Cats as the main characters. So I have one sketchbook that collects my cat related painting practice and research. In it I’ve been studying cat shapes and experimenting with lines, colors. I’ve also experimented with combinations of collage, ink and water-media. This sketchbook is called “Various Cat Sketches” and is 8.5 x 11 in size, with a sewn binding. Here, below, is what the outside of it looks like. I’ll post more of it’s pages on this blog soon because it will contribute to an upcoming fine art exhibition

VariousSketchesCover72.

Another current sketchbook is my “Running Around Loose” book. This is the sketchbook that fits in my small go-sketching bag and is 3 x 5 inches, with a sewn binding, water-media ready paper in a landscape format. In this book I record my observations of the world around me; places I go, people I see, food or drink I have. It could easily be called a travel sketchbook  but I call it my “running around loose” book because that’s what I try to do as I run around town with this book – be loose and free with my lines, colors and thoughts. Here, below, what this book looks like. I’ll post more of it’s pages here too.  (I’ve posted my last sketchbook like this as an ebook titled “Glad To be Alive” available for download here)

RunningLooseCover72

And the 4th topical sketchbook is called “The Forked Tale: thoughts about creative life”.  This one is a hardback book 6 inches tall by 8 inches wide and over an inch thick. In it I’ve collected my thoughts, readings, quotes etc. about this business of being creative.  I’ve shown pages from this book to friends before who enjoyed it and found it helpful. But recently my friend Liesl was over for dinner and asked me a question about art-studio furniture. We kept talking about aspects of living a creative life and eventually I got out this book and shared it with her. She very strongly encouraged me to publish this book. So I will. After all she’d brought a very good wine to dinner. Here, below, what the outside of this sketchbook looks like.

ForkedTaleCover72

Yes, this method of sketchbook keeping helps me to organize and find things but keeping topical sketchbooks is also helpful when I only have a short span of time to work. I can select a topic and can get right to it because I don’t have to wonder what topic to paint/work on. 

Thanks for the question! I’d not thought to do a blog post outlining this method of mine before!

time to gouache

A Creative Life, art techniques, artist book, Dogs in Art, sketchbook, The Sketchbook Project, visual story

As you know I’ve been playing with my new gouache paints in my various sketchbooks and art papers, practicing for my work on “Time Tavern”, a book I’m doing for the Brooklyn Art Library Sketchbook Project. https://www.brooklynartlibrary.com/  Now that I feel I have gouache skills under my belt – it’s time to work on my wordless story “Time Tavern”.

Here are some pages in progress:

The gouache is working well on the paper – and I’m getting the bold colors I’d wanted! Now, to keep at it….

 

staying wet in the Pacific Northwest

A Creative Life, art techniques, Sustainable creativity

I’ve been loving having independent art supply stores near where I live in the rainy Pacific Northwest – and on a recent trip to get more gouache colors I bought a “stay wet” palette. The theory of the thing, according to the art supply store clerk, was that water based paints wouldn’t dry out as fast. I bought one…

MastersonPallette

…and I’ve been using the same palette now for several days! Less paint waste! And I’m able to work in even better “short bursts”. All I have to do is pop the tight fitting lid off and dip my brush in and paint. Sometimes I spray a “mist” of water on the palette to add more moisture. Then when I’m done painting I put the lid back on.

Now I’m thinking “Where has this palette been all my life?”. Going to have to go back to the art supply store to get a second one.  Thank goodness for the local art supply store clerks who really know their stuff!

in the gouache

A Creative Life, art techniques, dog portrait, fine art

Here’s “Mandolin Man”, a piece I finished that tests my new red gouache color. On the musicians neck strap you can most clearly see the new red I’d mentioned in my last post. I also used the red as a “mixer” in the brown of the Labrador fur – so it’s more of a dark red brown. I also played with the opaqueness of the gouache – and tried to leave some colors “transparent” in places too.  I’m enjoying working in gouache. Of course “Mandolin Man” also has ink and color pencil (besides the gouache) and is on vintage sheet music.

MandolinMan72

gouache it’s red

A Creative Life, art techniques

I’ve been back to the art supply store recently – and have gotten a red gouache color I’m happier with! Check out my test swatches below…

MoreGouache

The red on the top left, both in the book and on my palette, was the first red, the one I wasn’t happy with. It’ll be fine as a mixer for other things but I think I will like the new red better! It’s the one in the book on the top right – or the blob of color 2nd blob down on the left on my palette.

Now to try it out…

oh gouache its cold

A Creative Life, art techniques, artistic inspirations, sketchbook

As I posted on my blog here I’ve been experimenting with Gouache, a new-to-me art media. Well, I’ve been enjoying my efforts in the studio that I decided to add gouache to my “running around loose” sketching kit. I took an old Altoids mint can – the mini mint size – and put some of my gouache colors in it and slipped that into my go-sketching bag. I also took my watercolors. The watercolors are in a flat tin about the size of a small I-phone but just a little wider.  My bag is about the size of the unabridged hardback version of “Hitchhiker’s Guide to the Galaxy” by Douglas Adams. (one of my favorites!) The sketchbook is 3 inches by 5 inches.

Here’s a photo of my kit and my sketchbook – with the page I did while out-in-the-world.

GouacheKit1 Judy and I walked along the Columbia River. It was so cold that about half-way through our walk we popped in to a coffee shop for hot chocolates. I did the sketch of the boats on the river quickly while drinking my hot chocolate. It took 10 minutes or so. The paint dried fast in the cold wind.

The result of today’s adventure: I think gouache is portable enough and is workable even with frozen fingers. My only issue is that I don’t like the red color that came with the kit. It’s too magenta for my taste and not red enough – it’s not fire-engine red.  So I’ll go back to the art supply store soon!

And yes, I took a towel with me on my sketching outing. A paper towel. Douglas Adams would be pleased I think. Note to self: bring gloves next time.

oh my gouache: learning new art media with cats

A Creative Life, animals in art, art techniques, artistic inspirations, cat portrait, Cats in art

As I posted recently (here) I’ve been playing around with a new-to-me art media: gouache.

Here’s my process of learning a new art media:

  1. Read 3 or 4 different sources that describe how to work in the media. While I’m reading I’m looking for “basic best practices” as well as what the “chief virtues” or strengths of the medium art and whether it’s advertised virtues might meet my needs.
  2. I look at artworks by other artists that use the medium. It’s best if I can see the art in real life – but seeing reproductions online or in books is helpful too.  I was lucky enough to get to see some real-life works using gouache at the Portland Art Museum (see my last post)
  3. Buy the best quality medium  materials that I can find.  I went with Holbien Artist Gouache. It’s a company that’s been around a while and the primary mixing gouache set I got for the initial test is professional quality. (I did not get the “Holbien Acryla Gouache” as it is more like acrylic and would not be helpful for my purposes)
  4. When I get new medium materials I do something with them as soon as I get them home. Even if all I do is put some paints on a palette and make a few marks. I find that the sooner I start the better my chances of developing a new habit/ability instead of having “something I always meant to try”.
  5. Then once I’ve dabbled a bit I’ll take a subject matter that I’ve done fairly well using other mediums. I use that subject for the first 3 or 4 times and render it as well as I can in the new medium.  This way I can focus on the details, methods and possibilities of the new medium rather than thinking of subject matter too.

Here’s what I did with my new gouache set (the primary mixing set) plus a few extra colors I knew I’d need (since I draw a lot of animals I knew I needed browns).

I picked the sheet music because the paper is very thin and fragile – even more thin than the paper in my Brooklyn Art Library sketchbook. So I reasoned that if the paints worked fairly well on the sheet music then I’d be able to use them on other thin papers.

I picked Siamese cats as a subject because they’re, well, musical.

The result of my test? Oh my! I think I may be falling in love with gouache!