Since my upcoming fine art exhibit, opening June 7, at Burnt Bridge Cellars is titled “Dear Readers” and contains nested ideas – for the additional pun of it I’ll have some artist books available. So here’s a pic of a few of the books I’ll have at the exhibit.
There’s my Dogs and Cats and a Cookbook I illustrated (with Chef Kim Mahan’s recipes). And yes – there’s a little tiny mini-guide to drawing dogs! How’s that for a visual pun in an art exhibit full of paintings of dogs reading?
There are also cats and food depicted in my artwork… and of course books! So my books relate to my artwork which relates to my books…
Basically I’ve had a lot of fun playing with nested ideas!
BTW the “How to Draw Dogs” mini-guide is only available via the Brooklyn Art Library in New York …. except for the few I’ll have in my exhibit in Vancouver WA.
A link to my Dear Readers exhibit statement that explains my thinking behind this exhibit is here.
More generally about my artist books here.
And now to get back to work framing and labeling everything…
Especially when I’m super busy working on a one-person art exhibit I rely even more on my sustainable creativity technique of “running around loose”. I define “running around loose” as going about my nearby surroundings like a child or a dog in a park; poking about and exploring as if there are no time constraints in the world. My cell phone gets turned off and shoved deep into the bottom of my bag. It is there only for emergency use on the scale of needing to call 911. I don’t use the GPS function on my phone either. “Running loose” involves getting lost, losing track of time and generally living by-guess-by-golly (no preconceived plan) for an afternoon into the evening.
I’ll bring my sketchbook and write, draw and paint but I do it with no agenda, no particular project in mind. The idea is to play like a child or a puppy. To observe my surroundings with curious, free-associative, eyes.
This is particularly helpful as a refresher when I’m coming down to the wire on an art exhibit. I’m to deliver all of the artwork for my upcoming one-person exhibit at the end of May – and before that there’s all the paperwork. So I’ve got to be fresh and remember why I’ve done all this artwork – and even get excited about it again.
I’ve been working toward this exhibit for about one year. I’m a bit tired by the time the exhibit nears. But it wouldn’t do to have a “well whatever” attitude here at the finish line. Thus my mega-recharge session.
Here’s what I did in my sketchbooks when I “ran around loose” recharging my batteries for a whole day in Vancouver Washington and Woodland WA :
I was particularly struck by the various colors of purple that I saw on the grapes I ate for a snack – and the many different colors of purple in the tulip gardens and lilac gardens in Woodland WA. Here are some sketchbook pages:
After running loose for a day I felt pleasantly tired but like I’d had a mini-staycation. Great recharge session!!
Links for where I “ran loose”:
Yesterday was a busy day full of play both in the kitchen and on a hike. Somehow in the mix I thought of a new-to-me way to combine my handwritten words and artwork on a page. Late last night I tried it in my sketchbook. Here’s what I did using ink and gouache:
I’ve been thinking about how reading books is similar to playing dominos or sharing a meal with friends. In all of these activities we practice cooperating with others and peaceably bringing forth the world together.
Here’s a limerick poem I wrote and illustrated that playfully reflects my thoughts:
original poem and illustration titled “There Once Was A Tom Cat…” by Clancy
This poem and illustration somewhat relates to my nested-ideas concept that I’m working with for my upcoming fine art exhibit. And this poem (along with others) could become an artist book to accompany my exhibit but I’m still playing around and not sure where all of this is going. This is one of the things I like about being an artist; getting to practice being flexible, playing and letting things unfold as they will.
Kind of like reading a novel, playing a game or sharing a meal with friends allows us to practice “letting things unfold…”.
On a technical note: To create the above poem and illustration I used pen and ink and gouache on a greyish off white handmade paper. It looks sharp in real life, and the paper is a dream to work on, but the scan accented the grey color of the paper more than the naked eye perceives in person. The scan looks good enough, I’m not unhappy … however, note to self; use white paper for things that will be scanned and leave this lovely greyish handmade paper for fine art stuff that will be photographed and not scanned.
I’m still learning!
Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.
And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.
Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.
Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:
And here is the instruction sheet on how to fold the above “book”:
The pdf file for free download again: DeadlineDragonDancebyClancy
Yep I had a lot of fun taking a stodgy concept like deadlines and combining it with humorous poetry, illustration and book arts! I used brush and ink as well as my fountain pen on Bristol paper.
What do you think? How do you deal with deadlines, both the ones you set for yourself and those set for you by others?
Last weekend I spent some time looking through my cookbook collection which sits on the shelves next to my poetry collection. Since I’ve been practicing both cooking and writing I look to my favorite “masters” in each genre for inspiration. It’s nice to have them all in one spot. Mollie Katzen, Aliza Green, Rick Bayless and Maryana Vollstedt are some of my favorite masters from the cooking world. Edward Gorey, Edward Lear, Ogden Nash and Shel Silverstein are some favorites from the poetry world.
I spent the most “looking-for-a-recipe-to-cook” time with Vollstedt’s cookbook “The Big Book Of Soups And Stews” as it was a cold weekend. Plus a hearty stew puts me in a happy “comfort food feast” frame of mind. But the most “just admiring a cook book” time was spent with Katzen. However I did use one of Katzen’s salad recipes to go alongside a stew. I love the way Katzen hand lettered her recipes and illustrated them in her “Moosewood Cookbook”. My poetry time was divided between Edward Gorey and Edward Lear.
This concept of mashing up wildly different genres as inspiration to make something new? Well Austin Kleon has written wonderful creative thinking technique books about that – specifically Steal Like An Artist!
Anyway I combined my big pot of stew thoughts with the limerick poem form for this poem I wrote and illustrated below – which has been published now on They Draw & Cook.
I’m still practicing combining India ink and gouache – and doing text with a brush. I used a smaller size brush this time for the type – and all lower case letters. This brush-and-ink type style felt looser, more relaxed, than the type I did with a fountain pen for the birthday card – though both projects use a similar lower case. I like both methodologies and will probably use both techniques as they fit with the project at hand. But this brush style… I’m liking it and am finding my hand reaching for a brush more often.
What do you think?
Here are a few pages from my tiny sketchbook for the Brooklyn Art Library titled “A. Mouse’s Book Of Scraps”. And since you follow me here’s my entire book, free download, as my thank-you-for-following-me gift: AMousesBookOfScrapsByClancy
I’m doing this gifting by permission of our books author Mr. A. Mouse of course. <wink> We, Mr. A. Mouse and I, hope you like it!
And yes, this 2.33 inch by 1.66 inch book is a humorous parody or spoof on the concept of collecting and publishing…
In a recent post I spoke of this book and of the Brooklyn Art Library’s Tiny Sketchbook Project in general well here’s a link https://www.brooklynartlibrary.com/
You can also see more of my downloadable artist books on this page. Your patronage and support means a lot! Thank you!
Some twins I’m lucky enough to know turned one year old today. So in collaboration with my wife, I wrote a poem and illustrated it for them. It was a good opportunity to practice art word combinations. And I think they’ll like it. Their parents and grandparents seemed to. Anyway here’s a picture of the birthday card:
I used a fountain pen to write the poem text this time. Last time I’d illustrated one of my poems I’d used brush and ink. For this birthday poem lower case letters were used. I like the lower case style. At least for this poem… The fountain pen was easier to control (and something I’m used to) and the neatness of the type and the softness of the lower case style are pleasing to me.
When I’d finished lettering the poem I then drew the illustration in brush and ink. After that dried I used gouache to give it color. That method too was an experiment in using ink and gouache in combination.
I am pleased with the resulting art word combination and will likely do that again; lower case letters and all.
What do you think of this lettering style?
This year I’m participating in the tiny sketchbook project at the Brooklyn Art Library – my sketchbook will travel to London, Paris and other places in Europe along with other tiny sketchbooks in a portable library that fits in a suitcase. My book will be in the Brooklyn Art Library’s permanent collection.
I’ve titled my book “A Mouse’s Book Of Scraps”. It’s a scrapbook from the point of view of a mouse. A Pacific Northwest Jumping Mouse to be exact. It’s fun to think about what kinds of things a mouse would collect; cheese rinds, vegetable scraps and landscapes.
Here’s a picture of my book in progress. The mint is there to show scale. And yes – it’s hand bound…
I’ve decided recently to practice my poetry and short-short story writing by writing something, no matter how bad, every day. If there’s anything illustration worthy I’ll illustrate it. Out of all I’ve done thus far this seemed worthy:
poem and illustration by Clancy
Doing the poem text with a brush was new and different for me. It was looser and I think I like it. Typically I’ve used a dip-pen and been “tight” about it. I’ve also tended toward handwritten capital letters as you know from my illustrated recipes. It’s a text-style habit that harkens back to my years as a professional cartoonist and biological illustrator.
But for this poem when I used capital letters via ink-and-brush the text seemed too thick and shout-y. I’m now thinking I’ll experiment with all lower case writing. And a smaller brush. Or maybe a fountain pen rather than a dip-pen.
I’ll try a different hand-written style, and technique, if I happen to write another illustration worthy poem. We’ll see… I’ve got a lot of bad poetry to write between now and then I suspect.
What do you think about the all capital letters via brush style?