I thought about travel this week and the newest painting in my Odditerrarium series is titled “Desirous Naturally Of Travel”. It’s a portrait of a Portuguese Water Dog who is contemplating sailing.
Here’s a closer look.
Like the other paintings in my Odditerrarium series this new one is 10 x 8 inches and was created using ink, gouache and color pencil on board. It will join its fellows at the Caplan Art Designs Gallery for exhibits later this year.
But on the topic of travel: in a variation of the curiosity game I shared in my last post -despite the pandemic- I have done a kind of travel using books, websites, Google Earth and streetwise maps.
I pick a country, a region, a culture and look for poems, prose and food preparations that originate there. As alluded above I will try as I can to look at online images of the actual places. Sometimes I’ve even looked for a hotel’s website and selected a room in which I imagine staying.
Recently I visited again some Native American Nations. I have a book of poems from a Cherokee poet in Oklahoma. A book of legends from various Native American Nations in the Pacific Northwest. A cookbook with sections covering various Native Nations in all geographic regions throughout the USA.
Here’s one of the poems I enjoyed.
From the cookbook “Spirit of the Harvest” I enjoyed the text about the three sisters: corn, beans and squash.
Inspired by the Iroqois for one of our meals I put together corn, pinto beans, zucchini, bell pepper, onion with some fresh cilantro and a bit of bacon with a tiny drizzle of maple syrup into oven safe bowls. Then I baked it all in the oven in the boat-bowls you see below. Yum!
Back in the pre-pandemic days I had a small shoulder bag I would carry when we went to locations. Since the pandemic began I used a version of my “travel kit” on a corner of our breakfast table where I write and draw in my sketchbook while we have our morning coffee.
My sketchbook is 5.5 inches by 3.5 inches. The water brush is 6 inches long. The other two pens are 5.5 inches long. The new palette is 3 inches by 2.5 inches. As you can see below it will all fit easily into a small bag or jacket pockets.
The palette came with 6 empty half pans which I filled with my chosen gouache colors. In the photo below you can see the three separate parts to the small palette.
The three parts of the palette interlock together easily and securely.
The gouache colors I chose are: (top row) Primary White, Payne’s Grey, Moss Green (bottom row) English Red Ochre, Naples Yellow, Prussian Blue.
The colors are selected from my “butterfly palette” which was inspired by a scientific book called “Nature’s Palette: a color reference system from the natural world”.
I’ve been using my butterfly palette for my Odditerrarium series as well as my sketchbook. I like the soft gentleness of the colors so much that it’s fine by me if the colors I paint don’t exactly match the real life objects. I’m describing thoughts and feelings using my personal color vocabulary rather than strictly mimicking what I see in the world. What I see in the world is a starting point, a prompt you might say, for contemplation and storytelling.
In the photo below you see my new travel (ha!) palette and sketchbook at breakfast the morning after my wife gave me the portable palette.
Here’s another photo angle. See? Plenty of room for both breakfast and playing in my sketchbook without crowding the dog on my lap!
Below is another day’s sketchbook session. I had already cleaned the palette mixing areas (and the breakfast dishes) before I remembered to take a photo.
I’ve done a new book for Storyberries titled “Juggling Numbers” and like my last experimental art book “A Scoop Of Letter Soup” the new book flows up and down. The book is being released next week so I’ll talk more about it in my next post. But did you notice the unicycle in my sketchbook photo (above) and in this new book too?
I hope your week is smooth sailing or unicycling or however you travel it. See you next Monday.
I’ve been thinking this week about the role of curiosity in a creative life. So here’s a fun curiosity/creativity game I play with myself. To play you’ll need: any printed book with lots of visual images in it, 5 sticky post-it notes from a post-it note pad, a separate piece of paper and a pen or pencil.
To begin the game open the book to random pages, page through very rapidly – ONLY PAUSE WHENEVER AN IMAGE CATCHES YOUR EYE – put a sticky post-it note on that page. Then keep going, quickly, through the book until all 5 of your post-it notes have been placed. DO NOT READ ANY TEXT IN THE BOOK. This part of the game will only take one minute or two. You’re just reacting and post-it note flagging that “something caught my eye” in an image.
After all 5 of your post-it notes are placed look at each of your chosen 5 images, look only at the image itself NOT at any accompanying text. Add a letter (or number) to the post-it note on each image, write a corresponding letter on your sheet of paper. Then write very specifically what caught your eye in the image. This is usually a brief description of some ordinary visual element in the image like “ladies funny hats” or “dogs droopy ears”. It could be the colors or the odd shapes that are described. There are no wrong answers. This is just YOU being curious about your own native interests and creative voice.
After writing about all 5 of your noticed images get curious about them as a group. Is there a theme or a commonality between any of the 5 images? For example the ladies funny hats and the dogs ears could be grouped as “head gear”. Again, there are no wrong answers. Be as absurd and freely-associative as you like. This is just you playing and being curious about any themes that may be subconsciously on your mind today.
When that part of the game is done read any text about the 5 images you chose. Does the information in the text add to your interest, to your curiosity? Feel free to investigate further…
And that’s the game! I’ve found in playing this game often that my themes repeat, certain elements consistently catch my eye, and knowing what those are helps me work deliberately and playfully in my studio. I play this game often because my interests and what catches my eye changes.
The Odditerrarium series painting that I finished this week is titled “Curious”. Like the rest of my series (for upcoming exhibits via Caplan Art Designs) this one is 10 x 8 inches and made with ink and gouache on board.
Here’s a closer look.
Part of curiosity, imagination and the life of the mind is allowing oneself to mentally reach, to play, to accept the risks and thrills of uncertainty. As a metaphor for these thoughts, as you may know from past posts, I’ve been thinking of the ways cats reach up. Here’s two in-progress artist books that have cats reaching in them. (Probably these books will eventually go to Storyberries.com)
Recently I stumbled across an Instagram post by Columbia Gorge Book Arts and got curious. (Lettering and alphabets consistently catch my eye.) I followed their Instagram account and looked at their website. I found out they live in the same town I do! So I contacted them online.
Letterpress and Linotype work is in my own past work history so I enjoyed the trip down memory lane while viewing their photos of equipment but more importantly I loved discovering that Ben, at Columbia Gorge Book Arts, hand-carves from bamboo the individual letters used in letterpress hand presses! The letterforms are beautifully created and Ben has quite a variety of typefaces! Seeing Ben’s printed proof sheets inspired my thoughts towards future kids books and children’s room decor. So when I contacted Ben I asked if I could buy a few printed proof sheets of his various alphabets. He sent me some!!!
When you’re a child learning one’s alphabet letters also means learning to recognize a letter even if that letter is differently shaped or colored. Towards that thought (and to indulge creatively in a theme that I love) I’m starting a new project, The Ralphapet Projects, in which, over time, I’ll make art prints, cards, cups and eventually a story book using some of the beautiful lettering I get from Columbia Gorge Book Arts.
Here’s the first one. I selected one of the Columbia Gorge alphabet proofs and mounted it on one of my boards using archival glue. Then when the glue was dry I drew, in ink, a cat muralist reaching up to “paint” a letter.
Here’s the finished “Ralphapet Cat” that I did using gouache on a 7 x 5 inch board.
So you can see the array of my recent cat reaching thoughts.
I took photos of the Ralphapet Cat artwork with my big camera (a better camera than a phone camera) and then my studio supervisor cat, Hawkeye, helped me do the graphic design hocus pocus in order to make art prints.
I’ve been thinking lately of how important the ability to imagine is. What if “let’s pretend…” is one of the most useful skills to cultivate all of one’s life? Besides being lots of fun to do using your imagination is an essential mental health skill. I quote from this article “So when you choose to develop your imagination and your ability to focus and direct your imagination, you gain the ability to guide and shift and direct your emotions as well. And when you have the ability to direct your imagination and modulate your emotions, then you also have the ability to influence the neurochemicals in your brain and in your body, too. Like all things mental, this ability is learned, and, like all things learned, this ability is made proficient through repetition. You do not learn to read overnight. You learn to read through repetition. Repetition makes proficiency.”
A new painting in my Odditerrarium series portraits (see last post) is titled “Pretending”. It’s 10 x 8 inches and made with gouache and ink on board. It is for an exhibit via Caplan Art Designs later this year.
A close up view…
I’ve also made progress on a new book for Storyberries that I had begun in my last post – the cat reaching thought I was telling you about got some color.
In thinking of how important imagination is I’ve also been thinking of the scope of it: imagination is first a personal skill, then it becomes something shared with friends, then it is something shared with the wider public – even intergenerationally – and that cycles back to us personally. And it does this cycle as long as we’re alive. Art and imagination are an ongoing conversation we have over time with ourselves, our friends and our community… and most importantly with life itself.
So I’m proud to see in this article that one of my art projects, the paintings in the photo behind Amy Russell, the executive director of the Curtis Children’s Justice Center is still on the walls there! That’s one of my public art projects that I’m most proud of doing. Keeping kids safe and developing good mental health coping skills are causes I care deeply about – and I think art can help with that. Long ago when I was a small child living in Oklahoma I was on the recieving end of child abuse in my biological family and had my own memorable encounters with police officers, social workers etc. The art on the walls in all of the buildings and the drawings on boxes of animal crackers helped me almost as much as the kind people who tried to help. Fast forward to today – the idea of having one place for a child to go for assistance is phenomenal and I’m glad and grateful for the existence of the Curtis Children’s Justice Center and I’m grateful for the kind people who help the children who need their services. I am deeply honored to have my artwork on their walls. https://www.columbian.com/news/2022/mar/26/childrens-justice-center-child-abuse-up-since-covid/
An art collector friend sent me these photos (below) of a art commission I had done for them over 10 years ago – it has been reframed and is in this gorgeous private place!!
I did this collage of handmade paper to tell a very personal and delightful story of a lovely family!
The pet portraits are some I have done of this same family’s pets over the years – they got reframed too and don’t they look nice?!
I just adore getting to love people throughout the years with my artwork!!
My artist heart is happy and full ❤ !! Thanks so much to my friend for sharing this with me!!!
Three kids are the apples of this art collectors eyes and I did these paintings to represent the specialness of each kid… the kids are all grown up now and still cherished! Since I’d posted the art collections (above) of my fine art earlier on my social media that are still loved all these years later… this art lover and I wanted to share these beloved apples!! So much love worthy of sharing!!! ❤❤❤
A friend gave us these flowers this week…
….I painted them in my sketchbook and posted my page on my social media…
…. another friend saw my sketchbook page online and asked me to make an art print of it. So I got out my big camera and did that! As you can see the colors and details show up even better now! You can see more about the print here.
My wife saw a unique mushroom in our yard and showed it to me. I looked carefully and photographed it and began a drawing in my sketchbook – then the next morning I finished it.
Then we got to visit some very special friends and a special cat and dog! Here I am being honored by the cat.
Here’s my wife being honored by the dog.
On the wall behind our friends is a collection of my artworks. Sharp eyes may recognize the cat and dog from our laps in some of the portraits on the wall.
One of our friends is the author and historian Pat Jollota – you can see some of her books here – she’s an amazing storyteller. If someday I can tell stories half as well as she does I’ll be proud.
I brought to our gathering some illustrations I’ve made and an idea for a holiday gift book. Together all of us imagined what my illustrated characters might be saying to each other. It was a fun party game that will become an actual book that I hope other people will have fun imagining with too.
My adopted Dad’s favorite quote is by Anatole France and I put it in my sketchbook along with a drawing this week. It was in keeping with my thoughts about “let’s pretend…”.
I hope your week is full of the kinds of imaginings and let’s pretend games that fill you with pleasure and happiness. See you next Monday.
This week war began and for a second being an artist felt frivolous. But in difficult times we need art more than ever. We need things and people that feed our spirits and remind us of why we’re glad to be alive. We need hope. That’s how we fight for democracy and win.
When the Russian invasion of Ukraine began I listened to the news and searched my bookshelves for a title I had gotten in 2003 not long after 9/11 and when war began in Iraq. My thoughts then, like now, turned to the role of artists during times of war. “Artists in Times of War” by Howard Zinn was very relevant in 2003 and still is even though the current event details are different.
Spoiler: artists are carriers of democracy. To quote from page 108 they are “profoundly democratic”. Democratic is defined as upholding, however imperfectly, the ideas of rule of law, of equality before the law, equality in access to resources, equality of representation in government and the human right of self determination. The Arts are a living language of a people, a dramatization of what they feel, what they need, what their hopes are … The Arts help people become self aware. Self-awareness helps people make choices and become active participants in their own lives and communities. That’s what makes living artists so dangerous in the viewpoint of authoritarians.
And perhaps equally important is the fact that artists help us, no matter how high flying the political rhetoric, to remember that the kids will still need to be entertained and educated, that adults will still need kindness, that dinner will still be wanted. Art, poetry and writing of all kinds can help us remember that the statistics a politician quotes represent actual people.
Speaking of dinner: a dear friend came over to visit for an evening and to ask me to sign some copies of two of my book titles that she plans to give as gifts! It was so good to see her!
We had a free ranging conversation about life, books, movies and my friend indulged me as I showed her my art projects in progress and outloud we played with what “could be”. This is an extremely exciting and valuable sort of conversation! Bouncing ideas around in loose “what if…” and “what about…” ways helps me in my creative process! It was so unbelievably good to get my friends input! Sharing artwork in its fragile beginning stages is risky and I’m so lucky to have trustworthy creative-playing friendships.
I made a new batch of potato soup (recipe last post) and when it was ready the three of us ate soup out of large mugs while sitting informally in the living room where it was warm and comfy.
I delighted in having fabric cocktail napkins with my Professional Dog portraits on them and enjoyed our friends chuckles when she saw the napkins!
Whenever I feel unsettled about world events besides talking with my spouse and trusted friends I deliberately tune in to awe. Meaning that I purposefully do some small thing that delights me, sparks my curiosity or causes me to notice something and say “wow!”. A good article I read this week on the topic of awe and why it’s important is here. An aspect of tuning in to the feeling of awe is to cultivate time to play in unstructured ways, to make time to wander, to ponder.
On a recent wandering meandering car drive we saw snowfall and large trees. That’s a guaranteed “wow” from me – I love the large evergreens any time of the year.
The feelings of awe, the feelings curiosity and the feelings of an aha moment are part of why I object so strongly to book banning (see a recent post). The attempts to control the mental resources available to others is a form of abuse. Banning preempts the victims ability to be self-aware and to be able use, as democracy offers, however imperfectly, the right of self determination. The restrictions of a person’s access to books and other mental resources is as serious as someone restricting a person’s access to food, water or healthcare.
During times of unrest I think taking the time to ponder is crucial because an artist is so much more than a reaction to or a mirror of society. If an artist is going to take action rather than simply knee jerk react to current events it takes time to think things through.
Here’s a paraphrased quote that I wrote on a card and thumbtacked to my studio wall.
Progress is happening on a new experimental art book for Storyberries! It’s a wordless visual poem about letter soup with only 10 panels plus front and back covers. 12 images total. Ink, acrylic and gouache are my art methods on another 2 inch square concertina zig zag folded book. I focused as I mentioned last post on rhythm, repetition and surprise. It will be a challenge to talk about this poem on this blog and on my social media without giving the poem’s punchline away immediately before Storyberries has a chance to distribute it but I’ll do my best.
In the photo below I’ve laid in the extreme dark and light areas to establish the contrast as well as to focus on the visual rhythm. I’m thinking of how the ebooks on Storyberries flow up and down so I’m designing my content to flow with that book motion. Will it work? I don’t know. 🤷♀️ Yes, my new poem is for a category on Storyberries called “experimental” for a reason! 🤣
The sortof weird thing is that I’ve not completely finished promoting “How The Cow Went Over The Moon” yet. So there might be some promotion overlap. Oh well. People read more than one book at a time anyway right?
A few evenings this week I took a break from reading “The Annotated Arabian Nights” to read “Suds in Your Eye” by Mary Lasswell. This book was published in 1942 when World War II began. What I’ve enjoyed about this book, besides seeing an artistic response to the wartime events of the 1942 era, is that no single person is the “hero” or center of the story. The story centers around how a group of people work together as a community. The concept of working together is also what drives the story plot. And “good food, great friends and cold beer” could be the books motto. This is such a good book to cheer up by! I’d list this book as an early example of the hopepunk genre (mentioned last post). And the illustrations are darling!
Besides the visit from a great friend this week my wife and I talked by phone with my adopted mom and big sister! Mom said she’s proud of me and that I’m to “Keep making art”! Big sister agreed! So I wrote the exact quote of Mom’s on a card and thumbtacked it to my studio wall just above the light switch for the room. That way I will always remember!
I hope your week contains many connections with your support system so that you feel encouraged to do all the good you can in this world.
Some of my sketchbook pages this week felt like personal milestone markers, like “Yeah! That’s exactly the point of it!” This what I enjoy about having a regular sketchbook habit, the aha moments.
In the studio I’m working on a fine art reproductions project that I can’t talk about much yet. But I’ve discovered another side benefit of working smaller- doing 6 paintings at a go, working in groups of 3, is more easily done when they’re smaller! Working in groups also lets me coordinate colors more easily! Who knew?!
But instead of my new art project we’ll talk of other things. Like how my bio on Storyberries tells about my art studio supervisors. I include their photos in this post along with all due deference because they’re very good at their jobs – there are 14 books from me now on Storyberries!
A box came in the mail this week from Vintage Books with the new banned books we’d ordered! My last post tells about our current quest to buy and read banned books.
The Mississippi library mentioned in my recent post whose funding was taken away because the town’s mayor objected to LGBTQ books has met it’s fundraising goal several times!! Celebrating this success!! Up to the minute details are here.
And there’s also been lots of love for my new books on Storyberries!! Readers are reading in our new “experimental art books” category!! Wahoo!! I am inspired to make more books and have begun already!! (More of that in future posts)
Speaking of celebrating good things – my wife and I are celebrating 26 years together and 9 years of marriage!! I am so incredibly lucky to be with someone so warm, witty, wise and in possession of a wonderful sense of humor! And she’s a reader who is always reading interesting books!
We had a good weekend talking about the books we’ve been reading! We do this often – it’s one of the many fun things we do together! A sample conversation is in our kitchen sketchbook of our favorite dishes – titled Favorites So Far – we’d published when we’d only been together 24 years. Our conversation about books is on a drink recipe.
Speaking of love – to coincide with Valentine’s Day here’s a love letter to librarians, teachers, authors and readers. This letter began as a conversation with Liz Gauffreau since our talk I’ve handwritten (and edited of course) my part of the conversation and did some illustrations for it. Then I’ve set the artwork up as an art print on my Society 6 shop for the encouragement, love and support in it for my fellow bibliophiles.
Happy Valentine’s to my fellow book lovers! See you next Monday.
Book banning is a hot topic with me because I’ve been on the receiving end of bans. Those occurrences happened in Oklahoma over 10 years ago when I lived there. To name just one example, in 2008 I was to have a one person art exhibit at the Oklahoma State Capital. More than a few of my paintings were banned from the Capital exhibit. I called my Tulsa Oklahoma gallery, Joseph Gierek Fine Art, to tell about being banned. The Gallery owner, Joe, said “Stay right there, I’ll come and pick them up!” Tulsa is about a 200 mile drive away from the Oklahoma Capital but Joe was there with his van in a trice. Then the Joseph Gierek Fine Art gallery did a special exhibit behind yellow caution tape in Tulsa and we called my one person exhibit “View At Your Own Risk” with a statement telling a bit about my work being banned. Oh my, was the Gierek Gallery brave! So that very weird experience of being banned turned out very well for me and for Joe!
After my spouse and I had newly relocated to Washington state I had an interview with the Caplan Art Designs Gallery. Having just moved I brought along to Caplan’s the finished artworks I had on hand which was some of my then recently banned-in-Oklahoma artwork. The Caplan Gallery immediately signed me up as a gallery artist and sold 4 of my paintings before the ink on my contract was dry! In Oklahoma my work had often been considered “subversive” or even “offensive” (there were a number of bans of and objections regarding my artwork) but in the Pacific Northwest my work – the very same artwork! – is considered “charming” and even “delightful” and “whimsical”. What a pleasant shift of perspective!
This painting below is one of my paintings that had been banned in Oklahoma but quite welcome in the Pacific Northwest. Allegedly this painting was banned in Oklahoma because of the semi nudity. 🙄 This photo is of the same banned art newly located in the Pacific Northwest where instead of offending adults it amused adults and children!! (Yes, I have found my happy place!!)
More to the point of my blog post today – in 2010 the public library where we then lived in Oklahoma was going to display a few LGBTQ friendly books under glass deep inside in the library. It seemed like almost the entire town turned out to protest in a 4 hours long city council event. The majority of the speakers were vehemently homophobic. After the event one young gay person committed suicide. It was that vitriolic. After the event we contacted a realtor in Washington state and asked her to please find us a home and that we would even consider a hole in the ground with a tarp on it. We needed out! Long story short we, with the help of a wonderful realtor, found and bought our Washington house sight-unseen over the internet and within 6 months of that Oklahoma council meeting we had moved! One of the best things we ever did!! Being gay in Washington is no big deal at all! Also no big deal: being an artist, a book reader or being deaf.
I don’t for one minute think that every book has to resemble and reflect the superficial attributes of a reader in order to be a book worth reading. As an adult I enjoy reading work about, and by, people unlike me but I can see how it would help young people to be able once and a while to see, in a book, a superficial likeness of themselves. It helps to feel less alone, even safe, wanted and welcome somewhere – even if that place is in a book.
I went though my entire childhood – as an avid, dare I say obsessive, reader – never once reading about a gay deaf artistically inclined tomboy girl living primarily with her grandmother and enduring “visits to hell” with her abusive biological uber-religious parents.
The only deaf person I ever read about in a book was Helen Keller and that didn’t feel relatable to me.
The Outsiders by S.E. Hinton was the first time I read of violence and family dysfunction happening to someone besides me and that was SO relatable – even though all of the characters were boys. That book helped me feel less alone then and I can still quote verbatim from that book today.
Judy Blume’s “Are You There God, It’s Me, Margaret” helped me address my confusion about cruelty/weirdness about bodies that was done in the name of religion.
I didn’t encounter a gay character in any book until I went to college in 1986 and read “Oranges Are Not The Only Fruit” by Jeanette Winterson which had been written in 1985. And that book felt like a welcome healing salve to my 18 year old psyche.
I could go on naming books – many of them now banned – that really helped me get through things as a young person. But I’m sure you’re getting the idea of why wide availability of books (and art) matters so much to me.
So naturally my spouse and I in response to the spate of book banning in 2022 went looking for lists of banned books so we could buy copies of those books. If you too want to use banned book lists as book buying recommendations 😁 Below are the lists we found.
A juicy oh-so-delectible list of banned books for grownups at Powell’s one of my local Pacific Northwest independent bookstores. (I think most of my high school and college required reading is on this list!🤯)
I mentioned last post about Maus by Art Spiegelman being banned … well here is a great article about why that book is important and why it is shocking that, to quote from the article, “people could be more upset by mild profanity than they are by genocide.”
And another article speculating about why book banning and even book burning has become “a thing” in late 2021 and early 2022.
There’s also an article about a Texas lawmaker who wants to ban and burn 850 book titles statewide… but enough of that.
When things begin to feel overwhelming I find it helpful to look for one specific thing I can do something about. This is in the vein of “How do you eat an elephant? One bite at a time”
Here’s an article we found about one specific library in Mississippi whose funding is being withheld by the mayor because he disapproves of some LGBTQ books. My wife and I chose this library and donated money. Then we spent time tweeting and sharing the info in hopes of getting more donations for them.
Here’s a portion of the letter we got after donating which has the libraries snail mail address if that is preferred.
Two days later we saw that they had achieved their funding goal with still more time to spare!!! We’re hoping even more donations will happen!
Since I took the above screenshot the Ridgeland Library has adjusted their goal upwards… and is reaching the new goal too!! Yippee!!! Click this link to see up-to-the-minute progress. I’ve been monitoring and boy is it fun to see the library succeed!!!
Anyway, for me public libraries are intimately interconnected with basic human rights. Images and words make up the human mind much like air and water make up the human body – we need trusted sources for all of these. Humans are social beings intertwined mentality and physically with the community around them. Here’s a poem that illustrates this idea that I have written off by hand and thumbtacked to my studio wall where I see it often.
And that’s why I make artist books. It’s my “why” for most of my creative efforts really. It’s part of why I feel it’s important to be a participant in a community of artists, writers and readers. It’s why having an egalitarian community – at least on the gallery walls and the library shelves matters so much to me.
Books and art are communal in nature and utilizing them often is part of being fully human within a community.
I thought about my Vancouver USA downtown and how I love it that the 5 story library and the independent theatre are some of the tallest most iconic buildings. I also thought about the scrubjay blue birds that are native here.
Then I wondered just how did Mother Goose’s cow travel over the moon… and how do birds remember their songs?
Storyberries has even created a new book category for my work called “experimental art”!! Oh I’m gleefully looking forward to making more books for them to distribute!!!
So it can very truthfully be said that my new artistbook is a direct result of community !! Thank you all!! And I love you all too!! ❤🙌
I’ll repeat myself here because I am so excited and grateful to the Storyberries community for this new “experimental art books” category! Thanks for giving me such a valuable space to just be me! I’m so looking forward to sharing the fun of playing with imagination and creativity this way!
Speaking of imagination and being creative: there’s a wonderful article on creativity written by Luzemy Romero and Fleur Rodgers on Storyberries – and I have an illustration in it! But what’s fun is that these creativity tips the authors write about are things I do… Every. Single. Day! Especially the reading part!!! And if you go by chronological age I’m a grownup… so… the authors ideas apply to all ages. Anyway there are some really great creativity tips here https://www.storyberries.com/creativity-kids-how-to-help-your-child-to-be-creative-storyberries-parenting-portal/
Here’s my illustration within the article by Gamboa and Rodgers and a bit of the article text. We need a wide variety of stories in order to practice flexibility in our thinking and creativity. A variety of material, some of it liked, some disliked, gives our minds something to respond to within our own creativity.
Also on the intersection of creativity and libraries there’s a fun article right here about an 8 year old who wrote and illustrated a handmade book and slipped it into the public library collection in Boise Idaho!
This week our copies of Maus by Art Spiegelman came by mail from one of our local bookstores Daedalus Books!
I had posted on my Instagram page that I was looking online at our local indiebookstores to see if anyone had Maus and didn’t see it – as they indicated sold put or it wasn’t listed. Well @daedalusbookspdx commented on my post that they didn’t have all of their books online but that they *did* have copies of Maus!!! So I called them immediately and bought the copies of Maus!
In the past when we’ve visited Daedalus Books in person I’ve relished their “books about books” section… While I had the store on the phone I named a price range and asked the store to pick a book for me from that section and include it with our Maus copies… I also asked that they *not* tell me what title they selected! I love a good book surprise!
Here in the photos below is my surprise book! It’s perfect!!! It’s a book about giftbooks – which is what I create!!! (See my portfolio page) I’m beyond happy with my surprise book! I immediately wrote a postcard to tell Daedalus thank you!!! Wow! What a treat!!! I am so glad Daedalus had copies of Maus too!!
The last photo has contact info for Daedalus…and as I’ve learned you can just call them up, ask politely and they’ll hand you a smile in the form of a book !! Wow!!!
Come to think of it becoming a semi-vegetarian while in college in fried-meat-and-fried-potatoes Oklahoma was another, ahem, “interesting” experience. I’m not, and have never been, a strict vegetarian (I don’t want to be strict about anything) I just do like vegetables and well vegetarian meals frequently happen. But I remember accidentally shocking people in Oklahoma with vegetarian fare now and then. 🤷♀️
Back to the present yumminess… the mushroom chili was served in big mugs with crackers and a side of books to read. I’m lucky to have married a fellow avid book reader!
Here’s another favorite quote about books that I’ve handwritten and thumbtacked to my studio wall.
I hope your week is full of subversive literary, artistic and culinary delights and that you’re able to radically and wholeheartedly enjoy them!
This week had a cow in it (more on that in this post) and a dog portrait. I selected one of my sketchbook drawings as an idea for what to paint using the new brush technique I learned from the book, Miniature Art by Joan Cornish Willies that I talked about in my last post. Here’s the sketchbook page.
This ink, gouache and watercolor painting below is 8 x 10 inches in size, well within the “miniature art” definitions. The brush method recommended in the book “Miniature Art” by Joan Cornish Willies is to lay a round pointer brush on its side in the paint and rolling it to absorb the paint while maintaining the point on the brush. Dipping, pressing or stabbing the brush point in the paint, however gently, makes the brush point spread out and thus makes doing fine detail within a painting more difficult.
Here’s a look at the whole painting I’ve finished and titled “A Tale-carrier”
The new brush technique did help me get more fine details. Particularly around the dog’s eyes, nose and on the books. Here’s a closer look…
I’m loving the way creating finer details enables me to combine the human senses of touch and sight in this new miniature work! And I enjoyed making a miniature that knows it’s a miniature! Lol! It’s amazing what a gift awareness can be! Here’s an even closer look…
I do feel a bit of “well, duh”… of course laying a brush on its side and rotating the brush in the paint would help retain the brush point even while loading it with pigment! Ah well! Just goes to show that you really can teach an artist with 25 plus years of experience a new trick or two! Lol!
This week someone asked if I would pretty please make a mug with my “green leprechaun man” on it…
Also this week another printed book on the topic of miniature art came in the mail from one of my local bookstores. The Big Book Of Tiny Art by Karen Libecap is just plain fun to look at and read. It does have a good review of pencil techniques as well as use of color. The main attraction for me is the “watch-it-develop” sequences of photos that document ways to achieve tiny details. Oh, and the gallery of examples of finished miniature artworks is a treat. This book is encouraging and pleasing in tone – which will make it nice to have on my shelves. No Earth shattering art technique BFO (Blinding Flash of the Obvious) moments in this book like there was in reading Miniature Art by Joan Cornish Willies. But the friendly can-do spirit and lack of snooty-ness in the Tiny Art book by Libecap, I think, means more people- myself included- are more likely to keep trying this art form. Plus I just love it that these tiny art techniques are so applicable to what I do in my sketchbooks.
So now when I draw in my sketchbook I’m trying for more details – like the feathers on this bird.
As you know in the evenings I’ve been reading a print copy of The Annotated Arabian Nights. On my ebook reader, which I read while exercising, is “The Hitchhiker’s Guide to the Galaxy” by Douglas Adams. So in addition to the story-within-stories format of the Nights and the lovely idea (last post) about the genre of “mirrors for princes” that I encountered in the annotations of the Arabian Nights I’m getting a regular therapeutic dose of Adam’s gentle absurdity.
Thus I’ve been pondering just how it is that Mother Goose’s cow went over the moon. And our human habit of having sacred cows… beliefs that take us into the stratosphere away from reality. Consequently there’s a new wordless book in progress on my easel.
Here’s a closer look at the sequence of pages
As I write this blog post I have put these pages under smooth boards with weights on them so they’ll be flat. I’ll be making a physical artist book from these pages and then both a printed book and an ebook version. More about this in upcoming posts.
A dear friend and fellow artist Donna Young https://www.donnayoung.com/ and I used to fairly regularly visit each other’s studios in pre-pandemic times. Recently Donna posted a photo of her studio and asked me to post a photo of mine. Here it is below!
I’m sure you’ll recognize one of the dog paintings on my easel. The other dog you’ll probably see next Monday. And I’m sure you’ll notice my new magnifying glass (last post) in use!
If you were standing in my studio, where I took this photo, to your left would be a stack of boards and weights holding down my “How The Cow Went Over The Moon” pages. More about that next Monday too.
Thanks for reading this post. I hope your week is kind to you and I’ll look forward to sharing more with you on Monday!
This week was … there. Reading Marcus Aurelius helped. So did the oranges, the coffee, the leaves in the yard, the books and art. Talking with my spouse helped too. I kept returning to this quote from Marcus Aurelius so I did this gouache and ink painting. Then I added it to my “for encouragement” art print series on my Society 6 shop.
Here are a few of my sketchbook pages that formed part of my self-care this week.
In my last post I wrote about “discovering” miniature art by way of reading The Annotated Arabian Nights. While reading more about some of the artists and artwork illustrating the Arabian Nights I learned of the uses of magnifying glasses when creating art details within the miniatures. “Well duh! Wouldn’t that be helpful?” I thought.
So when a nice surprise from Storyberries came I used the windfall to get some anti fatigue mat flooring for when I’m standing at my easel and moving about my work area. It has the added benefit of protecting the wood floor! And….
…I got a magnifying glass that clamps on my easel!
Since feelings and dealing well with emotions has been on my mind I used that topic for the first of my Creativity Chats for 2022.
Here’s the link: https://youtu.be/KvCfOgtOaMY I talk about dealing with feelings and sustaining a creative project over time. Even during difficult times.
Books are some of the “good shit” that I inhale. And in stressful times I’ve found it can be hard to “let things get through” even beloved books. All I know to do is to keep reading and trust the process.
Anyway The Annotated Arabian Nights is “getting through to me” more than I’d have guessed. In addition to the miniature art concept I’ve also learned that there’s a genre of writing called “mirrors for princes”. I’ve no idea what, if anything, I’ll do with this awareness. I’m mostly just vividly aware that I sat up and took notice when I learned this.
In looking at online sources for information about miniature art I learned about a book by Joan Cornish Willies titled “Miniature Painting”. It was touted in multiple online sources as a go-to book resource. I contacted an independent bookstore and got a copy mailed to me which I read cover to cover the day it arrived.
According to Joan Cornish Willies I wouldn’t at all be considered a “true” miniature artist because I tend to use multiple media in just about everything I do; a bit of ink, gouache, watercolor, color pencil and collage to name a few of my art mediums. Plus, according to Willies, my typical subject matter isn’t considered within the realm of “traditional” subjects for miniatures. Oh well.
Fortunately I’ve read other sources and know that Joan Cornish Willies’s thoughts aren’t the only ones about miniature art and it’s definitions.
Despite the “no true Scotsman…” rhetoric and traditionalist tones in this book by Willies I found several of the technical painting directions of interest and possibly applicable to what I create. The rest of the book I take with a grain of salt or perhaps a large sack of salt. Anyway I’ve no intention, at this time, to participate in the formal miniature art society’s – as suggested by Willies – they sound entirely too rigid and puritanical for my tastes.
In the process of reading on this topic I’ve realized what I like about the idea of miniature art is the focus on storytelling, the intimacy and the connection with bookmaking and publishing. I love all of the intricate artistic details that can be achieved by the various methods of working “in the little”. Most of all I relish the way the details created in the smaller sizes are able to be reproduced in print (or online) so clearly! I had already noticed this with my own fine art and book publishing work (see my portfolio). Larger paintings often lose clarity and charm when they’re reproduced at smaller sizes… like in books. So I’m keen to do better at fine detail in smaller sized artwork with an eye toward more publishing.
That’s specifically what has amazed me about the artwork in The Annotated Arabian Nights so many of the illustrations are reproduced at the actual size – or very near it – to the artist’s original artwork! And the artistic details are glorious!
Consequently I’m thinking up a new artist book or two as well as a new fine art series – and deliberately planning smaller sizes now!
Onward into the fog as they say. See you next Monday?
There are 3 major art gallery exhibits in my life but more on that in a bit. First here are this weeks 3 dogs from The Professional Dog.
Here’s a larger image of each dog portrait with the book text beneath.
In times past I went in person to local exhibits especially when my work was featured. But I haven’t gone physically to one since the start of the pandemic in 2020. The galleries are handling openings much differently too, more videos and social media online, more appointments and more shipping and delivery.
This is now the 2nd year of things working this new way and I have discovered a wonderful benefit – deaf me can “hear” people better because everything is written. Lip reading and trying to hear with my hearing aids in a noisy Gallery isn’t an issue now so I feel like my engagement with people has improved! But because I’ve spent more than 30 years doing in person exhibits and only 2 years doing exhibits virtually I still get nervous about this new method even though I think I like it.
So before the Holiday Box Exhibit began at Caplan Art Designs on Thursday evening I charged up my phone and kept my phone on so I could see and respond to anything happening at the Gallery.
The Caplan Art Designs Gallery began posting on social media in advance of the Thursday opening, sharing 2 or 3 of the 7 artist’s work per post. Then as the opening began Thursday night the Gallery posted videos of the entire exhibit and some photos of people at the Gallery… not the crowds of the pre-pandemic days but safe methods of visiting. It did my artist heart good to see them and know that everyone was so caring!
I tried to quickly share on my social media what the Gallery posted or to echo it at least. People who follow the Gallery social media commented there. People who follow me commented on my pages. I tried to be quickly responsive. The Gallery owner and 2 associates were sharing and replying on the Gallery pages and the artist pages too. Below is an example of one of the Gallery posts prior to the event…
… and the Gallery shared the comments made in person at the Gallery about the work during the evening. One client said my work reminded them of Piero Fornasseti. I had to Google Fornasseti first but after I looked I agreed and made a note to myself to study more!
Early in the evening my work “All The Chances” sold! By the end of the evening 5 out of 7 artists works had sold and it was quickly apparent that the entire 7 piece exhibit would likely be sold before the weekend was over.
I am constantly proud of and amazed by how well and how creatively the Caplan Gallery has dealt with the pandemic challenges.
So it was quite a hectic opening evening even though I (and many others) participated online from home. I was tired at the end of the night but not half as worn out as I have been back in the days of attending exhibits in person and trying to hear in a noisy room. Again this new pandemic way of exhibit openings felt more satisfying like I had been able to more fully engage with people.
When I think about it this new way of doing openings is akin to arts and antique auctions, where there’s the in person bidding, the phone bidding and the online bidding. And somehow everything is kept organized.
Anyway, this photo below got posted within minutes of the sale… and was such a delightful surprise!
The very next night, Friday, was the opening exhibit at the Aurora Gallery!This Gallery too has been amazing in their ability to adapt and respond to pandemic challenges. The Aurora Gallery told me that they sold out of my signed copies of The Professional Dog (and would I please restock asap) and they said that there was a “socially distanced line of people buying Clancy fine art and artist books”!
Several of the people who went to the Aurora Gallery posted on social media about their visit or texted me directly! Oh this is such a fun way to share and enjoy art together!
I love hearing from people who are enjoying something I made. Below are some photos shared by someone who’d put my whimsical coasters around their table!
I’ve loved sharing cheerfulness in unexpected ways like this! I like it when people are able to be creative using things I’ve made! My coasters or “mug mats” are available individually on my Zazzle shop…
…and they’re available as sets only at the Aurora Gallery but the gallery will ship anywhere.
I’ve also enjoyed it that people have asked me to make, using my artwork from The Professional Dog series, cups, prints, face masks (for kids and adults) and fabric! There was even a request for a simple 30 piece jigsaw puzzle with extra large pieces for kids!
I wonder if this is how Santa does it, gets requests first and then puts the elves to work? 🤔 Artwork, books and gift giving are about connecting with people so…
December 9 there’s another exhibit with some of my artwork at Joseph Gierek Fine Art in Oklahoma! I will be supporting this exhibit from my Pacific Northwest home too. I’ve worked with Joe for about 25 years and he’s one of the most innovative Gallery people in the business! He tells about selling art from the trunk of his car way back when he was starting out… the things he has dealt with and come out on top over are inspiring. I wish he’d write a book.
Anyway it really helps me to get through these challenging times to be surrounded by creative and encouraging Gallery owners!
Despite all of the past weeks activity I’ve still been managing (mostly) to sketch in the mornings and have hot chocolate and read a bit before bed. (See the hot chocolate recipe above) Perhaps after this week I can rest more? We’ll see…
I hope your upcoming week is a good one! See you next Monday?
Lots to share: The Professional Dog is out in print and as an ebook on Storyberries! In a bit I’m sharing my creative process for my holiday box project. But first, because people tell me they’re enjoying it, I am continuing to feature 3 dogs from The Professional Dog per week so here’s this weeks…
The text in the book, which is also the title of the original artwork, is below each of this weeks featured dogs.
I wanted to share somehow that my original artwork for The Professional Dog is smaller than the finished book. So I did a video look at all of the original artwork for The Professional Dog. Each original dog portrait is 2.5 x 3.5 inches and was made by hand using ink and gouache on board. The finished print book is 6 x 9 inches and as faithfully as possible reproduces the colors and details in the original artwork. I did this because the reproductions do enlarge the details in the artwork. Below is a photo showing a bit of what I’m saying … perhaps you can see both the small original art and the book reproductions?
You could say that Thanksgiving was a nicely quiet event considering it was just my spouse and I and a giant veggie lasagna. But it really felt like we’d hosted a come-and-go party all day as we were in contact with friends and family via text, social media and the voice phone! It was such a fun day and we both went to bed tired-happy feeling like we’d been talking and partying nonstop! We joked that we could get used to partying like this – there was a lot less to clean up afterwards! Lol!
After the holiday I delivered all of the original art for The Professional Dog to the Aurora Gallery. This project was a big one that encompassed multiple months of intense work and it all – all 40 dog portraits – fit into a 5 x 7 x 4 inch box! (Another benefit of making the original art small in size)
Here’s the box of original artwork sitting atop the signed books wrapped in paper for protection during transfer to the Aurora Gallery.
Even though everything is done now including the portfolio page for The Professional Dog I will still be posting the dog portraits in sequence over the next weeks. People have told me that they’re enjoying them.
The Thanksgiving event held by the Caplan Art Designs Gallery also began the day after Thanksgiving. Below is another attempt to include a video in this blog. This video was made by the Gallery and is shared by permission. In case I’ve not gotten the video embedded in this post like I think I do – the video camera pans around a nice large room filled with art by the Caplan Art Designs Gallery artists. You see some of my larger works right at the start. Many of my works are small and not captured in the video. My last post included images of my artworks in this event. Over the weekend the Gallery posted more videos on the Gallery’s Instagram and Facebook pages that showed more of the event! There were many sales of my artwork and of the other Gallery artists work!
And now for the full details about the holiday box project! Back in very early September the Caplan Art Gallery gave certain artists an 8 inch cube to paint in our style. These boxes are to be in a special holiday exhibit opening the first Thursday in December.
Immediately when I got my box and over the next 4 days, I began the process of putting 3 coats of gesso on it even though I didn’t know what I would create.
While the gesso dried over that first week I brainstormed in both my sketchbook and on my legal pad. First I listed over 20 things that I could think of that are square or cube shaped. Then in my sketchbook I played visually with the various items listed to see what might be fun, how I might approach it. During this time my spouse and I had a dear friend come over to our outdoor patio to visit and have dinner. I told her what I was brainstorming and she liked the idea of dice.
At that time I was still in the middle of creating the dog portraits for The Professional Dog so it felt natural to think of dog shelters and dice, the chances for pet adoption, the many names for dogs … so in my brainstorming with my friend and my spouse we thought “what are the odds you’d find 21 dogs named Chance”?
My sketchbook became focused on dice-dot portraits of dogs.
I also rummaged about the house and found some game dice I could use as a model.
Using a ruler I calculated the size of the dots in relation to the size of the cube and I made measurement marks on the gesso using a watercolor pencil. The watercolor pencil marks will blend in and dissolve when I paint over the marks with acrylic paints.
Since the cube is a sculpture and will likely be handled by humans or sat upon by cats I decided from the start to work in acrylic as that’s a permanent waterproof media. I also planned to (and did) varnish it so the dice could be protected and easily cleaned.
I painted a different dog portrait on each dot on my dice using black and white acrylics mixed to form a range of greys. And yes, some of the dog breed research and practice I was already doing for The Professional Dog was applied to this project too.
After painting each dice-dot with a dog using black and white acrylics I painted the body of the dice with white acrylic. Every bit of the gesso got covered! Below you can see the entire dice in 3d plus each dice face separately so you can enlarge it and see the portraits.
I hope you had a yummy and fun Thanksgiving too. I look forward to catching up with some of my fellow bloggers and hearing about your creative projects but some of my days this week might resemble this…
… even if it does I hope you have a delightful week! See you next Monday.