stocking local love

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My local bookstore Vintage Books https://www.vintage-books.com/ is the first bookstore to carry my newest book “Dr. Bob’s Emotional Repair Program First Aid Kit” – and in advance of the Nov 1st release day too!!  When I was at the bookstore talking with the manager she asked me if I did my art on “stocking stuffer items” and if I would consider doing a pop-up shop for the holiday season – in late November or early December.

Well, I’m a firm believer in the philosophy “take tarts when tarts are passed” so I said “Yes!” and have been busy doing product designs since then!  Nice to dust off my old graphic design/product design skills (what I got a college degree in!).  Here’s a pic of my new book and a few of the stocking stuffer gift items I’ve gotten so far…

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As you can see in the photo I’ve put one of my artworks onto a 252 piece jigsaw puzzle – the finished puzzle size is 11 x 14 but the box containing the puzzle is small enough to fit into a large Holiday stocking. Another painting I’ve put onto the backs of playing cards and … oh, there are many more items still in production.

I’ve been thinking non-stop about what fans of my artwork and my fellow book readers might enjoy finding as gifts in their holiday stocking; bookmarks, drink coasters, art prints, playing cards, calendars… Is there anything I’m forgetting??

Please let me know and I’ll keep busy working on items that may help spread a little love and joy to my fellow literary fans.

And I’ll update you with my progress here first… btw I’m using Zazzle to produce most (but not all) of my designs and have also created a “store” there.

a familiar unfamilar language

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My friend and neighbor, who has two grandchildren under the age of 2, was showing me a vintage toy that was purchased for the kids; a red and blue ball with shaped holes in it, with the yellow-block shapes inside the ball. You pull open the ball, the yellow-shape blocks spill out and you can put the blocks back inside the ball by matching the block shape and the hole shape.

At the time I was working on an illustration and was stumped for the “language” that the space alien creature would be speaking. The “language” in my artwork would need to somehow imply the ways the content of a book can “fit” with or resonate with a reader.

My conversation with my neighbor helped – creative problem solved!!

TakeMeToYourReader

 

First Aid in the bathroom

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As I did the layout and design for “Dr. Bob’s Emotional Repair Program First Aid Kit” I was thinking about the bathroom. There’s even a part in the book that talks about the use of self-care phrases on the bathroom mirror.

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sample text from “Dr. Bob’s Emotional Repair Program First Aid Kit”

When it came to printing I chose a slick cover-stock and slick, thick pages for the inside of the book too. I was thinking of the wet, steamy conditions a bathroom can have.  I also took care to select a font that would be easy to read without ones reading glasses. It’s a font that will be easier for dyslexics to read too.

I forgot to think about the requests I’d get to sign the book. As I’ve visited with people about carrying my book in bookstores I’ve been asked to autograph some books. The slick pages that allow for fairly easy wipe-off of toothpaste etc. don’t allow ink.

Whoops.

So I autograph them on the inside front cover. No biggie in the scheme of things. I think it’s far more important that the book be able to reside in a bathroom where self-care is regularly practiced!

Direct link to my new print version of “Dr. Bob’s Emotional Repair Program First Aid Kit” here.

the sacred stew dance

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It’s finally gotten to be “soup and stew” weather here in the Pacific Northwest! When I was making a stew the other day I realized I was twirling, aka dancing, in the kitchen; popping quickly between the stove, the counter where I was chopping veg, the pantry and the refrigerator. I was so excited about making a stew that I’d forgotten my cardinal rule of getting all the ingredients out before starting.

Ah well.

The experience inspired this artwork I’ve titled “The Sacred Dance Of The Stew-pot”.

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Sacred Dance Of The Stew-pot – by Clancy – 8 x 10 inch – ink and gouache on board

I created the artwork using my fountain pen and gouache on board – after I’d finished eating of course.

The stew turned out okay. It wasn’t the best I’ve ever made. But for the first stew of the season I’ll give it marks for effort.

 

ode to fountain pens

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On a recent trip to the library I saw a book titled “How To Draw And Write In Fountain Pen: A Modern Guide” by Ayano Usamura. (book link) The book reminded me that I’ve not talked about this essential studio tool in a while.

I’ve used a fountain pen almost daily since I was in art school at university. An illustration class required a fountain pen, a Pelikan Classic M200 , as one of it’s “textbooks” for the semester. We were taught the care and use of the pen – the pen care section of the book by Usamura mirrors what I was taught exactly.  Part of the class requirement was to draw with the pen daily. The professor would periodically surprise-inspect our pens for proper care/maintenance and would look at our sketchbooks as part of our grade. Woe unto the student who forgot their pen.

Fast forward to now and I’m still drawing with my fountain pen daily. It’s my go-to tool for my on-going art studio philosophy: “Work in short bursts of time. Often.”  When I’ve only a minute or two for creativity work I can easily, quickly, do an ink drawing without having to do any more “studio-set-up” than to open my sketchbook and pull the cap off my pen.  Here’s todays fountain pen drawing:

Hibernation

Nowadays I prefer the Levenger True Writer. It’s the best fountain pen I’ve had yet. Writes and draws smooth lines with no pressure, less mess and less constant care needed than some other pens. I use the Noodlers brand fountain pen ink – the anti-feather black kind (also called “X-feather”). And of course these days I have a whole new appreciation for the environmental friendliness of a fountain pen; less used-up-pen-plastic-parts going into the land-fill.

Anyway, the book “How to Draw and Write in Fountain Pen” happily reminded me of what I’d been taught way back in the day at university. I brought the book home from the library to read and re-remember all the fountain pen tips and tricks. And, if the book was accurate to my fountain pen experience (it was!), I could mention it to you here on my blog – and photograph the book with my Levenger fountain pen for a post on my Instagram page.

Now if you’ll excuse me I’m going to go lovingly re-fill the ink in my fountain pen.

P.S. If you were wondering – I did use a fountain pen to do the graphic-novel style drawings in my recently published book “Dr. Bob’s Emotional Repair Program First Aid Kit“.

Update: After I had written the above post about fountain pens I went to dinner in Portland Oregon. From dinner we all walked to Oblation Papers and Press – where I happily discovered that they have a wide selection of fountain pens!! And staff who know the various pen brands! Here’s a link to their drool-worthy website https://www.oblationpapers.com/

the first aid cover art

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Here’s the cover for the new print version of “Dr. Bob’s Emotional Repair Program First Aid Kit”.  Keeping the hand-drawn look for the cover was important. Half of this book is filled with hand-drawn graphic-novel type stories. And the book originated in my sketchbook. So it seemed a no-brainer to keep the cover art “organic” looking.  Here are both the front and back covers:

Yes, I did see this new print version as an opportunity to hand-write the entire book and considered it strongly. However from the outset of this project when we did the first printed editions small run, Dr. Bob Hoke wanted the book to be as easily accessible as possible – including constructing a book that would feel “simple” and even fun.

So as I designed this new print version I decided that typing the text of Dr. Bob’s lecture notes, rather than hand writing it would be more in keeping with Dr. Hoke’s methods. By typing I could also choose fonts and formats that would be easier for anyone, including dyslexics, to read. “Dr. Bob’s Emotional Repair Program First Aid Kit” is also small in size; 5.5 x 8.5 inches and only 56 pages long.

As I mentioned above, half the book is drawings… so I worked to make the cover art fit with the cartoon drawings inside the book.

“Dr. Bob’s Emotional Repair Program First Aid Kit” will be officially released November 1st – but since you follow my blog you can get early access here: https://store.bookbaby.com/bookshop/book/index.aspx?bookURL=Dr-Bobs-Emotional-Repair-Program-First-Aid-Kit1

the so-what art making technique

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Recently I’ve been super busy with fine-art exhibits and other illustration projects. But now I’m back to regular work on a new print version of “Dr. Bob’s Emotional Repair Program First Aid Kit”.  During my work on the pages about Dr. Bob’s S.W.I.F.T. finger therapy I remembered how valuable this concept is when I’m in the middle of an art project.

While a project is not a person all creative projects also have an ugly-duckling stage. A point in which they’re more “mess” than “masterpiece”. A point in which things are happening with the colors and shapes that may not be what I intended or hoped for.

I’ve found the S.W.I.F.T therapy helps me remember to calm down about the mess. If a creative person gets too angst-y about the in-progress project it stops the flow of creativity. Possibly leading to a creative block. Remembering to think of “So What If….” finger therapy helps me relax and to do nothing radical to the in-progress project during my don’t-like-it moment. It enables me to let go, and approach the project later with an open, playful, mind. Perhaps after lunch, perhaps the next day.

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Page from “Dr. Bob’s Emotional Repair Program First Aid Kit” collected and illustrated by Clancy

If you’ve just joined my blog (and thank you for that!) here’s the last post about this project. The last post covers another mental-health technique that relates, in my mind anyway, to living the sustainable creative life.

I began learning these mental-health techniques and applying them to my creative life back in the 1990’s. I’m still creating new artwork daily. Still loving it. Something works.

Hope this book and these posts will help you too. All the best…

 

immortal good fortune

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I’ve been busy getting ready for an exhibit at Caplan Art Designs (www.caplanartdesigns.com) that opens Sept 5th in Portland Or. This is one of the new art pieces that’ll go to the exhibit. Just put it in a new frame today.  It’s titled “Immortal Good Fortune” (details below)

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“Immortal Good Fortune” by Clancy – 8 x 10 inches – gouache and ink on board

Here’s the series of random thoughts I was thinking about as I created it:

We make our own luck. When life hands you dragons – cook sausages to share with others. Dragons are often a symbol for self-confidence, good luck, happiness and power. Happiness is not about luck or getting what you want – it’s the state of mind when life gives us what we’re willing to accept.

And of course I was thinking about reading books, art collections and Schnauzer and Havanese dogs…

the art technique of attention

A Creative Life, art exhibit, art gallery, art techniques, artistic inspirations, books, drawing as thinking, ebook, fine art, illustration, mental health, story, Sustainable creativity, visual thinking, writing and illustrating

I’ve been very busy getting ready for a one-person fine art exhibit at Caplan Art Designs that will open in September. (So my social media activity has slacked off lately.) Around the edges of creating new fine artwork, framing, paperwork and so forth I’ve been working towards a new print edition of “Dr. Bob’s Emotional Repair Program First Aid Kit”.

This story from the First Aid Kit has been a good reminder of an art technique I try to practice daily – even when I’m busy:

Attention

Even when I’m very busy I practice taking a moment within my day, wherever I am, in the here-and-now and pay attention to my 5 senses. I try to let go of any preconceived conceptions, to just expand my awareness. I also include, in this exercise, paying attention to my free-associations and my imagination during my 5-senses check-in moment. I’ll note my sensory experience and “watch”, like you’d watch television, the memories, thoughts and associations that cross my mind as a result of the sensory experience.  I’ll often make notes in my sketchbook.

What I “get” for my payment – when I pay attention – is the power to choose what to focus on when I’m at my art easel working.

This practice of paying attention to both sensory input and the content of my mind –  is a version of what Betty Edwards wrote about in her book “Drawing On The Right Side Of The Brain” – in the section where she talks about chairs. How (and I’m paraphrasing) a drawing student first attempting to draw a chair will substitute their knowledge about chairs (4 legs, a square seat and back) and will draw a child-like symbol of a chair. One has to learn to see the shapes of the spaces around the chair as well as the shapes of the chair itself – what is actually seen (3 legs, a trapezoid shaped seat and back).

I find too often – especially when I’m busy – I’m substituting my “knowledge” about the world, my preconceptions, for what “is” in the world. So I find it helpful to practice seeing the shapes of spaces, so to speak, in my sensory experience of the world. And to see the shapes of spaces within my own mind.

Paying attention allows me to merge real-world phenomenon with my mental life and to choose to communicate, via art, in ways that are helpful, playful and fun.

Currently “Dr. Bob’s Emotional Repair Program First Aid Kit” only exists in e-book form. But as I said above, I’m working on that. This book has had such a profound impact on my own creative life that I want to have another print version around.

sea stories

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I live now within a 2 hour drive from the Pacific Ocean. I also live near a river that feeds directly into the sea. So it’s been fun to read and think about stories, both fiction and non-fiction, that have to do with water.  Books like: “The Old Man and the Sea” by Ernest Hemingway, “2000 Leagues Under The Sea” by Jules Verne, “Moby Dick” by Herman Melville, tales about pirates, books about the Lewis And Clark expedition and of course the writings of Mark Twain.

And I often see people reading printed books in town and on beaches along the coast. Their facial expressions make me wish I could see what story they were reading. What if a book being read leaked out from the readers mind and into the world beside them?

These musings led to my gouache painting titled “Sea Stories”:

SeaStories300

“Sea Stories” by Clancy – 8 x 10 inches – ink and gouache on board