All 20 artworks are finished. In progress is the framing, the exhibit paperwork, the delivery and the social media about it all. An artist’s work is never done…it’s a lot like a cooks work that way.
But here’s one of my paintings titled “Learning Almost Anything”. Like the others in my Odditerrarium series it is 10 x 8 inches, created with ink, gouache and collage on board.
Here’s a closer view so you can see what this dog is thinking.
Doing fine art exhibits, like writing for publication, requires both being organized and resisting tempting parking spots. I have two phrases thumbtacked to my studio wall to help me remember.
When I began my Odditerrarium painting series in 2021 I did enough planning in my sketchbook that I knew the sizes I wanted to work in. I created 5 or so of the paintings to see if my series idea had legs. Then over a month ago I ordered frames from the Aurora Gallery. The frames are made by hand and that takes time. The first box of frames is in my studio ready for action. A second box of frames is due soon.
Now that creation of the paintings is done I set up a system, a working routine, so that I don’t wear out my hand doing the varnishing or framing processes.
Elsewhere in my blog I’ve talked about working in short bursts as a way to make time, energy and the financial components of a creative life sustainable. This is true too of the varnish and frame stage.
More than a month ago I also ordered the cans of varnish I knew I’d need along with a few other art supplies from my local Artist and Craftsman. My dachshund supervisor made sure the order was correct when it came.
Now my daily routine includes a “spray two frame two” dance. It goes like this: just before lunch I take two paintings to my garage where I spray a coat of varnish. Then we have lunch. After lunch I spray another coat of varnish on those same two paintings. Here’s a photo of me in the respirator mask I use when I spray varnish.
Those just varnished paintings stay out in the garage the rest of the day. When I quit working for the day, around dinner time, I bring them into the studio and put them on the easel to finish drying. In the photo below you see two just-varnished paintings on my easel. To the right of the easel is a framing station. My painting supplies are still out because there are other projects in progress just to the left of this photo. There are other creative projects that get a short burst of work each day so that’s another reason why the just-varnished stay out in the garage till the day is done.
Here are two getting framed. Having the varnished art on the easel puts them within easy reach of my frame station. Doing the varnishing around lunchtime the previous day means that by the time they get put into frames 24 or so hours have passed and the varnish is completely dry.
Besides checking in the new art supplies my dachshund supervisor also oversees the framing. He’s very busy, perhaps more busy than usual lately, but like I do, he paces himself so that it’s sustainable.
Like the quote thumbtacked just above the light switch in the photo below says about dancing and magic happening, being organized doesn’t guarentee smoothly run projects. (Another mantra I use often: “Nothing has to go right today”) Organization gives my projects a sporting chance to be sustainable, it gives me the possibility of meeting deadlines with a smile. Besides I deeply despise chaos and rushing about so I prefer to pace myself (and dance) at a calm speed.
And I treasure time each day to read and learn almost anything.
I hope your week goes at your preferred pace. Take care of yourself. See you next Monday.
My adopted Mom’s favorite flower is the orchid. Both Dad and Mom enjoyed cats – even though sometimes the cats knocked over plants or books. So I thought those thoughts while creating a portrait of a friends cat. I’ve titled the finished painting “Wonders”. It joins the rest of my Odditerrarium series and is also 10 x 8 inches and made with ink and gouache.
Below are some sketchbook pages from this week. In difficult times I find that helps having a sketchbook routine.
When I first met my adopted Mom and Dad I asked “how do I know you’re for real?”. Mom’s response was “Watch what I say and do over time”. So during almost every visit with them I brought my sketchbook along and took notes. Sometimes these notes got illustrated during the visit. Often the notes were rewritten and illustrated more neatly shortly after the visit. As time has marched I have used these sketchbooks as source material for making my books and other creative projects. For example when I put together “Dr Bob’s Emotional Repair Program First Aid Kit” I referenced my sketchbooks and consulted Dad and he shared his original lecture notes.
Here’s a recent video of me reading a story from this book here – it’s still a favorite story all these years later!
My friend Sherri Kennedy has a great post here related to this topic of imaginations and “feeding” attitudes.
I also see a correlation to what Michael Graeme says in his blog here “Try to go deeper, into the sublime, and feel it.” We can choose what we focus on, we can fully experience our feelings (taking breaks as needed) and fully embrace whatever feeds our good wolves and let that in turn feed our creative souls.
Speaking of feeding things: I remember as a barely in my 20s young person visiting my adopted Mom and Dad. We would get to talking with books and papers strewn about, including my sketchbook and drawing tools, time would fly by and suddenly Mom would put a large plate amongst the books. On this plate would be an assortment of foods, many of which I hadn’t seen before: specialty cheeses, meats, crackers, fruits, vegetables and nuts. The first time that happened Mom explained “charcuterie plates” to me. From that time on during visits when such plates appeared she’d tell me “this is Gruyere cheese” or whatever the new-to-me cheese was, each visit was an ongoing education in life, literature and food. Needless to say all of our visits revolutionized my previous “processed cheese food slices” existence for the better!
Naturally I included Mom’s charcuterie instructions when I got around to reproducing my kitchen sketchbook, along with I hope a sense of the combination of drinks, foods and conversation about books.
Here’s one of my favorite photos of a younger me with Mom and Dad.
Here’s a photo showing how things often looked just before Mom would put a charcuterie plate down.
When I was looking through my photos for this blog I saw this one of Dad looking at one of my wee books.
I miss Dad and I miss Mom being healthy (last post)… I am beyond glad that they (and my 5 siblings) adopted me! I will always carry them on in my life and creativity. This, I think, is part of the idea of “working from life” perhaps even more than the act of looking at a real life object and drawing it.
And I find comfort in loving the colors outside my window and the light and shadows. May have to try painting the grey-blue, greens, browns with that salmon color…
And I get comforts in doing the work of my creative projects. Here’s my art studio dachshund supervisor helping me with the book design and layout for my Odditerrarium exhibit book.
In my last post I was working on my exhibit statement. I edited it this week…chiefly I remembered that I needed to say something in the statement about the art media I work with! Amazing how I could forget something so basic! Ha! Thank goodness for creating books and the editing processes!! Here’s the finished exhibit statement that I’ve sent to the Caplan Art Designs gallery.
A dear friend sent a surprise knowing that I love getting books by mail! Such fun to share a favorite author in common with a friend!
Mom’s self-care directions throughout my life often included advice to “remember to eat mindfully”. Indulgence in her opinion was welcome, necessary and to be done in moderate mindfulness. This week I made macaroni and cheese using onion, garlic with Gruyere and cheddar cheeses. The recipe is here.
I’m reading an autobiography “The Summer of a Dormouse” by John Mortimer. I love his fiction and his way of writing in general. This autobiography is adding to my good-wolves in that I can read about Mortimer going though difficult times in his personal life while simultaneously creating his pleasant fictional works. I’m reminded that it is possible – normal even – to be able to acknowledge difficulties and still create pleasant things.
I hope you’ll be able to feed your good wolves this week and create pleasant things too. See you next Monday.
I thought about travel this week and the newest painting in my Odditerrarium series is titled “Desirous Naturally Of Travel”. It’s a portrait of a Portuguese Water Dog who is contemplating sailing.
Here’s a closer look.
Like the other paintings in my Odditerrarium series this new one is 10 x 8 inches and was created using ink, gouache and color pencil on board. It will join its fellows at the Caplan Art Designs Gallery for exhibits later this year.
But on the topic of travel: in a variation of the curiosity game I shared in my last post -despite the pandemic- I have done a kind of travel using books, websites, Google Earth and streetwise maps.
I pick a country, a region, a culture and look for poems, prose and food preparations that originate there. As alluded above I will try as I can to look at online images of the actual places. Sometimes I’ve even looked for a hotel’s website and selected a room in which I imagine staying.
Recently I visited again some Native American Nations. I have a book of poems from a Cherokee poet in Oklahoma. A book of legends from various Native American Nations in the Pacific Northwest. A cookbook with sections covering various Native Nations in all geographic regions throughout the USA.
Here’s one of the poems I enjoyed.
From the cookbook “Spirit of the Harvest” I enjoyed the text about the three sisters: corn, beans and squash.
Inspired by the Iroqois for one of our meals I put together corn, pinto beans, zucchini, bell pepper, onion with some fresh cilantro and a bit of bacon with a tiny drizzle of maple syrup into oven safe bowls. Then I baked it all in the oven in the boat-bowls you see below. Yum!
Back in the pre-pandemic days I had a small shoulder bag I would carry when we went to locations. Since the pandemic began I used a version of my “travel kit” on a corner of our breakfast table where I write and draw in my sketchbook while we have our morning coffee.
My sketchbook is 5.5 inches by 3.5 inches. The water brush is 6 inches long. The other two pens are 5.5 inches long. The new palette is 3 inches by 2.5 inches. As you can see below it will all fit easily into a small bag or jacket pockets.
The palette came with 6 empty half pans which I filled with my chosen gouache colors. In the photo below you can see the three separate parts to the small palette.
The three parts of the palette interlock together easily and securely.
The gouache colors I chose are: (top row) Primary White, Payne’s Grey, Moss Green (bottom row) English Red Ochre, Naples Yellow, Prussian Blue.
The colors are selected from my “butterfly palette” which was inspired by a scientific book called “Nature’s Palette: a color reference system from the natural world”.
I’ve been using my butterfly palette for my Odditerrarium series as well as my sketchbook. I like the soft gentleness of the colors so much that it’s fine by me if the colors I paint don’t exactly match the real life objects. I’m describing thoughts and feelings using my personal color vocabulary rather than strictly mimicking what I see in the world. What I see in the world is a starting point, a prompt you might say, for contemplation and storytelling.
In the photo below you see my new travel (ha!) palette and sketchbook at breakfast the morning after my wife gave me the portable palette.
Here’s another photo angle. See? Plenty of room for both breakfast and playing in my sketchbook without crowding the dog on my lap!
Below is another day’s sketchbook session. I had already cleaned the palette mixing areas (and the breakfast dishes) before I remembered to take a photo.
I’ve done a new book for Storyberries titled “Juggling Numbers” and like my last experimental art book “A Scoop Of Letter Soup” the new book flows up and down. The book is being released next week so I’ll talk more about it in my next post. But did you notice the unicycle in my sketchbook photo (above) and in this new book too?
I hope your week is smooth sailing or unicycling or however you travel it. See you next Monday.
Work happily proceeds on my new Odditerrarium series. I’ve a work schedule and I’m sticking to it. As I worked on this pug painting titled “Troublesome Wit” I thought of John Lewis and his phrase ‘good trouble’. I thought of how humans work together in order to have the wit and fortitude to deal with life. I imagined a pug dog watching a human take measures and make efforts.
“Troublesome Wit” was created with ink and gouache on a 10 x 8 inch board. Here’s a closer look.
One of the online groups I lurk on and sometimes participate in is on the topics of handmade books and artist books. The question “what got you started making books” was asked of the group. This is how I responded: I began at age 8 when I got hearing aids for the first time. I looked in the school library for a book about how books were made. Following pictures in that library book I folded paper in half and stapled it roughly in the middle. Then as the weeks progressed I drew my hearing aids and drew all the things I encountered that made noise. Two grownups in my life were always yelling “be quiet!” at me so I kept the book so I could figure out what made noise, how much noise it made and what was quiet. My pencil and crayon llustrations showed the “volume” of any noisemakers as well as what they were. I titled my book “The Be Quietness Book”. So I’ve been making books by hand or at least writing/drawing in blank books since age 8 until present time and I don’t imagine ever stopping! I’m still trying to figure things out with my books!
Here’s a corner of my studio as it is today that has many of my filled-to-overflowing books and some new blank books awaiting their turn. Some of the blank books I made from scratch, some I bought.
One of my poems was published this week for poetry month by Birdhouse Bookstore. My poem was put on bookmarks! As you know I enjoy non-traditional unorthodox publishing and publishing my poem on a bookmarker is perfect!! 😁 In the second photo you’re looking at the poetry books on the shelf in my breakfast nook. Several of these titles came from this localbookstore https://birdhousebooks.store/
I’ve still been practicing, whenever I have time, at doing Reels on Instagram. I did one in which I read aloud one of my poems in Patch La Belle. I’m having fun with this way of sharing my stuff.
Did I manage (finally) to embed a video in this blog post? Or do we need to see that Reel via this YouTube link here https://youtu.be/f0W-7642inU ?
Anyway, technology aside here’s a sketchbook page with toast and coffee.
I’ve been thinking this week of how it matters who keeps the stories, the poems and who tells them. I’ve been an armchair folklorist since my college days and I’ve maintained my interest in old stories throughout the years. Here’s my current evening reading stack.
I find it fascinating to see how stories and the cultural and personal attributes we bring to them can affect knowledge formation for good or ill, up to and including what gets designated as “important”. Then that knowledge, however imperfect, is what gets passed through to others who acquire and form their knowledge based on what we share. Whatever is new to us today will become “the way things are” for the next generation. All we can do is try to share generously whatever might help someone else build new constructive knowledge.
We learn from other people how to live. Sometimes in the effort of trying to share what we know we teach ourselves something new.
However there’s no shortage of people, in any era, who will hold up a thumb and forefinger an inch apart and try to convince you that the space indicated is literally the whole world, that their definitions of that world, their narrative, is the only “true” one, that only their description of what is important matters. They want you to believe only them and will likely somehow benefit if they do convince you accept their story framework and take it literally without questions.
Knowing a wide range of stories and metaphors can help us not fall prey to such literalism and narrowness of mind. Which is why multiple versions the same stories are essential. We need reminders that there are many points of view. We need a diversity of stories. A monoculture isn’t healthy for plants or any other living beings.
Anyway, my way of responding to censorship and the attempts to control the available information and to manipulate perceptions is to deliberately buy and read banned books, to read widely and talk about, learn and share history, culture, poems and stories. To carry knowledge forward, to wrestle and play with it within my own life and work. To do my thinking on paper in art and stories, to always be trying to learn more and to share generously.
Book formats are only one of the ways we as individuals and as cultures keep our stories – it is the act of collecting stories together, whatever the technology used – that helps us figure things out. To lose that collected, collective, personal or cultural memory can be both a current and ongoing tragedy because the loss of knowledge affects future knowledge formation.
Recently I read of a massive archival effort to keep and preserve archives of Ukrainian stories and poems which are in danger of getting lost forever due to the war. See the article here.
You’ll not be surprised to hear that now I want to find ways to support that project and buy at least one printed copy of a book of, or at least a book containing some, Ukrainian folk tales.
And speaking of important, relevant and keep-able stories here’s a link about the Wendigo monster . I’ve been thinking of this Algonquin tale a lot lately because I’m so tired of greedy extremist monsters. I see this story as a reminder to appreciate ordinary life and to play well with others. It seems so relevant to current times and possibly a guide for figuring out ways of going on and doing better.
As I type this it is snowing in my backyard! In April! Our Camilla bush has blooms!
I hope your week is full of wit, art, stories and poems that help you figure things out. And hot beverages if it’s snowing where you are too. See you next Monday.
For weeks I’ve been working on two poodle portraits. The details of their hair and eyes has been such fun! It’s also been delightful to imagine what each dog is thinking about! My wife and I have had the honor of knowing these poodles’ humans for a very long time – so it’s been a treat to get to love on our friends via these dog portraits!
Here they are on my easel. I worked on both paintings at the same time. I did a Reel of me in action working and another Reel that looks up close at the finished paintings. Both Reels can be found on my Instagram page.
I imagined each dog keenly watching their energetic humans and philosophically contemplating (from a dogs point of view) their humans divinity and mysteries. Naturally I titled one painting “Divine” and the other “Mysteries”. Both are 10 x 8 inches and created with ink and gouache on board. Eventually these portraits will be in an art exhibit via the Caplan Art Designs Gallery www.caplanartdesigns.com
Below are some closer photos so you can see the miniature art details! I’m particularly pleased with their eyes!
Since the pandemic began in 2020 we’d not set foot in one of our favorite brewpubs Mcmenamins on the Columbia river. So during a cold rainy walk by the river we decided to pop in and get a growler full of our favorite beer to take home. We’re not dining indoors yet and we’ve normalized mask wearing no matter what the numbers and rules may be.
While we were waiting for our growler to be filled I admired one of my favorite posters on the Mcmenamins wall. I enjoy the funky steampunk-ish vibe in this pub.
On our walk we saw a bald eagle big as you please just above the walk path!
Here’s some of the books we read with our beer after we got home: Old in Art School by Nell Painter, The Golden Compass by Philip Pullman, Daemon Voices by Philip Pullman, The Summer of a Dormouse by John Mortimer.
The children’s writer Philip Pullman ranks number two on the lists of books often banned in the U.S. The other titles are from writers who are similarly considered “unorthodox”. Yep. Still reading banned books. Told you it was a “thing” for me.
As my regular readers know besides fine art and books I’m fond of cooking. Well, my friend Bernadette of New Classic Cooking, a food blog I follow, did a wonderful blog post about feeding the Ukrainian people during this time. It’s comforting to have practical ways we can help each other.
Here’s a favorite soup I made this week. It’s from a recipe in our “Favorites So Far” kitchen sketchbook and thanks to a suggestion by my friend Bernadette it’s also part of a postcard series – we enjoy sending these recipe cards to friends!
And speaking of soup…my experimental art book “A Scoop Of Letter Soup” is being served out by ladles full on Storyberries!
I’m excited about making some more of my unusual books for kids to read on Storyberries.com!!
And speaking of food for tummies, fare for minds, mental health, our interior lives and books… I’ve selected pages from my sketchbooks with my drawings and writings on the topic of our interior lives and made a book of them. You can see more about this book, Another Sketchbook, on my portfolio page.
Since books and beverages go together in my mind – and I also enjoy having soup out of a mug – I picked some of my favorite pages from Another Sketchbook and put them on a large mug here on my Zazzle shop.
Also on the topic of mental health I’m delighted to happy-dance with you about the news that a book I illustrated is now being carried by one of my local bookstores, Vintage Books! The book is titled “Dr Bob’s Emotional Repair Program First Aid Kit” and it’s one of my creations that I am most proud of having done. I even keep a copy of it in my bathroom so I can reread it often – it means that much to me! Anyway, Vintage Books will ship anywhere so they can be asked to send my book to you by mail. More about my book can be seen on the bookstore website here. Okay, let’s dance another happy jig around the couch then back to posting photos…🤗
Sometimes remembering that the Universe loves you just the way you are helps. At least I find it helpful in my creative life… as is knowing there are fairly direct practical tools for dealing with feelings during difficult times.
I hope your week is full of love that you can embrace with relish as food for your heart and mind – see you next week.
Imagination and poetry were on my mind this week. I’ve been thinking of our mental ecosystems and the landscape of our minds. So this week I did a portrait of a Shih Tzu this week for upcoming exhibits via Caplan Art Designs which I’ve titled “In Imagination”.
Storyberries said “Great! Can you do it as an Instagram Reel?” And I replied “A Reel? I’ll have to Google whatever that is…” So I Googled and found this article as well as others. I also talked more with Storyberries about Reels because they’ve been doing Reels longer than I have.
Turns out that doing a Reel was fairly easy to figure out. I still have more to learn but I did turn the above YouTube video into a Reel on Instagram
Additionally for promoting “How The Cow…” I submitted it to Apple Books as an ebook and was accepted! This brings the total number of books by me on Apple to 15! I’m proud of that! If you scroll down this page you can see more of my books.
As you know from my last post I’ve been thinking of poetry as a rhythmic visual sequence. So I played with a short sequence of drawings and published it as poem on a coffee mug. To me the sentiment in my poem fit the trying-to-get-started morning need for caffine. I also used these drawings as test content for making another Instagram Reel. Im trying to practice this because suddenly I’m seeing the very short videos as another way to share my visual content… and I can imagine doing more collaboration with Storyberries this way too!
Speaking of very short poems: a whole lot of progress happened on my newest experimental art poem…
I finished painting the content and the cover art. Then I cut out the cover art and glued it onto the outside of the 2 inch square concertina book.
Here’s an early peek at the finished original artist book. As I mentioned in my last post I don’t want to show too much of the punchline before Storyberries has a chance to distribute it. They’ve tentatively scheduled it for release Mar 12 so slowly over this next week I’ll post more in public on social media. But for my dear blog followers here’s an advance look at the original artwork.
Here I am, with canine supervisory assistance, setting up the digital files for sending to Storyberries.
And here’s what’s on my laptop screen.
My thinking is about the mechanism of ebook flow on Storyberries and fitting a visual poem rhythm to that. The ebooks on Storyberries flow up and down so my question is can I do poetic rhythms, repetitions and surprises in a way that takes advantage of that? Can a viewers eye “read” an implied connection between the up/down pages? It’s fun to experiment and play with what a poem and a book can be!
Here’s a peek at the ebook version. I’m thinking the viewers will make the transition between the pages just fine… what do you think?
While “A Scoop Of Letter Soup” seems really simple there was a lot of thinking and planning behind it, possibly more planning than I’ve done for my more complicated works. I think of “A Scoop…” as a little treat rather like how a baker puts a lot of time and effort into making something yummy that’s eaten in a moment.
This week I also cut, folded, trimmed and glued handmade paper into what I call “book blanks” concertina books that are ready for my content. I have some more plans for future artist books and this is part of getting ready for book content production.
Sometimes I have bought blank concertina books from an art supply store but generally I find it more satisfying to make my own. I can choose my own paper for the book and make it a size and length needed for the projects I have in mind.
Below is a photo of my evening reading list. Three of the four books pictured talk about the playful, generous nature of poetry and books in general and ways language itself can be a form of loving and caring. I’m enjoying thinking of how poetry and stories can be useful mental landscape construction tools for creating pleasant mind-scapes.
And Good Omens by Terry Pratchett is just plain fun to read.
I hope your mind is your preferred landscape and that it is especially beautiful this week. See you next Monday.
Book banning is a hot topic with me because I’ve been on the receiving end of bans. Those occurrences happened in Oklahoma over 10 years ago when I lived there. To name just one example, in 2008 I was to have a one person art exhibit at the Oklahoma State Capital. More than a few of my paintings were banned from the Capital exhibit. I called my Tulsa Oklahoma gallery, Joseph Gierek Fine Art, to tell about being banned. The Gallery owner, Joe, said “Stay right there, I’ll come and pick them up!” Tulsa is about a 200 mile drive away from the Oklahoma Capital but Joe was there with his van in a trice. Then the Joseph Gierek Fine Art gallery did a special exhibit behind yellow caution tape in Tulsa and we called my one person exhibit “View At Your Own Risk” with a statement telling a bit about my work being banned. Oh my, was the Gierek Gallery brave! So that very weird experience of being banned turned out very well for me and for Joe!
After my spouse and I had newly relocated to Washington state I had an interview with the Caplan Art Designs Gallery. Having just moved I brought along to Caplan’s the finished artworks I had on hand which was some of my then recently banned-in-Oklahoma artwork. The Caplan Gallery immediately signed me up as a gallery artist and sold 4 of my paintings before the ink on my contract was dry! In Oklahoma my work had often been considered “subversive” or even “offensive” (there were a number of bans of and objections regarding my artwork) but in the Pacific Northwest my work – the very same artwork! – is considered “charming” and even “delightful” and “whimsical”. What a pleasant shift of perspective!
This painting below is one of my paintings that had been banned in Oklahoma but quite welcome in the Pacific Northwest. Allegedly this painting was banned in Oklahoma because of the semi nudity. 🙄 This photo is of the same banned art newly located in the Pacific Northwest where instead of offending adults it amused adults and children!! (Yes, I have found my happy place!!)
More to the point of my blog post today – in 2010 the public library where we then lived in Oklahoma was going to display a few LGBTQ friendly books under glass deep inside in the library. It seemed like almost the entire town turned out to protest in a 4 hours long city council event. The majority of the speakers were vehemently homophobic. After the event one young gay person committed suicide. It was that vitriolic. After the event we contacted a realtor in Washington state and asked her to please find us a home and that we would even consider a hole in the ground with a tarp on it. We needed out! Long story short we, with the help of a wonderful realtor, found and bought our Washington house sight-unseen over the internet and within 6 months of that Oklahoma council meeting we had moved! One of the best things we ever did!! Being gay in Washington is no big deal at all! Also no big deal: being an artist, a book reader or being deaf.
I don’t for one minute think that every book has to resemble and reflect the superficial attributes of a reader in order to be a book worth reading. As an adult I enjoy reading work about, and by, people unlike me but I can see how it would help young people to be able once and a while to see, in a book, a superficial likeness of themselves. It helps to feel less alone, even safe, wanted and welcome somewhere – even if that place is in a book.
I went though my entire childhood – as an avid, dare I say obsessive, reader – never once reading about a gay deaf artistically inclined tomboy girl living primarily with her grandmother and enduring “visits to hell” with her abusive biological uber-religious parents.
The only deaf person I ever read about in a book was Helen Keller and that didn’t feel relatable to me.
The Outsiders by S.E. Hinton was the first time I read of violence and family dysfunction happening to someone besides me and that was SO relatable – even though all of the characters were boys. That book helped me feel less alone then and I can still quote verbatim from that book today.
Judy Blume’s “Are You There God, It’s Me, Margaret” helped me address my confusion about cruelty/weirdness about bodies that was done in the name of religion.
I didn’t encounter a gay character in any book until I went to college in 1986 and read “Oranges Are Not The Only Fruit” by Jeanette Winterson which had been written in 1985. And that book felt like a welcome healing salve to my 18 year old psyche.
I could go on naming books – many of them now banned – that really helped me get through things as a young person. But I’m sure you’re getting the idea of why wide availability of books (and art) matters so much to me.
So naturally my spouse and I in response to the spate of book banning in 2022 went looking for lists of banned books so we could buy copies of those books. If you too want to use banned book lists as book buying recommendations 😁 Below are the lists we found.
A juicy oh-so-delectible list of banned books for grownups at Powell’s one of my local Pacific Northwest independent bookstores. (I think most of my high school and college required reading is on this list!🤯)
I mentioned last post about Maus by Art Spiegelman being banned … well here is a great article about why that book is important and why it is shocking that, to quote from the article, “people could be more upset by mild profanity than they are by genocide.”
And another article speculating about why book banning and even book burning has become “a thing” in late 2021 and early 2022.
There’s also an article about a Texas lawmaker who wants to ban and burn 850 book titles statewide… but enough of that.
When things begin to feel overwhelming I find it helpful to look for one specific thing I can do something about. This is in the vein of “How do you eat an elephant? One bite at a time”
Here’s an article we found about one specific library in Mississippi whose funding is being withheld by the mayor because he disapproves of some LGBTQ books. My wife and I chose this library and donated money. Then we spent time tweeting and sharing the info in hopes of getting more donations for them.
Here’s a portion of the letter we got after donating which has the libraries snail mail address if that is preferred.
Two days later we saw that they had achieved their funding goal with still more time to spare!!! We’re hoping even more donations will happen!
Since I took the above screenshot the Ridgeland Library has adjusted their goal upwards… and is reaching the new goal too!! Yippee!!! Click this link to see up-to-the-minute progress. I’ve been monitoring and boy is it fun to see the library succeed!!!
Anyway, for me public libraries are intimately interconnected with basic human rights. Images and words make up the human mind much like air and water make up the human body – we need trusted sources for all of these. Humans are social beings intertwined mentality and physically with the community around them. Here’s a poem that illustrates this idea that I have written off by hand and thumbtacked to my studio wall where I see it often.
And that’s why I make artist books. It’s my “why” for most of my creative efforts really. It’s part of why I feel it’s important to be a participant in a community of artists, writers and readers. It’s why having an egalitarian community – at least on the gallery walls and the library shelves matters so much to me.
Books and art are communal in nature and utilizing them often is part of being fully human within a community.
I thought about my Vancouver USA downtown and how I love it that the 5 story library and the independent theatre are some of the tallest most iconic buildings. I also thought about the scrubjay blue birds that are native here.
Then I wondered just how did Mother Goose’s cow travel over the moon… and how do birds remember their songs?
Storyberries has even created a new book category for my work called “experimental art”!! Oh I’m gleefully looking forward to making more books for them to distribute!!!
So it can very truthfully be said that my new artistbook is a direct result of community !! Thank you all!! And I love you all too!! ❤🙌
I’ll repeat myself here because I am so excited and grateful to the Storyberries community for this new “experimental art books” category! Thanks for giving me such a valuable space to just be me! I’m so looking forward to sharing the fun of playing with imagination and creativity this way!
Speaking of imagination and being creative: there’s a wonderful article on creativity written by Luzemy Romero and Fleur Rodgers on Storyberries – and I have an illustration in it! But what’s fun is that these creativity tips the authors write about are things I do… Every. Single. Day! Especially the reading part!!! And if you go by chronological age I’m a grownup… so… the authors ideas apply to all ages. Anyway there are some really great creativity tips here https://www.storyberries.com/creativity-kids-how-to-help-your-child-to-be-creative-storyberries-parenting-portal/
Here’s my illustration within the article by Gamboa and Rodgers and a bit of the article text. We need a wide variety of stories in order to practice flexibility in our thinking and creativity. A variety of material, some of it liked, some disliked, gives our minds something to respond to within our own creativity.
Also on the intersection of creativity and libraries there’s a fun article right here about an 8 year old who wrote and illustrated a handmade book and slipped it into the public library collection in Boise Idaho!
This week our copies of Maus by Art Spiegelman came by mail from one of our local bookstores Daedalus Books!
I had posted on my Instagram page that I was looking online at our local indiebookstores to see if anyone had Maus and didn’t see it – as they indicated sold put or it wasn’t listed. Well @daedalusbookspdx commented on my post that they didn’t have all of their books online but that they *did* have copies of Maus!!! So I called them immediately and bought the copies of Maus!
In the past when we’ve visited Daedalus Books in person I’ve relished their “books about books” section… While I had the store on the phone I named a price range and asked the store to pick a book for me from that section and include it with our Maus copies… I also asked that they *not* tell me what title they selected! I love a good book surprise!
Here in the photos below is my surprise book! It’s perfect!!! It’s a book about giftbooks – which is what I create!!! (See my portfolio page) I’m beyond happy with my surprise book! I immediately wrote a postcard to tell Daedalus thank you!!! Wow! What a treat!!! I am so glad Daedalus had copies of Maus too!!
The last photo has contact info for Daedalus…and as I’ve learned you can just call them up, ask politely and they’ll hand you a smile in the form of a book !! Wow!!!
Come to think of it becoming a semi-vegetarian while in college in fried-meat-and-fried-potatoes Oklahoma was another, ahem, “interesting” experience. I’m not, and have never been, a strict vegetarian (I don’t want to be strict about anything) I just do like vegetables and well vegetarian meals frequently happen. But I remember accidentally shocking people in Oklahoma with vegetarian fare now and then. 🤷♀️
Back to the present yumminess… the mushroom chili was served in big mugs with crackers and a side of books to read. I’m lucky to have married a fellow avid book reader!
Here’s another favorite quote about books that I’ve handwritten and thumbtacked to my studio wall.
I hope your week is full of subversive literary, artistic and culinary delights and that you’re able to radically and wholeheartedly enjoy them!
And because I thought it was a fun visual pun I put my traveling hedgehog on a travel mug. No one but me requested this mug. 🤣 I certainly don’t have any travel plans but a cup that’ll keep my coffee hot even when I get distracted in my studio might be nice. At any rate designing the mug was fun so I did it.
Here are some sketchbook pages that have happened lately.
It’s a big book so I prop it on a throw pillow when reading. The book has many enchanting illustrations by the artist Edmund Dulac who painted in the style of Persian miniature paintings.
Consequently I’ve suddenly become aware that my entire fine arts college education focused on paintings larger than 24 inches. Much of my artistic output till now has been on physically larger scale too. Oh sure, I’ve done smaller illustrated hand bound books but fine art paintings, in my mind, were always big. Well, during the pandemic I have done paintings in much smaller sizes and have quite enjoyed sending 25 paintings to a Gallery in one box the size of a thick hardback novel. But in my mind this was a temporary adjustment due to the pandemic.
Now, however, I’m reading in the Annotated Arabian Nights about “the tradition of miniature painting” and have begun reading further about that approach to fine art. Wow!! A whole part of art history that’s new to me!! I’m thinking I’ll learn more about this history and the miniature art techniques and work smaller on purpose now – pandemic notwithstanding.
So you can see the cover of this wildly wonderful book…👇 I love the shiny gold on the cover and the print quality of the artwork inside…
January 1st 2022 I was looking through my sketchbooks and decided the page below is the mantra for now.
Come to think of it all of my sketchbooks are 3.5 x 5.5 inches small… so why am I surprised about miniature art being a “real thing”?! Plus the 40 original artworks for my book The Professional Dog are all 3.5 x 2.5 inches in size!
I guess I’ve been a miniaturist for a while now and didn’t realize it! 🤣
Lots to share: The Professional Dog is out in print and as an ebook on Storyberries! In a bit I’m sharing my creative process for my holiday box project. But first, because people tell me they’re enjoying it, I am continuing to feature 3 dogs from The Professional Dog per week so here’s this weeks…
The text in the book, which is also the title of the original artwork, is below each of this weeks featured dogs.
I wanted to share somehow that my original artwork for The Professional Dog is smaller than the finished book. So I did a video look at all of the original artwork for The Professional Dog. Each original dog portrait is 2.5 x 3.5 inches and was made by hand using ink and gouache on board. The finished print book is 6 x 9 inches and as faithfully as possible reproduces the colors and details in the original artwork. I did this because the reproductions do enlarge the details in the artwork. Below is a photo showing a bit of what I’m saying … perhaps you can see both the small original art and the book reproductions?
You could say that Thanksgiving was a nicely quiet event considering it was just my spouse and I and a giant veggie lasagna. But it really felt like we’d hosted a come-and-go party all day as we were in contact with friends and family via text, social media and the voice phone! It was such a fun day and we both went to bed tired-happy feeling like we’d been talking and partying nonstop! We joked that we could get used to partying like this – there was a lot less to clean up afterwards! Lol!
After the holiday I delivered all of the original art for The Professional Dog to the Aurora Gallery. This project was a big one that encompassed multiple months of intense work and it all – all 40 dog portraits – fit into a 5 x 7 x 4 inch box! (Another benefit of making the original art small in size)
Here’s the box of original artwork sitting atop the signed books wrapped in paper for protection during transfer to the Aurora Gallery.
Even though everything is done now including the portfolio page for The Professional Dog I will still be posting the dog portraits in sequence over the next weeks. People have told me that they’re enjoying them.
The Thanksgiving event held by the Caplan Art Designs Gallery also began the day after Thanksgiving. Below is another attempt to include a video in this blog. This video was made by the Gallery and is shared by permission. In case I’ve not gotten the video embedded in this post like I think I do – the video camera pans around a nice large room filled with art by the Caplan Art Designs Gallery artists. You see some of my larger works right at the start. Many of my works are small and not captured in the video. My last post included images of my artworks in this event. Over the weekend the Gallery posted more videos on the Gallery’s Instagram and Facebook pages that showed more of the event! There were many sales of my artwork and of the other Gallery artists work!
And now for the full details about the holiday box project! Back in very early September the Caplan Art Gallery gave certain artists an 8 inch cube to paint in our style. These boxes are to be in a special holiday exhibit opening the first Thursday in December.
Immediately when I got my box and over the next 4 days, I began the process of putting 3 coats of gesso on it even though I didn’t know what I would create.
While the gesso dried over that first week I brainstormed in both my sketchbook and on my legal pad. First I listed over 20 things that I could think of that are square or cube shaped. Then in my sketchbook I played visually with the various items listed to see what might be fun, how I might approach it. During this time my spouse and I had a dear friend come over to our outdoor patio to visit and have dinner. I told her what I was brainstorming and she liked the idea of dice.
At that time I was still in the middle of creating the dog portraits for The Professional Dog so it felt natural to think of dog shelters and dice, the chances for pet adoption, the many names for dogs … so in my brainstorming with my friend and my spouse we thought “what are the odds you’d find 21 dogs named Chance”?
My sketchbook became focused on dice-dot portraits of dogs.
I also rummaged about the house and found some game dice I could use as a model.
Using a ruler I calculated the size of the dots in relation to the size of the cube and I made measurement marks on the gesso using a watercolor pencil. The watercolor pencil marks will blend in and dissolve when I paint over the marks with acrylic paints.
Since the cube is a sculpture and will likely be handled by humans or sat upon by cats I decided from the start to work in acrylic as that’s a permanent waterproof media. I also planned to (and did) varnish it so the dice could be protected and easily cleaned.
I painted a different dog portrait on each dot on my dice using black and white acrylics mixed to form a range of greys. And yes, some of the dog breed research and practice I was already doing for The Professional Dog was applied to this project too.
After painting each dice-dot with a dog using black and white acrylics I painted the body of the dice with white acrylic. Every bit of the gesso got covered! Below you can see the entire dice in 3d plus each dice face separately so you can enlarge it and see the portraits.
I hope you had a yummy and fun Thanksgiving too. I look forward to catching up with some of my fellow bloggers and hearing about your creative projects but some of my days this week might resemble this…
… even if it does I hope you have a delightful week! See you next Monday.
Here’s news about The Professional Dog and all of my projects that I couldn’t talk about in my last posts! First, this weeks sequence of dogs.
Below is a closer look at the artwork of each of those dogs with the book text beneath.
As I mentioned in another post I tend to work first and talk about the work later. This means all of the artwork is finished for The Professional Dog and I could work hard this past week on the book layout. Here’s a photo of me at my laptop doing the book layout.
I wanted this book to be able to be shipped by Christmas so I focused on getting the book design done – and uploaded – which altered my posting about the artwork itself or about my creative process surrounding the book but I think that’s okay. If you have questions just ask.
There’s a lot still to do for this project but the publication on the 16th of Nov was a big deal. There are 40 portraits in the book and this is the most pages I’ve created for any of my books so far! So I’m celebrating! Wahoo!
Because I made portraits of my friends dogs I plan to keep posting each dog in alphabetical sequence so that each dog gets to be featured and each friend has a chance to share the portrait of their dog if they want to. Mainly it’s just a bit of cheerfulness from me over the Thanksgiving holiday.
Speaking of small cheerful things: I took some more of my books, mug mats and postcards to the Aurora Gallery at their request.
The Caplan Art Designs Gallery did a studio visit and selected some artwork from my studio stash for the special Thanksgiving event the Gallery is doing Nov 26, 27 and 28th. Each of the artworks Caplan selected are autobiographical. I’ve been sharing details on my Instagram page for each of these pieces but generally speaking each painting is about some aspect of my life here in the Pacific Northwest. Like the time we went hiking in Forest Park and my bootlace broke and we discovered a wonderful coffee shop that also sold bootlaces! Or the Rainier cherries we enjoy eating by the sea. Or the fine dining we’ve enjoyed…my feeling is reflected in my choice of dog breed depicted. And the bookstores… There are many more artworks selected by the Gallery than I’ve included below but perhaps this gives you the idea? The Gallery event happens the 26th, 27th and 28th in Portland Oregon.
Why were the above artworks languishing in my studio? They didn’t fit neatly into a theme or a unified whole for any of my exhibits. And also they were still there because I forgot about them. This is an example of when it’s helpful to have someone outside my head – in this case a gallery owner – look at things with fresh eyes.
Another example of the value of “fresh eyes” is that my spouse looked at my digital book layout of The Professional Dog and caught a major mistake I had made before it went to print!! (I had one out of alphabetical order 😱) I thank her on the book info page seen below.
And now for what we’ve all been waiting for (drumroll please) the Holiday Box Project! The Box Project exhibit opens at Caplan Art Designs the first Thursday in December. That’s why we artists were asked to wait to post and to only do a “teaser” post now because the Thanksgiving gallery event happens first. We artists were each given by the Gallery a solid brown wooden box, 8 inches cubed, some time ago so we’d all have time to create art on them. Below are before and after photos of my box.
I’ve titled my holiday box “All The Chances” – what are the odds you’d find 21 dogs named Chance? Anyway, are you teased? Lol! I will tell more details about “All The Chances” including about my working process after Thanksgiving.
It’s been a super busy week (no time for Creativity Chats or for much cooking creativity either) and frankly I am very tired from all of the activities. But at the same time I’m very happy! So I’ll rest up and share more this week on social media and on next Monday’s blog post.
I hope your week is a good one. Thank you for your many kind comments and your support! I am grateful for you and for the blogging community! Happy Thanksgiving!