Art events are collaborative acts of community. I hold on to that thought whenever I’m tired as I am now prior to an art opening. I focus on the fact that while I might be a visible part of my upcoming art exhibit I am just one part: there’s the Burnt Bridge Cellars winery and all of the local people who have made the wines, there’s the chef who’ll make the dinner, the musicians who’ll play, there’s the Caplan Art Designs Gallery who organizes things and there are my friends and the public who will come and eat and drink and look at my art. Then there are extended friends who can’t come in person to the exhibit but who will read and comment and share my artwork online. This is a large community of whom I am honored to be an active part! We are all doing this fun thing together! That thought sustains me as I finish packing up the artwork for delivery on Tuesday and as I create one of the last videos and the webpage that the gallery, the winery and my friends can use to share the fun!
Here’s one of the boxes full of my artwork.
Here’s the most recent video in which I talk about what inspired my exhibit.
Clancy talks about her upcoming exhibit Figures Of Speech
Anyhoo, all of this reminds me of the similarities between beetles and artists which I wrote about in a recent newsletter. To sum up the newsletter briefly: beetles work towards the health of our soil and artists work towards the health of our society.
My doodlebugs are a small painting series within a larger series I’ve titled Figures Of Speech and my email newsletter tells what inspired the doodlebugs (hint: it’s wordplay based on a scientific phrase). Anyhoo, here are more of the featured bugs… and the tracks they left 👇 https://sueclancy.substack.com/p/doodlebugs-and-other-figures-of-speech
“Genus: Doodlebug Species: Orange Square Beetle” – by Clancy
Here’s an advance peek for my fans who like my artist books and who might want to take my whole art exhibit home with them: here’s a new printed book containing my exhibit “Figures Of Speech” https://www.blurb.com/b/11594402-figures-of-speech I will be sharing an ebook version via my email newsletter later this week.
To relax and restore myself I’ve been playing with my art supplies with no thoughts of anything beyond having fun. We got new inks from the Birmingham Pen Company and had a lot of fun playing! https://www.birminghampens.com/
This is one of the books I’m enjoying reading in the evenings.
I haven’t had much time to try new cooking methods but my rice cooker has gotten quite a yummy workout. I have tried numerous “new to me” recipes that are variations on rice plus vegetables plus herbs and spices themes. To save some time occasionally I’ve used frozen chopped vegetables and canned beans. I’ve really appreciated the toss everything into the rice cooker press the cook button and walk away aspect of using a rice cooker. That has made meals easy and has sustained us.
While my overworked rice cooker has given us some tasty meals I am eagerly looking forward to seeing what the chef makes during my opening! I’m especially looking forward to seeing everyone in person and reading your comments online! Thank you in advance!
I’m posting this blog early this week as Monday is Memorial Day. I’ll leave you with a poppy…
I hope your week is pleasant! See you next Monday!
I’m emulating the bunnies in my recent paintings and artist books and taking a short social media break. I’m busy getting ready for upcoming art exhibits via Caplan Art Designs. I do plan to release a special artist book this week on my email newsletter A.M. Sketching but otherwise if I have any spare time I’m going to read books and cook something. Thank you for your support and encouragement. I’ll be back soon.
Here’s an advance peek at new paintings…
There’s a bunny taking a break in this recent artist book…
There’s a bunny taking a break in this artist book too…
I hope you’ll also have a break whenever you need one!
I asked my friends recently for ugly wallpaper suggestions that I could use for a painting I was working on. My friends are awesome and helped so much! The 1970’s avocado, orange and yellow combination was mentioned. So were weird rooster and chicken patterns and prickly cactus patterns. One friend talked about her pet peeve of framed pictures hanging askew.
Here’s me working on the painting and incorporating the suggestions of my friends.
… here’s a look at the painting on my easel in my studio.
Here’s a closer look at it in progress on my easel.
Here it is finished! I titled it “The Elephant In The Room”.
The Elephant In The Room – by Clancy – 8 x 10 inches – ink and gouache on board
Now for “Running Around Loose” aka Montessori time for grownups! The playtime method is fully described here on my email newsletter https://sueclancy.substack.com/p/running-around-loose But here on this blog I’ll tell what we actually did intermittently over 3 days. Mostly I left my phone off and shoved deep in a pocket with a few exceptions:
… and when it rained we sat under awnings and marveled at how it can be sunny and rainy simultaneously!
Coffee shops abound… and I couldn’t resist drawing my coffee and the pastry we shared.
On the second day we spent time at Bob’s Red Mill in Milwaukee Oregon. Or as we call it “the petting zoo for people who like to cook”. They have in one building; a restaurant, a grocery store (with many flours, gluten free, specialty ingredients and all sorts of foods to cook with) as well as dishes, kitchen utensils and equipment! We ate lunch here…
.. and while we were there we noticed these cute little one person sized casserole dishes! Yes, we got two of them!!
…and look at these adorable tea pots!! A jade green one came home with us!
On the third day we went for a 5 mile hike in Mt Tabor Park a 176 acre park in Portland Oregon.
On our hike I noticed these ivory-green flowers and liked the color. I want to try to mix paints to match it at the studio later.
It started raining slightly while we were still on our hike. By the time we got home it was raining harder! So it was nice to be home and reading “What To Read In The Rain” an anthology of short stories created as part of a writing workshop between kids (age 6 and up) and adult professional writers in the Seattle WA area. The non-profit that organizes these writing workshops is now called “The Bureau Of Fearless Ideas” and they work with teachers, students and the community to encourage writing and storytelling of all sorts. It’s a fun anthology to read on a rainy day!
Thinking later of things I’d noticed while we were outdoors I wrote a haiku poem and illustrated it in my sketchbook.
I hope you are able to go outside and play some too! See you next Monday.
I recently read “Hare Brain Tortoise Mind” by Guy Claxton and was reminded of how rhythmic things like weeding a garden or doodling can be calming to the human mind. This physical neurological response to “uniformly random rhythms” is also part of the human reaction to rhythms in songs, poetry or prose – we respond neurologically to refrains and repeated patterns, with variations, in all of the arts.
I include cooking here – it too is one of the fine art forms that has comforting rhythms both for the person stirring the stew and for the person eating. I think of how soothing it is for a small child to be held and rocked – what if all of the human fine arts are basically rhythms that can hold “rock” and soothe our physical brains?
So I’ve been thinking more about rhythmic patterns in my own creative efforts. I’ve begun doing doodlebugs… and other projects that involve “uniformly random rhythms” of patterns. I’m also making some changes to my morning sketchbook sessions that involve making more patterns.
As you know things that encourage good mental health skills are important to me and if I can foster my own mental health via rhythmic pattern creativity – and by sharing my work perhaps help others too – that seems a worthy artistic goal.
Here’s a doodlebug I did in my sketchbook and a fabric pattern I made from it.
Recently someone sent me some photos of one of my wallpaper designs that they applied to their kitchen island. They were pleased and said it was “just the whimsy we were looking for”! I’m glad they were pleased!! I’ve learned in the process that grids are fun ways to make visual rhythms!
Here’s a painting I finished this week that I’ve titled “This Little Piggy”. It was inspired by the nursery rhyme: (please note the rhythms) “This little piggy went to market. This little piggy stayed home. This little piggy had roast beef. This little piggy had none. This little pig cried wee, wee, wee all the way home.” As you can see in my painting below I also repeated visual rhythms, like the rhyme, and did a few playful alterations.
This Little Piggy by Clancy
In the video below is a look inside my studio at “This Little Piggy” – I created using ink, gouache and color pencils many of the supplies you’ll see briefly in the video. It will join my other paintings for exhibits later this year via Amy Biederman Caplan at the Caplan Art Designs Gallery. www.caplanartdesigns.com
In my email newsletter this week I shared my “This Little Piggy” painting and I’ve been sharing my sketchbook pages. I’ve finished sketchbooks C and D and am working on E currently. The doodlebug image above is in book “D”.
This book is my current evening and weekend reading. It has a library in it that is dedicated to poetry… be still my heart!
And because I like to share particularly good things: here’s a link to a good recipe for LENTIL CHILI along with my additional notes and variations: Add a can of roasted chilies and use chicken or veg broth or water (whatever available/handy). Add cumin, dark cocoa, Mexican oregano, chili powder, salt, pepper – cook 30 or more mins on simmer, stir often and add more broth or water if needed. Variation: add a chopped carrot, frozen corn and or chopped bell pepper
And look at the rhythmic visual pattern of the beans in my cookpot too!!
I hope your week forms a pleasant daily rhythm for you.
We went touristing and drove 20 minutes from our house to Camas WA independent bookstore called Its Bookish. It’s a delightful store focused on children’s books up to young adult with some adult books too. Here’s some views of what we saw on our way to Its Bookish. Not pictured, because I wasn’t able to get pics due to intermittent clouds and terrain, were fleeting views of distant snow covered mountains.
The door to Its Bookish was warmly welcoming and was a delight to see!
Naturally I made a beeline for the poetry section and then had a more general browse. Both my wife and I found books/authors that we’re always looking for that are sometimes hard to find. The store was quite crowded with lots of kids of all ages and their grownups but during a brief quiet moment in the young adult section I snapped this selfie with my wife in the background. It was a pleasant experience. No bookstore cats though which was understandable given the high level of children’s activities.
After we finished at Its Bookish we walked around downtown to a locally owned pub Grains Of Wrath. On our walk we passed by sculptures and many more locally owned businesses with welcoming to everyone signs in their windows or doors!
At Grains of Wrath we had really good beer and the best mac and cheese ever! Here in the Pacific Northwest every pub has their own version of mac and cheese and it’s fun to discover how much variety mac and cheese can have! My spouse and I split the dishes so we each got enough but not too much. We felt quite indulgent!
Back home I photographed our book haul from Its Bookish.
On my email newsletter I shared my sketchbook page of a dancing hippo … and as you can see by the above tourist play I followed the hippo’s advice
Here’s the gouache painting I finished last week titled “Pink Elephant”. More details and the sketchbook page leading up to the painting are on my email newsletter here.
Also last week I released my entire 38 page year 2016 sketchbook as an ebook download. It’s part of my “book of the month club” paid ($7) subscription series on my Substack. My 2016 “Glad to be alive” sketchbook contains drawings from walks in nature and visits to various Vancouver WA and Portland OR area restaurants libraries and other places. I hope you’ll enjoy it! https://sueclancy.substack.com/p/my-glad-to-be-alive-sketchbook
My friend Bernadette Laganella shared my Magic Beans on her New Classic Recipes blog ! Thank you Bernadette! Besides my beans recipe I shared how I learned during college women-supporting-women supperclub how to survive and thrive as an artist by knowing beans https://wp.me/pcAug8-kR
I’ve really enjoyed sharing both my art images and my stories via my email newsletter and also as a guest on blogs and other people’s email newsletters! I want to create more artist books and learn more about merging words and pictures together… and do more sharing of both my words and images… 🤔
This week, Mar 14th, Amie McGraham from Cook and Tell interviews me and includes my sketchbook pages for St. Patrick’s Day!! You’ll be able to see it here.
I hope your week contains happy hippos. See you next Mondayish.
One pig leads to another it seems. On my email newsletter I shared a flying pig and what inspired it. The finished painting was called “The Plot”.
The Plot by Clancy
That in turn inspired another pig with wings to appear in my sketchbook.
Which then became a painting titled “Higgledy-Piggledy” which I also shared in my email newsletter along with other things not mentioned here because I’m trying to not repeat myself too much across my social media, but … this is what’s going on in my world.
Over on my email newsletter I had shared my original idea book notes in my poetry sketchbook… but so you don’t have to click away here it is below. My sketchbook is where everything begins…
We went out for pastries and coffee earlier this week before the snow descended. While there were muffins (like in my Higgledy-Piggledy painting above) I opted for a croissant. I thought about drawing these delectable morsels but instead of drawing I just enjoyed eating.
In an earlier post I shared about getting a set of Haikubes … well, this was the playful poem absurdity that happened this week…
…followed by a doodlebug dancing. Instead of being a “violet grace” color though the bug ended up grey blue-green with a purple shadow. 🤷♀️
Reading about creativity and how it works neurologically is fascinating to me. Creativity is what creative people do – whether the artistic method used for expression is writing, drawing, music or any of the other arts – and regardless of the mood or topic expressed. Much like heating food is what a kitchen stove does – whether the stove is used to boil, bake, saute or in any way apply heat to a soup, a sandwich or a casserole.
Anyway, hope your week is full of grace and playful creativity in whatever colors or flavors.
I made postcards for friends with these 2 inks as seen on my Substack newsletter. As you know I see art as a way to connect with people.
Playing in my sketchbooks is a way to explore and experience new art supplies as well as my own thoughts and feelings. I used on of the larger 8 x 10 inch sized sketchbooks as seen in this recent post when I got a batch of new sketchbooks.
This week we visited a locally owned bookstore called Broadway Books. I love their curated poetry section and got two books of poetry and some “haikubes” for added wordplay fun!
Another day this week we went to a 2nd Powell’s bookstore location on Hawthorne street. They have completely different book selections in each of the Powell’s bookstores so it’s fun to visit the curated collections for a good browse.
And we celebrated our anniversary of 27 years together and 10 years married at one of our local craft brewpubs!!
What a great week of soaking up the fun and celebrating life!!
Much love to you all and thanks for sharing in the fun!!
This week the holiday begins at Caplan Art Designs with seven artists who have created 3D box sculptures. I’m one of the seven! My box sculpture is titled “Dogs On The Block”. Here’s a series of photos of my box. You know I like dogs…
More details about the exhibit of holiday boxes by seven artists.
Speaking further of dogs in art…there are several dog related artist books by me available at the Aurora Gallery. Here’s one of them…
And a dog appeared in my sketchbook this week
I’m also busy doing a few dog portrait commissions for holiday gifts so I’ll say no more about that.
Poetry about dogs is helpful reading material in the mornings before beginning a days dog portrait work.
On a non canine topic: I’m leaving Twitter. Besides here on this blog you can fetch me on Substack, Instagram, Facebook and now on Mastodon.
I hope your week is a pleasant one! See you next Monday.
I wrote in my last post that there may be hedgehogs and foxes in my upcoming sketchbook pages because I’m reading “The Hedgehog and the Fox” Isaiah Berlin’s famous essay about Tolstoy and history based on the Greek aphorism “The fox knows many things but the hedgehog knows one big thing”
In his book Isaiah Berlin writes (I’m paraphrasing) of how history is actually created by a whole bunch of people but when we talk about a time in history we tend to single out one person as a “hero” and the lone “causal agent” of an event. Berlin writes of how as a creative person Tolstoy was naturally a “many things” fox but as he got older Tolstoy wanted to be a hedgehog with “one big thing” that explains everything.
My reading got me to thinking about hedgehogs, foxes, Tolstoy’s demands of himself as a creative person and how that aphorism related to creativity. I said something about that and my friend Liz Gauffreau asked me how hedgehogs relate to the literary world:
Well, besides the fact that both foxes and hedgehogs are so very cute and fun to draw and write about here are a few of my somewhat random thoughts while reading the essay by Isaiah Berlin. Don’t worry I’ll intersperse my thoughts with sketchbook drawings of hedgehogs and foxes using all 3 of the new fountain pens I described in my last post. (BTW there are even more fox and hedgehog sketchbook pages in my recent email newsletter )
As I read Berlin’s essay I’m realizing that as a creative person I use the fox-like kind of “knowing many things” in a free ranging playful open way while I’m in the midst of creating. I’m free-associating between many things while I’m on the hunt for how to best express my elusive thought. But once I’ve finished my creation and caught my thought then, if I’m not careful, I can curl up into a prickly ball hedgehog-like defensive about whether my creation “means” something, what it means, whether it was worth doing, which “one big things” label it belongs within…etc. Staying for any amount of time in such a prickly ball isn’t helpful.
This getting stuck in a hedgehog ball mode happened more often in my younger years but still occasionally I feel a despairing “what was the point of doing all that?” moment. By now I know not to “feed” such overly self-critical negative thoughts and to deliberately stretch out and switch my thinking to some other more pleasant topic. I know such moments will pass especially after a good meal, a good night’s sleep, time spent reading a novel or going for a walk with my spouse. It’s not always easy but that’s the way I deal with it. I avoid getting stuck by deliberately keeping fluid movements between the modes of fox and hedgehog. Anyway, in my mind, that’s one part of how hedgehogs and foxes figure in the creative/literary life.
Another part of how hedgehogs and foxes figure in to it: our creative life isn’t “one big thing”: we aren’t the sum total of one published book or one painting. We aren’t one label. A creative life is cumulative. Of course when people talk about artists or writers shorthand references – labels – are often made like “So And So is the insert genre label author of Famous Book”. But this is just a way of speaking, a verbal convention. It’s even a necessary one because we use helpful labels to find things, like books to read, and a name or a genre category label is a great starting place.
Yet during the lived reality of a creative life things aren’t so simplistic. Creativity is many-things fox like when we’re in the midst of our unnamed, unlabeled creative project. It can feel unfocused, messy, free ranging all over the territory at the beginning only slowly becoming focused over time as the thought “scent” is caught and the project develops towards completion. After completion then the one-big-thing hedgehog label can be applied. And while my diagram below simplifies the fox/hedgehog creative process please know that this process isn’t linear, its fluid, there will be foxhogs and hedgeoxes, there’ll be all sorts of fits and starts, beginnings and endings, rushing currents and still pools… before a project is finished.
This process of metamorphosis from fox to hedgehog is part of why it is such a challenge for writers and artists to think up loglines or book jacket blurbs or elevator speeches or art statements that sum up their creation in a few sentences (or a Tweet). To sum up their work of the last few years, work they sweated daily over, work they gnashed their teeth on – to distill what it was about using 150 words or less both encompasses and transcends the lived creative process itself. It’s hard to rise above the creative life meadows where the foxes and hedgehogs have played and, from a birds eye viewpoint, select a single meaning for the shorthand talking points. This difficulty is why it’s also a challenge to write query letters that briefly describe a manuscript submission. It’s hard to reduce a fox-y many splendors creation down to a hedgehog-y one big thing and to call the hedgehog an accurate, yet attractive, name.
By the way if you formulate the hedgehog one-big-thing, the logline or art statement, in advance and are rigid about it (i.e. curl up in a prickly hedgehog ball) the resulting project is seldom satisfying to either the foxes aka the creators themselves or to their audience.
And yet a hedgehog can be a great starting place – if you aren’t rigid about the hedgehog label and use it as a prompt! It’s highly likely that a creation that starts out as one defined hedgehog can shape-shift to a fox during the creative process and finish up needing an entirely different hedgehog-y label. So that’s another reason it’s a challenge at the end of a project to select the exact hedgehog that was metamorphosed from that fox. This is also part of the exhilarating fun of a creative life.
We enjoy the arts for the fox-y complexity of many things in them – we talk about that complexity we enjoyed viscerally using simple hedgehog-y verbage. The fox represents a direct experience and a nonverbal expression of life. The hedgehog represents a definition and ways of talking about that artistic representation of life. We need both the foxes and the hedgehogs. The challenge is to remain loose, open, letting the foxes and hedgehogs become themselves while also keeping a benevolent watch over them.
What a work of art or literature “means” in the big scheme of it’s hedgehog label, is identified (if ever) after the work has been made and existed in the world a while. After the artist is finished then we use simple language to sum up what a creation meant. We give it a genre, a category, a label. That summing up or meaning finding is done and verified over the duration of time that the art exists – it gets reevaluated by the artist and by the audience constantly. The lables often get changed multiple times before they “settle” if they ever do. Almost all of Tolstoy’s work has gotten reevaluated numerous times since the era in which he was living and working.
From a creative person’s point of view I find it’s sanity-saving to not worry about the meaning of one work in the big scheme of things but to just get on with the next project. I don’t worry overmuch about the hedgehog labels I give my work for use when submitting or promoting it. As I wrote in my last post I’m regularly surprised by what labels publishers, distributors and art gallery owners place on my work. I just accept the label and these labels become tools I can use to talk with that distributor. For example I now can say to Storyberries “Here’s a new ABC123 Poetry book from me”. But even with that new knowledge generally my attitude when I’m working in my studio is “I’ll make the stuff and you can sort it out” rather than getting stuck on any of the potential labels while I’m in the creative process. Anyway, here’s a note on this topic that I have thumbtacked to my art studio wall.
The meaningfulness that is found after the creation is finished also has an element of danger. Sometimes because an artist is so tired upon completion they, in their fatigue, misjudge their own work and may mislabel it or even destroy it. Sometimes an artist gets stuck on a label and that impedes their progress. Sometimes the selected audience isn’t ready for a creative work and rejects it. Sometimes a work isn’t found to be meaningful until long after the artist and audience’s current era is gone and a new era begins. Sometimes a different audience within an artist’s lifetime finds the work more meaningful. Sometimes meanings and labels change over time too. Sometimes these new labels are helpful and sometimes they’re not.
So for all of those reasons I find it’s best to avoid gaslighting myself, i.e. making hard declarative statements about my work, either as I’m working on projects or whenever they’re finished. I just enjoy the process of making things. Other people can sort them into meanings and categories. That said, I do find the effort of succinctly summarizing my own creative works as a logline etc helpful as long as I don’t take it too seriously. Whatever you want to call it is fine with me as long as my personal foxes get to play and my hedgehogs stay cute.
Which brings me to book banning. I despise censorship because someone somewhere has decided in advance what a book or work of art “means” and they aren’t willing to let people decide that for themselves. They get rigid, in a hedgehog-y prickly defensive ball way, about everything fitting into their one big thing label whether that label is political or religious. They can’t, or won’t, deal with the foxes free ranging exploration. They’re allergic to questions and uncertainty. They reject categorically the concept of changes over time. They’ll decide they just don’t like one particular fox or hedgehog and insist that the external world must conform to their preferences.
Creativity is all about questions and dealing well with uncertainty. To be creative is to actively participate in change and growth. Creativity is a response to the world. Anyway, here’s an article about many of the current censorship efforts that I keep a careful eye on.
In my current art exhibit at the Aurora Gallery on the upper left shelf in the photo below is an artist book I made which tells a truth about rabbits and metaphorically about people. It’s called “The Rabbit” and it is about book banning.
There’s also a video look through the illustrated poem artist book here https://youtu.be/6-T5zi-fLvM on my YouTube channel. Below are a few still photos.
I also participated from home by posting this: I #standwithsalman in favor of free expression. For the Aug 19 2022 @PENamerica event I’m reading from “Haroun and the Sea of Stories” by @SalmanRushdie – it’s one of my favorites – Here’s my reading on YouTube.
There now that I’ve finished this blog post I’ll deliberately avoid the one-big-thing type question of “did my efforts to write this blog post mean anything or matter in any way to the larger literary or creative culture?”. In such a question lies gaslighting madness. So instead of going there I accept that I enjoyed writing out my views of the creative process within the context of hedgehogs, foxes and the essay by Isaiah Berlin. And I hope my friend Liz will enjoy reading my thoughts on how hedgehogs and foxes relate to the literary world. There, that’s enough mattering and meaning for me.
Aha, now after rereading what I’ve written (and correcting the autocorrect 🙄) I see that there’s a few category and tag labels that I can use when publishing this blog post! Good enough…
I hope your creative week is full of playful foxes and hedgehogs. See you next Monday.
My exhibit “For You By Sue the ABC’s: Art, Books, Cards” opened at the Aurora Gallery. It was my first art event since my adopted Mom passed so it was hard in many ways. But I spent time talking with my spouse and being in touch with family and friends so that helped. I didn’t attend my art opening in person because I’m still being careful re Covid and, frankly, I didn’t want to cry in public. Even so I heard nice comments via social media from people who saw my exhibit during the opening and took the time to tell me they enjoyed it. It’s safe to say quite a wide spectrum of my emotions were covered.
Which made me glad that I’d spent time reading Marcus Aurelius recently. Over on A.M. Sketching I thought, as I sketched, about a quote from Marcus Aurelius – regarding not needing to always have opinions and the practice of letting opinions float by as they will. I find this is true of my emotions too – they come and go if I just let them alone. So, it helped this weekend to just let my emotions come and go without forming an opinion about how I felt. Not forming opinions about my emotions helped me to sustain both my creativity and my ability to do the business end, so to speak, of living a creative life during a personally difficult time.
This last week I made an effort towards my new drawing tutorial gig via Nil-tech. I did a demo of drawing “Hedgehog in Shade“.
It’s a beginning… here’s a link if you’d like to see my very short tutorial effort.
Here’s a book I’m reading and enjoying. I find the main character’s way of cheerfully adapting to difficult circumstances very refreshing.
I’m going to read and rest some more. Thank you for reading and for your kind comments. See you next Monday.
