reading and mutts in art

A Creative Life, animals in art, art exhibit, art gallery, artistic inspirations, Books In Art, creative thinking, dog portrait, Dogs in Art, fine art, food in art, reading in art, still life, visual story, visual thinking

On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.

Fast forward to my currently in progress reading and books in art series – and the wonderful mutt I’d met made an appearance:

MeditationsForTheMetrosexualMutt72

“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019

Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…

LifesABowlOfCherriesStemsPitsAndAll72

“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board

The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.

Gala72

“Gala” by Clancy – acrylic and gouache on board

The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.

I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.

As you can tell I’m still thinking about “nesting ideas” and stories within stories…

 

 

crossword puzzle books in art

A Creative Life, animals in art, art exhibit, Art Word Combinations, artist book, artistic inspirations, Books In Art, dog portrait, Dogs in Art, fine art, poetry, still life, visual thinking

Here’s a new painting in my “reading and books in art” series.  I confess that I love printed dictionaries, thesaurus’s and puzzle/game related books. In my art studio resource shelves I have 8 dictionaries, 3 thesaurus’s and 5 puzzle/game related books. Art idea gold-mines in my opinion. Naturally a Boston Terrier would consult one of these books…

TheArfThesaurus72

“The Arf Thesaurus” by Clancy – 16 x 20 inches – acrylic and gouache on board —- image copyright 2019

The puzzle in the painting is actually work-able – at least somewhat – if you could get the Boston Terrier to move his arm.  It was fun to imagine a puzzle related to sounds (words?) a dog makes.

If you look in the upper corner of this painting you’ll see that I’ve spoofed another painting that I did earlier.

GoodMorning72

“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board – image copyright 2019

As I’ve worked toward this exhibit theme of reading and books in art I’ve become aware again of my love of words so I’ve also been experimenting with abecedarian poems, nonsense poems and made up words. This is in conjunction with thinking about constructing some artist books related to my upcoming reading and books themed art exhibit.

Still noodling about this concept of nesting-ideas-within-nested-ideas I’d mentioned in my last post. We’ll see where it goes.

And yes, I love it when I take the time to sit and work a crossword puzzle. I’m not up to The New York Times puzzle level yet. Someday perhaps. I’ve known two people who could do the Sunday NYT puzzle in ink. They impressed me enough with their level of education/smarts that I started on the bunny-slope level of crosswords. They inspired me reading more widely too. I like to think I’ve gotten a little better at puzzling since then.

Do you like crossword puzzles?

reading and books in art

A Creative Life, animals in art, art exhibit, artist book, artistic inspirations, Books In Art, dog portrait, Dogs in Art, fine art, food in art, visual story, visual thinking, words and pictures

I’ve begun a new series of fine art pieces intended for exhibits later this year. (Yes, I’ve a deadline dragon) And I’ve been thinking of how when I walk into a library or bookstore I feel like I’m entering a galaxy.  Words and ideas that are interrelated with other words and ideas, like an array of planets and stars, or like nesting dolls or stuffed vegetables.

Also in my thoughts; the way I can experience something first hand but when I read about that same experience in a book I have a delightful momentary shock of recognition and I better understand my experience.

So I’m exploring these thoughts, as best I can, within my new series.

Here’s one of my new pieces:

GoodSmellsAMemoirOfALifelongPursuit72

“Good Smells: A Memoir of A Lifelong Pursuit” by Clancy – image copyright Sue Clancy 2019

You’ll notice, I’m sure, the “nesting” ideas of the coffee and mints. There’s a real still life, also by me, which is spoofed within the above painting that I will also include in my upcoming exhibit. I love the idea that a viewer could find the real-life painting that is referred to within another painting – sort of a “find the image” puzzle exhibit.

Here’s a picture of the still life referred to in the painting above:

AfterDinner72

“After Dinner” by Clancy – copyright Sue Clancy 2019

I’m also thinking it’ll be fun to also include at least one artist book version of an imaginary book depicted in one of my paintings – so the viewer could look at the painting and then leaf through a copy of the book depicted in the painting. But we’ll have to see how that works out.

Posting progress as I go… thanks for staying tuned.

 

illustrated poetry about food

A Creative Life, animals in art, art techniques, Art Word Combinations, artistic inspirations, author illustrator, books, creative thinking, Dogs in Art, illustrated poem, illustrated shorts, illustration, poetry, published art, Sustainable creativity, words and pictures, writing and illustrating

Last weekend I spent some time looking through my cookbook collection which sits on the shelves next to my poetry collection. Since I’ve been practicing both cooking and writing I look to my favorite “masters” in each genre for inspiration. It’s nice to have them all in one spot.  Mollie Katzen, Aliza Green, Rick Bayless and Maryana Vollstedt are some of my favorite masters from the cooking world.  Edward Gorey, Edward Lear, Ogden Nash and Shel Silverstein are some favorites from the poetry world.

I spent the most “looking-for-a-recipe-to-cook” time with Vollstedt’s cookbook “The Big Book Of Soups And Stews” as it was a cold weekend. Plus a hearty stew puts me in a happy “comfort food feast” frame of mind. But the most “just admiring a cook book” time was spent with Katzen. However I did use one of Katzen’s salad recipes to go alongside a stew. I love the way Katzen hand lettered her recipes and illustrated them in her “Moosewood Cookbook”.  My poetry time was divided between Edward Gorey and Edward Lear.

This concept of mashing up wildly different genres as inspiration to make something new? Well Austin Kleon has written wonderful creative thinking technique books about that – specifically Steal Like An Artist!

Anyway I combined my big pot of stew thoughts with the limerick poem form for this poem I wrote and illustrated below – which has been published now on They Draw & Cook.

ForTheCooksPlentitude72

For the cooks plentitude – by Clancy https://www.theydrawandcook.com/artists/sue-clancy

I’m still practicing combining India ink and gouache – and doing text with a brush.  I used a smaller size brush this time for the type – and all lower case letters.  This brush-and-ink type style felt looser, more relaxed, than the type I did with a fountain pen for the birthday card – though both projects use a similar lower case.  I like both methodologies and will probably use both techniques as they fit with the project at hand. But this brush style… I’m liking it and am finding my hand reaching for a brush more often.

What do you think?

a mouse scrapbook and gift

A Creative Life, animals in art, art techniques, Art Word Combinations, artist book, artistic inspirations, books, ebook, graphic narrative, handmade books, illustrated shorts, sketchbook, small things, story, The Sketchbook Project, visual story, words and pictures

Here are a few pages from my tiny sketchbook for the Brooklyn Art Library titled “A. Mouse’s Book Of Scraps”.  And since you follow me here’s my entire book, free download, as my thank-you-for-following-me gift: AMousesBookOfScrapsByClancy

I’m doing this gifting by permission of our books author Mr. A. Mouse of course. <wink> We, Mr. A. Mouse and I,  hope you like it!

And yes, this 2.33 inch by 1.66 inch book is a humorous parody or spoof on the concept of collecting and publishing…

In a recent post I spoke of this book and of the Brooklyn Art Library’s Tiny Sketchbook Project in general well here’s a link https://www.brooklynartlibrary.com/

You can also see more of my downloadable artist books on this page. Your patronage and support means a lot! Thank you!

a scrapbook by a mouse

A Creative Life, animals in art, art techniques, artist book, artistic inspirations, graphic narrative, illustrated shorts, published art, small things, story, The Sketchbook Project, visual story, words and pictures

This year I’m participating in the tiny sketchbook project at the Brooklyn Art Library – my sketchbook will travel to London, Paris and other places in Europe along with other tiny sketchbooks in a portable library that fits in a suitcase. My book will be in the Brooklyn Art Library’s permanent collection.

I’ve titled my book “A Mouse’s Book Of Scraps”.  It’s a scrapbook from the point of view of a mouse. A Pacific Northwest Jumping Mouse to be exact.  It’s fun to think about what kinds of things a mouse would collect; cheese rinds, vegetable scraps and landscapes.

Here’s a picture of my book in progress. The mint is there to show scale. And yes – it’s hand bound…

SewingTinyBook72

https://www.brooklynartlibrary.com/tinysketchbook

personalized portraiture pleasure

A Creative Life, animals in art, art commission, art commissions, artistic inspirations, cat portrait, Cats in art, dog portrait, Dogs in Art, fine art, Fine Art Commission

I’ve enjoyed, this season, being commissioned to create several portraits of pets which included many elements that reflected the pet owners too!  Thank you for the privilege of making something special for you and your loved ones – that was the wonderful gift you gave to me this Holiday season!

You can read juicy details about one of my commissioned portraits of two cats here.

And there is a wonderful newspaper article in my local paper, The Columbian, about commissioning a portrait from an artist and how it can become a treasured family heirloom – and how a portrait by an artist is different from a photograph.  It’s true, at least by my experience, that people really do treasure portraits of pets and people that they know. Btw: portraits can be commissioned any time of the year – not just during Holidays.

As it may still be possible that some gifts have not yet been unwrapped in 2018 here, for your amusement, are a few commissioned portraits that I did in the past (and are thus safe to post!):

You can see more about my portraits, information about how to commission one, as well as more examples of my work on this page.

Thank you also for your support and encouragement of my work throughout the year! Happy Holidays and my best wishes for a Happy New Year!

 

portrait commission of two cats

A Creative Life, animals in art, art commission, art techniques, cat portrait, Cats in art, fine art, Fine Art Commission, handmade papers, visual story

This time of year most of my art commissions are gifts and are top secret. No blogging about them. Well this time a couple asked me to create a double portrait of their two cats and since it’s a gift to themselves they’ve let me blog about it! (Happy Holidays to all of us!) Here’s how it went:

In September Sue and Dean asked me via Caplan Art Designs, my Portland gallery, to create a double portrait of their two cats.  They were pretty sure they wanted it to be 12 inches by 18 inches and on handmade paper to be framed.

A time to meet to discuss the commission was arranged and my wife, Judy, and I went to dinner at Sue and Dean’s house.  I brought an example of the 100% cotton handmade paper that I’d use at the size they’d requested and a few other sizes just in case. I also brought my camera, a note pad and an extra pen.

After we’d been there a short while the cats came out. So did my camera. As the cats got used to me, and over the evening, I took over 41 photos of them. Here are two of the photos I took.

I asked questions of the humans about the cats favorite places, toys and habits. I asked questions about the humans favorite places, drinks and memories. On my note pad I wrote down the answers. Where possible I photographed the answers .  For example on of my questions was: “What drink do you reach for most often when you want to relax? And what kind of glass do you have it in?” Here was the answer:

Drink

Generally we just talked about one thing and another. You know, dinner party talk. I asked questions, kept my ears open, and my notepad ready for recording things that might be relevant to the commission. I like to include in any pet portrait elements from the humans’ lives: favorite objects, drinks, food, anything that sparks pleasant memories. Helpfully, Sue and Dean both volunteered lots of information about themselves such as a favorite artwork that was meaningful to them.

backgoundart

They told of past travels that were particularly memorable. Famous people they’d met in Hawaii.  All kinds of things were talked about and without interrupting flow I asked  more questions  and made as many notes as I could. Without being too obvious I also looked around their house noting colors and patterns, writing those notes down too.  This is what I call the “data dump” phase of a commission. At this point I have no idea what information will be relevant for the final artwork.

We relaxed into the evening; just talking, having a very yummy dinner with a good wine. Slowly as Sue and Dean talked I began to get ideas…  The cats got comfortable too and began doing their “normal” behavior.

Ollie likes to sit in a basket that holds magazines. Tony likes to sit on the couch and watch Nature on television.  The cats behavior prompted me to ask which human had the magazine subscriptions (Sue did) and what magazines were favorites. Dean has worked in technological fields…so technological advances (including TV) were discussed..

Later in the evening I floated a general portrait concept: Ollie reading magazines and Tony watching TV…perhaps the basket Ollie likes so much could become a “table” in the artwork, perhaps…   They both seemed to like my concept direction. They verified the size of artwork they wanted. I said I’d send them, via the gallery, a sketch for their approval before I began the finished artwork. We enjoyed a bit more conversation (and wine) – I glanced at my notes and racked my brain to make sure I had all the data I needed – and then we said our good-nights.

In the driveway pulling away from their house about 9:30pm I texted the gallery owner with the gist of what size artwork Sue and Dean wanted etc. Then my wife, Judy, and I discussed the evening in the car as we drove home. I still had my note pad out and was writing notes in the moving car by flashlight. (Judy was driving.)

Occasionally it had happened during the evening that I was talking with Sue in one room while Judy was in another room talking with Dean. So Judy filled me in on what I’d missed.  At this point I am still in “data dump” mode. I have a rough direction for my design. But the details are very fuzzy. (Over the many years I’ve done special commissions this kind of uncertainty is normal and I trust it as a part of the process.)

The next day I went over my notes and began making 4 x 6 inch size thumbnail sketches.  Over several weeks I did this; going over my notes and photos, drawing possible poses of the cats, possible objects, considering composition and colors. I also showed my sketches to Judy discussing the possibilities. At one point Judy said that they had both talked of Nova Scotia, Newfoundland and Hawaii enough that she was sure that they were important. I agreed and adjusted my drawings so that a reference to those travels was emphasized. Slowly an idea began to come together in the small thumbnail size anyway.  What works visually at a small size doesn’t always work at a larger size but it’s a place to start.

On my easel I put the 12 x 18 inch handmade paper. Then I covered that with tracing paper and drew a grid (you can see it in the photo below). Then I put tracing paper over the grid and drew one of the thumbnail ideas to that scale.  Then another tracing paper was put over that and that drawing tweaked…. And so it went, with multiple tracing paper overlays and re-draws, for a week or more. Tweak, tweak, tweak, until I had something I felt good about.  The “good drawing” I sent to the gallery and to Sue and Dean for their approval. Here is what I sent:

MorehouseCommPreApprove72

They approved the drawing! Yippee! I did a happy dance and then I got serious about colors.

Upon arriving home after the dinner with Sue and Dean I had gotten out one of my interior design color swatch books. Flipping through the pages I found a couple of color spreads that I felt had the “vibe” of Sue and Dean’s house. I showed the pages to Judy to get her input.  With those interior design book pages as a rough guide along with my photographs taken inside their house I began mixing colors and making color notes.  I used my thumbnail drawings to play with color schemes too, painting blobs of color here or there. Anyway, here’s a photo of the interior design book page as well as a few pages of my sketchbook color notes. I did 6 pages of color notes but this one photo will give you the idea.

ColorPaletteBlends

As I decided on the colors I made pencil notes on the approved to-scale drawing where the colors would go. You can see some of this in the photo above.

Then I began on the finished artwork.  The actual painting took about 10 days start to finish. As I say often – the sketching/drawing/planning is where the bulk of creation happens.  I transferred the approved sketch/drawing to the handmade paper I intended to use for the finished artwork.  Then I began to make tiny adjustments to the drawing directly onto the handmade paper in prep for painting. I also discovered gaps in my visual data base.

For example I realized that I didn’t know what the back of a vintage TV set looked like. Not well enough to paint it in detail anyway. Fortunately there are some vintage shops where I live – so a few visits downtown with my sketchbook and the problem was solved!

I also realized that I had an opportunity to make a portrait of Sue and Dean on the front cover of the “magazine” that Ollie, the cat, would be reading in the finished artwork. So I asked for, and got, a picture of the couple that I could use as a reference photo.  From the photo I did several pencil drawings on tracing paper to design the magazine cover and to get the humans to look like themselves. I drew until I had a cover design and human portrait that worked. Here it is:

MagCover

Once I had the magazine “cover” drawing ready (drawn to the scale needed in the artwork) I transferred it to the appropriate spot on the handmade paper.  At another point I realized that I could include the stain glass windows I’d seen in their house as part of the “back cover” of the magazine. But I hadn’t gotten photos of the window when we visited for dinner. And neither Judy nor I could remember the exact details of the windows. So I contacted Amy at the Caplan Art design gallery and she helped fill in the missing data! Whew!

Here’s what the finished artwork “Ollie and Tony” looks like. I’ve photographed it as it was on my easel when I finished it, so you can see the four deckled edges of the handmade paper.  I used acrylic, gouache, watercolor and ink.

OllieAndTonywithdeckles72

I sent the photo of the finished art to Amy the gallery owner to let her know it was done.  Then I spray varnished the piece with a removable varnish that has UV protection in it.

When that was dry I contacted Amy and arranged for a time to deliver it to the gallery.  The date was set and the varnish dry so I slipped the artwork into an archival plastic sleeve and into a cardboard portfolio to protect the artwork from being bent on its travels between my studio and the gallery or between the gallery and the framer.  (It rains in the Pacific Northwest – so artwork needs all the protection it can get.)

We delivered the artwork to the gallery and as a nice surprise Sue and Dean were there!  Here we all are looking at the artwork and talking about it:

artdelivery

Amy will take the artwork to the professional framer the gallery works with and have the art floated on a neutral mat, with spacers so the artwork won’t touch the glass.  It will be given a simple black frame.

What a fun project!! I love getting to make highly personal and meaningful visual stories like this! Thank you!! And thank you, Sue and Dean, for letting me share it on my blog!

Happy Holidays Everyone!!

 

Thanksgiving and The Arts

A Creative Life, animals in art, art techniques, artistic inspirations, business of art, creative thinking, functional art, kitchen art, music in art, Sustainable creativity, visual story, words and pictures

I remember being told, as a young person, that the arts were “not practical”. Today I thought of 8 ways, both serious and silly, that the arts are useful on Thanksgiving day.

  1. Culinary arts: Making food is considered one of the “fine arts”. Even if the kitchen looks like this: Funny Cooking Fails Compilation | AFV Funniest Videos 2018
  2. Sculptural arts: The Macy’s Thanksgiving Parade Costumes are made by artists in the Macy’s Parade Studio .  Over 50 million people had the parade on the TV during their 2017 family holiday. A link for watching the Macy’s Parade in 2018 is here.  An on the parade topic, even though it’s film animation, here’s a Cat Parade.
  3. Musical arts: A background music playlist of “20 best Thanksgiving” songs here. And then there’s a funny video of when Dad sings…. Lol!
  4. Visual Arts: Arts and crafts projects to entertain the kids while the adults drink, I mean cook.  Here’s a video of some cute kids who had lots of fun with an art project until…oops!
  5. Arts and craft mess clean up techniques (aka Art School 101) outlined here. Btw: I’ve successfully used rubbing alcohol to get marker ink off of wood surfaces and crayon marks off walls. And in this video an adorable kid has Art School 101 down… too cute!
  6. Photographic arts: Here’s some real tips for taking family photos. And here’s some funny dog photos.
  7. Story arts: Serious tips for telling stories here and here. And then there’s a funny video of Grandpa telling a story… here. But Grandma decided to tell her story using the medium of dance… lets watch!
  8. Decorative arts: Here is a silly video of a dachshund decorating … But more seriously Spoonflower is one of my favorite sites for artist-created materials for things such as napkins and table cloths. Below is a photo of a table runner I designed. It looks good with some candles or a wooden bowl with fruit or nuts as a centerpiece. I also think it’d be fun visual joke to put tiny clean, cute birdhouses… and/or some small woven baskets with candy eggs in them, as centerpieces on my “autumn leaf” table runner.  But then I’m warped like that.

Anyway if anyone ever tells you that the Arts are not practical – don’t believe them.

Happy Thanksgiving!!

still a character

A Creative Life, animals in art, art techniques, cat portrait, Cats in art, dog portrait, Dogs in Art, fine art, food in art, Narrative Art, story, visual story

Here are a few of the artworks I’ve recently sent to Joseph Gierek Fine Art (www.gierek.com) for the upcoming Holiday Art Show.  I’m sure you’ll notice my “still life” object practice work now combined with characters. Yes, I’m trying to make every element count toward the visual story. You know, like a writer tries to make every word count.