feeding good wolves

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I’ve been reading a book titled “Become America” by Eric Liu. In it Liu writes “To be a citizen is to be an artist…. ” Liu included examples of people imaging things like “why is this not a park?” and “How could these old folks and these little kids be making something together?”.

That got me thinking of how citizenship is an act of imagination. Governments, businesses – and of course artists – imagine all kinds of activities for their fellow citizens to participate in. Such imaginative action creates the civic world over time.

It is crucial, then, the kinds of imagination used and the intentions behind it. It matters which wolf gets fed: our good wolves or our bad ones.  Or if you prefer angels: do we encourage the “better angels of our natures”?

It far too easy for the human mind to think “It’s always been this way” when we see civic spaces or events. It takes a healthy imagination and some effort to remember that we, collectively, created “this way” bit by bit and that we can maintain it or change it by equally small mundane bits too.

When it comes to my own imagination – and maintaining the health of it and my own civic engagement – I’m constantly asking myself “which wolf does this idea/thought/event feed?” and then looking for the small mundane steps needed to create a banquet, a meal or a snack for my good wolves and better angels.

One step I’ve identified recently, something small and within reach, that I can do to encourage and maintain my own healthy imagination – and good citizenship – is to create a new printed edition of Dr.Bob’s Emotional Repair Program First Aid Kit. And to make it more widely available.

Currently there is only the ebook version out.  The first printed edition was done on an Espresso Book Machine at my local Powell’s bookstore.  That machine no longer exists. Sigh. Theoretically copies of the first printed edition may still be found out in the wide world – by clicking here – but it’s a challenge.  I want to make the book easier to find.

I, personally, want to have another printed copy of Dr. Bob’s Emotional Repair Program First Aid Kit. I want to put a copy in my bathroom. I want to read it when I brush my teeth. I want my good wolves to have more food to sink their teeth into. I want to maintain my healthy imagination – and to practice envisioning other good wolves with healthy imaginations also brushing their teeth…

Anyway, here’s one of my illustrations for the book:

TwoWolves

illustration by Sue Clancy for “Dr. Bob’s Emotional Repair Program First Aid Kit

pie places and mapping the mundanely magical

A Creative Life, artistic inspirations, author illustrator, food in art, illustrated shorts, maps, mundane and magical moments, psychogeography, travel art and writing, travelog, travelogue, visual thinking

In my early 20’s I worked as a graphic designer for the Center For Economic Management Research where I took business statistics and turned them into maps and all sorts of illustrations. It was fun to learn that there are magical people behind those dry lists of mundane numbers!

Well fast forward to today – and I still like maps. I think of map-making as sorting mundane information via my imagination. For example; I’ve recently taken my running around sketchbook pages that depict places where good pie can be found and have turned the accumulated info into a map titled “Pie Places in Vancouver WA”. You can find this map and my other maps here and here.

And yes, you can really go and get a yummy slice of pie from any of these real-life places:

PiePlacesVanWa

Pie Places in Vancouver WA – https://www.theydrawandtravel.com/artists/sue-clancy

 

 

strawberry dessert anatomy

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Here’s a page from my sketchbook that relates to a recent blog post: https://sueclancy.com/dogs-strawberries-and-cookbooks/

DessertAnatomy300

oh sheet a deadline dragon

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Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.

And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.

Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.

Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:

DeadlineDragonDance72

And here is the instruction sheet on how to fold the above “book”:

HowToFoldADragon72.jpg

The pdf file for free download again: DeadlineDragonDancebyClancy

Yep I had a lot of fun taking a stodgy concept like deadlines and combining it with humorous poetry, illustration and book arts! I used brush and ink as well as my fountain pen on Bristol paper.

What do you think? How do you deal with deadlines, both the ones you set for yourself and those set for you by others?

illustrated poetry about food

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Last weekend I spent some time looking through my cookbook collection which sits on the shelves next to my poetry collection. Since I’ve been practicing both cooking and writing I look to my favorite “masters” in each genre for inspiration. It’s nice to have them all in one spot.  Mollie Katzen, Aliza Green, Rick Bayless and Maryana Vollstedt are some of my favorite masters from the cooking world.  Edward Gorey, Edward Lear, Ogden Nash and Shel Silverstein are some favorites from the poetry world.

I spent the most “looking-for-a-recipe-to-cook” time with Vollstedt’s cookbook “The Big Book Of Soups And Stews” as it was a cold weekend. Plus a hearty stew puts me in a happy “comfort food feast” frame of mind. But the most “just admiring a cook book” time was spent with Katzen. However I did use one of Katzen’s salad recipes to go alongside a stew. I love the way Katzen hand lettered her recipes and illustrated them in her “Moosewood Cookbook”.  My poetry time was divided between Edward Gorey and Edward Lear.

This concept of mashing up wildly different genres as inspiration to make something new? Well Austin Kleon has written wonderful creative thinking technique books about that – specifically Steal Like An Artist!

Anyway I combined my big pot of stew thoughts with the limerick poem form for this poem I wrote and illustrated below – which has been published now on They Draw & Cook.

ForTheCooksPlentitude72

For the cooks plentitude – by Clancy https://www.theydrawandcook.com/artists/sue-clancy

I’m still practicing combining India ink and gouache – and doing text with a brush.  I used a smaller size brush this time for the type – and all lower case letters.  This brush-and-ink type style felt looser, more relaxed, than the type I did with a fountain pen for the birthday card – though both projects use a similar lower case.  I like both methodologies and will probably use both techniques as they fit with the project at hand. But this brush style… I’m liking it and am finding my hand reaching for a brush more often.

What do you think?

illustrated poem aka birthday card

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Some twins I’m lucky enough to know turned one year old today. So in collaboration with my wife, I wrote a poem and illustrated it for them. It was a good opportunity to practice art word combinations. And I think they’ll like it. Their parents and grandparents seemed to.  Anyway here’s a picture of the birthday card:

CupcakeParadeTwins1yrBday72

I used a fountain pen to write the poem text this time.  Last time I’d illustrated one of my poems I’d used brush and ink. For this birthday poem lower case letters were used. I like the lower case style. At least for this poem…  The fountain pen was easier to control (and something I’m used to) and the neatness of the type and the softness of the lower case style are pleasing to me.

When I’d finished lettering the poem I then drew the illustration in brush and ink. After that dried I used gouache to give it color.  That method too was an experiment in using ink and gouache in combination.

I am pleased with the resulting art word combination and will likely do that again; lower case letters and all.

What do you think of this lettering style?

carried away by a book illustrated poem

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I’ve decided recently to practice my poetry and short-short story writing by writing something, no matter how bad, every day. If there’s anything illustration worthy I’ll illustrate it.  Out of all I’ve done thus far this seemed worthy:

LookLook72

poem and illustration by Clancy

Doing the poem text with a brush was new and different for me. It was looser and I think I like it. Typically I’ve used a dip-pen and been “tight” about it. I’ve also tended toward handwritten capital letters as you know from my illustrated recipes. It’s a text-style habit that harkens back to my years as a professional cartoonist and biological illustrator.

But for this poem when I used capital letters via ink-and-brush the text seemed too thick and shout-y.  I’m now thinking I’ll experiment with all lower case writing. And a smaller brush.  Or maybe a fountain pen rather than a dip-pen.

I’ll try a different hand-written style, and technique, if I happen to write another illustration worthy poem. We’ll see… I’ve got a lot of bad poetry to write between now and then I suspect.

What do you think about the all capital letters via brush style?

sketching the coast

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Happy New Year everyone! New on newsstands is a magazine, Oregon Coast Magazine, in which is a 4 page article that I both wrote and illustrated!  It was such fun to do a “sketching the coast” article for them that I want to do more such writing plus illustrating this year. Here’s a link for Oregon Coast Magazine https://oregoncoastmagazine.com/.

SketchingTheCoast1819a72

real life story recipes

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I’ve been experimenting with the flash essay format. Creating recipe illustrations, for example, and writing a short-short story/essay to go with it. Here’s a recent one as relates to this Holiday season:

Hot Cocoa Espressoism by Sue Clancy

 – My wife and I went for a long hike in the woods on a below 40 degree day in the Pacific Northwest. We were cold when we got home. Before I shed my coat and scarf I began a pot of hot cocoa. Just after pouring the hot cocoa into mugs on the spur of the moment I added 1.5 oz Veil Double Espresso Vodka and whipped cream. I handed a mug to my wife confessing that I had been playing with ingredients again. She took a dubious sip. Oh nice! she exclaimed, adding; You can play with ingredients anytime especially when there’s alcohol involved. Since she liked the drink so much and I enjoyed the bold contrast of the hot liquid with my cold-from-the-hike self I kept the recipe – and drew it here using vigorous lines and contrasting colors in an attempt to capture my feelings.

HotCocoaEspressionism72

“Hot Cocoa Espressionism” by Clancy – https://www.theydrawandcook.com/artists/sue-clancy

Hope your Holiday is similarly filled with fun people, delightful things to do and good food/drink!

candied fabric peppermint flavor

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In between Holiday fine art commissions I’ve been reading about the writers technique of flash fiction and flash non-fiction. And I’ve realized that this is what I’ve been doing all this time – illustrated flash. Or “illustrated shorts” as I call them.  Like the short-short story writers do I take a nugget of a thought or feeling and describe it – but using visual art instead of words.

For example: I’ve sometimes looked at bowls of peppermint candies and thought of how fun it’d be to fling the mints up in the air and let it “rain” mints for a second. I’ve never done it – probably wouldn’t ever do it – but it’s fun to imagine. So I’ve been working on a fabric pattern design with that in mind.

CandyPattern72

I’ve done more of a red emphasis on the mints even though it’s not realistic to the mint examples in the photo because I had some mints recently that had more red on them. They aren’t in the photo because I ate them. All of them. And I’m not sorry I did either!

Anyway, after finishing the peppermint candy pattern artwork I scanned the artwork, took the digital file and set it up to become tea towels or napkins.  Here’s a picture of the tea towel.

By illustrating fabric, in flash-fiction style, I’m able to get across my fleeting “tossed mints” feeling/thought but in a way that’s succinct (like a short-short story) and it’s also of practical use.

It suits my sense of humor to combine both the fleeting and the practical…

Happy Holiday’s in advance!  Now I’ll go back to being one of Santa’s elves…