may the fourth edition be with you

A Creative Life, art techniques, artistic inspirations, Authors, books, functional art, graphic narrative, illustration, publications - publishing, published art, words and pictures

Hanging out at a bookstore yesterday with friends I happened to spot the book “Making Stuff and Doing Things: DIY guides to just about everything!” edited by Kyle Bravo  https://microcosmpublishing.com/catalog/books/1400

This book is now in it’s 4th edition and there’s one chapter by me titled “Why Make A Zine or Artist Book?”.

Back in 2003, if I remember correctly, my work was included in the first edition. Rereading my work now in the new 4th edition I’m still proud and honored to be included!  It really is a useful-in-creative-life book – I’m not just talking about my own chapter.

Here’s a teaser hint of some of the book contents in addition to mine.

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And here’s a teaser page spread from my chapter within this useful book:

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Sharp readers of my blog will probably notice that I’ve used one of the book-stitching techniques I mentioned in “Making Stuff…” on my current project “Time Tavern” (here’s a link to some Time Tavern posts; stitching the book here and more progress here.)

And here’s a panoramic photo of me along with Sweetie and one of our friends (the 4th friend was taking the photo) outside the bookstore Annie Bloom’s Books in Portland Oregon.  http://www.annieblooms.com/

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progress on public art piece

A Creative Life, art commissions, art techniques, artistic inspirations, creative thinking, drawing as thinking, fine art, public art, publications - publishing, visual thinking, words and pictures

In my last blog posts I’ve been talking about one of my current projects: I’m doing an illustration, a public art piece and giving a speech for Salmon Creek Journal and Washington State University.

Here are a series of photos, covering a several week span of time, showing my progress. In general my process was to do short spurts of work on one area, let it dry, come back do a bit more…slowly building over time.  My sweetie randomly came in to my studio and took these photos as I worked.

First I took all of my character/species/size research and the characters I developed from my research (detailed in my last blog post here) and I laid out my crowd shapes using a watercolor pencil. Then I begin to fill them in. Since I’m taking my own advice about drawing crowds (blog post with that info is here) I’m beginning with one of my main characters and the crowd shape that character is in.  That’s what you see in the photo below.

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I’m using watercolor pencils, watercolor and ink on handmade paper. It’s risky – one stray bit of ink and – crikey! I’m living dangerously and loving it! In the photo below I’m filling in more characters.

AtWk2

Now (below) you can tell I’ve been working a while. It’s getting (pun intended) crowded. So to help myself make sure I’m putting additional characters in the correct spots – since things are getting tighter – I’ve taped some of my preliminary character sketches above where I’m working on the finished artwork so I can work from them. You can see some of my preliminary drawings at the top of this photo below.

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In the next photo all of the characters are now in place and I’m starting to work on the background. This doesn’t mean the characters are finished. It just means I’ve gotten them to a certain point of development. As I work on the background I’ll pop back to work on a characters details, colorings and shadings to make it more distinct.

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Below, you can see my progress on the background. There is, however, a lot more work to be done.

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And here I’m going to stop posting on this project for a while as I’ve now caught up with Amanda The Editor.  I’ll post more later about this project when possible.

You can see some of Amanda’s posts about this project via the following links that contain details about the event where I’ll be speaking (including a bit of a statement from me) as well as a call for additional submissions for the magazine: https://orgsync.com/26883/news_posts/230672 and https://orgsync.com/26883/forms/275549

public art a magazine illustration and a speech

A Creative Life, art commissions, artistic inspirations, business of art, creative thinking, drawing as thinking, public art, publications - publishing, visual story, visual thinking

I can now talk publicly about one of my current projects: I’m doing an illustration, a public art piece and giving a speech for Salmon Creek Journal and Washington State University!  The unveiling of the public artwork, and my speech, will be in October. And the magazine illustration will flow from that. Here’s how it all began:

You know I’m deaf right? Well some time back now at one of my local libraries I gave a drawing demo and signed copies of my book “Dogs by Sue Clancy”.  During the demo, (picture me wearing an apron, ink brush in hand, art materials surrounding me on a table and an ever flowing/ebbing group of people watching and asking me questions) a woman walked confidently up to my table.  To my Deaf ears she said “I’m glad to see you! My name is Amanda Xbmlsnn and I’m the editor for Whelngfm Fumeek Ourmrnal magazine. I’d like to talk to you about fmesryulm tjosun. Are you on social media?”  I replied “Yes, I’m on social media. My cards have my contact info. What did you say…” “Great!” said the lady, grabbing one of every card I had on the table “I’ll contact you!”  Off she went. Someone else asked me a question and the rest of the day flew by with a whooshing sound.

A few hours later when the day was done my sweetie came to help me pack up my art materials to leave the library. “How did your day go?” she asked. “Very good – but, darn my ears, I met an editor from a magazine and I didn’t hear her name or even the name of the magazine!!” I said feeling slightly frustrated. Sweetie, knowing that editors are some of my favorite people on the planet, commiserated with me. Feeling somewhat soothed I sighed “I’ll just have to hope she gets in touch with me.”

We went out for a restorative dinner and relaxed for the rest of the evening.

When I next checked my computer I had an email, a Twitter message, a Facebook message and an Instagram message all from Amanda The Editor of Salmon Creek Journal!

There was a lot of subsequent discussion via messages, but in short, the magazine (Salmon Creek Journal – SCJ) wanted to select one community submission to feature in both a gallery showcase and their 2018 print issue – and my work was what they wanted to be the “one community submission”!  The projects relates to a program called “Dis(covering)ability” – so me being Deaf was a virtue…

We arranged for a face to face meeting at the Washington State University (WSU)campus. I brought my camera and took about 45 photographs for my own use as I created my artwork. I took lots of handwritten notes as Amanda The Editor and several other people talked about the campus, about their project and what artwork they hoped for from me.  (My kind of artwork; my use of elements of a physical place etc. was what they wanted! And they wanted me to come give a speech…) Sweetie came with me to the meeting and took notes too. (After such meetings Sweetie and I compare our notes and many of my hearing gaps are nicely filled in!)

Here are a few of the photos I took during the meeting. Sharp-eyed followers of this blog will probably see a correlation between these pics and my finished artwork – which I’ll post eventually. (I mustn’t get ahead of Amanda The Editor in the posting/promo about this project. So I’ll be following her lead on when to post what…)

Since the students are the focus of the SCJ magazine and of the WSU campus – and the focus of the event “Dis(covering)ability” itself – I focused on creating an artistic design that emphasizes the people yet has a flavor of a specific to WSU place. I also wanted to imply a story in my wordless way of movement, of the discovery of sky’s-the-limit ability.

During our meeting on campus I was told that most of the WSU students first experience of campus is on a tour. They said that the fountain was a regular meeting place for students.  As we walked about campus during the project meeting I saw lots of squirrels chasing each other, and birds flying about. I noticed that many of the buildings had a similar brick/tile pattern. All of these observations – and many more – were recorded in my notes.

Back at my studio I looked through my photos and my notes – and Sweeties notes – and I began drawing thumbnails for an overall design. Then I did research to determine the average-height of the characters to be included in the artwork and designing the overall crowd shape.  (In my last post, here, I wrote my tips for drawing crowds.)

Here are a few photos of me at work:

In this pic I’m consulting one of my “animal encyclopedias” and comparing height of various species and listing/drawing a possible grouping.  (Yes, that’s my dachshund on my lap ‘helping’ me work.)

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In the pic below I’m developing some of the characters that I’d settled on in the first photo. I did lots and lots of drawings of characters in order to settle what they’d be wearing, how they’d stand, who they’d be standing next to and what kind of expression they might have on their face.

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Days, if not weeks, went by filled with regular work like what is photographed above. My “SCJ/WSU” sketchbook for this project is, by now, almost completely full of notes and sketches.

Here, for fun, is another page of sketches:

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As per my arrangement with Amanda The Editor I kept in touch with her and sent almost daily photos of my progress. Some of which she posted on the SCJ social media pages – and others she kept for possible posting later.

So I’ll stop this blog post here for now and see what Amanda The Editor does next. Besides it’s almost time for my supper.  But before I go here is a photo, taken during our on-campus meeting, of Sweetie, Me and Amanda The Editor.

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Bear salad and artistic kitchens

A Creative Life, Art Licensing, artistic inspirations, business of art, drawing as thinking, functional art, kitchen art, sketchbook suppers, Sustainable creativity, visual thinking, words and pictures

In my last post I mentioned a new project I’m working on – “Bear Salad”.  Well, in general my new project is a series of art-prints art-illustrations related to the kitchen.

The evolution-tree of this new project goes like this:

When I was in art school I learned from some of my older-wiser fellow art majors how vital being able to cook (and mix your own drinks) was to survival in business as an artist.

Since my college days my hobby has been cooking.  Specifically easy-to-fix meals that are often one-pot or two-bowl wonders.  As a busy professional artist I don’t have lots of time to do multi-dish crazy-complicated menus but I also want my food to be “artistic”. I want it to be colorful and look good on a plate – and taste yummy.  Why leave my artistic creative self in the studio? Why not bring my eye-for-color, texture and pattern into my kitchen – and add the art of flavor?

I love and collect cookbooks – especially the visually beautiful ones. Additionally I take cooking classes for fun and relaxation.  I have secretly harbored a desire to write, illustrate and design a cookbook. (You can see evidence of this in my ebook “Coffee, Table, Book” https://store.bookbaby.com/book/coffee-table-book)

Consequently food and drink has been a theme in my fine artwork for years. It’s been such a constant theme that I’ve gotten requests, as I did again recently, asking if I have “…art prints with dogs and food?”

It seems that people want my lighthearted colorful art for their kitchens but some people are afraid to put an expensive original artwork in a place where cooking-mess sometimes happens.  So I’d begun a series of art prints for kitchens.  You can see this here: https://society6.com/sueclancy/prints

As I’ve mentioned I take cooking classes… well most recently Chef Kim Mahan of http://www.class-cooking.com has kindly let me illustrate some of her recipes and kitchen tips! So you’ll be seeing more of these illustrations a little along as part of my new kitchen-art project.  I’ve turned Chef Kim’s recipe for “pear salad” into a kitchen print called “Bear Salad”. Here’s a link for the giclee art print – https://society6.com/product/bear-salad_print#s6-7068429p4a1v45

Here is my finished illustration of “Bear Salad” – and yes, I’m still playing with words and pictures – My goal is to create a series of lighthearted visually fun kitchen art pieces that just happen to be practical too.

P. S. – My experience of life as a professional artist has proven that my art school peers were correct; knowing how to cook and mix drinks has been a vital business-of-art survival tip!

 

 

 

new art project Bear Salad

A Creative Life, art techniques, artistic inspirations, drawing as thinking, illustration, visual thinking, words and pictures

While my art exhibit is up the months of June and July at Burnt Bridge Cellars www.burntbridgecellars.com I’m starting some new art/illustration projects…. here’s my work table:

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I’m working with ink and watercolor to illustrate a recipe – and to think about it…

More about this project later – my hand and arm is tired now.

what about chip monk beer art

A Creative Life, animals in art, Art Licensing, artistic inspirations, small things, Sustainable creativity

Five years ago I’d done an original artwork, inspired by beers here in the Pacific Northwest, titled “Chip Monk”.  Well, the original sold about 10 minutes after it was hung on the gallery wall. Fast forward 5 years and I’m still getting comments about and requests for that particular image. Some even asked me multiple times “Will you please make a print of the Chip Monk?”

So, because I love my fans, I’ve done an art print of it now, titled “Chip Monk Beer”, via Society 6 – https://society6.com/sueclancy – and I also applied the art image on a few other items. Enjoy! And thanks everyone for your support of my artwork!!

chip-monk-beer378158-framed-prints

art of onions chopped

A Creative Life, Art Licensing, art techniques, artistic inspirations, commonplace book, drawing as thinking, food for thought, illustration, Not-So-Sketchy-Food, sketchbook, sketchbook suppers, visual story, words and pictures

I finished the artwork I was working on in my last blog post! https://sueclancy.com/2017/04/06/art-of-the-onion/ and then I applied the illustration to some things… a framed print, greeting cards and other items you can find here: https://society6.com/sueclancy

art of the onion

A Creative Life, art techniques, artistic inspirations, commonplace book, drawing as thinking, illustration, Not-So-Sketchy-Food, sketchbook, sketchbook suppers, visual story, words and pictures

About a month ago now Sweetie and I took a cooking class (www.class-cooking.com) as a “date night out”. It was fun and as usual when I do something fun I made notes in my sketchbook. Here is one of the sketchbook pages I did during cooking class with Chef Kim Mahan.

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Then I got very busy with fine art commissions and etc. freelance projects – and life.

But every time I’d cut an onion when cooking supper I’d think about our class and the valuable instructions I’d gotten about onions. Since for me drawing is thinking – I ached to draw onions and the chef’s “how to chop onions” instructions so as to think about and “visualize” them.  So for several weeks now when I’ve had a spare 5 or 10 minutes I’d look at my sketchbook pages and brain-storm about what I wanted to create. After a brain-storm option had been settled upon I spent my spare 5 or 10 minutes drawing and writing in pencil on a larger sheet of Bristol paper the onion art/illustration I’d brain-stormed about. Some days I only erased pencil lines that didn’t work. Other days I re-drew pencil lines. After the pencil lines were settled in my spare few moments I’d do an ink line or two…

We’re talking quick-quick drawing work on the “onion art” then I’d go on with my day-job art projects. Every day though I did something in my spare 5 to 10 minutes to inch the onion art along.

Then today I had 20 whole minutes in a row to spare! Wahoo!! And the pencil work was done and I even had a few ink lines done – so I grabbed my ink pens, watercolors and color pencils…

Here’s what I’ve done today – as it is on my work table – I’ve a bit more work to do but it’s almost finished!

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what is art for and 3 ways to find out

A Creative Life, animals in art, artistic inspirations, mental health, Sustainable creativity

Professional artist’s ask themselves “what is art for?” and answer it for themselves because that helps us know why we’re doing what they are doing. And knowing this helps you keep on course.

Here’s a sketchbook page from a time when I was examining this question:

ArtGenresPurpose

For me “art is for” good mental health practice – and to provoke a smile, a chuckle.  To quote from my book Dr. Bob’s Emotional Repair Program First Aid Kit “When a negative thought enters your mind just say (inwardly) ‘STOP’. It’s your brain, your mind and you have every right to think the thoughts you want…. Don’t let a negative thought ever finish its sentence…. How many ‘STOP’s are enough? As many as it takes. It is also helpful to keep a list of positive things that you enjoy thinking about or doing, like books/reading, walking… going to art exhibits… playing tennis… and after inwardly saying ‘STOP’ switch your focus to something positive and enjoyable.” (https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit)

So my goal as a professional artist became to create fine art, books and other objects that are positive and enjoyable for other people to see – switch focus to – and that are also  positive and enjoyable for me to create.  I decided that the genres of “animal painting” and “genre painting” best fit this goal.  For short I call this goal to “feed the good wolf”.

To make sure you know what I mean by that here’s a cartoon excerpt from “Dr. Bob’s Emotional Repair Program First Aid Kit”

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excerpt from Dr. Bob’s Emotional Repair Program First Aid Kit https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit

But how exactly did I get to a defined goal, a “purpose” for my art?

  1. I went to lots of art galleries and museums. I read a lot of books. I listened to other people talk about what they enjoyed. Anywhere and everywhere I went I made a quick note of what interested me or fed my “good wolf” in a book that I kept with me at all times.
  2. I looked for art supplies and other opportunities to “test the theory” of whether or not something really did feed my good wolf. For example at one time I thought creating sculpture would be “good wolf food” for me – but I discovered that it was too physically difficult and in the process of creating sculpture I ended up cursing a lot. So after some time spent trying metal sculpture I nixed that one from the “good wolf food” list.
  3. I played with the genres and arts categories while making a note of my responses emotionally, physically, mentally.  By “play” I mean I casually went to art exhibits,  looked at objects in a store or on-line that fit the genre/category, I tried the genres at home and all the while I noted my gut response – did it feed my ‘good wolf’? Did it make me smile and want to “share it” in some way with a person I love? What is it about that art/object that excites me? Then I list those qualities and pursue them in my own projects!  (As I mentioned above it turned out that the animals-in-art genre fit me well!)

Speaking of projects –  here’s a very new project for me that fits with my “feed good wolves” goal: I’ve begun designing for iPhone cases, Laptop skins, wall clocks, comforters and many other tech and household objects. (If you noticed that these items fit in the genres of  ‘animals in art”, ‘genre painting’ and ‘media arts’ you get a gold star sticker!)  The link to my newest project: https://society6.com/sueclancy – and here below are a few examples.

 

Ponder

A Creative Life, animals in art, artistic inspirations, illustration, poetry, words and pictures

Doing my short narrative – poem plus illustration – practice again. Perhaps I should call it “dog drawing plus words”?

Ponder – By Sue Clancy –

There once was a dog named Ponder

Who was full of curiosity and wonder

“What’s it like in the lea?

or for people at sea?

Oh what is it like over yonder?”

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Sketch and poem titled “Ponder” by Sue Clancy (drawing made with pen and ink)