the stories behind the cats

A Creative Life, animals in art, art exhibit, artistic inspirations, cat portrait, Cats in art, fine art, visual thinking, words and pictures

This coming Friday, June 1st at Burnt Bridge Cellars my cat portrait exhibit “Purrsuits of Pleasure” opens. Because I don’t think artistic inspiration needs to be mysterious I include the story behind each art piece. The text illustrates, so to speak, my visual images.

Here are some of the artworks in the exhibit:

And here are some of the stories that illustrate them as they’ll be posted on the walls in the exhibit (of course readers of my blog have seen more details than what’s included below… but then you’re special):

Purrfecting Happy Hour by Clancy

I’m part of a feral happy-hour group; between 7 and 14 of us get together once a month somewhere local for happy hour. Often the trays of drinks that arrive at our table look like a collection of fine jewels.

Purrameters of Pie by Clancy

In several local cafés, bistros and pizzerias I’ve discovered that I can get either a savory or sweet pie of almost any size: small hand-pies, “personal” pies, pie slices, medium and large pies and “family size” pies. The trouble is deciding which size to get.

Strad O’Various by Clancy

Going to music events during the winter is a delightful way to combat any “rainy-day blues”. This last winter I particularly enjoyed seeing the crowd, and some musicians, bustling in for a concert in their colorful coats and scarves.

Cat A List by Clancy

Wine tastings – and being friends with Mark at Burnt Bridge Cellars – have opened my eyes to the subtle differences between wines from one year to the next, how type of grape, the weather, water and soil affect the flavors. Small things can be a catalyst.

Alpha Betty by Clancy

The local libraries and bookstores are, for me, a large treasure-toy box. Which got me thinking of how we select books according to our interests. The libraries and bookstores also have books available in a wide variety of languages – and its fun to see them too. This got me to thinking about the alphabet. Each language has its own – and when we say “the alphabet” we immediately think of our native tongue whatever it is. Likewise, when we think of “good books” we think in terms of our own interests and preferences. But when we’re aware of bi-lingual people and the multiplicity of this world – perhaps we are better able to remember that our languages and personal preferences are just frames of reference. And that frames are adjustable.   So what frame of reference would a cat have? A mouse obsessed one of course!

Purrfect Entertainment by Clancy

My friend Kevin and I were talking about local music, feral cats and handmade musical instruments. Specifically, we talked about the “found object” instruments we were both aware of in the Southeastern parts of the U.S. – guitars made out of cigar boxes or banjos from cookie tins. Our conversation drove me to the library to research “handmade music instruments in the Pacific Northwest”.  I discovered a long tradition of using local wood scraps to hand-craft musical instruments. The native woodgrain was often a prominent decoration. These instruments were works of art not at all like the “found object” instruments of the SE.  I also discovered that here in the PNW playing music in public, on porches, patios, anywhere outdoors was, and still is, the norm during “nice” weather. There has also been a strong connection between music, food and community no matter what the weather. But I could only get so much into one painting.

cephalopods and the art of small things

A Creative Life, art techniques, artistic inspirations, creative thinking, mental health, small things, Sustainable creativity, visual story, visual thinking

Yesterday I read an article titled “Cephalopods Adapt By Editing Their Genes” and that reminded me of the value in periodically examining our own assumptions, our own stories, our own worldview and being willing to rearrange our own mental furniture.

Perhaps adapting or editing the stories you tell yourself is the human equivalent of editing genetic code as a cephalopod?

Reexamining stories, assumptions and the kinds of questions you ask are also keys to creative thinking.

I’ve noticed that the kinds of questions a person asks makes a difference in creative thinking. For example asking “How can I include at least one fresh vegetable in this meal?” elicits a more exciting creative response than the question “How can I eat more healthfully?”

Likewise asking the small question “What art medium/technique would be most fun to use to depict my favorite food?” provokes a more joyous creative response than the question “What fine art can I make on a universal theme?”

Most days I wake up thinking “what small thought can I think about or re-think about today?”

So today’s small things I’m thinking about are pictured here:

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By list:

“Cephalopods adapt by editing their genes” http://www.columbian.com/news/2017/apr/13/cephalopods-adapt-by-editing-their-genes/

“The Drunken Botanist” by Amy Stewart

“Creative, Inc.” by Meg Mateo Ilasco & Joy Cho

A postcard of “Chaco Culture” a National Historical Park in New Mexico

My coffee cup and a glass marble.

And to put the concept in this blog post yet another way: Here is a page from my book “Dr. Bob’s Emotional Repair Program First Aid Kit” https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit

TheGemstone72

 

 

art to art

A Creative Life, artist book, books, Dogs in Art, published art

In my last blog post (link here) I talked a bit of my personal list of “9 ways to make more art” and after posting I realized that I could have added a 10th one: Take a past art project that was enjoyable and “add a thought” to it, re-do it in a new context.  This could be called “working to a theme” but I think of it like Jazz music – a call and response conversational play on a melody.

For example recently I took some concepts from my book “Dr. Bob’s Emotional Repair Program First Aid Kit”, spun them around my cerebral tumbler and created a new one-of-a-kind artist book.  My new book is titled “Stories We Could Live Inside – Or Not (A house is a framework for physical life. Language is a framework for mental life.)”

Here is a photo of it in-progress. You can see a print copy of my “Dr. Bob…First Aid Kit” book beside my new work-in-progress.

workonstoriesinside72

My work in progress – taking a few concepts from my book “Dr. Bob’s Emotional Repair Program First Aid Kit” and playing with them again. https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit

Here’s some of what I was thinking as I worked on this new book:

During the original “First Aid Book” book work I was in regular contact with Dr. Bob Hoke – and in our many conversations he’d talked about how his role as a psychiatrist was to get inside his patients small-world mental boxes, the life-limitations they had accepted without consciously realizing it, and slowly expand the sides of the box, make a door or window in the box – something so that the patient could choose to find a way out. He spoke of how stories are mental structures, much the way houses are physical ones. However stories are something we live inside often without thinking that they are “stories” – optional social constructions – because habitual language forms the framework of our daily habits of mind, our attitudes and ways of responding to the world. A house is a framework for physical life. Language is a framework for mental life. The kinds of houses we live in can affect the quality of our life. Similarly the stories we tell ourselves and each other can affect the quality of our life – for either good or ill – if we accept and believe them.

I thought of all of this during several of my regular morning ‘creative appointments’ with myself before the day gets started. I wrote out my thoughts on scraps of paper and in my sketchbooks. You can see some of those scraps in the picture above.  I made book dummies. I sketched ways to organize my thoughts into book form. I decided to use dogs are as character-actors in “Stories We Could Live Inside Or Not” because for me dogs represent a joyful exuberance at being alive. I sketched dogs.  And I decided on a paper-house shape…

It took me probably a month or more of “creative appointments” where I’d work a bit on this “Stories we could…” idea; getting it, developing it, refining it, experimenting with the various artwork parts of it.  The rest of my work days were devoted to 6 or so hours worth of work on my other creative projects… and the other stuff of life.  When my “Stories we could…” ideas had “gelled” to a certain point and I felt I needed more time to work on the project I scheduled a few concentrated times, more time than my typical “creative appointment” time allotment had been, to work on it. A few sessions like that and I finished the book! Another scheduled time session and I submitted it for consideration by the 23 Sandy Gallery. www.23sandy.com 

Here is a video of the final book “Stories we could live inside… or not”