memory music mountains and living rooms

A Creative Life, artistic inspirations, food for thought, music in art, sketchbook, travel art and writing, travelog, travelogue, words and pictures

Sweetie and I did a short road trip to Mount St. Helens in Washington. We hiked around, saw a lot of birds. Sweetie heard the birds singing and said they were quite a musical chorus.  At the visitor’s center people “danced” about getting photos in front of the mountain. I drew this in my sketchbook using ink and watercolor:

MtStHelens72

Sketchbook page by Sue Clancy

Then at the visitor’s center we went into the Mount. St. Helens gift shop. From past experience we’ve learned that their collection of books for sale on the topics of botany, zoology and biology is a gold mine. Several books come home with us each trip. This time was no exception. One of the titles that came home with us is “Natural History of the Pacific Northwest Mountains.” by Daniel Mathews.

On page 429 I read (about birds caching food) “Phenomenal ability to remember precise locations evolved separately in the chickadees and the jays that cache food for winter, and in many migrating species. Some of these species have nonmigratory or noncaching relatives whose powers of recall don’t amount to diddley squat.  Another kind of memory that must be worth holding on to is a male warbler’s memory of conspecific males’ songs.  As long as each singer remembers his neighbor’s song from the year before, and stays on his own territory, both are spared a fight. They remember songs from year to year as they return from Central America to reclaim their old haunts.”

That got me to thinking about the traveling troubadours of ancient times.  And from that thought I migrated (pun intended) to thinking of how, here in the Pacific Northwest, there is a “new” tradition of traveling musicians who give what is called “living room concerts” in private homes.  The home-owner hosts the musicians, putting them up for a night or two, and invites a number of family and friends to come to a concert. A certain amount of money is collected per attendee and most of that money goes to the musician.  The musician also sells their CD’s and what not during the evening.

I’m quite addicted to this ‘living room concert’ tradition. I find that even though I’m deaf I can “hear” the music better in a small intimate setting. There are also several local small independent theatres – and there’s fairly good hearing there too. My point being that the music I’ve heard since we’ve lived here in the Pacific Northwest has inspired a lot of my recent artwork. And I suspect this trend will continue.

The concept of a birds ability to remember where they put their food also made me think about the seasonal offerings at the local Pacific Northwest restaurants.  When I say “seasonal offering” I mean it. There’s a short time when a certain fruit or veg is available at the local farms so the pubs and restaurants will offer special dishes that use that fruit/veg and then when it’s gone. It’s gone.

We’ve lived here long enough now that I’m beginning to remember, for example, what pubs will offer the “fresh asparagus ‘fries’ ” during peak asparagus season. I’m also remembering which farmers market stands sell the freshest berries and apples. I love the seasonal randomness it’s like a perpetual surprise party but the ability to remember what is ripe during what season is helpful to know.

Needless to say I’ve been artistically inspired by the food. And that’ll prolly (as they say here) continue too.

There’s something about memory and food and music…. something that I just itch to make fine art about. So stay tuned. (pun intended again)

art exhibit statement in pictures

A Creative Life, art exhibit, art gallery, art techniques, artist book, artistic inspirations, creative thinking, dog portrait, drawing as thinking, fine art, pattern design, public art, published art, sketchbook, visual thinking, words and pictures

I’ve been working on an exhibit statement for my upcoming one-person exhibit at Burnt Bridge Cellars http://www.burntbridgecellars.com/ via Caplan Art Designs http://www.caplanartdesigns.com/index.htm and making it as visual as possible. Here’s what I’ve come up with (with slight variations for my on-line only audience):

Dogs In The Winery by Sue Clancy

I’ve been inspired by many of the drinks, restaurants and music events in Vancouver and the Pacific Northwest. Whenever I am inspired I make notes in my “running around loose” sketchbook – real-life observations – that often end up on a page looking like this:

CestLaVie

Back in my studio I run those notes through my imagination and do a new sketch, in black and white, that uses elements of what I’d seen in real life but transforms that real-life data symbolically. In this way, my work becomes a visual story about enjoying something. For me drawing is thinking – and storytelling. My newly imagined art-sketch becomes something like this:

pierre72

Pierre by Clancy (ink on handmade paper)

Then I add to my story concept thoughts of color, patterns and textures – to create a surface design on handmade paper that reflects my thoughts/feelings. In this step, I’m designing and creating hand-made patterns onto handmade papers using a number of techniques. Each pattern is designed to be another story element.

I put together the real-life data – my re-configured imaginary sketch idea and my color/pattern surface design thoughts – by cutting shapes out of my handmade papers and literally gluing the cut paper pieces together to create my fine artwork.

To show you what I mean here is a picture of me making a surface pattern design on handmade paper:

patterningPaper2crop72

Sue Clancy creating a pattern on paper using a stencil-paste paper technique

And here I’m using an Xacto knife cutting out shapes from paper that was previously dyed:

CuttingCar

Cutting dyed paper into a shape

The end result is a multi-layered fine art piece in color – like what you see in this exhibit or that you can see on my website fine art page https://sueclancy.com/fine-art/ Or like this finished fine art piece titled “Café Paix”

cafepaix72

“Café Paix” by Clancy – 14 x 11 inches – hand dyed paper, handmade paste paper and acrylic on cradled board

This exhibit shows a progression of my artistic thoughts about life in the Pacific Northwest – a visual story collection – with various dogs as symbolic characters. For me a dog represents an exuberance, a gladness, about being alive and is a fitting representative for pleasant life experiences.

You can download, free, 18 pages from my “running around loose” sketchbook – the real-life data that inspired this exhibit from my website here: https://sueclancy.com/artist-books/  I’ve titled this (free eBook) sketchbook “Glad To Be Alive Sketchbook – drinks and music edition 2017”.  Direct link to the free eBook here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

The imaginative art-sketches developed from the “Glad to be Alive…” sketchbook can be seen in the printed book “Dogs by Sue Clancy” (available in this exhibit or via Amazon and other booksellers or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy ). If you are able to visit my art exhibit at Burnt Bridge Cellars I’m sure you can identify (in “where’s Waldo” puzzle fashion) which sketchbook page led to which black and white art-sketch and which of those became color fine artwork.

For a “mind map” of my thinking process see the diagram here: https://sueclancy.com/2017/05/16/mind-map-of-a-clancy-art-exhibit/

mind map of a Clancy art exhibit

A Creative Life, animals in art, art exhibit, Art Licensing, art techniques, artist book, artistic inspirations, creative thinking, dog portrait, Dogs in Art, fine art, functional art, pattern design, public art, published art, sketchbook, surface design, visual story, visual thinking, words and pictures

I’ve been busy getting ready for my one-person art exhibit to open June 2nd at Burnt Bridge Cellars – a winery in Vancouver WA.  Part of doing an exhibit is to write an exhibit statement. But before posting my finished exhibit statement I wanted to share my thoughts behind my art exhibit design.  Here’s a sketch diagram, a mind-map:

MindMapOfExhibit

For the last year I’ve been running-around-loose in the Vancouver WA and Portland OR area documenting, in my sketchbook, my experiences at local music events, restaurants, wineries, cafes and pubs.  You can see a free eBook of my sketchbook titled “Glad To Be Alive – drinks and music edition 2017” here: https://sueclancy.files.wordpress.com/2015/01/gladtobealivedrinkmusiced.pdf

Then I processed through my imagination all of that data I’d collected in my sketchbook and for each pleasant thought I imagined a dog character-actor and made a new sketch/visual story, an ink study, using a sumi brush and ink. You can see a printed book, titled “Dogs by Sue Clancy” with of some of these ink sketches via Amazon or here: https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

After doing a whole bunch of these dog portrait studies, almost 100 of them, I selected several and refined them, adding color and pattern and shape thoughts to my visual story describing metaphorically my experiences in real life.  These refinements have become finished fine art pieces that are in color using my mixed media cut handmade paper technique.  Both some of the finished color artworks and some of the black and white ink pieces (framed) will be at my upcoming exhibit.

My artistic inspirations are elements of ordinary life – so I’ve extended my art-exhibit making to the above mentioned books. Books are an important element of ordinary life so having authored two of them and making them available adds another layer to my art exhibit.

After doing some of the fine artworks I’ve also done some “illustrated things”: I’ve applied some of my artistic thinking for my exhibit to real-life clocks, napkins, tea towels, scarves and many other ordinary consumer items.  This extends my art exhibit thesis to yet another layer or dimension.   You can see some of the items I’ve designed on my web page titled “illustrated things” here: https://sueclancy.com/pattern-design/

To put my exhibit thesis plainly – I think it is very important to remember to enjoy and actively participate in the present moment, to relish ordinary things, places and friendly people.  Once upon a time I lived in a place where quality music events, good restaurants, wineries and pubs were rare. Certainly they didn’t exist in the variety and abundance that they do here in the Pacific Northwest. So I’m aware of what a gift, a treasure, it is to have those things now.

It is also fitting to have my exhibit at a winery – where the people who come to see my artwork can also enjoy award-winning wines and food.

But back to my mind-map: generally at the exhibit my thesis will be available only as a visual story, not spoken or written in literal fashion.  I have a reluctance to preach or otherwise belabor a point.  Besides instead of writing/speaking didactically I’d rather draw.

Now you know.

 

celebrating local authors

A Creative Life, animals in art, artistic inspirations, publications - publishing

Yesterday my sweetie and I were having a quiet morning reading our local Sunday newspaper – The Columbian – and having coffee with breakfast. Suddenly Sweetie made a pleased and surprised noise “Look!” she said passing the Life newspaper section. And there it was my book “Dogs by Sue Clancy” listed in the “local author” list!

LocalAuthorDogs72

Here’s a direct link to my book https://store.bookbaby.com/book/Dogs-By-Sue-Clancy it can also be found on Amazon and wherever books are sold

Of course our Sunday morning wasn’t so quiet after that – with me happy-dancing about the dining room, the dog barking, the cat running for cover…  It was a good feeling. My desire to make more books has been cemented! There’s nothing more happy-making than having community support for my artistic efforts and to see active support for the creative efforts of other artist/authors too!  Seeing such support encourages my creativity!!!  Thanks everyone!!!!

https://store.bookbaby.com/book/Dogs-By-Sue-Clancy

looking during lunch

A Creative Life, art commissions, artist book, ebook, psychogeography, sketchbook, travel art and writing

Doing some sketching on location for 2 different projects; one is a fine art commission project that has water and a sailboat in it (and a dog!). The other is a possible new artist book (maybe ebook?) that I spoke of in this “alive and sketching” post. Anyway… here are today’s sketchbook pages …

warehouse2372

“Warehouse 23” sketchbook page by Sue Clancy

sailboatonriver72

“sailboat on water” sketchbook page by Sue Clancy

Lettuce Peas

A Creative Life, art exhibit, art gallery, artistic inspirations, collage, fine art, illustration, poetry, words and pictures

Was contacted this morning by one of my gallery owners, Barney, of Downtown Art & Frame, in Oklahoma to tell me that my work “Lettuce Peas” had sold! This work was a highly experimental piece, different from the “typical” work I do. For this project I worked with Judy Sullens, a writer, and created this words+art piece inspired by and based on her word-play.  Judy’s original poem was titled “Gardener’s Prayer”.  I took Judy’s words and created an original cut-paper illustration in my style and wrote out her poem by hand using pen and ink calligraphy.

Technically this piece is an original “broadside” as it would be called in the book-arts world.  And normally I might have submitted it for exhibit in a book-arts kind of gallery like the 23 Sandy Gallery.  But, Barney, who runs a frame-shop-gallery in Oklahoma saw the piece in my studio here on the West Coast, liked it and wanted to frame it and exhibit it along with the other artwork of mine he was selecting for delivery to his gallery.

I do my best to keep my gallery-owners happy so I agreed. All the art he requested got shipped – including “Gardener’s Prayer”. He was happy. I was happy. Judy was happy.  Then life went on. 

When he told me today that the work had sold he also said of this piece “it’s a gem”.  He talked of how much attention this particular piece had gotten, how the client who ended up buying it had come to ‘visit’ it multiple times before buying. He went on to say that he thought it might be a good idea for me to do more such things, maybe make a book of such poetic-artistic-meditations-on-daily-life.

So now I’m thinking about doing that. Over the many years I’ve worked with Barney he’s had a number of great suggestions for my art/career… so I take his suggestions seriously. And I think Judy will play poetry+art again with me … and I write poems sometimes myself… and I’m also flirting with thoughts of collecting some other poet/writers very short thoughts (ideally word-play) about some aspect of daily life.

My question is how to go about it?  Must ruminate more on this topic… Please share your comment/thoughts too.

Anyway here is the “Gardener’s Prayer”:

gardenersprayer72

Poem by Judy Sullens. Art (cut handmade paper) and Calligraphy by Sue Clancy.

riding the PR train

A Creative Life, art exhibit, art gallery, fine art

Kurt Vonnegut once said “Use the time of a total stranger in such a way that he or she will not feel the time was wasted” and I’ve taken those words to heart. I even have Vonnegut’s statement pinned to the wall above my art studio work table. I believe that my creative out-put is not about me. Art-making is not some self-indulgent ego-trip on my part. It’s about the kind of world we are creating together; me and all my friends, pre-friends and strangers. We are all in this together.

Which is why, even after all these years of being a professional artist, I still have mixed feelings when I see PR stuff with my name prominently as the “featured artist”.  On the one hand a one-person fine art exhibit is a culmination of at least a years worth of daily work on my part – so I’m proud of what I’ve accomplished. Yet at the same time I’m very aware that while it may be my name on the marquee, so to speak,  there’s a whole host of people behind me, believing in my artwork, working hard to make the event successful; the gallery owner, the gallery director, the interns and assistants in the gallery to name the obvious ones.  When the opening reception (as it is for my October exhibit) is also a 3 course dinner with wine pairings – there is also the restaurant (Daily in the Pearl!), the chef, the winery (Hip Chicks Do Wine!) – all working hard too.  And I didn’t mention the art supply stores in my beloved Pacific Northwest that provide materials for me to work with… or my spouse, friends, neighbors…. I’ve so many people to be grateful for that I’m not sure the Internet has enough bandwidth to hold my entire list.

So let it suffice to say that while my name may be the most prominent in the PR materials being circulated currently – like this email flyer (below) that the Caplan Art Designs gallery sent out – as well as all the other stuff on Facebook and Twitter etc. This whole exhibit is really about an overall aesthetic experience we’re creating together; my artwork is just the focal point.  Still I have endeavored to use the time of my gallery owners, friends, supporters and strangers as respectfully as I know how… and now I’m riding the PR train, doing my best to support my supporters efforts, prepping for the next stop; the night of the opening. And all the while remembering; It’s not about me, it’s not about me, it’s not about me… choo chooo!!!!

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Caplan Art Designs
Cooks, Corks and Co-conspirators

Saturday, October 1st @6:30

Daily Cafe

Featured Artist

Mixed Media

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 If the menu is not current, please check back, special diet needs are available upon request.
 
Wine pairings by Hip Chicks Do Wine and a special three course dinner.
 
Featured artist, Sue Clancy will be raffling a modal scarf with one of her design pattern used in her work.
Caplan Art Designs
 
1323 NW 16th #1001/entrance on Pettygrove
Portland, OR 97209
503-319-6437
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new Oregon Coast sketches

A Creative Life, artist book, psychogeography, sketchbook, travel art and writing, visual story, words and pictures

Once upon a time, not too long ago, some friends came from Oklahoma to visit us in the Pacific Northwest. Oklahoma does not have ocean access. The Pacific Northwest does. Our friends wanted to see the sea. However there was a catch; John has a mobility issue….

I drew pictures in ink and watercolor on paper as we worked together to get John as close to the sea as possible along the Oregon Coast.  My pictures were made on location as the action happened. Yes, there was a lot of carefully balancing my paper on my knee, sand in my watercolors and sea spray dampening my paper for me.  Still I got all of the pages done while we were on the coast, we spread them out in the car trunk to dry and when I got back to my studio I sorted the pages and bound them using a Japanese stab binding.

Here is a link to a video of the book: https://youtu.be/lTHsRbKrMiM

Here’s a still photo or two