Troublesome wit, books, poetry and essential ordinariness

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, books, dog portrait, Dogs in Art, fine art, hopepunk, household surrealism, life of the mind, mental health, Odditerrarium, pet portraits, poetry, sketchbook, words and pictures

Work happily proceeds on my new Odditerrarium series. I’ve a work schedule and I’m sticking to it. As I worked on this pug painting titled “Troublesome Wit” I thought of John Lewis and his phrase ‘good trouble’. I thought of how humans work together in order to have the wit and fortitude to deal with life. I imagined a pug dog watching a human take measures and make efforts.

“Troublesome Wit” was created with ink and gouache on a 10 x 8 inch board. Here’s a closer look.

You can see more about my in progress Odditerrarium series and the upcoming exhibit via Caplan Art Designs in my last post.

One of the online groups I lurk on and sometimes participate in is on the topics of handmade books and artist books. The question “what got you started making books” was asked of the group. This is how I responded: I began at age 8 when I got hearing aids for the first time. I looked in the school library for a book about how books were made. Following pictures in that library book I folded paper in half and stapled it roughly in the middle. Then as the weeks progressed I drew my hearing aids and drew all the things I encountered that made noise. Two grownups in my life were always yelling “be quiet!” at me so I kept the book so I could figure out what made noise, how much noise it made and what was quiet. My pencil and crayon llustrations showed the “volume” of any noisemakers as well as what they were. I titled my book “The Be Quietness Book”. So I’ve been making books by hand or at least writing/drawing in blank books since age 8 until present time and I don’t imagine ever stopping! I’m still trying to figure things out with my books!

Here’s a corner of my studio as it is today that has many of my filled-to-overflowing books and some new blank books awaiting their turn. Some of the blank books I made from scratch, some I bought.

One of my poems was published this week for poetry month by Birdhouse Bookstore. My poem was put on bookmarks! As you know I enjoy non-traditional unorthodox publishing and publishing my poem on a bookmarker is perfect!! 😁
In the second photo you’re looking at the poetry books on the shelf in my breakfast nook. Several of these titles came from this localbookstore
https://birdhousebooks.store/

I’ve still been practicing, whenever I have time, at doing Reels on Instagram. I did one in which I read aloud one of my poems in Patch La Belle. I’m having fun with this way of sharing my stuff.

Did I manage (finally) to embed a video in this blog post? Or do we need to see that Reel via this YouTube link here https://youtu.be/f0W-7642inU ?

Anyway, technology aside here’s a sketchbook page with toast and coffee.

I’ve been thinking this week of how it matters who keeps the stories, the poems and who tells them. I’ve been an armchair folklorist since my college days and I’ve maintained my interest in old stories throughout the years. Here’s my current evening reading stack.

I find it fascinating to see how stories and the cultural and personal attributes we bring to them can affect knowledge formation for good or ill, up to and including what gets designated as “important”. Then that knowledge, however imperfect, is what gets passed through to others who acquire and form their knowledge based on what we share. Whatever is new to us today will become “the way things are” for the next generation. All we can do is try to share generously whatever might help someone else build new constructive knowledge.

We learn from other people how to live. Sometimes in the effort of trying to share what we know we teach ourselves something new.

However there’s no shortage of people, in any era, who will hold up a thumb and forefinger an inch apart and try to convince you that the space indicated is literally the whole world, that their definitions of that world, their narrative, is the only “true” one, that only their description of what is important matters. They want you to believe only them and will likely somehow benefit if they do convince you accept their story framework and take it literally without questions.

Knowing a wide range of stories and metaphors can help us not fall prey to such literalism and narrowness of mind. Which is why multiple versions the same stories are essential. We need reminders that there are many points of view. We need a diversity of stories. A monoculture isn’t healthy for plants or any other living beings.

Anyway, my way of responding to censorship and the attempts to control the available information and to manipulate perceptions is to deliberately buy and read banned books, to read widely and talk about, learn and share history, culture, poems and stories. To carry knowledge forward, to wrestle and play with it within my own life and work. To do my thinking on paper in art and stories, to always be trying to learn more and to share generously.

Book formats are only one of the ways we as individuals and as cultures keep our stories – it is the act of collecting stories together, whatever the technology used – that helps us figure things out. To lose that collected, collective, personal or cultural memory can be both a current and ongoing tragedy because the loss of knowledge affects future knowledge formation.

Recently I read of a massive archival effort to keep and preserve archives of Ukrainian stories and poems which are in danger of getting lost forever due to the war. See the article here.

You’ll not be surprised to hear that now I want to find ways to support that project and buy at least one printed copy of a book of, or at least a book containing some, Ukrainian folk tales.

And speaking of important, relevant and keep-able stories here’s a link about the Wendigo monster . I’ve been thinking of this Algonquin tale a lot lately because I’m so tired of greedy extremist monsters. I see this story as a reminder to appreciate ordinary life and to play well with others. It seems so relevant to current times and possibly a guide for figuring out ways of going on and doing better.

As I type this it is snowing in my backyard! In April! Our Camilla bush has blooms!

I hope your week is full of wit, art, stories and poems that help you figure things out. And hot beverages if it’s snowing where you are too. See you next Monday.

Kids Read Aloud: Patch La Belle–And Other Playful Paintings and Poems By Sue Clancy

A Creative Life, Art Word Combinations, artist book, author illustrator, books, Patch La Belle, poetry, whimsical art, words and pictures, writing and illustrating

My regular Monday blog has been posted but I wanted to make sure people could see this fun video reading of my book Patch La Belle by Kids Stories and More ! Access to all of the fun things these long-time professional children’s educator’s have done is here: https://linktr.ee/Kidzstoriesandmore

Here’s the link to the video all spelled out: https://youtu.be/rOyqdg0WUjQ

Patch La Belle by Sue Clancy – https://www.blurb.com/b/10351859-patch-la-belle

You can see more photos and detail about this book including access to printed copies here: https://sueclancy.com/portfolio/patch-la-belle-by-clancy/

reading a dachshunds ode

A Creative Life, animals in art, art exhibit, Art Word Combinations, artistic inspirations, author illustrator, Books In Art, cat portrait, Cats in art, dog portrait, Dogs in Art, fine art, graphic narrative, illustrated poem, illustrated shorts, illustration, Narrative Art, reading in art, still life, visual story, words and pictures, writing and illustrating

As I mentioned regarding the “Leaves and Grounds: Poems for the Canine Soul” painting I wrote of in my last post here, below, is another artwork with a concept related to, nested within, the afore mentioned painting. Also in this post is a poem that I wrote that relates to the ‘Leaves and Grounds’ concept.

ItsMagic-PrintThisOne

It’s Magic – by Clancy – ink and gouache on paper

A Dog’s Ode To Spring
By Clancy

Oh, there’s sunshine
Glorious sunshine
Makes a dachshund want to roll!
Let me out
To run about
Compost is good for my soul!
Oh, the mounds
Of leaves and grounds
This dog’s heading for the pile!
Where the digging is best
I’ll make my nest
Don’t wait I’ll be here a while!
I may be groomed
But that’s all doomed
‘cause I’ll do what makes me grin!
Oh, the sunshine
Glorious sunshine
I’m here till you shout “get in!”

 

leaves and grounds reading

A Creative Life, art exhibit, artistic inspirations, Books In Art, dog portrait, Dogs in Art, fine art, food in art, Narrative Art, poetry, reading in art, still life, visual story, visual thinking, words and pictures, writing

Been thinking about tea and coffee. And poetry. As readers of my blog know I often read a bit of poetry in the mornings with my coffee. And novels with my tea in the evening. Or vice versa.  This bit of my mundane life inspired this painting below along with the thought that Dachshunds like to dig… and writers and readers often “dig” for meanings…

LeavesAndGroundsPoemsForTheCanineSoul72

Leaves And Grounds: Poems for the Canine Soul – by Clancy – 20 x 16 inches – acrylic on cradled board

Naturally (organically?) I’ve included, in the painting above, 2 spoofs of my own still life work. Each of the still lives relate to the theme of “Leaves and Grounds: Poems for the Canine Soul”.  The titles of the still life’s, in my mind at least, add more information to this “Leaves and Grounds….” painting.

As you can tell I’m still thinking of the nesting ideas concept I’m working with for this body of work (“Readers” is my working title) for an upcoming one-person exhibit.

Here, below, are my still life paintings that are spoofed in the painting above:

AStirringOccasion72

A Stirring Occasion by Clancy – 8 x 10 inches – acrylic and gouache on board

ANovelMorning72

“A Novel Morning” – by Clancy – 24 x 18 – acrylic and gouache on board

I’m currently working on yet another nesting aspect related to this concept of leaves, digging and poetry… but that will be another post.  Btw: if you follow me on Instagram occasionally I post what I’m currently reading.

thumb use – an illustrated poem

A Creative Life, artistic inspirations, illustrated poem, illustration, poetry, small things, words and pictures

Thumb Use  –  By Clancy – 

 

Sissy had extra-large thumbs.

So she cleared the table of crumbs

saying “What else can you do,

in the absence of stew,

but make excellent use of your thumbs?”

ThumbUse72

gouache illustration by Clancy

self portrait as a wicked book

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, handmade books, handmade papers, public art

Several of my artist books are in a permanent collection at Bainbridge Island Museum of Art and will be in a new exhibit, in March 2018, titled “Artist’s Books – Chapter 13 – Lyricism And Laughter”!

Here are a few photos of one of my books in the exhibit. It’s titled “Self Portrait As A Wicked Book”. I made it with handmade paper, hand-marbled paper, ink… and two original limerick poems.

The poems, on each side, are:

There was a young lady in Linen

who really loved laughter and sinnin’

She made wicked books that if given a look

you’d see that they’re often quite winnin’

——————

The lady in Linen was known,

for the books she is said to have sewn.

But when very hard pressed she began to protest

“Oh come now it’s quite over blown!”

 

When I exhibit my artist books I’m asked to write statements about them

Here, below, is what I wrote about “Self-portrait…”

Artist statement about the work:  By personifying herself as an open book – (or more precisely, as the linen thread binding the books within this book) –  with original limericks and pop-up book elements the artist pokes fun at self-styled “moral” groups who personify inanimate objects; books, movies and other art objects by describing them as “immoral”, “wicked” or “sinful”.  By writing “clean” limericks the artist is poking fun at the idea that a poetic form like a limerick could be defined as a “naughty” art.  An object or art form is just that, an object or technique – what people do with it may have a good, bad or neutral effect. But even the effect depends on the viewer’s perspective.  Thus “Self Portrait as a Wicked Book” is enclosed in a hand-marbled envelope – implying that the contents could be hidden from view, that the viewer has a choice to view it or not. The book is intended to be displayed accordion style so that the viewer can see it from different angles of their own choosing.  The textual reference within the limerick to “overblown” refers to the ways self-styled “moral” groups would ascribe moral qualities to the entire personhood of an author as a result of one written object the author had created.  The content also refers – both textually and by using colorful marbling and pop-ups – to the ways that censorship (or a “wicked” designation) actually increases interest in the object banned.

Artist’s back story for this book: A religious segment of the Oklahoma population has a penchant for banning books and a history of doing so.  To name two dramatic examples;  In 1997 the book “The Tin Drum” by Gunter Grass  and the movie by the same name was banned by Oklahoma City in such a way that the banning received national attention; Oklahoma City police went to the houses of adults, over the age of 21, who had rented the movie and seized it.  In 2005, the year I made “Self Portrait As A Wicked Book”, the Oklahoma House of Representatives banned all books – for children and adults – that had references to gay characters or gay people.  Around that time period I remember noticing that (in Oklahoma) the commercial bookstores “gay book sections” got smaller and were hidden the back corner of the store.  Books that questioned religion, or discussed censorship in anything but a positive light were also few and far between.  There was a general perception – as evidenced by what was offered on library or bookstore shelves and what wasn’t, what books were reviewed in the Oklahoma media and what ones weren’t – that there were “good” books and there were bad, sinful, “wicked” ones – and this one group of self-styled “moral” people would tell you which books were which and few people in Oklahoma dared (or even thought) to question that group.

Friday Fudge Judge

A Creative Life, artistic inspirations, illustration, poetry, words and pictures, writing

Earlier today I did a blog post called “Friday Fun In Progress” about a short narrative poem I was in the process of writing and illustrating. Then I took a lunch break. Thanks for waiting so patiently…. and without further ado here’s what I came up with:

The Fudge Judge – By Sue Clancy

A strict, stiff, sober Judge

was asked to jury some fudge.

With unusual glee

he shouted “For me?”

then ran off with the very best fudge.

fudgejudge72

The Fudge Judge – illustration and poem by Sue Clancy

 

Friday fun in progress

A Creative Life, art techniques, artistic inspirations, poetry, words and pictures

I’m working on my short narrative practice again; aka writing a quickie poem/story plus creating an illustration for it. I’m thinking of fudge, fudge competitions, and the process of asking people to judge something so subjective as what something tastes like… and what could happen.

Anyway, here’s what my desk looks like right now… more progress to come later, after lunch. All this thinking about fudge and I’ve realized that I’m hungry. Back in a bit…

inprogress72

Sue Clancy’s work-in-progress; writing a short narrative poem and creating an illustration for it.

 

Lettuce Peas

A Creative Life, art exhibit, art gallery, artistic inspirations, collage, fine art, illustration, poetry, words and pictures

Was contacted this morning by one of my gallery owners, Barney, of Downtown Art & Frame, in Oklahoma to tell me that my work “Lettuce Peas” had sold! This work was a highly experimental piece, different from the “typical” work I do. For this project I worked with Judy Sullens, a writer, and created this words+art piece inspired by and based on her word-play.  Judy’s original poem was titled “Gardener’s Prayer”.  I took Judy’s words and created an original cut-paper illustration in my style and wrote out her poem by hand using pen and ink calligraphy.

Technically this piece is an original “broadside” as it would be called in the book-arts world.  And normally I might have submitted it for exhibit in a book-arts kind of gallery like the 23 Sandy Gallery.  But, Barney, who runs a frame-shop-gallery in Oklahoma saw the piece in my studio here on the West Coast, liked it and wanted to frame it and exhibit it along with the other artwork of mine he was selecting for delivery to his gallery.

I do my best to keep my gallery-owners happy so I agreed. All the art he requested got shipped – including “Gardener’s Prayer”. He was happy. I was happy. Judy was happy.  Then life went on. 

When he told me today that the work had sold he also said of this piece “it’s a gem”.  He talked of how much attention this particular piece had gotten, how the client who ended up buying it had come to ‘visit’ it multiple times before buying. He went on to say that he thought it might be a good idea for me to do more such things, maybe make a book of such poetic-artistic-meditations-on-daily-life.

So now I’m thinking about doing that. Over the many years I’ve worked with Barney he’s had a number of great suggestions for my art/career… so I take his suggestions seriously. And I think Judy will play poetry+art again with me … and I write poems sometimes myself… and I’m also flirting with thoughts of collecting some other poet/writers very short thoughts (ideally word-play) about some aspect of daily life.

My question is how to go about it?  Must ruminate more on this topic… Please share your comment/thoughts too.

Anyway here is the “Gardener’s Prayer”:

gardenersprayer72

Poem by Judy Sullens. Art (cut handmade paper) and Calligraphy by Sue Clancy.