Been thinking about tea and coffee. And poetry. As readers of my blog know I often read a bit of poetry in the mornings with my coffee. And novels with my tea in the evening. Or vice versa. This bit of my mundane life inspired this painting below along with the thought that Dachshunds like to dig… and writers and readers often “dig” for meanings…
Leaves And Grounds: Poems for the Canine Soul – by Clancy – 20 x 16 inches – acrylic on cradled board
Naturally (organically?) I’ve included, in the painting above, 2 spoofs of my own still life work. Each of the still lives relate to the theme of “Leaves and Grounds: Poems for the Canine Soul”. The titles of the still life’s, in my mind at least, add more information to this “Leaves and Grounds….” painting.
As you can tell I’m still thinking of the nesting ideas concept I’m working with for this body of work (“Readers” is my working title) for an upcoming one-person exhibit.
Here, below, are my still life paintings that are spoofed in the painting above:
A Stirring Occasion by Clancy – 8 x 10 inches – acrylic and gouache on board
“A Novel Morning” – by Clancy – 24 x 18 – acrylic and gouache on board
I’m currently working on yet another nesting aspect related to this concept of leaves, digging and poetry… but that will be another post. Btw: if you follow me on Instagram occasionally I post what I’m currently reading.
I’ve been thinking about how reading books is similar to playing dominos or sharing a meal with friends. In all of these activities we practice cooperating with others and peaceably bringing forth the world together.
Here’s a limerick poem I wrote and illustrated that playfully reflects my thoughts:
original poem and illustration titled “There Once Was A Tom Cat…” by Clancy
This poem and illustration somewhat relates to my nested-ideas concept that I’m working with for my upcoming fine art exhibit. And this poem (along with others) could become an artist book to accompany my exhibit but I’m still playing around and not sure where all of this is going. This is one of the things I like about being an artist; getting to practice being flexible, playing and letting things unfold as they will.
Kind of like reading a novel, playing a game or sharing a meal with friends allows us to practice “letting things unfold…”.
On a technical note: To create the above poem and illustration I used pen and ink and gouache on a greyish off white handmade paper. It looks sharp in real life, and the paper is a dream to work on, but the scan accented the grey color of the paper more than the naked eye perceives in person. The scan looks good enough, I’m not unhappy … however, note to self; use white paper for things that will be scanned and leave this lovely greyish handmade paper for fine art stuff that will be photographed and not scanned.
I’m still learning!
Here’s a new painting in my “reading and books in art” series. I confess that I love printed dictionaries, thesaurus’s and puzzle/game related books. In my art studio resource shelves I have 8 dictionaries, 3 thesaurus’s and 5 puzzle/game related books. Art idea gold-mines in my opinion. Naturally a Boston Terrier would consult one of these books…
“The Arf Thesaurus” by Clancy – 16 x 20 inches – acrylic and gouache on board —- image copyright 2019
The puzzle in the painting is actually work-able – at least somewhat – if you could get the Boston Terrier to move his arm. It was fun to imagine a puzzle related to sounds (words?) a dog makes.
If you look in the upper corner of this painting you’ll see that I’ve spoofed another painting that I did earlier.
“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board – image copyright 2019
As I’ve worked toward this exhibit theme of reading and books in art I’ve become aware again of my love of words so I’ve also been experimenting with abecedarian poems, nonsense poems and made up words. This is in conjunction with thinking about constructing some artist books related to my upcoming reading and books themed art exhibit.
Still noodling about this concept of nesting-ideas-within-nested-ideas I’d mentioned in my last post. We’ll see where it goes.
And yes, I love it when I take the time to sit and work a crossword puzzle. I’m not up to The New York Times puzzle level yet. Someday perhaps. I’ve known two people who could do the Sunday NYT puzzle in ink. They impressed me enough with their level of education/smarts that I started on the bunny-slope level of crosswords. They inspired me reading more widely too. I like to think I’ve gotten a little better at puzzling since then.
Do you like crossword puzzles?
Dealing well with deadlines is a topic often discussed among my fellow artists and writers. So I wondered “could I make a poem about deadlines, make it funny, illustrate it and create a book format that would accent the concept?” Fun challenge.
And here for a free download is what I came up with: Deadline Dragon Dance by Clancy. It’s a pdf file and will print using 2 sheets of 8.5 x 11 paper. One sheet is my 8 page book. The other sheet is the instructions on folding the book. Have fun! And yes, feel free to color the dragon before you fold it into the book.
Below is what The Deadline Dragon Dance looks like when you print it out, the “cover” is on the right at the top by the dragons nose, page one is on the left at the top behind the dragons head and the content proceeds counterclockwise from there. It’ll make more sense as a book once it is printed and folded. If you wonder, yes, I’ve somewhat bastardized the graphic design concept of layout for physical commercial printing.
Anyway, here is what The Deadline Dragon Dance looks like as a flat sheet-book:
And here is the instruction sheet on how to fold the above “book”:
The pdf file for free download again: DeadlineDragonDancebyClancy
Yep I had a lot of fun taking a stodgy concept like deadlines and combining it with humorous poetry, illustration and book arts! I used brush and ink as well as my fountain pen on Bristol paper.
What do you think? How do you deal with deadlines, both the ones you set for yourself and those set for you by others?
Last weekend I spent some time looking through my cookbook collection which sits on the shelves next to my poetry collection. Since I’ve been practicing both cooking and writing I look to my favorite “masters” in each genre for inspiration. It’s nice to have them all in one spot. Mollie Katzen, Aliza Green, Rick Bayless and Maryana Vollstedt are some of my favorite masters from the cooking world. Edward Gorey, Edward Lear, Ogden Nash and Shel Silverstein are some favorites from the poetry world.
I spent the most “looking-for-a-recipe-to-cook” time with Vollstedt’s cookbook “The Big Book Of Soups And Stews” as it was a cold weekend. Plus a hearty stew puts me in a happy “comfort food feast” frame of mind. But the most “just admiring a cook book” time was spent with Katzen. However I did use one of Katzen’s salad recipes to go alongside a stew. I love the way Katzen hand lettered her recipes and illustrated them in her “Moosewood Cookbook”. My poetry time was divided between Edward Gorey and Edward Lear.
This concept of mashing up wildly different genres as inspiration to make something new? Well Austin Kleon has written wonderful creative thinking technique books about that – specifically Steal Like An Artist!
Anyway I combined my big pot of stew thoughts with the limerick poem form for this poem I wrote and illustrated below – which has been published now on They Draw & Cook.
I’m still practicing combining India ink and gouache – and doing text with a brush. I used a smaller size brush this time for the type – and all lower case letters. This brush-and-ink type style felt looser, more relaxed, than the type I did with a fountain pen for the birthday card – though both projects use a similar lower case. I like both methodologies and will probably use both techniques as they fit with the project at hand. But this brush style… I’m liking it and am finding my hand reaching for a brush more often.
What do you think?
Around the edges of doing a cat portrait commission and Chef Carosi’s illustrated recipe I’ve done some wine label artwork to be used by Burnt Bridge Cellars for their 2018 Holiday Wine. To meet the winery’s request for art that was “festive but not religious” I used 5 writing techniques along these lines to generate visual art ideas:
- Freewriting: I wrote and doodled in my sketchbook concepts that called to my mind a social festive season not attached to religion. This also meant writing down the religiously associated concepts so as to avoid them!
- Listing: I wrote a list of items one would buy when planning a casual social event. I doodled some of the items too. I also looked up some event-planning websites and went to a local party store and browsed – adding to my list.
- Clustering: I selected a verb/adverb from my free-write or a verb related to an item from my list and wrote further associations that came to mind when thinking of that word.
- Thesaurus/Dictionary/Encyclopedia/Google: I looked up words like “party”, “festival”. I looked up historical references to past well-known holiday parties. I read poetry that mentioned parties or was associated with the Holidays. (Twas the Night...) I thought of, and researched, holiday fashions such as the “ugly sweater”.
- Consider the Audience/Project Purpose: After I had done the above 4 techniques, in a wild free-wheeling way, I looked at what I had written/doodled from the point of view of the Burnt Bridge Cellars winery and what they wanted to accomplish with the label art during the Holiday season.
Then I created several images based on the above brainstorming sessions:
Cat A List by Clancy
“Celebrate!” by Clancy
Then I sent the above artwork in for the winery owners consideration.
Here below is the artwork they chose and how it looked on the bottles:
The winery was pleased with my work – and has said that their customers were too! (Whew!)
The Holiday Wine inside the bottles is very good (I’ve tasted it!) and I feel like I got to participate in a collective effort to add enjoyment to people’s Holiday Season! What fun!
P.S. I originally got the idea to use writing techniques when generating visual art ideas from reading a book by Umberto Eco titled “Confessions of a Young Novelist“.
Thumb Use – By Clancy –
Sissy had extra-large thumbs.
So she cleared the table of crumbs
saying “What else can you do,
in the absence of stew,
but make excellent use of your thumbs?”
gouache illustration by Clancy
This weekend I caught up on the news – and this poem and illustration came to me:
The Little Brat
By Sue Clancy
Clueless Jack Horner
stood in a corner
eating a stolen pie
saying “Oh what a good boy am I!”
His classmates had cried.
His teacher had sighed.
But Jack, little Jack, didn’t ask “why?”
Instead he said “What a good boy am I!”
As he ate the pie…
As he stood in the corner…
Clueless: Jack Horner.
(Illustration, by Clancy, for the poem “The Little Brat” by Clancy.)
I think often about “artistic purpose” – and while, yes, I do get money for my work (I’m a professional, this is my full-time job) that’s not my only purpose for creating art. Today when I was thinking about this topic I had my tongue firmly planted in my cheek… and I did this poem and illustration.
Strummer – By Sue Clancy
Strummer played music for money,
Ribs, rolls, butter and honey
Or any other tasty dish
Like beef or lamb or fish
A scrambled egg would even do, if not too runny.
“Strummer” by Sue Clancy (brush and ink on handmade paper)
I’ve been busy working on art commissions – and some extra special “dog-drawing-for-Christmas” requests – none of which I can talk about in public ’cause, you know, they’re somebody’s present! So I took a very short time off from being one of Santa’s elves and did this short-narrative poem plus illustration practice:
Molly – By Sue Clancy –
Molly sat combing her hair
Tangles she had here and there
It took some might
But she set it a-right
Then got dressed and went dancing somewhere.
illustration and poem “Molly” by Sue Clancy