Here’s a link to an article written by Scott Hewitt for The Columbian about my art exhibit “Dear Readers” that is currently at Burnt Bridge Cellars! And a picture of the front page of the newspaper with a bit of my artwork on it and pictures of the other 2 pages. I was relieved to see that my artwork reproduced so well in print. Even though by now I know very well how to create images for reproduction I still breathe a sigh of relief when I see them looking good in glorious color print. Anyway, here’s the newspaper link all spelled out: https://www.columbian.com/news/2019/jul/18/vancouver-artists-ties-together-dogs-books-in-whimsical-ways/
Both gouache paints and acrylic paints reproduce well (even in newsprint!) but to my eye the gouache reproduces best of all. But then gouache was originally created for use in illuminating manuscripts back in the days, around the 16th century, when all “books” were hand written, hand illustrated and hand bound – one at a time.
Acrylic, a medium that originated in the late 1940’s, tends to be shinier and more difficult to photograph and thus get a good reproduction quality image.
Have I mentioned lately that I really like gouache??
For this new painting I’ve combined several thoughts together: rainy day activities, the contrast between rainy Pacific Northwest and the Southwestern (USA) desert region (Arizona), and the Bonneville Dam’s fish ladder. I’ve found the fish ladder fascinating – here’s a video of it – and have done some fun sketching at the Bonneville Dam trying to capture the patterns I see.
I enjoy the patterns the fish form as they flow by. I also enjoy the patterns of the needles/leaves on cactus and succulents which seem visually similar, in my eyes, to the “flow” of the fish as seen from various angles.
Yes, I spend a lot of time thinking about visual fractals in general and specifically fractals in nature
Plus the absurdity of comparing fish with cactus tickled my funny bone. At any rate those were some of my thoughts as I created this gouache painting I’ve titled “100 Things To Do On A Rainy Day”.
“100 Things To Do On A Rainy Day” by Clancy – 11 x 14 inches – ink and gouache on board
All of the 28 artworks for my Dear Readers exhibit have been delivered to Burnt Bridge Cellars now – and hung. Over on my Instagram page you can see a fun pic of the curator looking at a table full of my artwork deciding what art goes where. Here, just above the wine taps the winery uses to fill wine growlers, is the perfect place where the curator chose to hang my painting “Party Pointers”:
I’ll try to post other views of the exhibit – most likely on Instagram – but don’t hold your breath for many more posts from me about Dear Readers – because I’ll be getting started on my tried and true opening party jitters remedy: getting on with other art projects.
Too often, early on in my art career, I had the “what if I throw a party and nobody comes” jitters during the week between art delivery and the opening party. That wasn’t helpful. Quickly I learned that starting on new artwork well before the official opening for an exhibition is the best exhibit-opening-jitters and general exhibit-up-and-running-I-feel-naked-now remedy. My blog posts, from here on, are likely to reflect new projects I’m working on. For additional views and information about my Dear Readers exhibit – which will run from June through the end of July – please watch the various Burnt Bridge Cellars social media pages.
Now that the Dear Readers exhibit is hung all that needs to be done, from my point of view, is to do laundry, dress reasonably and show up at the opening party June 7th. More details about the opening party, including the chef’s menu here. So I’m focusing now on sharpening pencils, taking inventory of the art supplies, looking at my sketchbooks and starting new things.
Thank you again for all of your support and encouragement as I have worked on my Dear Readers exhibit!
Since my upcoming fine art exhibit, opening June 7, at Burnt Bridge Cellars is titled “Dear Readers” and contains nested ideas – for the additional pun of it I’ll have some artist books available. So here’s a pic of a few of the books I’ll have at the exhibit.
There’s my Dogs and Cats and a Cookbook I illustrated (with Chef Kim Mahan’s recipes). And yes – there’s a little tiny mini-guide to drawing dogs! How’s that for a visual pun in an art exhibit full of paintings of dogs reading?
There are also cats and food depicted in my artwork… and of course books! So my books relate to my artwork which relates to my books…
Basically I’ve had a lot of fun playing with nested ideas!
BTW the “How to Draw Dogs” mini-guide is only available via the Brooklyn Art Library in New York …. except for the few I’ll have in my exhibit in Vancouver WA.
A link to my Dear Readers exhibit statement that explains my thinking behind this exhibit is here.
More generally about my artist books here.
And now to get back to work framing and labeling everything…
My wife’s garden has at least 100 strawberry plants in it. They currently are in bloom. My favorite dessert is strawberries and shortcake. I only have this dessert in the summer on account of trying to be sensible. Nonetheless I’ve been anticipating “strawberry season” and making new artwork about it.
Dogberry’s Strawberry Treats – by Clancy – 20 x 16 inches – acrylic on board
I chose a Bassett Hound as my character because of the breeds easy-going relaxed nature. It’s the way I think of the Pacific Northwest summer.
As I’ve been doing for this series of artworks I’ve spoofed two of my own still life paintings in the background of the above painting titled “Dogberry’s Strawberry Treats”. Below are the two still life’s I’ve spoofed:
June’s Treasure – by Clancy – 7 x 5 inches – acrylic and gouache on board
It Must Be June – by Clancy – 5 x 7 inches – acrylic and gouache on board
Since we have so many strawberry plants – and get lots of produce from them – besides sharing strawberries with neighbors and friends and making strawberry shortcake desserts I’m often looking at cookbooks for ideas of what else to do with an abundance of strawberries.
My one-person art exhibit, which opens the first Friday in June at Burnt Bridge Cellars, is book and reading themed. So naturally, for the exhibit, I had to have a painting with cookbook and a Bassett Hound cook consulting a book while working with strawberries.
And yes, in the exhibit I’ll have all three of the above artworks displayed. I’m hoping that sharp-eyed attendees of my exhibit will connect-the-dots so to speak and see the correlation between the paintings, sort of an in-person story-puzzle effect; the ability to walk about (glass of wine in hand) finding the related art pieces and identifying the story-theme for each.
But whether or not people catch any of the correlations between my paintings I’m hoping the exhibit will be as fun for visitors to see as it’s been for me to create.
One of the many things I love about the Pacific Northwest are the indie bookstores and all of the people I see reading. Almost every time I’m in town I see people reading printed books in coffeeshops, in cafes, in the park, in the library, in line at the post office, waiting for the bus and even while walking down the sidewalk.
For example here’s a sketchbook page (left side) I did just after passing by the lobby of one of the downtown apartment-plexes. There’s a lobby on the first floor and a guy was sitting in a chair reading with his dog on his lap. (I added the cat – just for fun.)
I did the other page (on the right) on the same walk, but just after walking past a café window where a lady was having a dessert and coffee. The book she was reading was about the same small size as her cake! So I had to note that!
Below are several more pages from my “running around loose” sketchbook (a book I take with me when I go to town) as well as a few from my “kitchen sketchbook” (a book I keep in my kitchen at home to doodle in while I wait for water to boil etc.)
from Clancy’s Kitchen Sketchbook
from Clancy’s Running Around Loose Sketchbook
from Clancy’s Kitchen Sketchbook
from Clancy’s Running Around Loose Sketchbook
These pages – and my many other sketchbook pages full of readers and books – have been feeding my current “reading and books in art” fine art series that I’ve been posting about in my last several posts. This series of paintings is for an upcoming exhibit. Plus books are a fun topic for me to use in my artistic practice to, well, practice.
I’m still thinking hard about my notion of nesting ideas (like the way one book refers to another book etc.) and this week I’ve added a twist; in past years to accompany my fine art exhibits I’ve included ebook versions of my sketchbooks. What if this year, instead of an ebook, I did a limited edition printed book? And what if it was a book that collected some of my sketches of human readers and possibly included some of my poems/short stories? So that the poem/story related to the human reader, what they might be reading and also to the fine art? It would be a way for me to include the story alluded to within my recent painting Epic Tales Of The Pug King for example.
Hmmm… I’ll keep thinking. And I’ll probably post some of my human reader sketches/illustrations here too and see what you think.
Oh, and to add another layer to my nesting-ideas concept, over on my Instagram page I’m occasionally posting books I’m currently reading.
On one of my walks near the Columbia River I had the pleasure of seeing, then meeting, a mutt. She was a beautiful white and buff longhaired dog, larger than a Labrador, stockier than a Greyhound and hairier than a Golden Retriever. I asked the owner what breed she was and the owner didn’t know. The dog and human had rescued each other. The dog was friendly, beautiful and let me make drawings of her in my sketchbook.
Fast forward to my currently in progress reading and books in art series – and the wonderful mutt I’d met made an appearance:
“Meditations For The Metrosexual Mutt” by Clancy – 16 x 20 inches – acrylic on cradled board – image copyright 2019
Yes, in “Meditations For The Metrosexual Mutt” I’ve spoofed a famous painting by James Whistler along with two of my own still life paintings. If you look at the titles I’ve used for each of my paintings you’ll get a hint about my theme…
“Life’s a bowl of cherries, stems pits and all” – by Clancy – 8 x 10 inches – acrylic and gouache on board
The still life, pictured below, is on the deep cradled edge of “Meditations for the Metrosexual Mutt”, where it will only be seen if you’re able to see my work in person.
“Gala” by Clancy – acrylic and gouache on board
The selection of Whistler’s famous painting to spoof was deliberate as the art history around Whistler’s work is part of my meditation on life, beginnings, origin stories etc.
I imagined that the dog in my painting is reading a book titled “Meditations For The Metrosexual Mutt” – which is why I used that as the title for my work.
As you can tell I’m still thinking about “nesting ideas” and stories within stories…
Here’s a new painting in my “reading and books in art” series. I confess that I love printed dictionaries, thesaurus’s and puzzle/game related books. In my art studio resource shelves I have 8 dictionaries, 3 thesaurus’s and 5 puzzle/game related books. Art idea gold-mines in my opinion. Naturally a Boston Terrier would consult one of these books…
“The Arf Thesaurus” by Clancy – 16 x 20 inches – acrylic and gouache on board —- image copyright 2019
The puzzle in the painting is actually work-able – at least somewhat – if you could get the Boston Terrier to move his arm. It was fun to imagine a puzzle related to sounds (words?) a dog makes.
If you look in the upper corner of this painting you’ll see that I’ve spoofed another painting that I did earlier.
“Good Morning” – by Clancy – 11 x 17 inches – acrylic and gouache on board – image copyright 2019
As I’ve worked toward this exhibit theme of reading and books in art I’ve become aware again of my love of words so I’ve also been experimenting with abecedarian poems, nonsense poems and made up words. This is in conjunction with thinking about constructing some artist books related to my upcoming reading and books themed art exhibit.
Still noodling about this concept of nesting-ideas-within-nested-ideas I’d mentioned in my last post. We’ll see where it goes.
And yes, I love it when I take the time to sit and work a crossword puzzle. I’m not up to The New York Times puzzle level yet. Someday perhaps. I’ve known two people who could do the Sunday NYT puzzle in ink. They impressed me enough with their level of education/smarts that I started on the bunny-slope level of crosswords. They inspired me reading more widely too. I like to think I’ve gotten a little better at puzzling since then.
Do you like crossword puzzles?
It took some doing but I finished the painting I was working on in my last post (here). I’ve titled it “A Novel Morning”. It is 24 inches by 18 inches – acrylic and gouache on board.
The text in the painting was paraphrased from Dona Leon’s book “Death at La Fenice” – the first book in her Commissario Brunetti series. I adjusted the text for artistic reasons too numerous to write about in detail here – mainly because I’m lazy about typing words in a row – the gist being that I wanted to convey visually what I find alluring in Leon’s novelistic work; i.e. I love the food connection.
And I included the Powell’s bookstore receipt in the painting because one of my favorite things to do is go to a local bookstore, find a new-to-me novel, visit the in-bookstore coffee shop and consider the author/book carefully. That’s my idea of heaven.
I’ve been reading a lot of novels by Donna Leon lately. Her Commissario Brunetti series. My wife and I had watched many of the movie versions, I got hooked and sought out the novels. As a result I’ve realized how often the detective mystery is solved by something mundane, trivial and even disposable. The clue that resolves the crime may be found in the wilted flowers in the office, the food take-out container, the receipt in a wallet – or something else really mundane. In Leon’s work the city, the food, the objects are characters in their own right. They certainly add to my perception of her protagonist Guido Brunetti and his cases.
These thoughts led me to thinking about how historians and archeologists both spelunk in the log-books, the diaries and the trash heaps of history to find the clues about life in the past.
And then there’s the concepts of wabi-sabi and hygge…
Amongst all these thoughts I had my cat’s exhibit open at Burnt Bridge Cellars. One of the benefits of doing one-person shows is that I get to see a years worth of my own work all at one time. As I looked around I realized that I’ve focused on creating my characters; the eyes, the fur, their animal-body-shape in people clothing and not as much on the stuff, the objects, they hold.
So I want to see if I can tell a visual story with “just stuff”. A still life basically. But I still hope to tell or imply a visual story. By doing this I’ll be practicing depicting the details of drinks, food and physical objects better so they can become “characters” in their own right. Kind of like what Leon does in her novels. Then eventually I hope to put my object-characters together with my animals…
Anyway, here’s me working on one: