Labrador dog art in the winery

A Creative Life, animals in art, art exhibit, art gallery, Art Licensing, artistic inspirations, dog portrait, Dogs in Art, sketchbook

As you know from other posts I’m getting ready for a one-person fine art exhibit to open June 2nd at Burnt Bridge Cellars www.burntbridgecellars.com.  For this art exhibit I’ve been meditating, you might say, on how important it is to practice enjoying ordinary life. When I have a glass of wine I’m reminded to breathe, taste and savor everything – not just the wine.  I chose a Labrador dog as my “character” actor in my art (pictured) because a Labrador’s restrained-alert-excitement reflects how I feel while tasting some wines.

Here’s one of my artworks for the show:

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Lad by Clancy – 30 x 22 inches – sumi ink on handmade paper

On my website page https://sueclancy.com/artist-books/ you can find a link to a sketchbook titled “Glad to Be Alive Sketchbook – drinks and music edition 2017”  where you can download, for free, my sketches that inspired this work.

You can also see some greeting cards with this image – and others – here https://society6.com/sueclancy

fine art commission Bailey At The Lake

A Creative Life, animals in art, art commissions, art gallery, art techniques, artistic inspirations, Dogs in Art

Creating “Bailey At The Lake” By Sue Clancy

(this art commission project was handled by the Downtown Art & Frame gallery in Oklahoma)

Almost 9 years ago I did an art exhibit and someone saw it. Almost 9 years later they remembered my artwork and contacted me wanting me to do a portrait of their dog! (Lucky me!)  After conversation and photos were exchanged I did 2 sketches and some color samples. They selected one of my sketches and they liked the color scheme so I got started on the art!

I dyed handmade papers –  first for the color samples and then I dyed still more handmade papers for the “nuances” of color papers that would be cut up make up each element within the artwork.

Here’s a photo of me dying paper. Each handmade paper starts out white – the colors and patterns you’ll see I put onto the white paper using various processes. This paper dying process was repeated with many different colors using several different paper-dying techniques.  Only one photo of this process is here so I can keep this document brief.

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Below is the “basic” color scheme that was approved.  Then I set about making dyed papers that were the same colors but shades lighter or darker than each of these.  So about 26 papers got dyed. (and a few extra)

Each paper was much larger than the area I intended to use it for because I layer multiple pieces on top of each other to build up the color.

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When all of the dyed papers were dry I cut out the overall basic shapes from each “local color”

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DSC_0002 (4)I glued each of those cut paper shapes to each other – and generally began the layering process….

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Some paper layers go on top, others interlock with each other, some go behind and others on top of what’s on top – basically I design for both 2D and 3D space. To create this art work, I use an Xacto knife to cut out the shapes I need – sometimes scissors.  A tin tray holds the cut pieces – and I use a miniature spatula and several kinds of tweezers to position the paper shapes in the correct position…. Lots of archival glue and glue brushes are used… then a roller to roll it all flat.

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Then I glue the basic cut paper shapes onto the board – layering what goes behind first and slowly building up.

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When all of the “base papers” are on the board it is allowed to dry for several days.  Then I begin to layer more cut dyed paper shapes on top of what is dry on the board.  This next photo is of me starting that layering process – adding the cut paper “nuances” of color and shape.

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And so it goes for quite some time… I’m skipping ahead now and the following photo shows how it looked when I had gotten it to a stage where it had to dry a few days before I could do more detail work.  And yes, in this photo below you can see the sketch that got approved – and some of the many photos of the real-life dog that the client sent to me for reference.

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Once the above stage was dry – I cut and layered in more cut paper shapes.  While working I looked a lot like I did in the earlier photo: tweezers and cut paper in one hand a glue-y glue brush in the other.  I would cut the shapes I needed out of the correctly colored paper using an Xacto knife, lay those cut paper pieces in a tin tray, step to my easel use the tweezers to pick up the cut paper piece, load my brush with glue and apply … and so it went. But I’m keeping this document brief… so please repeat in your mind, a gajillion times, that earlier photo of me with tweezers and glue.

In the photos below you can see that I’ve layered on many more nuances and details since those photos above.

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As you can see my dyed cut paper shapes go around all 4 edges of the board.

The above stages have to dry a while before I can do any finishing touches.

Well, I got so excited when things were dry that I got right to work and finished the artwork without taking any more progress photos. Ah well.

Here it is finished:

“Bailey At The Lake”  By Sue Clancy

6 x 6 inches – Hand dyed paper, handmade paper, handmade paste paper and acrylic on cradled board.

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the art commission Innocent

A Creative Life, animals in art, art commissions, art gallery, art techniques, artistic inspirations, collage, dog portrait, Dogs in Art, fine art

A couple of clients have a Schnauzer and a Labrador retriever – they asked me (via the Caplan Art Designs gallery www.caplanartdesigns.com) to do a dual portrait while also reflecting the owners work/personal life! I have a series of questions I ask (about color preferences etc. details) – I also request photos of the dogs. I was lucky enough to actually meet these dogs in person. Earlier in this blog you got to see my “practice” sketches for the dog breeds in this commission.  After receiving the answers to my questions and photos of the dogs I created 2 pencil drawings to the scale of the proposed finished work.  I also created a number of hand dyed paper swatches to show the proposed color scheme.

Here’s a photo of me dying some paper blue.  I did several layers of this blue color on the paper in order to build up the “proper blue” that best matched the client’s preference.

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To keep this document brief I’ll not show photos of me creating the 20 base colors I created for the “swatch sampler” – so multiply the above photo 19 times at least.

Once the papers were dry – we met and the clients chose one of the two pencil sketches. Small adjustments were made in the color scheme and the drawings. And additional research was done. For example, I studied what vest collars are like, what wing-tip shoes look like, where cuff-links are on a cuff and gold pocket watches how they sit in a pocket and how the chain drapes.  I asked about and investigated what a “bar” in court looks like. I researched how the sleeve of a judges’ robe hangs.

I also “filled in” the other colors of hand dyed paper I’d need to produce the finished painting.  Where a section in a painting will read as “blue” there may be as many as 5 different shades of blue papers which are collaged/layered together.  Where a paper may read as “blond wood grain” there may be multiple layers of color applied to each paper that forms the various tones within the shape.  Yes, it’s complicated and takes a lot of pre-planning and research.

Once all of the papers are done and dry (there are now over 50 pieces of hand dyed paper) I begin cutting out shapes. Here I have cut out the overall shape of the Schnauzer’s head and paw out of a greyish-blue dyed paper. A light pencil marks the future placements of other pieces of darker grey paper and or lighter white-grey paper.

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At this point I’m cutting and gluing together all of the various shapes from the various “base” papers to form the overall characters and aspects of scenery.  With an Xacto knife I cut the needed shape positioning it using tweezers. Then I would adjust the position – often several times – before gluing it together. Then I would press the glued papers flat and let them dry.

As I constructed the Schnauzer character I got excited and focused – and I forgot to take photos of the steps of construction.  As I worked kept laughing, imagining the Schnauzer lawyer saying “My client is innocent, I tell you, innocent. My client, the Great Dane you see before you, could not have possibly reached down to such a low table to eat the 4 hams, 5 chickens and the pot roast which is alleged to have been on that table. It was beneath him to have…”

There is a lot of “back and forth” work to get the shapes and positions correct – to adjust the colors and layers. Here is a succession of photos to give you an idea of the test-adjust-test routine.

In the photos below you’ll see my original pencil drawing – which I’m using as a guide.

The Judge’s glasses are made of two pieces of paper: I cut the glasses frames out of a “gold” paper and glued them onto a white paper which acts as the “lenses”.  All elements within the artwork are cut hand dyed papers which interlock.

And so it goes – back and forth – building up each element in both 3 dimensional space as well as 2 dimensional. For example, the watch in the Schnauzer’s pocket is a complete watch – with numbers on it – even if you don’t see all of it in the finished artwork. Behind the suit coat lapels is the entire vest… the tie actually fits under the white shirt collar. The flag is several different colors of paper pieced together and actually hanging from a pole (a cut piece of gold paper).  If you could tell the Schnauzer to move over you’d see the entire “bar” he is standing in front of and behind those is the entire “bench” on which the Labrador judge sits.

Once the “base papers” have been assembled into each element needed for the overall artwork I glue them onto the cradled board.

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I pre-planned for how the various shapes “wrap around” the 4 edges of the board. This way the judges bench actually looks/feels like a 3D bench. All we don’t see are the witness boxes. The flag extends to the side and top edges of the painting. The judge’s arm continues on one edge. As you can see in the photo the floor extends over the bottom edge.

When these base papers are glued on they are pressed flat – and left to dry several days under weight.

Then the excess paper hanging off the edges is trimmed away with my Xacto knife and the now blocked-in painting is put on my easel. There many more cut pieces of paper layered on at my easel – many of them are very tiny pieces of paper, the size of a fingernail or smaller, others are tissue paper thin allowing the underlayment to show through – these papers are cut with my Xacto knife carried to the easel then glued into place.  More building up of paper layers until each element within the artwork has more tonal ranges and dimension. For example, the Judges glasses got more highlights and shadows glued onto them – they went from being made out of 2 pieces of paper to being made out of 6.  The Schnauzer’s eyebrows and whiskers are layered on. And so it goes…

Once again – even though it took quite a bit of time – I got so focused and excited about what I was doing that I forgot to photograph the various steps I did between the above photo and the finished artwork pictured below. (The finished artwork is protected by varnish.)

So here is the finished piece (details of size and media below the photo).

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 “Innocent, I tell you….”

By Clancy

Size 10 x 10 x 2 inches

Media: Hand dyed paper, handmade paste paper, book cloth and acrylic on cradled board

art for the wolves

A Creative Life, animals in art, art gallery, fine art, words and pictures

“We need art and beauty because survival is insufficient.” Emily St. John Mandel

I’ve been thinking about that quote today and thinking about my responsibility as an artist to create beautiful, delightful, joyous – and even funny – things. Creations that are my own small way of helping myself and other people to live well, to feel and give love, to reach deep down into that playful place of the heart and mind where deep genuine laughs and gracious smiles come from.

Art making is my way of sitting down near the fearful wolf hiding under the mental bed – within myself, within all of us – and reaching out to soothe it, give it a favorite snack and even play with it until it (hopefully) giggles.

Here’s one of my fine art pieces containing a dog – a wolf ‘cousin’ – that is currently at the Caplan Art Designs gallery:

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Lyrical Lab by Sue Clancy

And here’s why I think it important to sit with the wolf…

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page from “Dr. Bob’s Emotional Repair Program First Aid Kit” https://store.bookbaby.com/book/dr-bobs-emotional-repair-program-first-aid-kit

where Sue’s dogs are

art exhibit, fine art

A few of my dogs hanging around (on exhibit) at Caplan Art Designs www.caplanartdesigns.com – please contact the gallery for more information about any of these artworks.

art of pup fiction

A Creative Life, fine art, visual story, words and pictures, writing

the inspiration lab

A Creative Life, art exhibit, art gallery, fine art, visual story, words and pictures

LyricalLab72

A neighbor asked me to take care of her three Labradors while she was away.  Each time, as I served up doggy dinner, one of the dogs “sang” in a sweet baritone – thus inspiring my artwork pictured above titled “Lyrical Lab”.

This is one of the artworks that will be in an exhibit opening Oct 3rd (see the event tab at www.caplanartdesigns.com).  I’ll also give a short talk about what inspires my artwork.  Here’s my best tip about giving short art talks: tell stories.