It’s barely been a week and Numpurrs on Storyberries.com has been read over 3000 times! Here’s one kind comment:
“Thank you, this is exactly what teachers are looking for, online opportunities during virtual teaching makes teachers lives so much easier. That was perfect timing! And a beautifully illustrated and written book! The weird thing is, I just did a cat drawing lesson for 1st grade. Now we can read the book and learn how to draw a cat!”
So this week quickly filled with additional efforts to help teachers and parents: I also made a poster, a calendar and then a 676 piece jigsaw puzzle too.
Here’s what the poster looks like. It’s big, 23 inches square, big enough to be seen in the backgrounds of online classes.
My copies of the printed book version of Numpurrs also arrived at my studio this week! So I photographed the book and created a portfolio webpage to hold all of my work on Numpurrs in one spot – to help the teachers find things easier – here’s that page https://sueclancy.com/portfolio/numpurrs/
Below are just a few of the photos of the printed book…you can see more on that portfolio page I just mentioned
I’m pleased with how the book turned out! Of course I can nitpick and find things I could have tweaked – that’s always the case with any creation. I think of art making as similar to cooking, you do your best to create a good meal then you say “good enough, let’s eat” and you go on to the next thing. Perhaps you make a note for yourself on that recipe as to what you’d do differently in the future – but you enjoy the meal as it is and you go on.
Speaking of going on: for years now I’ve been regularly jotting short poems in a small 3 x 5 inch book with my fountain pen. Now, as per discussions with the people at Storyberries, I’m working on illustrating some of the poems for a new book. As I wrote my last post I’d thought I’d do more on this new project this week than ended up happening – so more on these illustrated poems in coming posts.
Here’s a look at my little poetry sketchbook with some of the potential to-be-illustrated poems flagged with sticky notes.
I write with a fountain pen because they’re refillable. Fewer plastic bits of discarded pens to end up in the landfill this way. Besides a fountain pen – if you have a good quality one – can be super smooth to write with.
For those who say a nice pen and hand bound book would be “too precious to use” I reply “your thoughts are precious too”. Buy quality supplies and use them with joy. It’s just stuff on Earth here to be enjoyed. (And if you just can’t bear it then buy whatever supplies you will actually use and get your thoughts written down. But remember that you really deserve the best.)
Below is the dragon poem you can see my handwritten draft of in the photo of my book above and the handwritten poem and illustration I got done this week with ink and gouache on nice paper.
More of that kind of thing here next Monday – I hope. Thanks for reading. Have a good week.
There now! Despite all the odds (see last post) I finished “Numpurrs”! I’ve also sent it in to Storyberries for distribution. When I sent it in this last week Storyberries said “I just LOVE it Sue!!! It has come together so nicely !!!! Thank you so much for sharing your beautiful work with us!!”
So I think it’s safe to say that they’re pleased! The book will be live on Storyberries.com very soon as they said they’ll “…schedule it for 9am Gold Coast time Australia on Monday morning.” Which works out to about 4 pm in Washington state, USA on Sunday. And I post these blog posts on Mondays but write them on Sunday morning’s… so, yes, I can have a bit of time zone confusion.
Time zone differences between where I live on the western US coast and the time where Storyberries is in Australia can confuse me even when I have help from the internet. My solution to working across continents and time zones is the same in publishing as it has been when I’ve done fine art exhibits outside of the U.S.A; get it all done early and everything into their hands as soon as humanly possible then let the people I’m working with sort the what-happens-when out at their end.
It helps that I work on the graphic design part of any book almost simultaneously with creating the fine art illustrations. This way by the time I finish creating the fine art illustrations I’ve almost finished the book design too.
The graphic design informs and affects my illustrations – in the number of illustrations needed, the size of them and so forth. But what I want to do in the first place with my illustrations/fine art at my easel (using ink and gouache on board) will also affect the graphic design.
This interdependence (and writing the poem is in there too) is related to the construction of my book idea in the first place in a which-comes-first chicken-or-egg kind of fashion. As a result of my working method the posting I do online nearly always slightly behind the action. My motto is create the thing first talk about it later.
Anyway, here’s a pic of me working on my laptop doing the book layout. I often do my computer work in the corner of my dining room near the cookbooks and am almost always cooking something on the stove. Taking breaks to stir something on the stove is so nice!
And here are the last poem lines in my book:
Twenty butters bread, risen with yeast
And it all sums up to a wonderful feast!
In the printed book my three panel “feast scene” will flow in sequence left to right and will line up side by side. But it worked pretty well in scroll ebook form too even tho it doesn’t line up at the edges. As I worked I had to think of both of these “flow” patterns when I was creating the images.
Even though I’m doing so much myself – which sounds like a lot of freedom – there are still constraints: page flow, number of pages allowed within the publication formats, where the blank pages must fall, printing product options, ebook construction and so forth. I see these constraints as the path, the way forward, the technical issues become part of my creative process.
When it came to creating the feast scene artwork in Numpurrs I consulted this book, Food and Feasting in Art by Silvia Malaguzzi
Many of these art historical images had the viewers eye moving left to right and or moving up and down. This served as a guide as I created my cat feast illustrations. (I love art history!)
Running into the graphic design publication constraints I mentioned earlier I only had 3 pages within which to fit my feast. When, in an early sketch, I fitted all 20 cats in – the cats were too small and the numbers couldn’t be easily read. Since the point of the book is to distinguish between cats and to recognize numbers I decided to make the cats and numbers bigger even tho it meant leaving out some cats.
Besides at almost every group photo I’ve ever participated in there were several people who declined to be in the picture. Perhaps we can pretend some of the cats in my artwork were similarly shy?
After sending everything in to Storyberries, and after being given the release schedule, I was asked to send in a new photo of all three of the feast panels as one image. There are design constraints and issues at their end too – and we’re in this project together. So I hustled (time zones remember…) and sent this photo in:
Since my book idea is about distinguishing between cats and numbers I also used 4 of my allotted pages to include the photos of real life cats that my friends had sent to me for use as reference to create my artwork. Like the feast scene artwork not every cat illustrated in the book is on the cat photo pages… again it was a case of if I fit in every photo the cats were too small to see well. And in some cases the photos my friends sent was fine for my art reference use but it wasn’t high enough resolution for a printed book. Since I’m doing both print and ebook forms I had to design for both to look the same. Perhaps it can add fun to also distinguish which cat is there and which isn’t and also to see some of the source material I worked with?
Here’s what the Numpurrs book cover looks like, and the dedication page where I thank my friends for all of their help.
This week has been less busy but weird with wildfires and bad air quality where I live in SW Washington. (More re in a sec.) Despite it all I still made progress on my Numpurrs book (see also my last post for more project details)
Here are the poem lines that go with the illustrations I managed to get done this week:
Sixteen puts flowers out on a whim
Seventeen pours saucers of milk labeled skim
Eighteen opens fish oil good for the fur
Nineteen is so happy she starts to purr
To think about art and creating a book for children this week, as wildfires raged, as we worry about the safety of family and friends has, at times, felt a bit frivolous. But it is also an act of hope. An act of resilience. An act of pushing back against the darkness…
One of my sources of comfort in times of difficulty is to walk among my bookshelves at home, selecting a random book, reading a page or so and putting it back on the shelf. I often hope to find encouraging, uplifting passages. As you might know from my artist book Another Sketchbook I’ve been adapting this comfort recently to include ebooks. Here’s something I read this week from Albert Camus
I think creating art is a way of maintaining hope. Sharing art is a small act of kindness. So I keep on. Besides, I find it helpful to spend time each day focusing on something that is pleasing, enjoyable, as doing this helps me exercise and maintain my inner muscles that give me strength to push back.
Things that are enjoyable are what we push for, what we want to maintain, what we want to have more of in life because it’s not enough to merely endure. Besides doing whatever it is that helps us endure we need to also remember what we’re enduring for. And when the enduring is done to remember to appreciate what we have.
Thinking beyond the thing to be endured and the endurance process itself takes practice. Enjoying things is a skill to be practiced – and one doesn’t have to wait for a perfect time/situation/condition in which to practice. That time is now.
As Kurt Vonnegut, one of my favorite authors said “I urge you to please notice when you’re happy, and exclaim or murmur or think at some point, “If this isn’t nice, I don’t know what is.” “
Anyway, here’s my cat sitting where he can look out on the smokey world. It’s pleasant to watch him watch the world. This photo was taken about noon on Sunday.
And here’s my dog covering his nose, burrowing into a towel, in an effort to get away from the smell of smoke. He’s so sensible – and cute!
Besides working on my art projects and pulling books randomly from my shelves, I’ve still been reading the books I mentioned in my last post.
Also I’ve added to my daily reading an ebook, “The Cat Who Said Cheese” by Lilian Jackson Braun. Walking around inside my house, for gentle exercise, is more fun with a cozy mystery in hand. And since one of the current topics in my head is cats…. this book is lightweight fun for me to burrow into while still being somewhat on topic.
The air quality outdoors here has been so bad that, wisely, all the places hosting my current fine art exhibit “Readings From The Heart” closed temporarily to the public. As of 8 PM Sunday night the Airnow.gov site has my location’s air quality as “beyond index” meaning it is worse than the number they use to indicate really-awful-very-bad-horrible-dangerous. My nose and chest would agree with that assessment. (An air particulate level of 300 to 500 is considered hazardous – ours Sunday eve was well over 500. Monday morning the number is 414… update: at 6pm Monday we are at 517. My local paper has this article. )
But I tend to think that inside a difficulty is an opportunity – a chance to think beyond an immediate crisis – so just as soon as one Gallery told me they were closing I made the ebook version of my artist book about the exhibit available as a free download on my shop page. If you scroll to the bottom of the page you’ll find my free ebooks. You can also see all of my art in the current exhibits from the comfort of your phone here. And if this isn’t nice I don’t know what is!
Please find ways to keep hope alive, to keep enjoying something, to keep going forward somehow and be kind – I will do the same.
I didn’t think it possible to be even busier this week than last week but I was. Still there’s been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.
Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs
Twelve spoons out all of the treats
Thirteen plans who will sit in which seats
Fourteen carries dishes piled so high
Fifteen slices the roasted magpie
As I worked on these cat portraits, in snatches of time, I chose the cats-to-be-illustrated from photos of cats that my friends have shared. My friends also shared stories about their cats – and both the stories and photos inspired which cat to pair with which number and poem line.
Also informing my work on these cat portraits are the books I’ve been reading. More details below. But did you know that magpies relate to math? So does carrying … math fiction as a genre to explore is lots of fun!
Anyway I don’t expect that the parents reading my Numpurrs to their kids will see all the math related research I’m putting in – the research is just a way for me to learn and enjoy this topic as I create my book Numpurrs. It helps keep me on track and inspired even when I’m not working on a cat portrait.
Anyway, I made these cat paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Both the small size of each portrait and my art media enable me to work in short bursts as time allows. If these works were in any other size or media I can’t imagine how I would have shoehorned this project into this week. As it was having this project to do in this way inserted a nice bit of relaxation and fun!
The rest of what I have been so busy on would require lots of typing. Let it suffice to say that it’s very happy business (fine art commissions!) and that I enjoy it all very much!
Here in this blog my point is to show how I develop new projects and sustain my interest in them over a duration, despite a busy life. It’s a peek behind the scenes you can say in my creative life. So I’m trying to keep my writing here about the newest project under current development.
As I alluded to above here are some books that are helping me sustain my inspiration for this project. In addition to conversation with my friends about their cats I peek at one or the other of these books as I get a moment.
I’ve written about some of these books in my last posts but the book titles in the above photo are (from the top):
A Dictionary Of Color Combinations by Sanzo Wada – A link for this book in the bookstore Ampersand where I got my copy is here
I Am A Cat by Soseki Natsume – this link has a wonderful review/discussion of this book. The article mentions that this book was originally written serially, in installments. In addition to making this book readable for the busy times of life I also see it as informative on how to construct a story to be serialized. Besides all that it’s just a fun romp inside a cat’s mind!
Imaginary Numbers by William Fruct – I found my copy this book years ago in one of my local bookstores. I looked online just now for it and the best source for more information about this title that I could find is here at ABE Books.
Werner’s Nomenclature Of Colors by P. Syme. – The bookstore where I got my copy no longer has this title but you can see a fun article about this book, along with photos of the pages here.
So now you know how my week went: working on many projects, reading bits in books, thinking, musing, playing and adding new art progress, small bit by small bit, to my Numpurrs while also living life.
Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.
I hope your week is peaceful, fun and filled with your own creativity.
P.S. I also include photos of my other projects on my Instagram pages and elsewhere on www.sueclancy.com
It’s been another busy week but there’s still been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” so Storyberries wants another book from me related to numbers and math.
Here’s my progress: the finished poem lines that fit with my next 4 illustrations for Numpurrs
Eight divides the large wheels of brie
Nine adds mice caught in the lea
Ten has a bird as big as the sky
Eleven bakes a vegetable pie
To create the illustrations I chose the cats-to-be-illustrated from the various photos of cats that my friends have shared. My happy thoughts of my friends – and their cat photos – inspired which cat to pair with which number and poem line. Life near-to-hand provides so much of my inspiration. I made these paintings with ink and gouache on board. They’re small, 3.5 x 2.5 inches. Just little savory slices of a good life…
As I wrote in my last post I’m still using the Dictionary Of Color Combinations as a playful inspiration source for my color schemes.
I’m also still reading the cat-themed book “I Am A Cat” by Soseki Natsume that I spoke of in my last post.
Speaking of slices – my last post also spoke of pizza…and I did manage to get that indulgence, and a movie worked into this busy week. It was so enjoyable! Here’s what my homemade pizza looked like
I used my simple sauce recipe from my published kitchen sketchbook “Favorites So Far” and topped it with mozzarella, gruyere and Comte cheeses. Simple pizza – sauce and cheese – but I adult-ed it, so to speak, with my homemade sauce and cheese choices. Here’s my sauce recipe:
And yes, my cat shamelessly begged for bites of the cheeses.
Part of what I was busy doing this week was answering questions about my upcoming exhibit at the Caplan Art Designs gallery. One of the questions asked what inspired the artworks with birds in them. My answer: the poem from Emily Dickinson “Hope is a thing with feathers…” In these strange and interesting times maintaining one’s human spirit, hope and good mental health is crucial. So my entire exhibit is about that. You can see a virtual exhibit tour of sorts webpage here (hint: the very newest pieces have birds reading books) https://sueclancy.com/portfolio/readings-from-the-heart/
Anyway, thanks for reading. I’ll post during the week on my Instagram page and sum up here next Monday.
I wish you peace, a lap full of purrs and a plate full of good pizza.
It’s been a busy week but there’s still been progress on my new artist book for children called Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” and it’s been popular with readers so Storyberries wants another book from me related to numbers and math.
In my last posts I’ve written about how I work in short bursts [Very Small Goals] until my idea has firmed up a bit. But this week let’s cut the chatter and get right to it…
Here are the finished poem lines that fit with my next 4 illustrations for Numpurrs
Four brings jugs of heavy sweet cream
Five fetches trout in from the stream
Six tallies the tables and chairs
Seven moves them from under the stairs
I chose the cats-to-be-illustrated from the various photos of cats that my friends have been kind enough to share. The cat photos themselves – and my happy thoughts of my friends – inspired which cat to pair with which number and poem line.
While painting these cat portraits with my gouache and ink method I’m still using the Dictionary of Color Combinations that I spoke of in my last post and playing around with colors. Working in small chunks steadily – and keeping it fun – gets things done despite all else.
As I said it’s been an extremely busy week but to keep myself in a feline fun frame of mind I found time to amuse myself with this quirky book about a cat. It’s an enjoyable read, the reviews that call it a “comic masterpiece” have it correctly I think. If you’re interested this link and this one tell more details about the book.
Here’s this weeks progress on my new artist book for children to be titled Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” and it’s been popular with readers so Storyberries wants another book related to numbers and math from me.
As I wrote in my last post when I start a new project I work in short bursts [Very Small Goals] until my idea has firmed up a bit. By “firm up” I mean that there’s a draft nearly finished and all the research and other materials have been collected. Even some messy doodle-drawings have been done. There’s now a “there” there – something to work with.
Then my project moves into the “more serious” project slot within my day. Instead of only spending 10 or 20 minutes on my project I’ll spend 30 to 40. Adjustments to my idea are still happening, things are still uncertain but it’s becoming clearer. I rewrite my text drafts more in a more legible way. I begin doing the illustrations more carefully using ink and gouache on board. (And yes, I redraw and repaint, in short bursts, till I’m somewhat satisfied with each portrait.)
Here are the finished poem lines that fit with my first 4 illustrations for Numpurrs
Zero has nothing but wants to eat
One lists numbers of friends who can meet
Two proposes a potluck fondue
Three invites him, her, them and you
I selected the potential cats-to-be-illustrated from the various photos of cats that my friends have been kind enough to share. The cat photos themselves inspired which cat to pair with which number and poem line. Also in my inspiration mill where some things me friends told me about their cats.
I decided to begin my poem-story with Zero because the concept of zero – nothing – was revolutionary in the early days of math. (A fun article about the history of Zero is here) Nothing is so often the start of something that it suits my sense of humor to have the catalyst (pun intended) for my story being a cat who has nothing…
The cat for number 1 was sent by a friend who told me the Japanese word for the numeral one – Ichiban. I toyed with the idea of using different languages, different kinds of clothing… for each numeral…
But as I drafted and doodled and read about numbers I decided to keep the illustrations simple, and each drawing similarly formatted, so as to keep my book focused on the numbers and the diversity of cats. This book is intended to amuse the adult fans of my work but also – primarily even – to help kids gain awareness of numbers. I plan to have the poem text have each number spelled out, such as, “Zero” while the illustrations have the matching number, i.e. “0,” in them. Since English is my primary language I decided to stick with that.
Where I’m playing visually in my Numpurrs project is with color combinations. Some time ago I got a book titled “A Dictionary Of Color Combinations” from one of my local bookstores, Ampersand Gallery and Fine Books. The book is primarily in Japanese with a smattering of English. Even though I don’t read Japanese this book has been a wonderful resource for color combination ideas. I’m using it much like I used a rhyming dictionary when composing my poem. Here’s some photos of this book:
I’ll post more of my Numpurrs progress during the week on my Instagram etc. social media pages and then sum up with more details about my creative process in a blog post next Monday.
I’m starting a new artist book for children to be titled Numpurrs. On Storyberries.com I had done a counting book titled “The Crow and the Water Jug” and it’s been popular with readers so Storyberries wants another book related to numbers and math from me. So here goes…
As I mentioned in my last post I work in short bursts, 10 or 20 minute increments, small time segments that cover a Very Small Goal (VSG) towards a project. I do these short bursts of VSG’s almost daily. Other projects – and life – take up time so working in short bursts on VSG’s is my way to do some new creative project without requiring a large chunk of time.
For example on successive days my VSG’s were 10 minute tasks like; gather my legal pads, refill my fountain pen, look at past poetry about counting, brainstorm a “thesis”, write a list of VSG’s, gather reference photos, doodle possible illustrations, write drafts of a poem… and so forth.
For my “thesis” aka the root idea of my Numpurrs book I thought of how cats often bring presents to their humans of some, delectable morsel, from a cats point of view. Some mouse or bird brought as a gift to the human as a contributing dish for dinner. My cats have in the past been so, ahem, generous. I added that thought to the human concept of potluck dinners and how all the various contributions of dishes “add up” to an extravagant meal.
With that in mind I wrote draft after draft – sometimes in short bursts of 2 lines at a time – of my potential Numpurrs poem in my legal pad. Here’s a photo of my messy handwritten poem draft number 5 or so.
During this time I reached out to several friends and asked for photos of their feline companions. I asked friends because many have shared or can share stories of their cats personality. These photos will inspire lines of my poem and the potential illustrations. This was also just a fun topic to share with my friends. Here are some of my sketchbook doodles of cats, a way to “warm up” and begin.
Here’s a photo of my cat Hawkeye.
Everything at this point is in flux. I’m quite okay with this uncertainty – it’s an exhilarating part of the creative process made achievable by working in small chunks.
My evening reading to relax before bed is also tangentially related to my Numpurrs project. There may be a bit of additional inspiration in it – who knows. Besides it’s fun reading.
I’ll post my progress on my Instagram page during the week and write more details about my creative process here on Monday. We’ll see how much I get done – or not. Among my upcoming Instagram posts about Numpurrs you’ll see posts about my fine art exhibits that are currently up – and one still to come. So I’ve a lot going on this week. Full details about all of the exhibits are on my portfolio project pages.
I’ve been asked how I manage projects, like my “Readings From The Heart” exhibit, over a long duration. Half jokingly I replied “one bite at a time”. My joke is in reference to this saying I have thumbtacked to my art studio wall.
Seriously though when starting I create a general big picture, a kind of map for the entire project. Or, if you prefer, an outline. When I design a long project I do a hybrid blend of the two writing techniques: outlining and seat-of-pantsing. I apply these writing technique concepts to fine art making. I described in my last post what my big picture became for this exhibit that opens this week; the exhibit statement and the exhibit catalog Readings From The Heart. Here’s a few photos of the printed catalog. An ebook version is also available.
But when I began, more than 8 months ago, my big picture for this project was extremely vague. It was akin to a map of a forest without many details. It was akin to a book jacket blurb, with barely a teaser of what might be inside. It was akin to a writer’s outline with whole sections labeled ‘more research needed’.
My big picture map/ loose outline, was handwritten on a legal pad. Vague as it was it still served as a starting point. I keep a notebook/file box for each project so I can store all of my notes in one spot for easy updating and consultation as I work by the seat of my pants and a lots of “Very Small Goals” (VSG) for the project.
Then with the vague map in hand I identified some Very Small Goals (VSG) that would help me start and proceed on my project. These VSG’s can be as small as ‘buy a new art boards by Friday’. The VSG’s change as the process develops. The trick with VSG’s is to make them absurdly small, easily achievable and very specific – including what and when. It’s important to also find some way make each VSG fun.
I think of the creative life as an Eco-system rather than an Ego-system – what’s important is participating, showing up and finding ways to keep things fun. I can’t stress enough the importance of playing and keeping things fun. That makes creativity over a long project sustainable. Here’s another saying I have thumbtacked to my studio wall.
As I proceed to work I know many changes to my big picture/exhibit design will happen. I also know I don’t live in the big picture. I move organically back and forth from big, medium and small pictures of a project. It’s okay to be uncertain, to experiment and play. I just remember to update my big picture map as I have new thoughts. Slowly over time the picture map comes into focus. A project also changes as life happens.
In this case I began my Readings series well over 8 months ago. Then the pandemic happened and threw a monkey wrenchs in my plans. For example I had to suddenly adapt the way I was artistically inspired: to change from being inspired by things I experienced out in the world to a stay-at-home life, things that I read about or only happened in my imagination.
So to think through how to cope with the pandemic and quarantine I reread Dr Bob’s Emotional Repair Program First Aid Kit, which I had created some time back, about mental health coping skills and wrote notes, drew pictures in my sketchbook in order to think.
I also worked daily in my sketchbook on the topic of how to adapt finding books to read, and the development of one’s mental life to a stay at home quarantine situation. Eventually this book was published as Another Sketchbook in order to share my entire process.
Being in quarantine meant cooking at home more so I consulted our Favorites So Far book. This is a sketchbook full of recipes that were enjoyable ways to feed body and mind. You could say that my work on these artist books/sketchbooks is the medium picture, the inset details within the bigger map, the more developed areas in the outline.
All of this sketchbook work inspired my fine art, where I developed specific thoughts with ink and gouache on board. You can almost think of the fine art as the most visible leaves and fruits on the artist book “trees”. In the exhibit catalog I’ve tried to show the connections between the artist books and the fine art I created.
Sometimes, as the pandemic continued, the fine art on the topics of reading, cooking and thinking felt too serious. Needing some self comfort and to have some fun I began drawing portraits of dogs and cats. In order to organize these dog and cat drawings I decided to make them into a children’s book as a gift for some kids in our friends’ lives. Many of my adult friends enjoy my dog and cat portraits so I decided to share each pet portrait on my Instagram page as I finished it in hopes of cheering my friends as I created the kids book.
The finished artwork became an artist book titled Alphapets and was picked up by Storyberries.com. A sequel Alphapets Too followed. Many stories begin with love and an alphabet – so this portrait project felt fun, relaxed and like a small picture, a detailed map insert or a sample bit of text to be fitted into an outline. (In fact, I spoofed some of the pet portraits within my larger fine art paintings.) Here are the pages in the big picture book Readings From The Heart that tell about the smaller picture of Alphapets and how it fits in.
The original artwork for both Alphapets and Alphapets Too is on exhibit at the Aurora Gallery during August and September. More details about those projects here with lots of pictures of the artwork.
When all of the artist books and all of the artworks were finished I reread my notes and used those to create the exhibit statement I spoke of in my last post. I also used these notes to create the exhibit catalog Readings From The Heart. That was the very last thing I did for the August and September exhibits at Burnt Bridge Cellars, the Aurora Gallery and Caplan Art Designs. Well, the last thing besides the framing and art delivery.
Below is a photo of all of my artist books that relate to my Readings From The Heart exhibit. Additionally I’ve created a webpage with all of this projects more than 20 fine art pieces and details about each of the 3 exhibits here.
I hope this look at how I work on long projects has been amusing for you. The exhibits open this week. Many of my upcoming Instagram posts will likely be about that. And I will update the above mentioned portfolio pages too.
Then next Monday when I post here I hope to be beginning a new long-ish project; an illustrated poem for a children’s book titled Numpurrs. I found I quite enjoyed the serialized posts I did for Alphapets and Alphapets Too. So I look forward to doing that again!
The purpose of art, in my opinion, is to cheer people and help them through stuff. My creative challenge during a pandemic has been how to share art during stages of quarantine.
In my last post I described how I’m doing three fine art exhibits in two states, in August and September, during this pandemic. Normally art exhibits are large-gathering social events. The gathering part is canceled but the exhibits will go on. All of us are just being creative about it. One of my solutions to the how-to-share problem has been to create artist books that can be shipped directly to you from the printer. My goal with these exhibits has been to be practical and amusing… and I think artist books help me do that.
One of the books I’ve made is an exhibit catalog, Readings From The Heart, that has the big picture, so to speak, of all of my exhibits. I also created the tiny picture, two alphabet books for children.
And in between there are three of my other artist books that also relate to my exhibit – and to coping with a pandemic:
In total I’ve made 6 artist books to help cheer you that relate to my recent artwork. Poking about on my website www.sueclancy.com gives you access to everything – including some free ebooks I’ve playfully half hidden on my site.
In typical times when I exhibit art I write a short statement about it. The statement is used by the gallery for promoting the exhibit. In pre-pandemic times the statement would also be put on the gallery wall to serve as an explanation of my motivation for all of the art. People would walk up and read it. I would also be at the opening parties answering questions and talking with people. But since that’s not happening this year I put it all in my books – but in a much less formal way.
Even so here’s what I wrote for this exhibit spanning three galleries and two states: “Readings from the Heart – It’s been a strange pandemic. Until recently I drew in my sketchbook from what I would see in the real world as I “ran around loose” in Vancouver and the Pacific Northwest. The pandemic altered that. As I stayed home, I began drawing people and animals more directly from my heart; from memory and imagination. This led to acknowledging that I deeply missed the local coffee shops, the winery, the pubs, the great the library, the bookstores, the museums, the gardens, the zoo… So, I began to experiment with how to adapt what it was that I enjoyed out in the world to this new “at home” life. This exhibit, and the artist books that accompany it, are my heart and mind’s adaption process.”
Because I have more space in my various artist books I went into more intimate details of what I was thinking and feeling – including cooking recipes and self-therapy techniques. I used a more conversational tone in my books as if you and I were chatting at an opening.
The galleries – Aurora Gallery – Burnt Bridge Cellars – Caplan Art Designs – will have photos and possibly video from my exhibits on their various social media and websites. Of course I’ve been sharing online too. Speaking of – here below is more of my artwork that relates to the topics within my artist books mentioned above.
As you can tell food, drinks and books are themes. I find it a useful mental health coping skill to be able to focus on small pleasures, to be able to experience subtle enjoyments.
You can see much more of the artwork from my exhibits on my portfolio page. I hope it all makes you smile at least a little.
Here’s a pic of me working in gouache and ink on the largest painting.