drawing on grandmas pillow

A Creative Life, Art Apparel, pattern design

As a kid I remember drawing on almost anything I could. In self defense my Grandmother kept a stack of paper, pencils and a few crayons in her kitchen and encouraged me to stick to those surfaces. Oh, and there was a small blackboard with some color chalk.

I loved those materials but now and then I strayed; I drew in chalk on the wall, the porch and the sidewalk, I drew with sticks in the mud, I drew on paper napkins, I drew with berries in the kitchen sink, I drew with a blue crayon on a pillow case.

I think the blue crayon on the white pillow case upset Grandma the most.

So let’s just say that after the “pillow case incident” I got the message about staying on paper or chalkboards.

Mostly.

Until now.

Recently (as an adult professional artist I might add) I’ve had the opportunity to do some pattern designs for pillows! White luscious pillows covered with my art! Childhood dreams do come true! Or perhaps people now-a-days are simple more okay with me drawing on the pillows?  http://www.shopvida.com/collections/sue-clancy

You can see a video of me making the blue star pattern on YouTube: https://youtu.be/cAx88mwARqo

Irish art and pub food

A Creative Life, art exhibit, art gallery, comfort food

Long ago now I was in an art exhibit in Wexford Ireland (my last name is Clancy, in case you’re wondering about the Irish connection). Communications regarding shipping my artwork to the Wexford Ireland Arts Centre http://www.wexfordartscentre.ie/ – happened via email and chat. Anyway, at one point the director said that he was going to go get a bowl of “Dublin Coddle” and would be back shortly. I replied “Great, talk more soon… and when you get a chance; what is ‘Dublin Coddle’?”

A bit later my food-education arrived via email: Dublin Coddle is a traditional Irish stew, almost every Irish family has “their” version of it and almost every Irish pub has “their” version and it’s a sort of stew that is easy to make and gets better the longer it cooks.

Mr. Collins kindly shared his version of a Dublin Coddle recipe – which used Irish Sausage. I haven’t been able to find Irish Sausage for sale at a grocers here in the U.S. tho I have had some great Irish Sausages in some local Pacific Northwest Irish pubs – but I’ve had good success with the good quality sausages I can find.

I’ve been grateful to Mr. Collins, for many years, for sharing his recipe and by now I’ve developed my own version. I find it’s easy to chop ingredients, throw ’em in a pot of a morning, then get to work in my art studio. Only occasionally do I go to the kitchen to stir the stew. Whenever I’m ready to stop my studio work and eat – it’s yummy, warm and feels like home! And the leftovers are even better!

Here’s my recipe:

DublinCoddle172

page from “Coffee, Table, Book” https://store.bookbaby.com/book/coffee-table-book

exhibiting art

art exhibit, art gallery, art techniques, artistic inspirations, fine art

All of my artwork has been delivered to the Caplan Art Designs gallery for my one-person exhibit opening Oct 1st at The Daily in the Pearl in Portland Oregon! Here’s a pic of me handing one of my new artworks to the owner of the gallery (yeah, okay we’re posing for a photo):

sue-and-amy

Sue Clancy (black shirt) with the owner of Caplan Art Designs. Sue was delivering several new artworks for her upcoming one-person exhibit.

I took all of my work to the gallery and a few days later the gallery owner sent me an image of the exhibit – my artwork installed! Looks nice huh? There will be a 3 course dinner with wine pairings on opening night – Oct 1st – hence all the tables and chairs.

14494652_10154426323918213_8165430186245522163_n

Sue Clancy’s fine art installed by the Caplan Art Designs gallery

I had no clue as to the order the artworks would be hung – that I left up to the gallery owner’s considerable experience – so as I created the works over the last year I tried to make sure all of the art pieces would “make sense” when grouped together no matter what the order turned out to be.  Essentially I worked to a “theme”.

In a blog post titled “pleasure patterns” I talked about my theme development process so I’ll not repeat that here. But here is a photo of the exhibit statement as it is posted on the wall of the exhibit. It’ll give you a clue about the theme I worked toward.

14495504_10154426325358213_1442553237460574057_n

The fine art exhibit statement by Sue Clancy

Now all that’s left to do before the exhibit opens Oct 1st is the “shouting” – i.e. the P.R., social media stuff, email invitations etc…. here’s an example: http://dailyinthepearl.com/events.html

Thank heavens the Caplan Art Designs gallery and the Daily in the Pearl are also doing P.R. and social media – it’s not completely left to me! This is a prime example of what I’ve talked about before (like in this post titled “riding the P.R. train“) about how the life of a professional artist becomes about many more people than just the artist. It’s a team effort. Thank goodness!

Actually I misspoke – it’ not just the P.R. that’s left to do – I’m also writing and practicing a short 5 minute talk that I’m giving during the opening dinner party.

So… speech-writing… public speaking…. hoo boy, that’s a topic for another day.

back to the wire

A Creative Life, art exhibit, art gallery, art techniques

In my last blog post, titled ‘down to the wire‘, I listed 10 tips for prepping art for gallery display  – and someone asked me to post some photos of the finished backs of my artwork. So here are those requested photos:

backofcupcake72

The finished back of my artwork “Cupcake” – see the coated wire, the d-rings put in with screws, and the clearly typed label?

To make my labels I type up a Word file with all of the data then print it out on full sheet label paper that I get from an office supply store.  I’ve heard from my various gallery owners that they appreciate the legibility.

Here is a close-up photo of the D-ring held on with a screw – and the coated wire on the D-ring.  Extra wire is left on so that the gallery or the client can adjust it if necessary.

wiredringcloseup72

A close up of a D-ring and screw with the coated wire on it – and a tiny bit of the label showing on the left side of this photo.

Here’s another photo of the back of a different artwork – this one is a larger, heavier work so I put the felt “feet” on the bottom to help protect the wall. Also whenever there is a ‘makers mark’ on the back of my cradled board (in this case this board was made by Ampersand) I place my label so I won’t cover up the board makers mark.  If some art conservator someday had to do a repair on my artwork that information could be helpful.

backoffortunestoad72

The finished back of my artwork “Fortunes Toad”

I’m sure you’ll note that the back of this piece also has the coated wire, the D-rings with screws and the printed label.  I strive for consistency as much as possible in both the kind of artwork I do on the front and the kind of work I do on the backs.

And did I mention that the wire is coated? Yep! Coated hanging wire is as essential in the art studio as water is in a kitchen!

 

 

 

down to the wire

A Creative Life, art exhibit, art gallery, art techniques, fine art

Soon I’m taking more new artwork to the Caplan Art Designs gallery. I’ve put the hanging wire on the backs of the latest 3 new works and as I worked I thought of various things I’ve learned, over the past umpteen years as a professional artist, about prepping artwork for display and delivery.

Here are 10 tips along with a picture of me wiring one of my new pieces:

  1. Assemble all necessary tools before beginning. Having to stop and hunt for something interrupts the Zen-cool I find is necessary to do a good hang-wire job.

2. Place the artwork face down on a soft surface large enough to hold my art and my tools.

3. Put the clearly typed label on the back of the artwork in the correct position so that I always know which end is “up”.

4. Use quality “D” rings and screws – NOT the saw-tooth hangers or any other cheap-o hanging method that will come loose over time and let the art fall to the floor unexpectedly.

5. Pre-drill the holes in the wood where the screws will go. (Measure for hole placement at least 2 times)

6. Carefully remove any drill-dust so it will not transfer to and/or mar the art surface.

7. Put a bit of Liquid Nails onto the tip of the screw just prior to screwing it into wood so that the screw will not come loose.

8. Use coated hanging wire – even if it is more expensive –  it is kinder to my hands, my gallery owners hands and ultimately my client’s hands. Leave enough slack in the wire that a hand can easily reach behind and position it over a hook.

9. Do the best to make the backs of the artwork as neat as the front. The wire and label matter because without them there will be nothing on the wall for anyone to see. Without a clear label the gallery owner won’t know what art is what – and thus won’t display it. How art looks on the wall is often all down to the wire. Literally.

10. During delivery – aka stacking art in the car in prep for driving to the gallery in a Zen-cool calm fashion – nest the artworks together face to face – i.e the face of one artwork next to the face of another artwork – with some soft padding between them like a towel or blanket, using the Russian-doll method of stacking; largest on bottom and in succeeding sizes until the smallest is on top.  (Shipping art is another topic…)

mewireingart72

Sue Clancy in her studio wiring her fine art in preparation for an exhibit

Details about my upcoming exhibit is here: 

 

pleasure patterns

A Creative Life, art exhibit, art gallery, artist book, artistic inspirations, books, ebook, fine art

About a year ago I began working towards my upcoming October exhibit at Caplan Art Designs. From a book I’d created years ago with Dr. Bob Hoke titled “Dr. Bob’s Emotional Repair Program First Aid Kit” (aka The First Aid Kit) I selected a ‘living well’ aspect to explore via fine art.  Then I spent the next year making art.

The aspect I’d selected from The First Aid Kit was: (and I’m paraphrasing) “happiness is not about getting what you want from the external world – it’s how you interpret the things you perceive in the external world”.  (You can see some sample pages from The First Aid Kit  here: https://sueclancy.com/artist-books/  – and you can see links for getting either an ebook copy or a print copy of it there too. )

So fast forwarding to now: a year’s worth of artwork has been created and/or selected by the gallery and I’m working on the paperwork  for my exhibit. The gallery likes to have an “exhibit statement” i.e. they want me to create some text based handle by which people visiting my exhibit could have a framework, a context, for understanding my work. I came up with this:

Pleasure Patterns

By Sue Clancy

(exhibit statement for exhibit at The Daily in the Pearl October 2016 via Caplan Art Designs)

I read somewhere that “Happiness is a skill to be practiced like the violin” and I asked myself “How do I practice happiness?”  Then after attending a friend’s mother’s 90th birthday party I began thinking about how our lives are made up of patterns; patterns in nature, patterns in culture, as well as our own mental patterns or habits of mind. So I began to collect, from my daily life, “pleasant patterns” of happiness and have recreated those moments for you.

firstluncheonofladiesredhats72

First Luncheon Of The Ladies With Red Hats by Sue Clancy

riding the PR train

A Creative Life, art exhibit, art gallery, fine art

Kurt Vonnegut once said “Use the time of a total stranger in such a way that he or she will not feel the time was wasted” and I’ve taken those words to heart. I even have Vonnegut’s statement pinned to the wall above my art studio work table. I believe that my creative out-put is not about me. Art-making is not some self-indulgent ego-trip on my part. It’s about the kind of world we are creating together; me and all my friends, pre-friends and strangers. We are all in this together.

Which is why, even after all these years of being a professional artist, I still have mixed feelings when I see PR stuff with my name prominently as the “featured artist”.  On the one hand a one-person fine art exhibit is a culmination of at least a years worth of daily work on my part – so I’m proud of what I’ve accomplished. Yet at the same time I’m very aware that while it may be my name on the marquee, so to speak,  there’s a whole host of people behind me, believing in my artwork, working hard to make the event successful; the gallery owner, the gallery director, the interns and assistants in the gallery to name the obvious ones.  When the opening reception (as it is for my October exhibit) is also a 3 course dinner with wine pairings – there is also the restaurant (Daily in the Pearl!), the chef, the winery (Hip Chicks Do Wine!) – all working hard too.  And I didn’t mention the art supply stores in my beloved Pacific Northwest that provide materials for me to work with… or my spouse, friends, neighbors…. I’ve so many people to be grateful for that I’m not sure the Internet has enough bandwidth to hold my entire list.

So let it suffice to say that while my name may be the most prominent in the PR materials being circulated currently – like this email flyer (below) that the Caplan Art Designs gallery sent out – as well as all the other stuff on Facebook and Twitter etc. This whole exhibit is really about an overall aesthetic experience we’re creating together; my artwork is just the focal point.  Still I have endeavored to use the time of my gallery owners, friends, supporters and strangers as respectfully as I know how… and now I’m riding the PR train, doing my best to support my supporters efforts, prepping for the next stop; the night of the opening. And all the while remembering; It’s not about me, it’s not about me, it’s not about me… choo chooo!!!!

Having trouble viewing this e-mail? Click here to view in your browser.
Please let us know if you no longer wish to receive these emails. You can unsubscribe instantly.
Caplan Art Designs
Cooks, Corks and Co-conspirators

Saturday, October 1st @6:30

Daily Cafe

Featured Artist

Mixed Media

View More Art

Art
Menu
 
 
 
 If the menu is not current, please check back, special diet needs are available upon request.
 
Wine pairings by Hip Chicks Do Wine and a special three course dinner.
 
Featured artist, Sue Clancy will be raffling a modal scarf with one of her design pattern used in her work.
Caplan Art Designs
 
1323 NW 16th #1001/entrance on Pettygrove
Portland, OR 97209
503-319-6437
Send to Friend Twitter Facebook
If you no longer wish to receive these emails, unsubscribe instantly.
Powered by Weiner Design

more star stuff

A Creative Life, Art Apparel, art exhibit, art gallery, Art Licensing, art techniques, artist book, fine art, psychogeography

I alluded in my last blog post  about my newest fine art piece “If It’s Any Constellation” that when I start with one pattern design I tend to do several creative things with it. It’s my way of examining my thinking. You know, like any good philosopher is supposed to do; think about ones own thinking.

That star pattern paper I made in this YouTube video https://youtu.be/cAx88mwARqo became 3 different creative things: a fine art piece (see my last blog post for the image and details), a scarf, and an artist book page.

Here’s the scarf which I titled “Starry Summer Sky”. As I was creating it I was thinking “we wrap ourselves in stars…” and cozy romantic evenings, wrapping oneself up as the summer evenings begin to become chilly autumn nights. You can get a custom made scarf with this design via this link http://shopvida.com/collections/sue-clancy 

57c7791afe4238ce36a37b70_grande

Pattern design titled “Starry Summer Sky” by Sue Clancy for VIDA http://shopvida.com/collections/sue-clancy

And here is the artist book page:

cityandsky72

“City And Sky” by Sue Clancy – 8 x 8 inches – handmade paper, hand stenciled paper, found paper and acrylic on paper

In “City and Sky” I was thinking of how the same starry summer sky shelters all of us….

Anyway, my artist book page is currently on its way to Constellation Studio Gallery in Nebraska. It will be on exhibit there for a few months and then become part of a collaborative artist book – and eventually end up in a library/museum – the entire project is titled “Invisible Cities”.

The overall thought I was pondering with my star pattern design was “What ways do we/can we all live with a vast starry universe at the end of summer?”

Maybe that’s too simple a sentence but do you see what I’m talking about? How a single pattern design – with variations –  can be used as a metaphor, a theme, in different ways. How a pattern can be used as a visual story element – or a way of exploring the questions of life from different angles?

This, besides working aortic valves, is what gets my blood pumping! Pattern designs as a way of thinking…thinking in patterns…. patterns of thinking….designs of patterns…patterns of design! OMG!! Wow!!!!!!!!

Okay, okay, I’ll go take a few deep breaths and calm down.

finished constellation

A Creative Life, art exhibit, art gallery, artistic inspirations, fine art, handmade papers

I’ve finished the artwork I was working on in my last blog post! This one is destined for exhibit by Caplan Art Designs in October. See the events page www.caplanartdesigns.com for details. Here’s the nitty-gritty about my just-completed artwork titled “If It’s Any Constellation”.

ifitsanyconstellation72

If It’s Any Constellation By Sue Clancy 12 x 12 x 1.5 inches Hand dyed paper, handmade paste paper, found paper and acrylic on cradled board

In my last blog post I wrote that recently I was taking out the trash and it seemed the stars were larger than usual… and that that had inspired a pattern design. All true… and here’s the “official blurb” aka what the gallery is likely to post beside this piece as an explanation of my inspiration:

If It’s Any Constellation  by Sue Clancy

The stars seemed larger and clearer one summer Pacific NW evening just before autumn. That same evening I watched a cat playing with a toy; grabbing it, running with it, enjoying it and I thought of how we all have to “pick something” from the many possibilities within our personal galaxy to focus on and enjoy.

So that above is the official blurb and I’m sticking with it.

Just in case you didn’t see it: here is a Youtube video of me making a star pattern paper that you see in “If It’s Any Constellation”: https://youtu.be/cAx88mwARqo

Now I’ll  do the varnish, paperwork and other stuff that needs to be done before I deliver this new artwork to the gallery. After that I’ll also work on some art apparel designs – and on an artist book page – that also applies my “star paper” design pattern thinking – more on all of that later.

seeing stars

A Creative Life, art exhibit, art gallery, art techniques, artistic inspirations, fine art

I’ve been busy working on the last fine art piece I’ll be able to finish in time for my October 2016 exhibit at Caplan Art Designs (see the events page at www.caplanartdesigns.com). Recently I was taking out the trash and it seemed the stars were larger than usual. That inspired a pattern design – Youtube video of me making a star pattern paper is here: https://youtu.be/cAx88mwARqo

Now I’ve glued the paper that I made in the video as the background within my artwork-in-progress and in this photo I’m gluing on more paper ….

scgluingstaronconstellation72

Sue Clancy working on a new fine art piece (handmade paper collage) that uses the star stencil paper made in this video: https://youtu.be/cAx88mwARqo